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R.J. Lange
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12 sheet music found
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1
BOULANGER: COMPLETE SONGS (original keys)
BOULANGER: COMPLETE SONGS (original keys)
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Piano, Voice
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Classical
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Juliette Marie Olga
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ArtSongTranspositions
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BOULANGER: COMPLETE SONGS
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Pe...
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Piano,Vocal,Voice - Digital Download SKU: A0.1085840 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 91 pages. AST Publications, LLC #690013. Published by AST Publications, LLC (A0.1085840). COMPLETE SONGS IN ORIGINAL KEYS | Reflets (F-sharp minor) | Attente (C-sharp major) | Le retour (F-sharp major) | Dans l’immense tristesse (B-flat minor) | Elle était descendue au bas de la prairie (E major) | Elle est gravement gaie (E major) | Parfois, je suis triste | Un poète disait (E major) | Au pied de mon lit (E minor) | Si tout ceci n'est qu'un pauvre rêve (F minor) | Nous nous aimerons tant (D-flat major) | Vous m'avez regardé avec toute votre âme (E major) | Les lilas qui avaient fleuri | Deux ancolies (C major) | Par ce que j'ai souffert (C major) | Je garde une médaille d’elle (D minor) | Demain fera un an (D minor)⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$79.99 ≈
£60.73
(Everything I Do) I Do It For You
(Everything I Do) I Do It For You
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Rock
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Bryan Adams
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Doug Clyde
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(Everything I Do) I Do It For
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ALBEDO MUSIC
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.712792 By Bry...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.712792 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Doug Clyde. Contemporary,Pop. 18 pages. ALBEDO MUSIC #1999151. Published by ALBEDO MUSIC (A0.712792). (Everything I Do) I Do It For You from Robin Hood: Prince of Thieves. Saxophone Quartet Arranged by Doug Clyde of ALBEDO MUSIC. Score & Parts. Music by Bryan Adams, R.J. Lange and Michael Kamen. Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone.
$12.99 ≈
£9.86
(Everything I Do) I Do It For You
(Everything I Do) I Do It For You
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Rock
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Bryan Adams
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Doug Clyde
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Parts
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(Everything I Do) I Do It For
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ALBEDO MUSIC
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.713150 By Bryan Adams. By Bryan Adams, Michael Kamen, a...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.713150 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Doug Clyde. Contemporary,Pop. 18 pages. ALBEDO MUSIC #2828227. Published by ALBEDO MUSIC (A0.713150). (Everything I Do) I Do It For You from Robin Hood: Prince of Thieves. Double Reed Quartet Arranged by Doug Clyde of ALBEDO MUSIC. Score & Parts. Music by Bryan Adams, R.J. Lange and Michael Kamen. Oboe, English Horn, Bassoon 1, Bassoon 2.
$12.99 ≈
£9.86
(Everything I Do) I Do It For You from the Motion Picture ROBIN HOOD: PRINCE OF THIEVES for Clarinet Quartet
(Everything I Do) I Do It For You from the Motion Picture ROBIN HOOD: PRINCE OF THIEVES for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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EASY
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Rock
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Bryan Adams
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Doug Clyde
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(Everything I Do) I Do It For
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ALBEDO MUSIC
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SheetMusicPlus
By Bryan Adams. Arranged by Doug Clyde. Movies, Pop. Score, Set of Parts. 17 pages. Published by ALBEDO MUSIC (H0.113739-232860). - Score,Set of Parts - Movies,...
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By Bryan Adams. Arranged by Doug Clyde. Movies, Pop. Score, Set of Parts. 17 pages. Published by ALBEDO MUSIC (H0.113739-232860). - Score,Set of Parts - Movies,Pop - ALBEDO MUSIC
(Everything I Do) I Do It For You from Robin Hood: Prince of Thieves. Clarinet Quartet Arranged by Doug Clyde of ALBEDO MUSIC. Score and Parts. Music by Bryan Adams, R.J. Lange and Michael Kamen. Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet.
$12.99 ≈
£9.86
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
£8.31
Telemensch for solo clarinet (mp3)
Telemensch for solo clarinet (mp3)
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Clarinet
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József Dávid
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Telemensch for solo clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet - Digital Download SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. Dav...
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Clarinet - Digital Download SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomons #707202. Published by David Warin Solomons (A0.1103918). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind.
$5.50 ≈
£4.18
Moonglow
Moonglow
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Brass Quartet: 4 trombones
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ADVANCED
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George Cates
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Jörg Richter
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Moonglow
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Jörg Richter
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SheetMusicPlus
Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798667 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged b...
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Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798667 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Jörg Richter. 20th Century,Jazz,Standards. Score and parts. 13 pages. Jörg Richter #5200071. Published by Jörg Richter (A0.798667). Der bekannte Jazz Titel Moonglow von Will Hudson und Irving Mills in einem Arrangement für Posaunenquartett von Jörg Richter.
$16.99 ≈
£12.90
Note Book for Nannerl
Note Book for Nannerl
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Piano solo
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BEGINNER
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Leopold Mozart
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Note Book for Nannerl
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Schott Music - Digital
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SheetMusicPlus
Piano - very easy - Digital Download SKU: S9.Q15673 Composed by Leopold Mozart. This edition: Sheet music. Downloadable. Schott Music - Digital #Q15673. ...
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Piano - very easy - Digital Download SKU: S9.Q15673 Composed by Leopold Mozart. This edition: Sheet music. Downloadable. Schott Music - Digital #Q15673. Published by Schott Music - Digital (S9.Q15673). Dieses Heft enthält eine Auswahl aus dem Notenbuch, das der Salzburger Kapellmeister Leopold Mozart im Jahre 1759 für seine Tochter, das Nannerl anlegte. Diese handschriftliche Sammlung verschiedenartiger Klavierkompositionen von großenteils nicht genannten Musikern jener Zeit hat eine besondere Bedeutung, weil sie auch als erster Übungsstoff für den jüngeren Bruder Wolfgang verwendet wurde. Bei mehreren Stücken ist genau vermerkt, wann er sie erlernte und wie lange er daran übte.
$11.99 ≈
£9.10
Lamento et Rock bulgare
Lamento et Rock bulgare
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Atanas Ourkouzounov
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Lamento et Rock bulgare
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar, piano, violin and cello - Digital Download SKU: ZY.DO-1543 Composed by Atanas Ourkouzounov. Score and parts. 56 pages. Les Editions Doberman-Yppa...
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Guitar, piano, violin and cello - Digital Download SKU: ZY.DO-1543 Composed by Atanas Ourkouzounov. Score and parts. 56 pages. Les Editions Doberman-Yppan (digital) #DO 1543. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1543). La pièce « Lamento et Rock Bulgare » a été écrite à la demande du Trio Ahn pour une série de concerts avec la guitariste Antigone Goni. On souhait que je utilise les matériels de Bulgarian Rock originalement composé pour violoncelle et guitare et en faire une nouvelle version pour violon, cello, piano et guitare. J’ai rajouté la partie lente au début (« Lamento ») car le Trio Ahn est constitué de trois soeurs qui venaient de perdre leur mere. Dans le Rock bulgare il y a un mélange du rythme typiquement bulgare à 11 temps (4+3+4) avec des modes de jeux que font référence très largement à la musique rock. La pièce à été créée au Festival Montana Chamber Music aux USA le 20 avril 2024.The piece Lamento et Rock Bulgarian was written at the request of the Ahn Trio for a series of concerts with guitarist Antigone Goni. We would like me to use the materials from Bulgarian Rock originally composed for cello and guitar and make a new version for violin, cello, piano and guitar. I added the slow part at the beginning (Lamento) because the Ahn Trio is made up of three sisters who had just lost their mother. In Bulgarian Rock there is a mixture of the typically Bulgarian 11-beat rhythm (4+3+4) with playing modes that refer very largely to rock music. The piece was premiered at the Montana Chamber Music Festival in the USA on April 20, 2024.
$16.95 ≈
£12.87
Jacques Leguerney: Première Sonate for piano and violin
Jacques Leguerney: Première Sonate for piano and violin
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Violin and Piano
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ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Première S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publ...
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95 ≈
£19.70
2 Coole Mäuse & 18 andere tolle Klavierstücke
2 Coole Mäuse & 18 andere tolle Klavierstücke
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Piano solo
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BEGINNER
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Barbara Arens
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Barbara Arens
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2 Coole Mäuse & 18 andere tol
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Barbara Arens
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1417915 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Children,Contemporary,Instru...
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Piano Solo - Level 1 - Digital Download SKU: A0.1417915 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Children,Contemporary,Instructional,Jazz. Score. 30 pages. Barbara Arens #999459. Published by Barbara Arens (A0.1417915). Ich liebe es, für meine Klavierschüler Stücke zu schreiben, die sie begeistern, die sie ermutigen, ausdrucksvoll zu spielen, und die ihnen so viel Spaß machen, dass sie ÜBEN WOLLEN! Genau dafür sind diese 19 Stücke mit Tiermotiven gedacht! Inspiriert von meinen jüngsten Klavierschülern hatte ich viel Spaß beim Schreiben von diesen fantasievollen kleinen Stücken, die unsere Klavierstunden auf sinnvollerweise noch lustiger machen. Es hat mir besonders viel Freude gemacht, mir die Titel auszudenken: 2 Schweine diskutieren über ihr Mittagessen; Eine Schlangeträumt vom Bauchtanzen; 2 Dachse machen einen Mitternachts-Spaziergang; Ein Ameisenbär macht einen Freudentanz; Ein Tausendfüßler überlegt jemanden zu kitzeln; Eine Katze, die dich völlig ignoriert........ Es wurden verschiedene Stile verwendet - einige jazzige Stücke, mit geswungenen Achtelnoten, aber auch viele anschauliche Stücke für kleine Hände. Für die frühe Elementarstufe - späte Elementarstufe Alle Stücke sind in Youtube zu hören unter '2 Cool Mice'.
$12.99 ≈
£9.86
Hafis
Hafis
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Choral SATB
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INTERMEDIATE
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Friedrich Gernsheim
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Hafis
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Schott Music - Digital
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SheetMusicPlus
Soloistss (SATB), mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q560929 Eine Lieder-Reihe für Solostimmen und Chor mit Beg...
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Soloistss (SATB), mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q560929 Eine Lieder-Reihe für Solostimmen und Chor mit Begleitung des Pianoforte. Composed by Friedrich Gernsheim. Downloadable, Score (also performing score). Duration 42 minutes. Schott Music - Digital #Q560929. Published by Schott Music - Digital (S9.Q560929). German.Friedrich Gernsheim (1839–1916) entstammt einer angesehenen jüdischen Familie aus Worms am Rhein und war zu Lebzeiten ein äußerst erfolgreicher und hoch angesehener Komponist, dessen Musik es wiederzuentdecken gilt. Mit dem Gesangverein des Stern’sche Konservatoriums und Wilhelm Berger am Klavier wurde „Hafis – Eine Lieder-Reihe 1891 im Konzertsaal der Berliner Singakademie uraufgeführt. Die Texte der Lieder wählte Gernsheim aus einer 1846 erschienenen und von Georg Friedrich Daumer angefertigten Ãœbersetzung von mehr als 200 Gedichten des persischen Dichters Hafis (eigentlich Mohammed Schemseddin (KhÄwje Shams-od-DÄ«n Moḥammad ḤÄfeẓ-e ShÄ«rÄzÄ«), ca. 1325–1390) aus. Er vertonte 17 Texte, hauptsächlich zu den Themen Liebe, Wein und dem sich stets wandelnden, aber dennoch kreisenden Menschsein, und verteilt sie auf 13 Nummern unterschiedlicher Form und Besetzung. Ähnlich wie die Liebesliederwalzer seines guten Freundes Johannes Brahms enthält Gernsheims Zyklus einige solistische Lieder, Duette und Quartette. Der Hauptunterschied und letztlich auch das Ungewöhnliche an der Reihe ist die grundsätzliche Konzeption für (wahrscheinlich groß besetzten) Chor und Solisten, die teils getrennt, in einzelnen Nummern aber auch gemeinsam und im Wechsel auftreten. Strophenlieder sind ebenso enthalten wie durchkomponierte und offene Formen. Ein groß angelegtes Finale schließt die Liederreihe ab, die tatsächlich als zusammenhängender Zyklus konzipiert ist, was aber die Aufführung einer Auswahl an Liedern nicht grundsätzlich ausschließt. Musikalisch ist die chorische Anlage deutlich zu erkennen, was Hafis auch im Gegensatz zu den Brahms’schen Quartetten für einen Amateurchor deutlich leichter aufführbar macht und nicht zuletzt auf Gernsheims eigene Chorleitungspraxis zurückzuführen sein dürfte. Der Klavierpart hingegen zeugt von einer technisch versierten Beschäftigung mit dem Instrument und auch die Soli sind merklich anspruchsvoller angelegt. Im Gesamten stellt die Liederreihe eine äußerst gelungene und in sich schlüssige Komposition dar. Sie leistet somit ihren Beitrag zur Wiederentdeckung der (nach jahrelanger Nicht-Beachtung während und nach der NS-Zeit) bisher nur dürftig erschlossenen Chorwerke des Wormser Komponisten Friedrich Gernsheim. Die zeitgleich zur Edition erschienene CD-Einspielung des Kammerchors Vox Quadrata ermöglicht einen leichteren Zugang zur Musik Friedrich Gernsheims.
$13.99 ≈
£10.62
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R.J. Lange
