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Praised on high.
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You've selected:
Praised on high.
Sheetmusic to print
23 sheet music found
<
1
Jesu Who Ought to Be Praised
Jesu Who Ought to Be Praised
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Choral TTBB
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its existence, all life praise
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J
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Jesu Who Ought to Be Praised
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J. William Greene
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.982601 Composed by J. William Greene. Christian,Contemporary,Sacred. Octavo. 12 pages. J. William Greene #...
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Choral Choir (TTBB) - Digital Download SKU: A0.982601 Composed by J. William Greene. Christian,Contemporary,Sacred. Octavo. 12 pages. J. William Greene #5801309. Published by J. William Greene (A0.982601). Celtic spirituality is intimately bound up with nature and the natural world. Christ's church is often likened to a tree with His people as its branches. In this text, Christ's-blessing infuses all life, from the strand (stream) to the river to the sea. By its existence, all life praises Him, so it is right (meet) that we also offer praise. Based on a Biblical text, this particular text comes from The Carmina Gadelica (Gaelic Songs), published in 1899, which were collected by Alexander Carmichael during his travels of the highlands and islands of Scotland as a customs and excise inspector. .
$5.00 ≈
4.59€
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Contemporary
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Robert Debbaut
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A Trilogy of Joy, three short
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ROBERT DEBBAUT
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Publ...
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403). American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
$9.95 ≈
9.14€
Variations on a theme of "Hänschen klein"(Lightly Row)
Variations on a theme of "Hänschen klein"(Lightly Row)
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Piano solo
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INTERMEDIATE
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Chiao-Han Liao
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Diau-Hua Lim 林肇è
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Variations on a theme of "Hän
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1319041 By Chiao-Han Liao. By German children song. Arranged by Diau-Hua Lim 林肇è¯. Chamb...
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Piano Solo - Level 3 - Digital Download SKU: A0.1319041 By Chiao-Han Liao. By German children song. Arranged by Diau-Hua Lim 林肇è¯. Chamber,Children,Classical,Traditional. Score. 8 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #907637. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1319041). The piano piece, VARIATIONS ON A THEME OF HÄNSCHEN KLEIN for piano solo,is based on the melodic elements of German children song, Hänschen klein.It was arranged for piano variations by Diau-Hua Lim in 2010. The children song is also known as Lightly Row in the States,The Butterfly in Japan and The Working Bee in Taiwan. The highly praised first performance of the piano piece was performed by the famous pianist Chiao-Han Liao at National Concert Hall in Taipei in 2010.There are four variations in the piece.In the first variation, the melody is performed by the left hand while the counter melody of tripletsis is played by the right hand.By changing the music to minor key,the second variation shows a mood of sentiment.The abunt harmony and chromatic descending passage create a fantastic feeling in the third variation.The fourth variation spreads cheerfulness with a speedy tempo.
$14.99 ≈
13.76€
Precious Savior
Precious Savior
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Choral SATB
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INTERMEDIATE/ADVANCED
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DLB
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DLB (ascap)
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Praised on high.
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Precious Savior
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Glorymusic.us
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.505638 By DLB. By DLB. Arranged by DLB (ascap). Christmas,Contest,Festival,Holiday,Sacred. Octav...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.505638 By DLB. By DLB. Arranged by DLB (ascap). Christmas,Contest,Festival,Holiday,Sacred. Octavo. 9 pages. Glorymusic.us #117295. Published by Glorymusic.us (A0.505638). Halleluiahs fill the sky. His matchless birth; Praised on high.
$1.99 ≈
1.83€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
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Concert band
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ADVANCED
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 4...
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Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99 ≈
27.54€
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
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Concert band
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ADVANCED
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke |
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Michael Barrera
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 2...
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Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99 ≈
73.45€
Back To The Future
Back To The Future
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Concert band
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INTERMEDIATE/ADVANCED
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Film/TV
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Alan Silvestri
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Graham Boag
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Back To The Future
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Graham Boag
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show...
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Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99 ≈
55.09€
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.22€
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Violin and Piano
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ADVANCED
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Rachmaninoff - Etude-Tableau i
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period....
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Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95 ≈
6.38€
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.22€
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.22€
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Choral SATB
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INTERMEDIATE/ADVANCED
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. C...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99 ≈
10.09€
The Scientist
The Scientist
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Piano, Voice
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EASY
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Film/TV
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Coldplay
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Academia Unimusica
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The Scientist
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Unimusic Academy
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Ac...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Academia Unimusica. Film/TV. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265693. Published by Unimusic Academy (Academia Unimusica) (A0.809437). The Scientist is a song by British rock band Coldplay. The song was written collaboratively by all the band members for their second album, A Rush of Blood to the Head. It is built around a piano ballad, with lyrics telling the story about a man's desire to love and an apology. The song was released in the United Kingdom on 4 November 2002 as the second single from A Rush of Blood to the Head and reached number 10 in the UK Charts. It was released in the United States on 15 April 2003 as the third single and reached number 18 on the US Billboard Modern Rock Tracks chart and number 34 on the Adult Top 40 chart. Critics were highly positive towards The Scientist and praised the song's piano ballad and falsetto. Several remixes of the track exist, and its riff has been widely sampled. The single's music video won three MTV Music Video Awards, for the video's use of reverse narrative. The song was also featured on the band's 2003 live album Live 2003 and has been a permanent fixture in the band's live set lists since 2002.
$8.00 ≈
7.35€
Två sånger till Linnea
Två sånger till Linnea
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Choral SSAA
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Hans Lundgren
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Två sånger till Linnea
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSAA chorus - Digital Download SKU: BJ.1285 Composed by Hans Lundgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1285. Published by Bo Ejeby ...
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SSAA chorus - Digital Download SKU: BJ.1285 Composed by Hans Lundgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1285. Published by Bo Ejeby Forlag - Digital (BJ.1285). 8.27 x 11.7 inches.Contents:Bara for dig ForgatmigejTwo songs to Linnea - Linnea being a women's choir highly treasured by the composer. The first song is based on a love-poem by praised Danish author Ditlevsen. The second song is based on a text about the word Forgatmigej, forget-me-not, which was appointed Swedens' most beautiful word in 2015.
$3.20 ≈
2.94€
Csikos Post
Csikos Post
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Piano Quintet: piano, 2 violins, viola, cello
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INTERMEDIATE
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Hermann Necke
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Diau-Hua Lim
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Csikos Post
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Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1318630 Composed by Hermann Necke. Arranged by Diau-Hua Lim. Chamber,Contest,...
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Piano Quintet Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1318630 Composed by Hermann Necke. Arranged by Diau-Hua Lim. Chamber,Contest,Festival. 19 pages. Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores #907308. Published by Diau-Hua Lim ,æž—è‚‡è¯ ,故鄉åæ›²æ¨‚èœ ,Homeland Famous Music Scores (A0.1318630). Csikós Post is a famous piano work of German composer, Hermann Necke. Csikós means the rider on the horse. The piano work is partly based on the Hungarian Rhapsody No.2 of Liszt in 1847.It is popular in the sports day in Japan as background music. In 2006, it was arranged for piano quintet by Diau-Hua Lim and performed at national Concert Hall in Taipei.The lively fantastic improvisation of piano and 1st Violin is very highly praised.
$24.99 ≈
22.95€
He Never Said A Mumbalin' Word
He Never Said A Mumbalin' Word
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Piano solo
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INTERMEDIATE
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Henrietta Atkin
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Henrietta Atkin
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He Never Said A Mumbalin' Word
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Henrietta Atkin
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1379344 By Henrietta Atkin. By African-American Spiritual. Arranged by Henrietta Atkin. Christian,Easter,...
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Piano Solo - Level 3 - Digital Download SKU: A0.1379344 By Henrietta Atkin. By African-American Spiritual. Arranged by Henrietta Atkin. Christian,Easter,Religious,Spiritual. Score. 3 pages. Henrietta Atkin #964026. Published by Henrietta Atkin (A0.1379344). Depicting the last moments of Jesus on the cross, this classic African-American spiritual is often sung on Good Friday.The lyrics describe the agony of Jesus, and also bring to mind the scripture of the suffering servant: Like a sheep being led to the slaughter or a lamb that is silent before her shearers, he did not open his mouth (Isaiah 53:7). His silence is praised because there was no deceit in his mouth (Isaiah 53:9).The piano arrangement highlights the phrase Not a word in three iterations. Â This meditative, powerful, poignant setting is suitable for a Good Friday liturgy, such as services based on the Seven Last Words of Christ, or the mass for Good Friday.
$4.99 ≈
4.58€
Serenade for Winds Movement 1 - for Clarinet Choir
Serenade for Winds Movement 1 - for Clarinet Choir
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Clarinet Ensemble
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ADVANCED
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Classical
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Antonin Dvorak
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C Blankenship
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Serenade for Winds Movement 1
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C Blankenship
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.899609 Composed by Antonin Dvorak. Arranged by C Blankenship. Romantic Period. 41 pages. ...
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.899609 Composed by Antonin Dvorak. Arranged by C Blankenship. Romantic Period. 41 pages. C Blankenship #6210483. Published by C Blankenship (A0.899609). Serenade for wind instruments, cello and double bass in D minor (Czech: Serenáda pro dechové nástroje d moll), Op. 44, B. 77, is a chamber composition by the Czech composer AntonÃn Dvořák. The work is dedicated to the music critic and composer Louis Ehlert who praised the Slavonic Dances highly in the German press.It was created in 1878, shortly after the première of the opera The Cunning Peasant, one of fifteen compositions he submitted for the Austrian State Stipendium award. The work was first heard on 17 November 1878 at a concert exclusively dedicated to Dvořák's works, with the orchestra of the Prague Provisional Theatre (Czech: ProzatÃmnÃ). The composition was performed under the composer's baton.
$20.00 ≈
18.37€
Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Ba...
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English Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 12 pages. Jmsgu3 #686830. Published by jmsgu3 (A0.1082622). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini's Sonatas Op. 1 was composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Sammartini is considered a formative influence on the preclassical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.
$27.95 ≈
25.67€
Sammartini: Sonata I Op. 1 No. 1 for Clarinet Duo
Sammartini: Sonata I Op. 1 No. 1 for Clarinet Duo
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2 Clarinets (duet)
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INTERMEDIATE
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Classical
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Giovanni Battista Sammartini
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James M
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Sammartini: Sonata I Op. 1 No.
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jmsgu3
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1348845 Composed by Giovanni Battista Sammartini. Arranged by James M. Guthrie. Chamber,Class...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.1348845 Composed by Giovanni Battista Sammartini. Arranged by James M. Guthrie. Chamber,Classical,Historic,Standards,Traditional. 2 scores. 18 pages. Jmsgu3 #933580. Published by jmsgu3 (A0.1348845). Giuseppe Sammartini's Sonatas Op. 1 were composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Giovanni Battista Sammartini is considered a formative influence on the pre-Classical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.
$24.95 ≈
22.91€
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