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Double Concerto for clarinet,
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You've selected:
Double Concerto for clarinet,
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Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
£18.75
Double Concerto for clarinet, 'cello & piano
Double Concerto for clarinet, 'cello & piano
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Antonio Salieri
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Franklin Stover
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Double Concerto for clarinet,
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Edition Hohenstaufen
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1099948 Composed by Antonio Salieri. Arranged ...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1099948 Composed by Antonio Salieri. Arranged by Franklin Stover. Chamber,Classical. 81 pages. Edition Hohenstaufen #703824. Published by Edition Hohenstaufen (A0.1099948). Originally for piano and orchestra, completely restructured for a trio that includes clarinet, 'cello & piano. All three movements with new cadenzas. The choice of using either Bb or C clarinet is given with the additional nontransposed part in C. Includes a Forward in the piano score. Duration: 18 minutes.
$15.00 ≈
£11.73
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95 ≈
£33.57
Double Concerto
Double Concerto
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
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SheetMusicPlus
Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download SKU: F2.FM622 Composed by Tony Bridgewater. A large scale doub...
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Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - Digital Download SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Strings. Score and parts. 152 pages. Forton Music - Digital #FM622. Published by Forton Music - Digital (F2.FM622). ISBN 9790570485215.The lively first movement is based on two ideas; the opening rhythmic motif, played first by the flute and then echoed by the clarinet, and a contrasting lyrical melody, also introduced by each soloist in turn. The slow movement was inspired by the beautiful mountain scenery of Austria, and is a series of variations based on a 10 bar chord pattern. The variations become more serious and complex, but eventually the music returns to the tranquillity of the opening, and fades away into the distance. The final movement is a lively, dance-like rondo, with several contrasting episodes; the concluding coda includes brief references to the earlier movements before a final reprise of the rondo theme brings the piece to an exuberant conclusion.
$56.95 ≈
£44.52
Concerto for Trumpet
Concerto for Trumpet
Horn|Trumpet Solo|Flute|Clarinet|Double Bass|Bassoon|Oboe|B-Flat Trumpet
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Franz Joseph Haydn
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Lewis Buckley
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Concerto for Trumpet
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Cimarron Music Press
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SheetMusicPlus
By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts...
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By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts. Published by Cimarron Music Press
$70.00 ≈
£54.72
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
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Clarinet Ensemble
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concer...
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pages. Stephanie Daige #3218753. Published by Stephanie Daige (A0.796852). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for clarinet choir. The melody moves around between the different clarinets as if they are having a conversation. The instrumentation is flexible, with the foundation parts written for 3 Bb clarinets, alto clarinet,and bass clarinet. The alto clarinet is doubled in the optional 4th clarinet part in case you do not have an alto clarinet available. There are optional contra-alto and contrabass clarinet parts to add depth, but the ensemble works fine without them. This is a challenging and enjoyable arrangement,suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable fora chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99 ≈
£11.72
Double Concerto
Double Concerto
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Flute, Clarinet, Piano (trio)
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INTERMEDIATE/ADVANCED
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Classical
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
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SheetMusicPlus
Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Piano. Score and parts. 72 pages. Forton Music - Digital #FM619. P...
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Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Piano. Score and parts. 72 pages. Forton Music - Digital #FM619. Published by Forton Music - Digital
$17.95 ≈
£14.03
Jan Freidlin: Double Concerto for two Bb clarinets and string orchestra, piano reduction and solo pa
Jan Freidlin: Double Concerto for two Bb clarinets and string orchestra, piano reduction and solo pa
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Jan Freidlin
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Jan Freidlin: Double Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534572 Composed by Jan Freidlin. Concert,Contemporary,Stand...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534572 Composed by Jan Freidlin. Concert,Contemporary,Standards. Score and parts. 70 pages. Musik Fabrik Music Publishing #4338827. Published by Musik Fabrik Music Publishing (A0.534572). A three-movement concerto that lasts aproximately 21 minutes. This item is the piano reduction and solo parts. The full score is for sale. The parts are on rental from the publishers. Hear a performance on Youtube: https://www.youtube.com/embed/vEf6YBj4lD8
$29.95 ≈
£23.41
Double Concerto 3rd Movement - 2 Clarinets & Piano
Double Concerto 3rd Movement - 2 Clarinets & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Music-Scores
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Double Concerto 3rd Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721409 Composed by Johann Sebastian Bach. Arranged by Music-Scores.com. Concert,Contemporary,Wedding....
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721409 Composed by Johann Sebastian Bach. Arranged by Music-Scores.com. Concert,Contemporary,Wedding. Score and part. 25 pages. Music-Scores.com #4604961. Published by Music-Scores.com (A0.721409). Double Concerto, 3rd movement, for 2 Solo Clarinets plus Piano reduction.Concert D minor.Playing Time 5 minutes 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Double Concerto 3rd Movement - 2 Clarinets (lower) & Piano
Double Concerto 3rd Movement - 2 Clarinets (lower) & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Anne L Christopherson GRSM ARC
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Double Concerto 3rd Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721408 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contem...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721408 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 27 pages. Music-Scores.com #4604959. Published by Music-Scores.com (A0.721408). Double Concerto, 3rd movement, a lower version arranged for 2 Solo Clarinets plus Piano reduction.Concert C minor.Playing Time 5 minutes 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Double Concerto 2nd Movement - 2 Clarinets & Piano
Double Concerto 2nd Movement - 2 Clarinets & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Anne L Christopherson GRSM ARC
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Double Concerto 2nd Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721407 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contem...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721407 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 10 pages. Music-Scores.com #4604957. Published by Music-Scores.com (A0.721407). Double Concerto, 2nd movement, arranged for 2 Solo Clarinets plus Piano reduction.Concert F major.Playing Time 5 minutes 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Double Concerto 2nd Movement - 2 Clarinets (lower) & Piano
Double Concerto 2nd Movement - 2 Clarinets (lower) & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Anne L Christopherson GRSM ARC
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Double Concerto 2nd Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721406 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contem...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721406 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 10 pages. Music-Scores.com #4604955. Published by Music-Scores.com (A0.721406). Double Concerto, 2nd movement, a lower version arranged for 2 Solo Clarinets plus Piano reduction.Concert Eb.Playing Time 5 minutes 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Double Concerto 1st Movement - 2 Clarinets (lower) & Piano
Double Concerto 1st Movement - 2 Clarinets (lower) & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Anne L Christopherson GRSM ARC
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Double Concerto 1st Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721404 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contem...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721404 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 20 pages. Music-Scores.com #4604951. Published by Music-Scores.com (A0.721404). Double Concerto, 1st movement, a lower version arranged for 2 Solo Clarinets plus Piano reduction.Concert C minor.Playing Time 3 minutes 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Double Concerto 1st Movement - 2 Clarinets & Piano
Double Concerto 1st Movement - 2 Clarinets & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Anne L Christopherson GRSM ARC
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Double Concerto 1st Movement -
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Music-Scores.com
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SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721405 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contem...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721405 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 14 pages. Music-Scores.com #4604953. Published by Music-Scores.com (A0.721405). Double Concerto, 1st movement, arranged for 2 Solo Clarinets plus piano reduction.Concert D minor.Playing Time 3 minutes 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95 ≈
£5.43
Bach - Brandenburg Concerto No. 3 (for Clarinet Quartet & Optional Organ)
Bach - Brandenburg Concerto No. 3 (for Clarinet Quartet & Optional Organ)
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Classical
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Johann Sebastian Bach
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Kenneth Abeling
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Bach - Brandenburg Concerto No
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514821 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 63 pages...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514821 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 63 pages. LINCOLN MUSIC PUBLICATIONS #3629361. Published by LINCOLN MUSIC PUBLICATIONS (A0.514821). This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=yQh18Hcn45g
$17.99 ≈
£14.06
Double Concerto for Clarinet and Viola in E minor, Op. 88 - I. Andante con moto (Clarinet in A)
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Clarinet
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INTERMEDIATE/ADVANCED
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Classical
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
7.99€ ≈
£6.76
Double Concerto for Clarinet and Viola in E minor, Op. 88 - II. Allegro moderato (Clarinet in A)
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Clarinet
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INTERMEDIATE/ADVANCED
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Classical
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
6.99€ ≈
£5.91
Double Concerto for Clarinet and Viola in E minor, Op. 88 - III. Allegro molto (Clarinet in A)
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Clarinet
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ADVANCED
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Classical
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Max Bruch
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Double concerto pour clarinett
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
6.99€ ≈
£5.91
Double Concerto for Clarinet and Viola in E minor, Op. 88 - II. Allegro moderato
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Clarinet
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INTERMEDIATE/ADVANCED
#
Classical
#
Max Bruch
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Double concerto pour clarinett
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
6.99€ ≈
£5.91
Double Concerto for Clarinet and Viola in E minor, Op. 88 - I. Andante con moto
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Clarinet
#
INTERMEDIATE/ADVANCED
#
Classical
#
Max Bruch
#
Double concerto pour clarinett
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
7.99€ ≈
£6.76
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Double Concerto for clarinet, 
