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You've selected:
Cello Bassoon, Orchestra
Sheetmusic to print
1,391 sheet music found
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1376
Yes! We Have No Bananas for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
Yes! We Have No Bananas for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two
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Bassoon, Violoncello
#
Broadway
#
Silver & Cohn
#
Daniel Kelley
#
Yes! We Have No Bananas for Ce
#
Last Resort Music Publishing
#
SheetMusicPlus
Instrumental Duet Bassoon,Cello,Instrumental Duet - Digital Download SKU: A0.530800 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Br...
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Instrumental Duet Bassoon,Cello,Instrumental Duet - Digital Download SKU: A0.530800 Composed by Silver & Cohn. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071813. Published by Last Resort Music Publishing (A0.530800). YES! WE HAVE NO BANANAS - This fabulous hit song by Silver & Cohn from 1923 has been re-recorded by Benny Goodman and His Orchestra, Spike Jones & His City Slickers, Kidsongs, and many more. Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & BassoonEach duet is published in score form (both parts on the same page) so that the players can play from the same part.All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$5.95 ≈
£4.54
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
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2 Bassoons (duet)
#
EASY
#
Classical
#
Antonin Dvorak
#
James M
#
dynamic c control
#
DvoÅ™ák: Largo from the Ne
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. ...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95 ≈
£25.15
Rondo in A minor for Cello and Orchestra
Rondo in A minor for Cello and Orchestra
#
Chamber Orchestra
#
ADVANCED
#
Contemporary
#
Joel Jacklich
#
Joel Jacklich (ASCAP)
#
Rondo in A minor for Cello and
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00 ≈
£49.61
Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
Variations on Eliahu, a Passover Theme (for solo cello and orchestra)
#
Cello, Piano
#
INTERMEDIATE/ADVANCED
#
Gary Friedman
#
Variations on Eliahu, a Passov
#
Gary Friedman
#
SheetMusicPlus
Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66...
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Large Ensemble Cello,Tuba - Level 4 - Digital Download SKU: A0.889878 Composed by Gary Friedman. Contemporary,Jewish,Romantic Period. Score and parts. 66 pages. Gary Friedman #11999. Published by Gary Friedman (A0.889878). The original version for cello and piano was my first formal composition when I started composing in 1998. When my brother, Ralph, heard it, he cried and said that he wished that my parents could have heard it, too. The form and harmonies of this piece are mostly traditional, but there are a few surprises. There is a cantorial cello cadenza. A trumpet and tuba are added to the usual chamber orchestra with piano, just to play an Oh My Darling Clementine counter-melody in one variation but flute and bassoon have cues and can do this nicely. The recording of the beautifully expressive performance by Ken Hoppe and the College of Marin Symphony conducted by Tara Flandreau (who edited the string parts) is of such poor sound quality that I have uploaded the computer playback as the sound clip, which is of course quite mechanical sounding. However, if you would like to hear the live performance the YouTube link is ?v=6RHrLVqTyZg The cello and piano duet version is included in this package but is also sold separately for $5.00. Duration: 8 minutes Year: 1998.
$40.00 ≈
£30.53
Rondo in A minor for Viola and Orchestra
Rondo in A minor for Viola and Orchestra
#
Orchestra
#
ADVANCED
#
Contemporary
#
Joel Jacklich
#
Joel Jacklich (ASCAP)
#
Rondo in A minor for Viola and
#
Joel Jacklich
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score a...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00 ≈
£49.61
Kol Nidrei for Solo Cello and Orchestra
Kol Nidrei for Solo Cello and Orchestra
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Max Bruch
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John M
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Kol Nidrei for Solo Cello and
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zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyrwindmusic.com #741670. Published by zephyrwindmusic.com (A0.1141352). German composer Max Bruch (1838-1920) wrote the sublime and introspective work Kol Nidrei for solo cello and orchestra in London in 1880. It is amongst the most performed works by Bruch. A single movement lasting approximately 12 minutes, it is scored for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and harp. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00 ≈
£19.08
Pray for America - Full Orchestra Score and Parts
Pray for America - Full Orchestra Score and Parts
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Orchestra
#
Kenn Mann
#
Richard Kingsmore
#
Pray for America - Full Orches
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Monarch Music - Digital
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: LX.30-2099M Composed by Kenn Mann. Arranged by Richard Kingsmore. Sacred Anthem, Patriotic. Full Orchestra Score a...
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Full Orchestra - Digital Download SKU: LX.30-2099M Composed by Kenn Mann. Arranged by Richard Kingsmore. Sacred Anthem, Patriotic. Full Orchestra Score and Parts. 47 pages. Monarch Music - Digital #e30/2099M. Published by Monarch Music - Digital (LX.30-2099M). 2 Flutes, Oboe, 2 Clarinets, 3 Trumpets, 2 F Horns (substitute 2 Alto Sax), Trombone 1 & 2 (substitute Tenor Sax/Baritone TC), Trombone 3/Tuba, 2 Percussion, Timpani, Drum Set, Harp, Rhythm, Violin 1 & 2, Viola (substitute Clarinet 3), Cello/Bassoon (substitute Bass Clarinet), Bass (String Reduction included).
$49.95 ≈
£38.13
G - Every Day Warm-Ups for Full Orchestra
G - Every Day Warm-Ups for Full Orchestra
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Orchestra
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Timothy Bandy
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G - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.944932 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209975...
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Full Orchestra - Digital Download SKU: A0.944932 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209975. Published by Timothy Bandy (A0.944932). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
B - Every Day Warm-Ups for Full Orchestra
B - Every Day Warm-Ups for Full Orchestra
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Orchestra
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INTERMEDIATE
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Timothy Bandy
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Timothy Bandy
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B - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5209327. Published by Timothy Bandy (A0.944924). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
A - Every Day Warm-Ups for Full Orchestra
A - Every Day Warm-Ups for Full Orchestra
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Orchestra
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INTERMEDIATE
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Timothy Bandy
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A - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.944922 Composed by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Ti...
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Full Orchestra - Level 3 - Digital Download SKU: A0.944922 Composed by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209317. Published by Timothy Bandy (A0.944922). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
Gb - Every Day Warm-Ups for Full Orchestra
Gb - Every Day Warm-Ups for Full Orchestra
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Orchestra
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Timothy Bandy
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Gb - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.944931 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209973...
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Full Orchestra - Digital Download SKU: A0.944931 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209973. Published by Timothy Bandy (A0.944931). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
Ab - Every Day Warm-Ups for Full Orchestra
Ab - Every Day Warm-Ups for Full Orchestra
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Orchestra
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INTERMEDIATE
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Timothy Bandy
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Timothy Bandy
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Ab - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.944920 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.944920 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5207865. Published by Timothy Bandy (A0.944920). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression1/2 Step Long tones: Descending, Ascending5 Note Major/Minor Scales: Descending, AscendingWhole tone scales: Ascending, DescendingBlues Scale5 Chromatic Scale Exercises2 Diminished Scale Exercises3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/MinorHarmonic ProgressionParts included in Conductor’s ScoreFlute, Oboe, Bb ClarinetTrumpet, F Horn, Trombone, TubaViolin, Viola, Cello (Bassoon), Dbl Bass (Rhythm)Piano, Mallet PercussionAlso Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
Bb - Every Day Warm-Ups for Full Orchestra
Bb - Every Day Warm-Ups for Full Orchestra
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Orchestra
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INTERMEDIATE
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Timothy Bandy
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Timothy Bandy
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Bb - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.944923 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.944923 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209325. Published by Timothy Bandy (A0.944923). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
£7.63
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestra
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INTERMEDIATE
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Classical
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 ...
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$24.99 ≈
£19.07
Vivaldi - Concerto in F major RV 569 for Two Oboes, Bassoon, Two Horns, Violin, Cello, Strings and C
Vivaldi - Concerto in F major RV 569 for Two Oboes, Bassoon, Two Horns, Violin, Cello, Strings and C
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Santino Cara
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Vivaldi - Concerto in F major
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 1...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 169 pages. Santino Cara #687906. Published by Santino Cara (A0.1083697). Complete score and Parts of the Concerto in F major RV 569 for Oboes, Bassoon, Horns, Violin and Cello concertanti, Strings and Cembalo. Composed in Venice in 1718? by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2019 by Santino Cara. 3 Movements: 1. Allegro, 2. Grave, 3. Allegro. Instrumentation: Oboe 1 and 2, Bassoon, Horn 1 and 2 in F, Violin concertante, Cello concertante, Violins 1 and 2 ripieni, Violas, Violoncellos, Double Basses, Cembalo. Sources: On the manuscript it says: Concerto with several instruments probably refers to the Concerto Grosso No.3. In the section of the Horns it says: Hunting horns. Documents found at the Pio Ospedale della Pietà in Venice dating back to 1710/1730 speak of Vivaldi's composition of a Concerto Grosso with oboes and hunting horns.
$24.40 ≈
£18.62
Parry - Te Deum Orchestrated by Adrian Connell - Cello
Parry - Te Deum Orchestrated by Adrian Connell - Cello
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Chamber Orchestra
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Charles Hubert Hastings Parry
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Adrian Connell
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Parry - Te Deum Orchestrated b
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Adrian Connell
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.823443 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,...
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Chamber Orchestra - Digital Download SKU: A0.823443 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred,Spiritual. Score and parts. 2 pages. Adrian Connell #3141269. Published by Adrian Connell (A0.823443). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings.
$1.99 ≈
£1.52
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
£19.81
Humdinger, for String Orchestra (School Arrangement)
Humdinger, for String Orchestra (School Arrangement)
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String Orchestra
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INTERMEDIATE
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Geraldine
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Humdinger, for String Orchestr
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297399 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score ...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297399 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887476. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297399). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00 ≈
£16.79
Humdinger, for String Orchestra (Standard Arrangement)
Humdinger, for String Orchestra (Standard Arrangement)
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String Orchestra
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INTERMEDIATE
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Geraldine
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Humdinger, for String Orchestr
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297404 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score ...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297404 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887479. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297404). All PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00 ≈
£16.79
The Arrival of the Queen of Sheba for 2 Bassoons & Orchestra
The Arrival of the Queen of Sheba for 2 Bassoons & Orchestra
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Keith Terrett
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Keith Terrett
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The Arrival of the Queen of Sh
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Keith Terrett
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SheetMusicPlus
Bassoon,Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.893436 By Keith Terrett. By George Frideric Handel. Arranged by Keith Terrett...
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Bassoon,Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.893436 By Keith Terrett. By George Frideric Handel. Arranged by Keith Terrett. Baroque,Wedding. 17 pages. Keith Terrett #499723. Published by Keith Terrett (A0.893436). The Arrival of the Queen of Sheba arranged for 2 Bassoons & Orchestra.
$10.00 ≈
£7.63
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