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32 sheet music found
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1
26
STRING QUARTET Nº 18 - Haydn
STRING QUARTET Nº 18 - Haydn
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F
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F
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STRING QUARTET Nº 18 - Haydn
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Zago
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SheetMusicPlus
Clarinet,Flute,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1008075 Composed by F. J. Haydn. Arranged by F. Zago. Chamber,Classical,Multicu...
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Clarinet,Flute,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1008075 Composed by F. J. Haydn. Arranged by F. Zago. Chamber,Classical,Multicultural,World. 12 pages. Zago #6703759. Published by Zago (A0.1008075). Adapted for brass and others. Flute, Clarinet, Trumpet, Trombone tenor and Tuba.
$6.00 ≈
£4.60
Danse Nègre from African Suite. Op. 35 for Brass Choir
Danse Nègre from African Suite. Op. 35 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Danse Nègre from African Suit
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arra...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,World. 80 pages. Charles Decker Music Press #651613. Published by Charles Decker Music Press (A0.1047096). This brilliant brass choir arrangement captures the excitement of the composer’s orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat; trumpets 3 and 4 double on flugelhorn), 4 horns, 3 trombones, euphonium and tuba with brass orchestration that mirrors the texture and excitement of Coleridge-Taylor's orchestral work to inspire performers and excite audiences. Consider this impressive arrangement to feature your band or orchestra brass section on your next concert. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$28.99 ≈
£22.25
Danse Nègre from African Suite. Op. 35 for Brass Band
Danse Nègre from African Suite. Op. 35 for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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Danse Nègre from African Suit
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95 ≈
£26.82
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
£1.53
'S Toigh Leam Fhìn Buntàta - Arranged by Na-Mara
'S Toigh Leam Fhìn Buntàta - Arranged by Na-Mara
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Traditional
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Na-Mara
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'S Toigh Leam Fhìn Buntàta -
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Na-Mara
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SheetMusicPlus
Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5970335. Publishe...
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Woodwind Ensemble - Digital Download SKU: A0.1013019 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5970335. Published by Na-Mara (A0.1013019). 'S Toigh Leam Fhìn Buntà ta: this is a traditional Strathspey folk tune from Scotland, transcribed and arranged for two melody instruments, and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. In the key of D, 'S Toigh Leam Fhìn Buntà ta can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from an album by the Scots-Gaelic singer Julie Fowlis, and the song she sings is all about liking butter and potatoes. Performance tips: this is beginner / intermediate level piece played Allegro or at a moderate fast speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Make sure the rhythm of the characteristic ‘Scotch snap’ is crisp and clean. The guitar accompaniment can be played with broken chords, or arpeggio style. This tune works well included as part of a ‘Ceilidh’ set.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99 ≈
£1.53
Nuevo cielo (New Heaven), Celtic Song by Gustavo Fuentes
Nuevo cielo (New Heaven), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Nuevo cielo
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.900406 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 4 pages. Gustavo Fuentes #3637535. Published by Gustavo Fuentes (A0.900406). New Heaven. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Some things in this universe always remain the same while others are constantly changing. We are at the mercy of time and the changing seasons. Time is precisely what gives us perspective and helps us realize our reality is always evolving.Some changes are inevitable and we cannot do anything about them. They can be beautiful and fill our souls with joy and excitement or they can fill us with sorrow.But there are other types of changes which are fully up to us and that is what this song is about.There are times when we decide to make personal changes in order to go on a new journey and reimagine our heaven. A new heaven which will give us the strength and the courage to fight our fears and our demons. When we change our destiny and fight despite all setbacks, we become the warriors of our own battles. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Asà como en el universo existen cosas constantes y cosas en perpetuo cambio, nosotros también vivimos a merced del tiempo y sus estaciones. Es justamente el tiempo el que nos da la perspectiva de que nuestra realidad evoluciona.Algunos de esos cambios pueden ser externos a nuestra voluntad, inevitables. Pueden ser hermosos y llenarnos el alma de alegrÃa y emoción o envolvernos en tristeza y melancolÃa. Pero hay otros cambios que dependen de nosotros, y sobre ellos gira esta melodÃa.Hay momentos en que decidimos mudar nuestro ser y nuestra realidad para transitar un camino diferente, tiempos en los que queremos transformar nuestro cielo. Ese nuevo cielo por venir es el que nos da la fuerza y la valentÃa para luchar contra nuestros temores y fantasmas. Se trata de esas ocasiones en las que decidimos transformar nuestro destino y luchamos contra todas las adversidades. El tiempo en que somos guerreros de nuestras propias batallas.
$4.99 ≈
£3.83
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
£6.10
Ta Maman for alto, cello and guitar
Ta Maman for alto, cello and guitar
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Contemporary
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and part...
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00 ≈
£7.67
Khayaal, a lil fantasy
Khayaal, a lil fantasy
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Suraj Synthesist
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Khayaal, a lil fantasy
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Suraj Synthesist
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SheetMusicPlus
Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interac...
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Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interactive Download. Blues,Jazz,Rock,World. 32 pages. Duration 222. Suraj Synthesist #6CfkCDFWkiGuZ3cxOxFJYw. Published by Suraj Synthesist (A0.1470882). Key: F major.The instrumental song Khayaal, a lil Fantasy merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version & a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler & BluesJazz/ Rock-n-Roll Bassline is also heard in the piece. This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions & directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them & how they were made to sound in the specific way.
$20.00 ≈
£15.35
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0...
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.730397 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 17 pages. James Nathaniel Holland #3077739. Published by James Nathaniel Holland (A0.730397). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for medium voice (Baritone (Key of G, Range: C to high G), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo trumpet.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.Though naught to fame,or of great deeds reserved to claim,or that fortune's passed me by.
$5.50 ≈
£4.22
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Treble) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Treble) Voice and Piano
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Low Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.73...
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Low Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.730398 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 20 pages. James Nathaniel Holland #3077765. Published by James Nathaniel Holland (A0.730398). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for low voice (Alto (Key of D, Range: G3 to D5), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), alto/bass instruments in C (cello, bassoon, trombone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) or viola part is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo violin.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.
$6.50 ≈
£4.99
Stayin' Alive from the Motion Picture SATURDAY NIGHT FEVER
Stayin' Alive from the Motion Picture SATURDAY NIGHT FEVER
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N-Trance
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Austin Ralphson
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Stayin' Alive from the Motion
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Austin Ralphson
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SheetMusicPlus
Small Ensemble Alto Saxophone,Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.563137 By N-Trance. By Bar...
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Small Ensemble Alto Saxophone,Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.563137 By N-Trance. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Austin Ralphson. Dance,Disco. Score and parts. 56 pages. Austin Ralphson #3014317. Published by Austin Ralphson (A0.563137). Horn parts with Fender Rhodes arranged for this classic disco song. I have included complete versions in two different keys as some bands seem to prefer F minor whilst others prefer F# minor for this song! The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99 ≈
£9.97
Messiah's Allelujah
Messiah's Allelujah
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Classical
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George Frideric Handel
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Javier MartÃnez Maya
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Messiah's Allelujah
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Arte Nova Music Lab
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SheetMusicPlus
Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert...
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Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Score and parts. 29 pages. Arte Nova Music Lab #2119829. Published by Arte Nova Music Lab (A0.742366). Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1] Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Taken from https://en.wikipedia.org/wiki/Messiah_(Handel).
$20.00 ≈
£15.35
Little Barefoot
Little Barefoot
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Frank Howard
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Little Barefoot
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11335 Composed by Frank Howard. Poor persons, Winter, Death, Mothers & children, Ethics...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11335 Composed by Frank Howard. Poor persons, Winter, Death, Mothers & children, Ethics. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11335). Little Barefoot. Words and Music by Frank Howard. Published [n.d.] by in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Winter, Death, Mothers & children, Ethics. First line reads Standing where the bleak winds whistled, round her small and fragile form.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
O Give Me Your Hand
O Give Me Your Hand
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N
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O Give Me Your Hand
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4928 Composed by N. K. Griggs. Shaking hands, Courtship, Marriage proposals, Mothers & ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4928 Composed by N. K. Griggs. Shaking hands, Courtship, Marriage proposals, Mothers & children, Clocks & watches, Deathbeds, Grief, Parlors, Prayer, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4928). O Give Me Your Hand. Words & Music by N.K. Griggs. Published 1885 by The Chicago Music Co., 148 & 150 Wabash Ave. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Shaking hands, Courship, Marriage proposals, Mothers & children, Clocks & watches, Deathbeds, Grief, Parlors, Prayer, Comfort. First line reads When night has veiled the earth, so fair, and hosts of heaven are guarding the land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
Finger Prints Upon the Pane
Finger Prints Upon the Pane
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Thomas P
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Finger Prints Upon the Pane
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.611 Composed by Thomas P. Westendorf. Parlors, Windows, Portraits, Infants, Children's ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.611 Composed by Thomas P. Westendorf. Parlors, Windows, Portraits, Infants, Children's furniture, Beds, Mothers & children, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.611). Finger Prints Upon the Pane. Words by Geo. M. Vickers. Music by Thos. P. Westendorf. Published 1879 by [W.F. Shaw] in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Windows, Portraits, Infants, Children's furniture, Beds, Mothers & children, Death, Grief. First line reads I had open'd wide the shutters of the long deserted room.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
I Kissed the Darlings in Their Dreams. Ballad (With Chorus Ad. Lib.)
I Kissed the Darlings in Their Dreams. Ballad (With Chorus Ad. Lib.)
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Charles E
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I Kissed the Darlings in Their
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.634 Composed by Charles E. Pratt. Mothers & children, Children sleeping, Love, Twins. L...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.634 Composed by Charles E. Pratt. Mothers & children, Children sleeping, Love, Twins. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.634). I Kissed the Darlings in Their Dreams. Ballad (With Chorus Ad. Lib.). Words by Wm. H. Nevil. Music by Chas. E Pratt. Published 1884 by [W.F. Shaw] in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Children sleeping, Love, Twins. First line reads Two little darlings pure and sweet, were nestling in their little bed.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
Bring Me a Letter From Home. Song & Chorus
Bring Me a Letter From Home. Song & Chorus
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Adam Geibel
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Bring Me a Letter From Home. S
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4696 Composed by Adam Geibel. Doves, Correspondence, Homesickness, Mothers & children. ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4696 Composed by Adam Geibel. Doves, Correspondence, Homesickness, Mothers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4696). Bring Me a Letter From Home. Song & Chorus. Words by Geo. M. Vickers. Music Adam Geibel. Published 1881 by W.F. Shaw in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Doves, Correspondence, Homesickness, Mothers & children. First line reads Bring me a letter, O, beautiful bird, one that is long and sweet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
Coming Down the Stair. Ballad and Chorus
Coming Down the Stair. Ballad and Chorus
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Violetta
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Coming Down the Stair. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4163 Composed by Violetta. Mothers & children, Love. Lester S. Levy Collection. 3 pages...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4163 Composed by Violetta. Mothers & children, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4163). Coming Down the Stair. Ballad and Chorus. Words by Edith Moore. Music by Violetta. Published 1873 by Wm. A. Pond] in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Love. First line reads Little feet that patter, down the entry stair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
Baby Fingers on My Cheek. Song and Chorus
Baby Fingers on My Cheek. Song and Chorus
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C
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Baby Fingers on My Cheek. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.558 Composed by C.A. White. Mothers & children, Angels, Death, Aged persons. Lester S. ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.558 Composed by C.A. White. Mothers & children, Angels, Death, Aged persons. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.558). Baby Fingers on My Cheek. Song and Chorus. Words by Frank N. Scott. Music by C.A. White. Published 1885 by White, Smith & Company in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Angels, Death, Aged persons. First line reads oft as mem'ry fondly lingers on the hours of long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.60
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