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14 sheet music found
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1
8 Swinging Xmas Carols for Mallet Percussion & Piano
8 Swinging Xmas Carols for Mallet Percussion & Piano
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Xylophone, Piano
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INTERMEDIATE
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Christmas
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Keith Terrett
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Keith Terrett
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8 Swinging Xmas Carols for Mal
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Keith Terrett
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SheetMusicPlus
Piano,Xylophone - Level 3 - Digital Download SKU: A0.1315259 By Keith Terrett. By Various. Arranged by Keith Terrett. 19th Century,20th Century,Christian...
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Piano,Xylophone - Level 3 - Digital Download SKU: A0.1315259 By Keith Terrett. By Various. Arranged by Keith Terrett. 19th Century,20th Century,Christian,Christmas,Praise & Worship. 28 pages. Keith Terrett #904005. Published by Keith Terrett (A0.1315259). An exciting arrangement of eight popular swinging xmas carols arranged for Vibraphone, Marimba or Xylophone & Piano in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99 ≈
£12.45
Of Maker and Movement - percussion quartet
Of Maker and Movement - percussion quartet
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Jennifer Bellor
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Of Maker and Movement - percus
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Bellor
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SheetMusicPlus
Mixed Percussion,Percussion Quartet Djembe,Glockenspiel,Mallet Percussion,Marimba,Multi-Percussion,Triangle,Vibraphone,Xylophone - Level 5 - Digital Download
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Mixed Percussion,Percussion Quartet Djembe,Glockenspiel,Mallet Percussion,Marimba,Multi-Percussion,Triangle,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.1245976 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary. 94 pages. Bellor #840807. Published by Bellor (A0.1245976). Of Maker and Movement (2019) Duration: 16 minutesI. Pendulum Surround (4'30)https://youtu.be/0AD6UCc9MHsII. Quartz Revolution (8')https://youtu.be/mLq-CfM8SBkIII. Dance of Hands (3'30)https://youtu.be/Y7HfGIOAqoEAll of these movements have motivic connections to each other, but can also be stand alone pieces. Additionally, the movements can be presented in any order, although the most common order is indicated in the score. FLEXIBLE INSTRUMENTATION: The Galvitone are tuned pipes Clocks created for their ensemble. A combination of glockenspiel and crotales can be used in place of this instrument. The Aquarion is a glass marimba built for this piece. Another instrument, such as the MalletKAT, keyboard, or combination of marimba and vibraphone can be used in instead. Of Make and Movement was commissioned by the Clocks in Motion percussion quartet. This is the first percussion quartet I wrote for them as their resident Clock Shop composer. Growing up surrounded by many antique clocks in my childhood home, I was inspired to create a piece that, for me, encapsulates some of the ways these clocks show the passing of time: the swinging of a pendulum, aging crystals in a quartz clock, and how the continuous movement of the hands could represent how we are in this continuous dance with time.
$69.99 ≈
£54.49
Bouncin' in 3 - Xylophone Solo
Bouncin' in 3 - Xylophone Solo
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Percussion Ensemble
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INTERMEDIATE
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Ben Garraway
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Bouncin' in 3 - Xylophone Solo
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.892595 Composed by Ben Garraway. Concert,Contemporary,Instructional,Standards. Score and parts. 1 pages. Music Lesson Downloads #6212909. Published by Music Lesson Downloads (A0.892595). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4.
$2.99 ≈
£2.33
Bouncin' in 4 - Xylophone Solo
Bouncin' in 4 - Xylophone Solo
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Percussion Ensemble
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INTERMEDIATE
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Ben Garraway
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Bouncin' in 4 - Xylophone Solo
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Music Lesson Downloads
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 ...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.892597 Composed by Ben Garraway. Concert,Contemporary,Film/TV,Instructional. Score and parts. 1 pages. Music Lesson Downloads #6212913. Published by Music Lesson Downloads (A0.892597). Especially written to show off the character of the instrument this 3/4 dance is perfect for students to play unaccompanied. For Xylophone or Marimba, the melody is played in the right hand and the left hand plays mostly an accompaniment. Lots of arpeggios and scales and constant movement throughout makes this grade 4. (There is also a 3/4 solo called ‘Bouncin' in 3’ in a similar style.)
$2.99 ≈
£2.33
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Percussion Ensemble
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ADVANCED
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages....
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
£38.93
Sinfonietta for Percussion Trio
Sinfonietta for Percussion Trio
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Contemporary
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measure 41, the transition has
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Dan Heslink
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Sinfonietta for Percussion Tri
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Pharaoh Publications
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SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Hesli...
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99 ≈
£7.78
Andaluza
Andaluza
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Concert band
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INTERMEDIATE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts....
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Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00 ≈
£58.39
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
£7.79
Classroom Activity Worksheet Booklets educational pack: MELODY - Perform Compose Understand PCU
Classroom Activity Worksheet Booklets educational pack: MELODY - Perform Compose Understand PCU
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Instructional
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Austin Ralphson
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Classroom Activity Worksheet B
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Austin Ralphson
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harp,Marimba,Oboe,Piano,Tenor...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harp,Marimba,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.563704 Composed by Austin Ralphson. Instructional. Score and parts. 34 pages. Austin Ralphson #4628391. Published by Austin Ralphson (A0.563704). This pack comprises 5 activity worksheet booklets, all of which focus on melodic movement and direction. It is part of the Perform, Compose, Understand Series, and can be enhanced by purchasing the performance pieces around which they are based. This pack is intended for a class made up of 14-16 year-old music students; it is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate learning within the centre, but must not distribute to others. The performance pieces could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$9.99 ≈
£7.78
Percussion in Winterland
Percussion in Winterland
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Percussion in Winterland
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Mallets (glockenspiel, xylophone, marimba) and percussion, voice and Melodie-voices in C, B, D, Eb or F, bass ad libitum - Digital Download SKU: S9.Q557942
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Mallets (glockenspiel, xylophone, marimba) and percussion, voice and Melodie-voices in C, B, D, Eb or F, bass ad libitum - Digital Download SKU: S9.Q557942 7 popular Christmas carols. Downloadable, Score and parts. Musikverlag Zimmermann - Digital #Q557942. Published by Musikverlag Zimmermann - Digital (S9.Q557942). German • English • French.Contents: Jingle Bells, Leise rieselt der Schnee, Joy to the World and as a medley: Morgen kommt der Weihnachtsmann, Morgen, Kinder, wird’s was geben, Schneeflöckchen, Weißröckchen, I wish you a Merry Christmas. Instrumentation: glockenspiel, vibraphone and marimba (2 players at one instrument) as well as various percussion instruments and drum set. With these, the rearranged movements can be played in full. The sound can be extended by integrating a one or two-part choir or vocals plus amplifying melodic instruments and bass. As lead sheets are available in C, D, B flat, E flat and F, there are hardly any restrictions as to how they can be used. The C part is additionally equipped with chord symbols for guitar or other harmonic instruments.
$22.99 ≈
£17.90
The Impression That I Get
The Impression That I Get
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Marching band
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EASY
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The Mighty Mighty Bosstones
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Mike C
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The Impression That I Get
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Mike C. Muncher Music
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SheetMusicPlus
Marching Band - Level 2 - Digital Download SKU: A0.1463281 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Mike C. Munche...
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Marching Band - Level 2 - Digital Download SKU: A0.1463281 By The Mighty Mighty Bosstones. By Dicky Barrett and Joe Gittleman. Arranged by Mike C. Muncher. Contest,Festival,Jazz,Pop,Rock,Ska. 99 pages. Mike C. Muncher Music #1041973. Published by Mike C. Muncher Music (A0.1463281). The Impression That I Get by The Mighty Mighty Bosstones was one of the very biggest hits of the ska movement in the 1990s-early 2000s! Infectious rhythms, ready-made horn parts, lively tempo - this one has it all!This arrangement would be perfect for a '90s show or a rocking time in the stands!Instrumentation:Flute-Piccolo3 ClarinetAlto SaxophoneTenor SaxophoneBari Saxophone3 TrumpetMellophone2 TromboneBaritoneTubaXylophone-Glockenspiel [w/suspended cymbals] (optional)VIbraphone [w/suspended cymbals] (optional)Marimba [w/suspended cymbals] (optional)Bass Guitar (optional)SnaresTenors5 BassesCymbalsTime: ca. 2:00.
$49.99 ≈
£38.92
The River Is Wide for Mallet Percussion
The River Is Wide for Mallet Percussion
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Sacred music
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Christian contemporary
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Traditional
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Lawrence H
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The River Is Wide for Mallet P
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Lawrence H Underwood
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SheetMusicPlus
Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.968425 Composed by Traditional. Arranged by Lawrence H. Underwood....
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Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.968425 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 11 pages. Lawrence H Underwood #6564579. Published by Lawrence H Underwood (A0.968425). Arranged by veteran performer and music educator, Lawrence Underwood, as the seventh installment in his 2021 Hymn Song Collection series, this brand new setting of The River Is Wide is a study in movement - from flowing ballad through bounding 4/4, lilting 6/8 through a slow march finale - all the while highlighting the beautiful traditional melody at its heart. Suitable for use as special music in church or as a recital piece, this new arrangement will really make an impact!
$5.99 ≈
£4.66
Air on the G string in D, BWV 1068 (accompanied) - for C instruments in treble clef
Air on the G string in D, BWV 1068 (accompanied) - for C instruments in treble clef
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Violin and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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Air on the G string in D, BWV
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Leyandder Trustworthy
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SheetMusicPlus
Large Ensemble Banjo,Flute,Guitar,Harp,Marimba,Oboe,Piano,Soprano Recorder,Tenor Recorder,Ukulele,Vibraphone,Violin,Xylophone - Level 1 - Digital Download SK...
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Large Ensemble Banjo,Flute,Guitar,Harp,Marimba,Oboe,Piano,Soprano Recorder,Tenor Recorder,Ukulele,Vibraphone,Violin,Xylophone - Level 1 - Digital Download SKU: A0.964352 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Standards,World. Score and parts. 2 pages. Leyandder Trustworthy #6305059. Published by Leyandder Trustworthy (A0.964352). Aria on the G string or Aria on the fourth string is an adaptation for violin and piano of the second movement of J. S. Bach's Suite No. 3 for orchestra, in an arrangement for instruments tuned in C along with piano accompaniment for the teacher. This version is ideal for young music students.
$1.99 ≈
£1.55
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Movement Marimba or Xylophone
