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You've selected:
If then Company
Sheetmusic to print
47 sheet music found
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1
26
If Thou Wilt Be Perfect (Downloadable)
If Thou Wilt Be Perfect (Downloadable)
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Choral SATB
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INTERMEDIATE
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Melissa Dunphy
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If Thou Wilt Be Perfect
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8931-E Composed by Melissa Dunphy. 11 pages. E. C. Schirmer Music Company - Digital #8931-E....
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8931-E Composed by Melissa Dunphy. 11 pages. E. C. Schirmer Music Company - Digital #8931-E. Published by E. C. Schirmer Music Company - Digital (MQ.8931-E). English. Matthew 19:21-30.Commissioned by St. Peter’s Choir, St. Louis, Missouri, David Sinden, Conductor, this anthem uses as its central text one of the Gospel’s best-known, yet least commonly sung, verses: “It is easier for a camel to pass through the eye of a needle than for a rich man to enter into the kingdom of heaven.†The music is expressive, beginning slowly in a homophonic texture and then branching out as the text is reflected. The ending returns to the opening material.
$2.65 ≈
£2.01
Love While You Can (from If/Then: A New Musical)
Love While You Can (from If/Then: A New Musical)
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Piano, Voice
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Pop music
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Idina Menzel, Idina Menzel & C
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Love While You Can
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Hal Leonard - Digital
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SheetMusicPlus
Piano/vocal - Interactive Download SKU: HX.292451 By Idina Menzel, Idina Menzel & Company, Jenn Colella, and LaChanze. This edition: Interactive Download...
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Piano/vocal - Interactive Download SKU: HX.292451 By Idina Menzel, Idina Menzel & Company, Jenn Colella, and LaChanze. This edition: Interactive Download. Pop. 9 pages. Published by Hal Leonard - Digital (HX.292451).
$4.99 ≈
£3.79
You Don't Need To Love Me
You Don't Need To Love Me
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Choral TTBB
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INTERMEDIATE/ADVANCED
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If/then Company
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Patrick McAlexander
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You Don't Need To Love Me
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Patrick McAlexander
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SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1109021 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by Patrick McAlexander. A Cappella,B...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1109021 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by Patrick McAlexander. A Cappella,Barbershop,Broadway,Musical/Show. Barbershop Quartet. 6 pages. Patrick McAlexander #711565. Published by Patrick McAlexander (A0.1109021). Barbershop arrangement of this bittersweet ballad from If/Then.
$12.99 ≈
£9.87
Always Starting Over
Always Starting Over
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Piano solo
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INTERMEDIATE/ADVANCED
#
If/then Company
#
poon
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Always Starting Over
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poon
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1209286 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by poon. Film/TV,Pop. Score. 16 pages....
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Piano Solo - Level 4 - Digital Download SKU: A0.1209286 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by poon. Film/TV,Pop. Score. 16 pages. Poon #807401. Published by poon (A0.1209286). Always starting over (From If/then) - For Piano Solo - Idina Menzel.
$4.99 ≈
£3.79
The Midnight Ride of Paul Revere (Downloadable)
The Midnight Ride of Paul Revere (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gwyneth W
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The Midnight Ride of Paul Reve
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir and Piano - Medium - Digital Download SKU: MQ.7946-E Composed by Gwyneth W. Walker. 24 pages. Duration 7 minutes, 30 seconds. E. C. Schirmer M...
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SATB choir and Piano - Medium - Digital Download SKU: MQ.7946-E Composed by Gwyneth W. Walker. 24 pages. Duration 7 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7946-E. Published by E. C. Schirmer Music Company - Digital (MQ.7946-E). English.Henry Wadsworth Longfellow’s famous poem The Midnight Ride of Paul Revere tells the story of the colonial American patriot who rides on horseback to rally his Massachusetts neighbors against the British militia. The route which the British are taking is relayed to Paul Revere by his friend in Boston, watching the army’s movements and then hanging signal lanterns in the belfry of Old North Church. “One if by land, and two if by sea.†The musical setting endeavors to capture the energy of horse and rider. Therefore, “galloping†rhythms are often heard in the piano accompaniment. As Paul Revere rides through the New England towns, the pace of the music quickens—Medford, Lexington and Concord. “So through the night rode Paul Revere.†He keeps in mind his plan and his message: “One if by land, two if by sea. Arise! Defend our Liberty!â€Duration: 7:30.
$3.20 ≈
£2.43
Song of the Sky Loom (Downloadable)
Song of the Sky Loom (Downloadable)
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Choral SATB
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ADVANCED
#
Frank Ferko
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Song of the Sky Loom
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century...
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SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8452-E Composed by Frank Ferko. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 20 pages. Duration 6 minutes, 7 seconds. E. C. Schirmer Music Company - Digital #8452-E. Published by E. C. Schirmer Music Company - Digital (MQ.8452-E). English.In the summer of 2011, while I was visiting my friends Don and Sally Roberts in Santa Fe, Sally asked me if I would be interested in writing a new choral work for Don in celebration of his upcoming 75th birthday. The idea appealed to me very much, so I readily agreed to write the piece. Since Don has enjoyed a lifelong interest in the American Southwest Pueblo people and their customs, Sally provided me with several Tewa texts, in English translation, to consider for musical setting. I was particularly drawn to the imagery of Song of the Sky Loom, so that poem became the basis for the new work. The music begins with two baritone soloists singing an introductory 'call-and-response' to which the entire chorus eventually responds. The opening line of text is first presented in fragmented form, as if voices from all areas of nature gradually rise up and then merge into a unified chordal texture. As the text turns to the imagery of weaving, the musical texture, accordingly, becomes contrapuntal: individual melodic lines, sung by solo voices or small groups (the 'weft'), intertwine with each other and also with the main chorus, which provides the overall harmonic structure (the 'warp'). The following chorale section, infused with occasional chromatic inflections, represents the massive 'rainbow' in the text and brings the work to a unified conclusion. Song of the Sky Loom was first performed by the Santa Fe Desert Chorale, under the direction of Joshua Habermann, on July 19, 2016 with three subsequent performances during the following two weeks. -Frank Ferko Duration: 6:07.
$3.15 ≈
£2.39
The Lamb of Christmas
The Lamb of Christmas
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Christmas
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Ken Bible
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Thomas Fettke
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The Lamb of Christmas
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Fred Bock Music Company
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SheetMusicPlus
Choral (SATB choir a cappella) SKU: HL.8751708 Composed by Ken Bible. Arranged by Thomas Fettke. SATB. Fred Bock Publications. Christmas Sacred. Octavo. ...
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Choral (SATB choir a cappella) SKU: HL.8751708 Composed by Ken Bible. Arranged by Thomas Fettke. SATB. Fred Bock Publications. Christmas Sacred. Octavo. 4 pages. Fred Bock Music Company #BG2553. Published by Fred Bock Music Company (HL.8751708). UPC: 884088495541. 6.75x10.5 inches.Using a lovely 13th century French melody, master musical craftsman Tom Fettke has created a beautiful chorale. Ken Bible's text takes us into the manger scene to celebrate Christ's birth. Frist it is as if the lamb is speaking to the Child, then the song itself, and finally the Child calling to us. Simple and dignified, this hymn-like piece is warm and inviting.
$1.95 ≈
£1.48
The War Prayer (Downloadable)
The War Prayer (Downloadable)
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High voice
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Steven Mark Kohn
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The War Prayer
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. P...
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High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00 ≈
£7.60
Thirteen Ways of Looking at a Blackbird
Thirteen Ways of Looking at a Blackbird
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Juliana Hall
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Thirteen Ways of Looking at a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano or mezzo-soprano and alto saxophone - Moderately Difficult - Digital Download SKU: MQ.9153-E Composed by Juliana Hall. Instrument parts. 38 pages...
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Soprano or mezzo-soprano and alto saxophone - Moderately Difficult - Digital Download SKU: MQ.9153-E Composed by Juliana Hall. Instrument parts. 38 pages. E. C. Schirmer Music Company - Digital #9153-E. Published by E. C. Schirmer Music Company - Digital (MQ.9153-E). English.Juliana Hall’s song setting of the famous Wallace Stevens poem Thirteen Ways of Looking at a Blackbird was commissioned by saxophonist Carrie Koffman (faculty, Hartt and Yale Schools of Music). Koffman had the idea to commission a setting of this poem in 13 parts, and to present each part in a very short performance at one of the 13 stops along the Wallace Stevens Walk in Hartford, Connecticut (the path Stevens traversed daily as he walked to and from his job at The Hartford Insurance Company). Being a song composer, Hall asked if she could write the piece with voice, which Koffman enthusiastically embraced. The work, then, is for either a soprano or a mezzo soprano voice, with alto saxophone, and is a single work in 13 parts. The premiere took place on Saturdy, October 16, 2021 along the Wallace Stevens Walk, performed on this outdoor excursion by soprano Cherie Caluda (Hartt voice faculty) and Koffman on saxophone. The indoor premiere took place soon after, on Sunday, October 24, 2021, as part of a concert at the Hartt School of Music devoted to the works of Juliana Hall.
$20.00 ≈
£15.20
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
£4.55
Yuki-Onna (piano 4-hands)
Yuki-Onna (piano 4-hands)
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
#
Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Sc...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
£4.55
Wer sich der Einsamkeit ergibt (Who gives himself to solitude) for low voice and guitar
Wer sich der Einsamkeit ergibt (Who gives himself to solitude) for low voice and guitar
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Classical
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Franz Schubert
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David Warin Solomons
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Wer sich der Einsamkeit ergibt
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576694 Composed by Franz Schubert. Arranged by David Warin Solomons. Cl...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576694 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 7 pages. David Warin Solomons #73693. Published by David Warin Solomons (A0.576694). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) arranged in the key of E minor for low voice and guitar In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for voice and piano, also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. Wer sich der Einsamkeit ergibt, Ach! der ist bald allein; Ein jeder lebt, ein jeder liebt Und läßt ihn seiner Pein. Ja! Laßt mich meiner Qual! Und kann ich nur einmal Recht einsam sein, Dann bin ich nicht allein. Es schleicht ein Liebender lauschend sacht, Ob seine Freundin allein? So überschleicht bei Tag und Nacht Mich Einsamen die Pein, Mich Einsamen die Qual. Ach, werd ich erst einmal Einsam in Grabe sein, Da läßt sie mich allein! Who gives himself to solitude Will soon find he's alone each of us lives each of us loves and leaves him to his pain. Yes leave this anguished soul and if I can just once find solitude Then I am not alone. A lover comes and listens soft to see if she is alone and so it is by day and night that pain creeps up on me that anguish comes to me Oh only in the grave will I find solitude Then she will leave me be (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707281
$8.00 ≈
£6.08
Tanguillo de Cádiz Guitar 2
Tanguillo de Cádiz Guitar 2
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Guitar
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INTERMEDIATE
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Flamenco
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Tr...
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Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99 ≈
£3.03
Il teatro
Il teatro
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Piano solo
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INTERMEDIATE
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Contemporary
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Monica Bergo
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more lives 
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Il teatro
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica...
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Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script and you will not be wrong A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up Offstage, me Look out for my turn my legs tremble Increase the beat People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit Pierrot Between joy and tears But it went well and then tomorrow replies Live more lives for never die Sweet illusion that will cull me And it will accompany me Even out of this scene If I recite good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be? and how Pirandello wrote I’m none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want .... Monica Bergo
$3.99 ≈
£3.03
Come un fiore (Faust, le polveri e gli intrugli)
Come un fiore (Faust, le polveri e gli intrugli)
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Piano solo
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Contemporary
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Monica Bergo
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Come un fiore
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light… Is one of those days that the silence takes away that last smile and dies in throat happiness The old desires resurface here and there and move the dish intact the food don't takes me away hunger I would to be a flower needs has never the sun heats the wind then lull it the rain mixes with my tears that goes my steps echo in the nothing of city and while I walked in to the melancholy with only my sad thoughts to keep me company with the mind's eye I had seen him already beautiful in appearance, but in the heart the ice he has It 's so much waiting for you but I have eternity it's true ,to have you tried and you're back here, you good acrobat, actress without identity it is useless to run away, it is written in the DNA. Do not you remember? but that good days powders and concoctions that filled your eternal empty watched yourself now always the same love, affection is a life that you are looking for Surrender and you'll see .... here with me, no one in the world, will can hurt you or harm you will do damnation, pure invention and heaven will remain empty But do not you realize? you're out of time and out of place in this society if you disappear at this instant of your essence, what will be left? Do-sol do-sol energy becomes infinite Re- la Re- la and from the heart goes to the fingers MI- si mi- si search keys, caresses them and finally there is sweetness also for me Do-sol do-sol so tired of being alone re-la re-la fly music and consoles mi-si mi-si remove also this love too and as a flower without treatment, I wither Stay with me I want to light Stay with me I look for peace like a flower that does not give answers here with you there is no peace here with you without light like a flower without the sun I will die Sweetes.
$3.99 ≈
£3.03
Victoria's Secret
Victoria's Secret
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Flute ensemble
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INTERMEDIATE
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Jax
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Lisa Ochoco
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Victoria's Secret
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nila...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1256790 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 28 pages. Lisa L Ochoco #850162. Published by Lisa L Ochoco (A0.1256790). This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! Scored for flute choir - 3 C, alto, bass, and contrabass flutes. If your choir doesn't have a contrabass, then it can be substituted by another bass, or any C instrument in a similar range, but it is a part that needs to be covered, as it has important (but quite simple bass lines).  There is an optional upright string bass part that doubles the contrabass an octave below.   There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. Duration: 3 minutes.
$15.00 ≈
£11.40
Victoria's Secret
Victoria's Secret
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Clarinet Ensemble
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INTERMEDIATE
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Jax
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Lisa Ochoco
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Victoria's Secret
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1256803 By Jax. By Dan Henig, Jacqueline Miskanic, an...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1256803 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Lisa Ochoco. Contemporary,Pop. 26 pages. Lisa L Ochoco #850186. Published by Lisa L Ochoco (A0.1256803). This song by Jax has a catchy tune and fun beat.  It's a song that talks about the beauty standards that women are faced with in our everyday lives.  Having struggled with body image issues herself, Jax wrote this song that directly calls out the lingerie company, Victoria's Secret, for cashing in on body issues, selling skin and bones with big boobs. The song has been an international hit. This arrangement is just so that people who love the song can play it.  I will admit that it is repetitious, but it's just a catchy tune! Scored for clarinet choir - 3 Bb, alto, bass, and contrabass clarinets. If your choir doesn't have a contrabass, then it can be substituted by another bass, or any Bb instrument in a similar range, but it is a part that needs to be covered, as it has important (but quite simple) bass lines.  There are 2 body percussion parts that are quite simple, but particularly important.  It's a stomp and clap (or snap).  You could also use 2 different drums, buckets, etc.  Substitute a low pitch for the stomp and a higher one for the clap. Duration: 3 minutes.
$15.00 ≈
£11.40
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Flute ensemble
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INTERMEDIATE
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lo...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00 ≈
£10.64
The Godfather (love Theme)
The Godfather (love Theme)
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2 Guitars (duet)
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EASY
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Contemporary
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Nino Rota
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Derek Hasted
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The Godfather
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797863 Composed by Nino Rota. Arranged by Derek Hasted. Contemporary. Sco...
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Instrumental Duet Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797863 Composed by Nino Rota. Arranged by Derek Hasted. Contemporary. Score and parts. 9 pages. Derek Hasted #6850815. Published by Derek Hasted (A0.797863). SPEAK SOFTLY LOVE - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece suits a guitar duet so well. My arrangement can be played as a performance piece, or with a small adjustment, as a student/teacher duet.My arrangement has two verses, and these are orchestrated differently - one in an arpeggio style and one in a countermelody style. You can mix and match the arrangements as you wish and it’s easy to add extra verses too. The tune is fairly low in pitch so that the tone is warm and mellow, but it needs to project over the accompaniment which straddles it in pitch.If you play the arrangement as written, each player gets a verse on the tune and a verse playing the accompaniment - perfect for performance.If you are a teacher, then your student can play just the page containing the tune, and you can accompany them - indeed, if you take their second page, you can play two different accompaniments while they play two verses of the tune...I hope you enjoy this piece!
$4.99 ≈
£3.79
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
£3.03
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