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Con Aire de Tango
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You've selected:
Con Aire de Tango
Sheetmusic to print
19 sheet music found
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1
Estás en Buenos Aires. Tango por Reinaldo Yiso y Miguel Nijensohn
Estás en Buenos Aires. Tango por Reinaldo Yiso y Miguel Nijensohn
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Piano solo
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INTERMEDIATE/ADVANCED
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Tango
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Reinaldo Yiso
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Juan Carlos Cortés Aguirre
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Estás en Buenos Aires. Tango
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1120928 By Reinaldo Yiso. By Miguel Nijensohn. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructio...
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Piano Solo - Level 4 - Digital Download SKU: A0.1120928 By Reinaldo Yiso. By Miguel Nijensohn. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #722118. Published by Juan Carlos Cortés Aguirre (A0.1120928). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. Estás en Buenos Aires. Tango Letra: Reinaldo Yiso - Música: Miguel Nijensohn INTRODUCCIÓN: El tango, es un pensamiento triste, que hasta se puede bailar. Asà te definió DiscepolÃn, y el mundo entero asà te conoció. Hoy te encuentro arrinconado, por las calles del olvido, masticando tu rencor. El tango es un pensamiento triste, y yo he venido a decirte: Que es mentira ese abandono, seguÃs siendo, pese a todo, el alma de Buenos Aires, y sos el rey como ayer. Estás en Buenos Aires, querido tango, perdido entre la gente buscando ubicación. Estás en la belleza de todas tus mujeres, estás en cada barrio y estás en el malvón. Estás en Buenos Aires, querido tango, con luces de mercurio, eterno como el sol. ¡Mentira tu fracaso, mentira que te has ido! Sin ti mi Buenos Aires, no tiene corazón. INTERLUDIO: Estás en Buenos Aires, querido tango, con luces de mercurio, eterno como el sol. ¡Mentira tu fracaso, mentira que te has ido! Sin ti mi Buenos Aires ¡Ay! no tiene corazón. Sin ti mi Buenos Aires ¡Ay! no tiene corazón.
$7.99 ≈
£6.10
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
10 wonderful TANGOS for guitar by Roberto Pugliese - Volumen 5
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Guitar notes and tablatures
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Tango
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A compilation
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Roberto Pugliese
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10 wonderful TANGOS for guitar
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Roberto Pugliese
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SheetMusicPlus
Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature....
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Guitar Tab - Digital Download Composed by A compilation. Arranged by Roberto Pugliese. 20th Century, South American. Individual Part, Score, Tablature. 58 pages. Published by Roberto Pugliese
Una compilación de 10 tangos arreglados y publicados por el maestro argentino: Roberto Pugliese. Diez tangos que permiten dada su alta calidad guitarrística incorporarlos en cualquier concierto de guitarra solista (segunda parte en TAB System). Certificado al 100%. "Con ellos viajé a 32 países en el mundo y dí conciertos en mas de 600 ciudades". Roberto Pugliese - A compilation of 10 tangos arranged and published by the Argentine master Roberto Pugliese. Ten tangos that allow given its high quality classical guitar incorporate them into any show solo guitar concert. Certificate 100%. "With them I traveled to 32 countries in the world and gave concerts in more than 600 cities." Roberto Pugliese.(Second part has TAB System) The list: Volver - tango (Gardel-Lepera) - Clavel del aire - tango (Filiberto) - Como dos extraños - tango (Laurenz-Contursi) - Cristal - tango (Mores-Contursi) El adios - tango (Huergo) - Farolito de papel - tango (Lespes) - Gotitas little dots - milonga (Pugliese) - La pulpera de Santa Lucia - vals (Maciel) - Sollosos - tango (Fresedo) - Poema - tango (Bianco-Melfi) ***Watch the playlist: https://www.youtube.com/playlist?list=PL47FhQjMw3y0Wk_UhS9mgTVwrwXUm_0wn
$20.99 ≈
£16.02
"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
"Jacaranda" Original Tango for Flute Choir- 6 C Flutes
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Flute ensemble
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INTERMEDIATE
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Tango
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Grant Horsley
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"Jacaranda" Original Tango for
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Grant Horsley
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Pat...
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Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1215191 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812063. Published by Grant Horsley (A0.1215191). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for 6 C flutes and is in the key of D minor (concert) with the middle section in D major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There is also another Flute Choir version available (4 C flutes, Alto and Bass flute) as well as a Clarinet Choir version.
$14.50 ≈
£11.07
"Jacaranda" Original Tango for Clarinet Choir
"Jacaranda" Original Tango for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Tango
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Grant Horsley
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"Jacaranda" Original Tango for
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Grant Horsley
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,F...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1215195 Composed by Grant Horsley. Contest,Festival,Folk,Latin,Multicultural,Patriotic,World. 34 pages. Grant Horsley #812067. Published by Grant Horsley (A0.1215195). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango.This original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusionJacaranda is scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet and is in the key of B flat minor (concert) with the middle section in B flat major. The range is around two octaves for all players, and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme.The youtube link has the full score so you can assess suitability. Price is for the full score and all parts.NB There are also 2 different flute choir versions available.
$14.50 ≈
£11.07
Manoblanca - tango guitar
Manoblanca - tango guitar
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Guitar notes and tablatures
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INTERMEDIATE
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Tango
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De Bassi - Homero Manzi
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Roberto Pugliese
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Manoblanca - tango guitar
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Roberto Pugliese
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.882831 Composed by De Bassi - Homero Manzi. Arranged by Roberto Pugliese. 20th Century,Folk,World. Guitar Tab...
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Guitar - Level 3 - Digital Download SKU: A0.882831 Composed by De Bassi - Homero Manzi. Arranged by Roberto Pugliese. 20th Century,Folk,World. Guitar Tab. 12 pages. Roberto Pugliese #2341071. Published by Roberto Pugliese (A0.882831). Famous and traditional tango culture of Buenos Aires, that a corner of it conquered only to remember. The text of poet Homero Manzi describes the adventures of a man, his two horses and chariots walking around town. The gentle music of De Bassi Argentina complete this magnificent work. This original arrangement for classical guitar, has a second part in TAB system and also as all other scores I wrote, the corresponding video on Youtube to help reading and understanding. Watch the video here: https://youtu.be/72tCLcdBdk4
$2.99 ≈
£2.28
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
£6.07
TANGO DE CAEN Milonga for cello and looper JCM2022
TANGO DE CAEN Milonga for cello and looper JCM2022
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Cello
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INTERMEDIATE/ADVANCED
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Tango
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Jean-Christophe Masson
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TANGO DE CAEN Milonga for cell
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Jean-Christophe Masson
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1137394 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicul...
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Cello Solo - Level 4 - Digital Download SKU: A0.1137394 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicultural,World. Individual part. 40 pages. Jean-Christophe Masson #737597. Published by Jean-Christophe Masson (A0.1137394). Tango de Caen Milonga for cello and looper (15 titles) buy the CD on www.jcmasson.com POUR VIOLONCELLE ET LOOPER (15 titres) PREFACE DE CYRILLE TRICOIRE Durée des 15 titres : 60 minutes (chaque pièce dure environ 3 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).
$30.00 ≈
£22.90
TANGO DE CAEN Milonga for viola and looper JCM2022
TANGO DE CAEN Milonga for viola and looper JCM2022
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Viola (band part)
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INTERMEDIATE/ADVANCED
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Tango
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Jean-Christophe Masson
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TANGO DE CAEN Milonga for viol
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Jean-Christophe Masson
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.1137397 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicul...
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Viola Solo - Level 4 - Digital Download SKU: A0.1137397 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicultural,World. Individual part. 40 pages. Jean-Christophe Masson #737600. Published by Jean-Christophe Masson (A0.1137397). Tango de Caen Milonga for viola and looper (15 titles) buy the CD on www.jcmasson.com POUR ALTO ET LOOPER (15 titres) PREFACE DE CYRILLE TRICOIRE Durée des 15 titres : 60 minutes (chaque pièce dure environ 3 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).
$30.00 ≈
£22.90
TANGO DE CAEN Milonga for violin and looper JCM2022
TANGO DE CAEN Milonga for violin and looper JCM2022
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Violin
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INTERMEDIATE/ADVANCED
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Tango
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Jean-Christophe Masson
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TANGO DE CAEN Milonga for viol
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Jean-Christophe Masson
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1137399 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicu...
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Violin Solo - Level 4 - Digital Download SKU: A0.1137399 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Multicultural,World. 40 pages. Jean-Christophe Masson #737602. Published by Jean-Christophe Masson (A0.1137399). Tango de Caen Milonga for violin and looper (15 titles) buy the CD on www.jcmasson.com POUR VIOLON ET LOOPER (15 titres) PREFACE DE CYRILLE TRICOIRE Durée des 15 titres : 60 minutes (chaque pièce dure environ 3 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).
$30.00 ≈
£22.90
À vos guitares, prêts, jouez! Vol. 4
À vos guitares, prêts, jouez! Vol. 4
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Guitar
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À vos guitares, prêts, jouez
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SheetMusicPlus
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end...
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This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions d’Oz website and on YouTube. Search for À vos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce à cinq trios et trois quatuors de styles variés (tango, ballade, rock…) appropriés pour la fin du primaire avec quelques années d’expérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation à la musique d’ensemble, alors que d’autres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume s’adresse donc aux guitaristes qui connaissent déjà les notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, d’attaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités à faire des choix d’interprétation différents de ceux qui sont proposés ou à tenter de rendre de manière convaincante ceux déjà écrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de l’UQAM dans le cadre d’un cours qui vise à outiller les musiciens pour l’enseignement de la guitare dans le système scolaire. Beaucoup d’entre eux sont des musiciens provenant d’horizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que l’on retrouve dans les pièces. Toutes les pièces ont fait l’objet d’un enregistrement audio disponible sur le site des Productions d’Oz et sur YouTube. Recherchez À vos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur
Song List
:
1. Songe d'une nuit de printemps
2. Nostalgie
3. Tres guitarras
4. Jeu froid (étude rock)
5. Le dernier souffle
6. Manhattan
7. Baile de la passion
8. Corsaires
9. Cerisier Japonais
$9.95 ≈
£7.59
Con Aire de Tango
Con Aire de Tango
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Tango
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Arturo Cardelus
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Con Aire de Tango
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Madrid Publishing
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SheetMusicPlus
Composed by Arturo Cardelus. For Violin,String Quartet. Advanced Intermediate. Score,Set of Parts. Published by Madrid Publishing ...
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Composed by Arturo Cardelus. For Violin,String Quartet. Advanced Intermediate. Score,Set of Parts. Published by Madrid Publishing
$34.99 ≈
£26.71
Medianoche. Danza Opus 1 No. 1 para Piano Solo por Juan Carlos Cortés Aguirre
Medianoche. Danza Opus 1 No. 1 para Piano Solo por Juan Carlos Cortés Aguirre
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Piano solo
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INTERMEDIATE/ADVANCED
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Juan Carlos Cortés Aguirre
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etc
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Medianoche. Danza Opus 1 No. 1
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.958668 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Score. 2 pages. Juan Carlos Cor...
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Piano Solo - Level 4 - Digital Download SKU: A0.958668 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #4313319. Published by Juan Carlos Cortés Aguirre (A0.958668). Danza en Colombia, es un ritmo de habanera en 2/4, muy similar a una milonga argentina lenta y elegante o una especie de tango antiguo al estilo de Buenos Aires de 1900 hacÃa atrás. Caracterizada por su melodÃa romántica, a veces nostálgica o triste, puede ser instrumental o vocal, acompañada por piano, estudiantina (Bandola, Tiple y Guitarra) u otro tipo de agrupación instrumental. Muchos compositores colombianos en el pasado como Pedro Morales Pino, Luis A. Calvo, Carlos Vieco, Adolfo MejÃa; etc., cultivaron considerablemente este género musical, que hoy ha sido relegado y casi olvidado por las nuevas generaciones. Muy apropiado para los recitales de música latinoamericana y especÃficamente con repertorio colombiano.
$7.99 ≈
£6.10
Medianoche. Danza Opus 1 No. 1 para Piano Solo por Juan Carlos Cortés Aguirre
Medianoche. Danza Opus 1 No. 1 para Piano Solo por Juan Carlos Cortés Aguirre
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Piano solo
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Juan Carlos Cortés Aguirre
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Medianoche. Danza Opus 1 No. 1
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano - Digital Download SKU: A0.1070312 Composed by Juan Carlos Cortés Aguirre. 20th Century,Instructional,Latin,Traditional. Full Performance. Durat...
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Piano - Digital Download SKU: A0.1070312 Composed by Juan Carlos Cortés Aguirre. 20th Century,Instructional,Latin,Traditional. Full Performance. Duration 152. Juan Carlos Cortés Aguirre #4316861. Published by Juan Carlos Cortés Aguirre (A0.1070312). Danza en Colombia, es un ritmo de habanera en 2/4, muy similar a una milonga argentina lenta y elegante o una especie de tango antiguo al estilo de Buenos Aires de 1900 años atrás. Caracterizada por su melodÃa romántica, a veces nostálgica o triste, puede ser instrumental o vocal, acompañada por piano, estudiantina (Bandola, Tiple y Guitarra) u otro tipo de agrupación instrumental. Muchos compositores colombianos en el pasado como Pedro Morales Pino, Luis A. Calvo, Carlos Vieco, Adolfo MejÃa; etc., cultivaron las preferencias de este género musical, que hoy ha sido relegado y casi olvidado por las nuevas generaciones. Muy apropiado para los amantes de la música latinoamericana y especializada con repertorio colombiano.
$2.25 ≈
£1.72
Reencuentro [piano 4 hands]
Reencuentro [piano 4 hands]
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1 Piano, 4 hands
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INTERMEDIATE
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Juan MarÃa Solare
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Reencuentro [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Jazz,Wo...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Jazz,World. Score and parts. 7 pages. Juan Maria Solare #4794263. Published by Juan Maria Solare (A0.596574). Reencuentro (Reunion): Slow Milonga (country-side milonga) written down after a visit to the cemetery at El Escorial (Spain) on 30 March 2008. This is the typical piece that is destilated in concentric stages: first a lead sheet version (only melody and chords), later a simple piano solo version that starts to become more and more complex. The easy piano version was written on 7 April 2008 and finished in Berlin on 9th April 2008. Premiere of this version for piano solo: by the composer on 3 July 2008 at the theatre of the University in Bremen, during a concert of the Orquesta No TÃpica. Premiere in the Americas by Iván Pérez Faccaro on 27 November 2008 at the Conservatorio Superior de Música de Buenos Aires Ãstor Piazzolla (Argentina). Incluided in the CD Tango Monologues (January 2010) by Juan MarÃa Solare. (https://open.spotify.com/track/71ksY7eCbpeKM1Kjj2x9KT) Second version, for piano four hands, written in Köln on April 17, 2008. There are first corrections made in Köln on November 7, 2008, which echo the versions made in between. Premiere by Helga Beier & Markus Deinhard on Thursday, May 27, 2010, recital Klavier 1- bis 6-händig in the theater of the University of Bremen.
$4.00 ≈
£3.05
Acuarelas junto al río inmóvil [5 piano pieces]
Acuarelas junto al río inmóvil [5 piano pieces]
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Piano solo
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Juan MarÃa Solare
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Acuarelas junto al río inmóv
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan M...
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Piano Solo - Digital Download SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #3363803. Published by Juan Maria Solare (A0.596506). Juan MarÃa Solare: Acuarelas junto al rÃo inmóvil (Watercolours alongside the still river) five nocturnes for piano solo The still river is the River Plate; the novelist Eduardo Mallea (1902-1982) refers to Buenos Aires as the city next to the still river, an allusion to its lack of haste. This cycle of piano pieces is a collection of five short nocturnes. The first four Acuarelas were composed in Buenos Aires between 9th and 12th April 2007, the fifth piece was conceived on 4th May and written down on 6th May 2007. All five pieces have practically the same formal structure. Concerning the musical language or style, I would classify this work under contemporary classical with interferences from modern jazz and new tango (imagine Astor Piazzolla listening to a recording of Thelonious Monk playing preludes of Alexander Scriabin). Single titles and approximate durations I - Bruma matinal (Morning Mist) [1'10] II - Flecha flotante (Floating Arrow) [1'00] III - Vaivén de los juncos (Sawying Reeds) [1'15] IV - Orilla urbana (Urban Shore) [2'00] V - Incandescencia estática (Static Incandescence) [0'45] ISWC (International Standard Musical Work Code): T-802.466.008-1 The Acuarelas were recorded by Juan MarÃa Solare in London on Friday 23rd May 2014. Recorded and Mixed by Eduard Muhaxheri Assistant Engineer: Matteo Dessi Grand piano Wendl & Lung Cover Art: Alban Low Label Janus Music & Sound (Bremen, Germany), JMS-004 More about the piece, also sound examples: http://www.juanmariasolare.com/CD_acuarelas_junto_al_rio_inmovil.html The recording of Acuarelas is on Spotify, Deezer, iTunes, amazon mp3, etc. https://open.spotify.com/album/1kVamUJLLSqbQnFURSpxYAVideo of the fourth piece,Orilla urbana: https://www.youtube.com/watch?v=usiEGpImyco
$4.00 ≈
£3.05
El Choclo (“Kiss of Fire”)
El Choclo (“Kiss of Fire”)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Folkloric/Traditional
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F
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El Choclo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press...
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Brass Quintet - Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 28 pages. Published by Sweetwater Brass Press
That most sensual of ballroom dances, the tango, originated during the 1880s along the Río de la Plata, the confluence of the Uruguay and Paraná rivers. It got started among the enslaved peoples and the lower classes, became popular and eventually spread to other countries.
The tango is closely identified with Argentina, and Argentine musician Á.G. Villoldo was instrumental in developing the music of the dance. He supposedly wrote this particular tango to celebrate the proprietor of a nightclub, a gentleman whose nickname was “El Choclo” (in English: “The Corn Cob”!).
“El Choclo” premiered in Buenos Aires in 1903 and became one of Argentina’s most popular tangos. Dance orchestras recorded instrumental versions of "El Choclo." It achieved widespread popularity in the United States in 1952 when Lester Allen and Robert Hill provided it with English-language lyrics and a new name: “Kiss of Fire.” A number of singers made recordings of “Kiss of Fire” that year, the most popular of which was that of Georgia Gibbs; her “Kiss of Fire” disc reached the top spot on the Billboard chart.
The melody for “El Choclo” is exciting, stirring, stimulating, electrifying; in other words, perfect for a brass group. In this arrangement Horn in F has the melody throughout much of the piece, but Trumpets, Trombone and Tuba also take turns with the lead. The piece opens in the key of D minor, switches to D major (for the part of the melody that was not in the Georgia Gibbs version) and finally goes back to D minor for the recap of the main melody and a dramatic conclusion. The suggested tempo is 120 but may certainly be played faster. All notes are within the normal playing range of the five instruments. However the Tango rhythm lies mostly in the bass line, so Tuba and sometimes Trombone have frequent octave and octave-plus jumps.
Completed in 2020, performance time for “El Choclo” runs about 2 minutes, 50 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
£11.41
Classics meet Jazz
Classics meet Jazz
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Piano solo
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INTERMEDIATE
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Uwe Korn
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Uwe Korn
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Classics meet Jazz
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arr...
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Piano - intermediate - Digital Download SKU: S9.Q25583 14 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazz rock - classic - music history. Downloadable. Op. Vol. 2. Schott Music - Digital #Q25583. Published by Schott Music - Digital (S9.Q25583). 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side.Quatorze célèbres thèmes de l'histoire de la musique, de Bach à Offenbach, à chacun duquel est jointe une interprétation jazzy. Il devient ainsi clair que classique et jazz ne sont pas si éloignés l'un de l'autre ! La 1ère Danse hongroise de Brahms se prête merveilleusement à la salsa (Salsa hongroise n° 1). La nuit, claire et sereine chez Mozart, montre son côté sombre dans A Black Night Music.Le CD joint propose une interprétation des morceaux.
$15.99 ≈
£12.20
Flute Collection III - 23 Pieces for Flute + Piano Grade 5-8
Flute Collection III - 23 Pieces for Flute + Piano Grade 5-8
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Barbara Arens
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Barbara Arens
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La clef des songes
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Flute Collection III - 23 Piec
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Barbara Arens
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1492428 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Chamber,Contemporary,Contest,Fest...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1492428 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Chamber,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 131 pages. Barbara Arens #1069102. Published by Barbara Arens (A0.1492428). As a former very keen flute player (I loved playing in the Singapore Youth Symphony Orchestra, and studied flute for several years at the Mozarteum in Salzburg before concentrating on keyboard instruments) I enjoy writing for the Flute. This collection starts off with 8 pieces using titles of René Magritte's surrealist paintings. The titles, which I found really inspiring, were thought up by Magritte's friend, the surrealist poet Louis Scutenaire: La sens de la nuit; La clef des songes; Les signes du soir, etc. There are 3 pieces inspired by Shakespeare characters: Juliet; Hotspur; Beatrice & Benedick; a few jazzy pieces : London Bridge Rag; We gotta Boogie; My favourite Time of day; and some VERY exciting encore pieces: Tango at 2 a.m., Folies d'Espagne, Rondo alla Tarantella...
$22.00 ≈
£16.79
Toccata tangabile [piano]
Toccata tangabile [piano]
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Piano solo
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ADVANCED
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Contemporary
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Juan María Solare
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Toccata tangabile [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Grad...
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Piano Solo - Advanced - Digital Download Composed by Juan María Solare. 21st Century, Contemporary Classical, Post- Modern, Neo-Classical, Graduation. Score. 9 pages. Published by Juan Maria Solare
This composition was born in order to be used as obligatory piece in a piano competition.As such, it has to have very specific characteristics: not to be too long, to presenta minimum degree of technical and aesthetic difficulty, but also achieving thatdelicate sweet spot in which the technical difficulty is musically justified; i.e.,that no pianist feels that they are wasting their time while studying it (oreven worse: that they have the impression of being studying an exercise).
The piano competition involved was the Segundo concurso nacional de piano 'festival de pianistas', basedin the city of Mar del Plata, Argentina.
In the adjective "tangabile" (a neologism that resembles "cantabile")is a hidden allusion to Astor Piazzolla's pieces Allegro tangabile or Moderatotangabile. Of course, tangabile implies "related to tango"
This is a video of the presentation of Daniel Álvarez Veizaga during that competition. The event tookplace at the Centro Cultural Victoria Ocampo “Villa Victoria”, Mar del Plata,Provincia de Buenos Aires, Argentina. Piano Kawaii RX5.
https://www.youtube.com/watch?v=BfClIaFgBBI
$2.50 ≈
£1.91
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Con Aire de Tango
