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Concert 2 Cellos, Piano
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You've selected:
Concert 2 Cellos, Piano
Sheetmusic to print
164 sheet music found
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151
Antonio Vivaldi: Concerto in G minor RV 531 for two cellos & piano
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2 Cellos, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Virtualsheetmusic
Instantly downloadable sheet music by Antonio Vivaldi for two cellos & piano of MEDIUM/HIGH skill level. Contents: concerto in g minor, g minor, rv 531, rv531, etc. / classical,concert...
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Instantly downloadable sheet music by Antonio Vivaldi for two cellos & piano of MEDIUM/HIGH skill level. Contents: concerto in g minor, g minor, rv 531, rv531, etc. / classical,concert
$5.99 ≈
5.37€
10 Christmas Duets for 2 Cellos with Piano Accompaniment (Vol. 3)
10 Christmas Duets for 2 Cellos with Piano Accompaniment (Vol. 3)
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2 Cellos, Piano
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EASY
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Christmas
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Various
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10 Christmas Duets for 2 Cello
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian, Christmas, Concert, Sacred, Standards. Score and parts. 56 pages. Ben Dockery #6562675. Pub...
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Composed by Various. Arranged by B. C. Dockery. Christian, Christmas, Concert, Sacred, Standards. Score and parts. 56 pages. Ben Dockery #6562675. Published by Ben Dockery
Arranged for cello duet with optional piano accompaniment. Great for lessons, recitals, church services, caroling, and Christmas parties.
Includes:
Carol of the Bells
Dance of the Sugar Plum Fairy
Hark the Herald Angels Sing
Infant Holy, Infant Lowly
In the Bleak Midwinter
It Came Upon the Midnight Clear
Jolly Old St. Nicholas
Once in Royal David's City
Sing We Now of Christmas
Wexford Carol
Includes score and parts. 56 pages.
$11.99 ≈
10.75€
Goltermann: La Foi, Op. 95, No.1 For 2 Cellos (Solo and Accompaniment)
Goltermann: La Foi, Op. 95, No.1 For 2 Cellos (Solo and Accompaniment)
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2 Cellos (duet)
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INTERMEDIATE
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Georg Goltermann
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Clara Obsidian
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Goltermann: La Foi, Op. 95, No
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Clara Obsidian
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.871408 Composed by Georg Goltermann. Arranged by Clara Obsidian. Concert,Instructional,Romantic Per...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.871408 Composed by Georg Goltermann. Arranged by Clara Obsidian. Concert,Instructional,Romantic Period,Standards. Score. 10 pages. Clara Obsidian #6231193. Published by Clara Obsidian (A0.871408). Georg Goltermann's La Foi, a beautiful and timeless work of art. Written as part of Opus 95: 3 Romances Symboliques for Cello and Piano, No.1 La Foi is also known as Der Glaube or The FaithArranged for 2 CellosCello 1: Main MelodyCello 2: Accompaniment [Can be played by other Bass Clef instruments in the same range]Great for recitals, concerts and class learning!---------------------------------------------.
$5.99 ≈
5.37€
The Swan (Le Cygne) for 2 cellos (cello duet and piano)
The Swan (Le Cygne) for 2 cellos (cello duet and piano)
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2 Cellos (duet)
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EASY
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Classical
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Camille Saint-Saens
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Markus Hallikainen
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The Swan
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Markus Hallikainen
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SheetMusicPlus
Cello Duet Cello - Level 2 - Digital Download SKU: A0.906209 Composed by Camille Saint-Saens. Arranged by Markus Hallikainen. Concert,Instructional,Roman...
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Cello Duet Cello - Level 2 - Digital Download SKU: A0.906209 Composed by Camille Saint-Saens. Arranged by Markus Hallikainen. Concert,Instructional,Romantic Period,Standards. Score. 2 pages. Markus Hallikainen #6088077. Published by Markus Hallikainen (A0.906209). Famous solo piece for cello is available now 2 cello duo! Another voice is added to compliment the harmonies and to give some special character. Melodies blend together cleverly in this excellent arrangement and make it sound rich and sonorous; really nice to play! Solos are also divided between both players, but cello 2 is keeping mostly the normal part. Now it is even more fun to play it with students or other musicians in concerts, so a great benefit for teachers and for gigs! A great new way to this old classic. The arrangement is complete with all markings, fingerings and bowings! Pedagogically functions well.Piano score is not included, arrangement uses normal piano score. .
$7.99 ≈
7.16€
The Wexford Carol (Trio for Two Cellos and Piano)
The Wexford Carol (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
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Christmas
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Traditional Irish Tune
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John A
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523439 Composed by Traditional Irish Tune. Arranged by John A....
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523439 Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 18 pages. John A. Dempsey #3479847. Published by John A. Dempsey (A0.523439). Also known as Good People All, This Christmas Time and Carul Loch Garman, this traditional Irish Christmas carol has a hauntingly beautiful melody dating back to the 12th century.  A Celtic-flavored celebration of the Nativity, this trio for two cellos and piano is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture and special music.  14 pages of music (that includes separate two-page parts for cello 1 and cello 2).  Key: D major.  Cello Level: Intermediate.  Piano Level: Late Intermediate   .
$11.99 ≈
10.75€
Christmas Medley (What Child is This / Away in a Manger): Trio for Two Cellos and Piano
Christmas Medley (What Child is This / Away in a Manger): Trio for Two Cellos and Piano
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2 Cellos (duet)
#
INTERMEDIATE
#
Christmas
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523339 Composed by James R. Murray. Arranged by John A. Dempse...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523339 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 22 pages. John A. Dempsey #3371977. Published by John A. Dempsey (A0.523339). This triumphant, stirring trio for two cellos and piano - a medley of two Christmas carols - is shaded with quiet, prayerful moments and brightened by joyful bursts of praise. Â It's sweeping musical journey that celebrates the beauty and wonder of Jesus' birth. Â Recommended for plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 18 pages of music (that includes separate two-page parts for cello 1 and cello 2). Â Key: E minor. Â Cello Level: Intermediate. Â Piano Level: Late Intermediate.
$11.99 ≈
10.75€
O Come All Ye Faithful (Trio for Two Cellos and Piano)
O Come All Ye Faithful (Trio for Two Cellos and Piano)
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2 Cellos (duet)
#
INTERMEDIATE
#
John Francis Wade
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John A
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O Come All Ye Faithful
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John A. Dempsey
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523343 Composed by John Francis Wade. Arranged by John A. Demp...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523343 Composed by John Francis Wade. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3436205. Published by John A. Dempsey (A0.523343). O come let us adore Him, Christ the Lord. Â This hymn arrangement of a beloved Yuletide carol is a Christmas kaleidoscope of praise, since it includes additional themes, rhythmic and melodic variation as well as varied moods, both peaceful and elated, and all reflective of the celebration of the Nativity. Â With incidental music by Anton Dvorak (from his Silhouettes), this trio for two cellos and piano is recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 15 pages of music (that includes separate two-page parts for cello 1 and cello 2). Â Key: D major.
$11.99 ≈
10.75€
We Three Kings (Trio for Two Cellos and Piano)
We Three Kings (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
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Christmas
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523340 Composed by John Henry Hopkins, Jr., Enrique Granados. ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523340 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #3408419. Published by John A. Dempsey (A0.523340). Arranged as a trio for two cellos and piano, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas pageants, plays and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  17 pages of music (that includes separate two-page parts for cello 1 and cello 2).  Key: B minor   We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99 ≈
10.75€
Winter Forest Serenade (Trio for Two Cellos and Piano)
Winter Forest Serenade (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
#
John A
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Winter Forest Serenade
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.524256 Composed by John A. Dempsey. Christmas,Classical,Contem...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.524256 Composed by John A. Dempsey. Christmas,Classical,Contemporary,Holiday,Wedding. Score and parts. 20 pages. John A. Dempsey #5191235. Published by John A. Dempsey (A0.524256). A sparkling, snowy serenade, this romantic trio for two cellos and piano is recommended for recitals, concerts and festive Christmas celebrations. Â Also a must-have for wedding music (as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional). Â 16 pages of music (that includes separate two-page parts for cello 1 and cello 2). Â Key: Â C major.
$11.99 ≈
10.75€
The Water is Wide (Trio for Two Cellos and Piano)
The Water is Wide (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
#
Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet and Piano - Level 3 - Digital Download SKU: A0.523335 Composed by Traditional Celtic Melody. Arranged by ...
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Instrumental Duet,Piano Cello,Instrumental Duet and Piano - Level 3 - Digital Download SKU: A0.523335 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Multicultural,Spiritual,Wedding,World. 13 pages. John A. Dempsey #3124163. Published by John A. Dempsey (A0.523335). Give me a boat that can carry two and both shall row, my love and I. Â From a rich, vibrant Celtic tradition comes the memorable tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). Â This unabashedly romantic trio for two cellos and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. Â For wedding music, this arrangement is recommended as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â Â Â Â As this melody has been used in multiple hymn settings, such as The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross, this music is also effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music or silent prayer accompaniment. Â Key: G major. Â 9 pages of music (that includes separate pullout pages for cello 1 and cello 2).
$11.99 ≈
10.75€
Shimmering River, Starry Night (Trio for Two Cellos and Piano)
Shimmering River, Starry Night (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE/ADVANCED
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John A
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John A
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Shimmering River, Starry Night
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John A. Dempsey
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1268107 Composed by John A. Dempsey. Arranged by John A. Demps...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1268107 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. 18 pages. John A. Dempsey #860666. Published by John A. Dempsey (A0.1268107). Music mirroring the flowing beauty of rivers and the vast, nighttime canvas of stars found on a magical, midsummer evening, this romantic trio for two cellos and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 14 pages of music (that includes separate two-page parts for cello 1 and cello 2). Key: G major.
$12.99 ≈
11.64€
Angels We Have Heard on High (Trio for Two Cellos and Piano)
Angels We Have Heard on High (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
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Christmas
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Traditional French Christmas C
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John A
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Angels We Have Heard on High
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1269042 Composed by Traditional French Christmas Carol. Arrang...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1269042 Composed by Traditional French Christmas Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #861577. Published by John A. Dempsey (A0.1269042). Arranged as a lively trio for two cellos and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all three parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: C major. Â 16 pages of music (that includes separate two-page parts for cello 1 and cello 2).
$11.99 ≈
10.75€
Just a Closer Walk with Thee (Trio for Two Cellos and Piano)
Just a Closer Walk with Thee (Trio for Two Cellos and Piano)
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2 Cellos (duet)
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INTERMEDIATE
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Gospel/Spiritual
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Traditional Spiritual, Scott J
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John A
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Just a Closer Walk with Thee
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523337 Composed by Traditional Spiritual, Scott Joplin. Arrang...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.523337 Composed by Traditional Spiritual, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Sacred,Spiritual,Traditional. Score and parts. 18 pages. John A. Dempsey #3125355. Published by John A. Dempsey (A0.523337). The reverential mood of Just a Closer Walk with Thee is sustained and enhanced, as it's paired with and in the style of Solace, one of Scott Joplin's slower, more contemplative ragtime favorites. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â Also popular as a performance piece for recitals and concerts. Â Key: G major. Â 14 pages of music (that includes separate two-page parts for Cello 1 and Cello 2).
$11.99 ≈
10.75€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.50€
Deck the Halls (2 Cellos and Piano)
Deck the Halls (2 Cellos and Piano)
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Cello, Piano
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EASY
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Christmas
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Traditional
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B
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Deck the Halls
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.694746 Composed by Traditional. Arranged by B. C. Dockery. Chr...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.694746 Composed by Traditional. Arranged by B. C. Dockery. Christian,Christmas,Concert,Sacred. Score and parts. 5 pages. Ben Dockery #6500425. Published by Ben Dockery (A0.694746). Arranged for cello duet with optional piano accompaniment. Great for lessons, recitals, caroling, church services, and Christmas parties.
$4.99 ≈
4.47€
Happy Birthday for 2 Cellos and Piano
Happy Birthday for 2 Cellos and Piano
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Cello, Piano
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INTERMEDIATE
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Patty Hill, Mildred Hill
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B
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Happy Birthday for 2 Cellos an
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.694573 Composed by Patty Hill, Mildred Hill. Arranged by B. C....
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.694573 Composed by Patty Hill, Mildred Hill. Arranged by B. C. Dockery. Children,Concert,Holiday,Instructional,Standards. Score and parts. 1 pages. Ben Dockery #6428091. Published by Ben Dockery (A0.694573). Happy Birthday arranged for cello duet with optional piano accompaniment.
$4.99 ≈
4.47€
THERE IS HOPE THROUGH MUSIC for Piano & Cello
THERE IS HOPE THROUGH MUSIC for Piano & Cello
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2 Cellos (duet)
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INTERMEDIATE/ADVANCED
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THERE IS HOPE THROUGH MUSIC fo
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White Piano International Publishing
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SheetMusicPlus
Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Historic,Instructiona...
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Historic,Instructional,Multicultural,New Age,World. Score. 13 pages. White Piano International Publishing #678631. Published by White Piano International Publishing (A0.1074344). THERE IS HOPE THROUGH MUSICFor Piano & Celloby ROBERT VAN HORNEPiano 10 pages / Cello 3 pagesApprox. Time: 5:10 On Saturday afternoon, March 26, 2011, Robert Van Horne, pianist and composer was invited to a special meeting of Bay Area business people. Their purpose - wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that Robert compose a new song for the project that would let those afflicted in Japan, know they would not be forgotten. I was so inspired by the dedication and volunteerism of all the people at the meeting, Robert says, that I went home and composed a new piece of music with the title: THERE IS HOPE THROUGH MUSIC. A video of the first recorded vocal version was sent to Alex Kurosawa on Friday, April 8, 2011. https://www.youtube.com/watch?v=hrefmPk3lKE A choral arrangement premiered on December 10, 2011 in Sunnyvale, CA at a Benefit Concert for Japan Earthquake and Tsunami Relief: http://www.youtube.com/watch?v=B_oR23kPE0Q Mr. Shigeo Tachibana recorded a very special shakuhachi version: https://www.youtube.com/watch?v=BFcQfEzKCTk In addition, another unique performance by TMAP was presented with shakuhachi, koto, soprano and piano at the Zenkei Temple on April 1, 2012 in Japan: http://www.youtube.com/watch?v=-9ILnn8-EUk The music has been arranged for Piano/Vocal, Mixed Chorus: http://www.youtube.com/watch?v=-9ILnn8-EUk This cello and piano arrangement was featured on October 15, 2011 at the First Congregational Church of Berkeley by cellist Oleg Sendetsky and pianist Mutsuko Dohi and presented by the Kurosawa Piano Music Foundation. The music is dedicated to give hope to all those affected by the March 11, 2011. It is an emotionally sounding work of music. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$11.99 ≈
10.75€
O Holy Night - 2 Violoncellos, Piano and Optional Drum Set - Intermediate Level
O Holy Night - 2 Violoncellos, Piano and Optional Drum Set - Intermediate Level
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2 Cellos (duet)
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INTERMEDIATE
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Christmas
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Adolphe-Charles Adam
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Raymond Fenech
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O Holy Night - 2 Violoncellos,
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Raymond Fenech
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.760416 Composed by Adolphe-Charles Adam. Arranged by Raymond Fenech. Christmas,Holiday,Pop,Praise &...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.760416 Composed by Adolphe-Charles Adam. Arranged by Raymond Fenech. Christmas,Holiday,Pop,Praise & Worship,Traditional. Score. 15 pages. Raymond Fenech #3636741. Published by Raymond Fenech (A0.760416). O Holy Night is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem Minuit, chrétiens (Midnight, Christians) written by a wine merchant and poet, Placide Cappeau (1808–1877). In both the French original and the English version of the carol, as well as many other languages, the text reflects on the birth of Jesus and on humanity's redemption. The Duration is approx. 3.38 minutes and the level is Early Intermediate. This arrangement could be played with the Drum Set. O Holy Night is catered for school concerts, but could also be played in other concerts as well.
$4.99 ≈
4.47€
Down by the Riverside - Traditional - 2 Violoncellos; Piano and Drum Set - Intermediate level
Down by the Riverside - Traditional - 2 Violoncellos; Piano and Drum Set - Intermediate level
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2 Cellos (duet)
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INTERMEDIATE
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Traditional
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Raymond Fenech
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Down by the Riverside - Tradit
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Raymond Fenech
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.760367 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Sco...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.760367 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 17 pages. Raymond Fenech #3591059. Published by Raymond Fenech (A0.760367). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50 ≈
4.03€
We Wish you a Merry Christmas Cello Duet with Piano
We Wish you a Merry Christmas Cello Duet with Piano
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2 Cellos (duet)
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EASY
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Christmas
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purchasing this sheet music, y
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Unknown
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Rika K
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We Wish you a Merry Christmas
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Rika K.
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SheetMusicPlus
Cello Duet Cello - Level 2 - Digital Download SKU: A0.1336828 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. S...
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Cello Duet Cello - Level 2 - Digital Download SKU: A0.1336828 Composed by Unknown. Arranged by Rika K. Chamber,Christian,Christmas,Holiday,Traditional. Score. 4 pages. Rika K. #922617. Published by Rika K. (A0.1336828). We present to you an exclusive arrangement of the classic Christmas song, We Wish You a Merry Christmas. This is a traditional English Christmas song that dates back to the 16th century Victorian era. This arrangement has been meticulously wrote for Cello Duet with Piano; making it a perfect choice for beginner ensembles. The simplicity and beauty of this piece will allow novice musicians to shine, captivating the audience with the joy of Christmas. Moreover, this arrangement is not just a musical piece, but also an excellent educational resource. Music teachers can use it as teaching material in their classes, helping students to hone their musical skills while preparing for the festive season. Ideal for recitals, concerts, or performances, this arrangement of We Wish You a Merry Christmas will certainly add a festive touch to any event. By purchasing this sheet music, you will be bringing the joy and tradition of Christmas to your music. Don’t miss the opportunity to acquire this exclusive arrangement and bring the magic of Christmas to your music.
$5.99 ≈
5.37€
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