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TRUMPET 2 Cellos, Piano
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You've selected:
TRUMPET 2 Cellos, Piano
Sheetmusic to print
80 sheet music found
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1
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76
Trumpet Tune and Air, by Purcell; Cello Duet
Trumpet Tune and Air, by Purcell; Cello Duet
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2 Cellos (duet)
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INTERMEDIATE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.587663 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standard...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.587663 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729521. Published by David McKeown (A0.587663). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Cellos and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
£3.56
[Westergaard] Twelfth Night (Piano/Vocal)
[Westergaard] Twelfth Night (Piano/Vocal)
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Vocal duet, Piano
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Peter Westergaard
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[Westergaard] Twelfth Night
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American Composers Alliance Inc.
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.952813 Composed by Peter Westergaard. Contemporary,Opera. 370 pages. American Composers Alliance ...
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Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.952813 Composed by Peter Westergaard. Contemporary,Opera. 370 pages. American Composers Alliance Inc. #4624277. Published by American Composers Alliance Inc. (A0.952813). Complete piano/vocal score of Westergaard's Shakespearian chamber opera, Twelfth Night. Scored for 12 solo singers (1 soprano, 1 mezzo-soprano, 1 contralto, 1 countertenor, 3 tenors, 4 baritones, 1 bass), 4 supernumeraries, flute (doubling piccolo & alto flute), Ob (doubling English horn), Clarinet, Bassoon, Horn, Trumpet, Harp, 2 Violins, 2 Violas, and 2 cellos. .
$111.95 ≈
£86.64
Cello and Piano Duets Book 1
Cello and Piano Duets Book 1
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2 Cellos (duet)
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EASY
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Contemporary
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Sandra Schlink
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Sandra Schlink
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Cello and Piano Duets Book 1
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sandra schlink
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SheetMusicPlus
Cello Duet Cello - Level 2 - Digital Download SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. S...
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Cello Duet Cello - Level 2 - Digital Download SKU: A0.1037542 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary. Score. 21 pages. Sandra schlink #642468. Published by sandra schlink (A0.1037542). Cello and piano duets book 1 Please also look at my Jazz Cello Duet book 3, jazz Cello duets book 2, jazz Cello duets book 1, Jazz and classical Cello duets, jazz Cello duets book. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Here is a recording of part of one of the duets from Jazz trumpet book 1. https://youtu.be/tSyeLB1E8wc We also have theory books to help with musicianship and sight reading. Theory book 1 counting. This series of books have been written to help musicians improve rhythm and sight reading skills. They start simply and become progressively more difficult. This book was created to help you improve your musicianship by focusing on learning to read the notes with greater speed.. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Note Names. With these books you will be able to sight read with greater ease and speed. Thank you so much.
$14.99 ≈
£11.60
20 Classical Themes for 2 Cellos with Piano Accompaniment
20 Classical Themes for 2 Cellos with Piano Accompaniment
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2 Cellos, Piano
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INTERMEDIATE
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Classical
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Various
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20 Classical Themes for 2 Cell
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classi cal,Romantic Period. Score. 155 pages. Ben Dockery #879340. Publish...
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Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classi cal,Romantic Period. Score. 155 pages. Ben Dockery #879340. Published by Ben Dockery
Some of the most popular and beloved compositions by Bach, Beethoven, Mozart, Brahms, Chopin and more are included in this collection of twenty classical themes: arranged for cello duet with optional piano accompaniment. A range of early to late intermediate levels. Includes scores and individual parts.
Air on the G String, Ave Maria, Brahm's Lullaby, Canon in D, Dido's Lament, Eine Kleine Nachtmusik, Funeral March, Fur Elise, Hallelujah Chorus, In the Hall of the Mountain King, Jupiter, Largo, Ode to Joy, Pavane, Pomp and Circumstance, Sleeping Beauty, Spring, Blue Danube, The Sorcerer's Apprentice, Trumpet Voluntary.
$12.99 ≈
£10.05
10 Wedding Duets for 2 Cellos and Piano
10 Wedding Duets for 2 Cellos and Piano
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2 Cellos, Piano
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INTERMEDIATE
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Wedding/Ballad
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Wedding/Ballad
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Various
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10 Wedding Duets for 2 Cellos
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Ben Dockery
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 121 ...
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Composed by Various. Arranged by B. C. Dockery. Romantic Period, Classical Period, Baroque Period, Impressionistic, Wedding. Score, Set of Parts. 121 pages. Published by Ben Dockery
With ten of the most popular pieces for wedding ceremonies, this intermediate-level collection is perfect for aspiring and professional musicians alike. Arranged for cello duet with optional piano accompaniment.
Air on the G String
Bridal Chorus
Canon in D
Clair de Lune
The Four Seasons (Spring)
Jesu, Joy of Man's Desiring
Ode to Joy
Prelude No. 1 from the Well-Tempered Clavier Bk 1
Trumpet Voluntary
Wedding March
Includes all scores and parts.
$11.99 ≈
£9.28
Mini Concerto For Alex (Cello and Piano Arrangement)
Mini Concerto For Alex (Cello and Piano Arrangement)
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14...
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Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00 ≈
£6.97
Spirit of Christmas 2/5 - Advent
Spirit of Christmas 2/5 - Advent
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 2/5 - Adve
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley Sowash #1087. Published by Bradley Sowash (A0.750069). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 2. Advent (5:00) This reworking of the 12th century Advent hymn, O Come Emmanuel, connects us with the long history of this time of waiting by referencing medieval church bell towers, solemn drums and ancient harmonies before moving into a more contemporary interpretation. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00 ≈
£34.83
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIAT
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Arkady Leytush
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 32...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00 ≈
£77.39
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
£18.57
Silent Night--violin duet
Silent Night--violin duet
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--violin duet
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.786762 Composed by Joseph Mohr, Franz Gruber. Arranged by Bek...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.786762 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431077. Published by Beka Wilson (A0.786762). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
Silent Night--cello duet
Silent Night--cello duet
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--cello duet
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.786757 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.786757 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431065. Published by Beka Wilson (A0.786757). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
Silent Night--alto sax duet
Silent Night--alto sax duet
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Alto Saxophone and Piano
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INTERMEDIATE
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--alto sax duet
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786756 Composed by Joseph Mohr, Fr...
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786756 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431069. Published by Beka Wilson (A0.786756). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
Silent Night--viola duet
Silent Night--viola duet
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--viola duet
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.786761 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.786761 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431075. Published by Beka Wilson (A0.786761). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
The First Noel Female Vocal, Choir and Pops Orchestra. Key of Bb
The First Noel Female Vocal, Choir and Pops Orchestra. Key of Bb
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Orchestra
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INTERMEDIATE
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Christmas
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Traditional
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Daryl McKenzie
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The First Noel Female Vocal, C
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.733958 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Spirit...
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Full Orchestra - Level 3 - Digital Download SKU: A0.733958 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Spiritual. Score and parts. 52 pages. Daryl McKenzie #3624251. Published by Daryl McKenzie (A0.733958). Arranged for Solo Female Voice with Choir and Pops Orchestra. 2 Flutes, Clarinet, 2 Horns in F, 3 trumpets, 2 Trombones, Piano, Keyboards (Glock), Acoustic Guitar, Bass Guitar, Drums, Percussion, Harp, Violins 1, Violins 2, Viols, Cellos, Contrabasses. Â Key of Bb Major. Suitable for Christmas concert or Community singing. This arrangement performed by the Columbus Symphony Orchestra on NBC-4 and by the Seattle Symphony Orchestra.Same arrangement for Big Band also availableMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF
$59.99 ≈
£46.43
TRIPLE PACK of Cello Duets - contains over 50 duets including Christmas, classical and jazz
TRIPLE PACK of Cello Duets - contains over 50 duets including Christmas, classical and jazz
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2 Cellos (duet)
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INTERMEDIATE
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Christmas
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Newton, Meacham, Handel, Del
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Austin Ralphson
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TRIPLE PACK of Cello Duets - c
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 102 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. This is the full list:
1. Jingle Bells v1
2. Jingle Bells v2
3. Ding Dong Merrily On High v1
4. Ding Dong Merrily On High v2
5. Ding Dong Merrily On High v3
6. Joy To The World v1
7. Joy To The World v2
8. Joy To The World v3
9. Deck The Halls v1
10. Deck The Halls v2
11. Deck The Halls v3
12. O Christmas Tree v1
13. O Christmas Tree v2
14. Silent Night v1
15. Silent Night v2
16. Silent Night v3
17. O Little Town Of Bethlehem v1
18. O Little Town Of Bethlehem v2
19. O Little Town Of Bethlehem v3
20. God Rest Ye Merry, Gentlemen v1
21. God Rest Ye Merry, Gentlemen v2
22. All Through The Night (Welsh trad.)
23. Amazing Grace (Newton)
24. American Patrol (Meacham)
25. David of the White Rock (Welsh trad.)
26. Fanfare from ‘Water Music’ (Handel)
27. Happy Birthday
28. Largo from ‘Xerxes’ (Handel)
29. Myfanwy (Welsh trad.)
30. Pizzicati from ‘Sylvia’ (Delibes)
31. Prelude in C (Bach)
32. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)
33. Rondo from ‘Abdelazer’ (Purcell)
34. Scherzo from Symphony No. 2 (Beethoven)
35. Suo Gan (Welsh trad.)
36. Concerto for Mandolin and Strings (Ugolino)
37. The Entertainer (Scott Joplin)
38. Highlights from Rhapsody In Blue (Gershwin)
39. The Blue Danube Waltz (Johann Strauss II)
40. Six Christmas Pieces, No.5 (Mendelssohn)
41. Für Elise (Beethoven)
42. In The Hall Of The Mountain King (Grieg)
43. Trumpet Voluntary (Jeremiah Clarke)
44. Eine Kleine Nachtmusik No.1 (Mozart)
45. The Londonderry Air / Danny Boy (trad.)
46. Symphony No.5, Mvt.1 (Beethoven)
47. Rondo Alla Turca (Mozart)
48. “Autumn” from ‘The Four Seasons’ (Vivaldi)
49. “Ode to Joy” from Symphony No.9 (Beethoven)
50. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)
51. Prelude from ‘Te Deum’ (Charpentier)
Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab): www.ralphsonstrings.com
$39.99 ≈
£30.95
One Day Journey (for a Variety Orchestra)
One Day Journey (for a Variety Orchestra)
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Jazz
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Nikolay Rozhko
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One Day Journey
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Mykola Rozhko
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Drums,Flute,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 4 - Digital Download SKU:...
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Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Drums,Flute,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.979591 Composed by Nikolay Rozhko. Jazz. Score and parts. 42 pages. Mykola Rozhko #115505. Published by Mykola Rozhko (A0.979591). Duration of work: appr. 3.5 min. Difficulty: advanced intermediate Performance Practice Suggestions: a piece for a variety symphonic orchestra of 30-40 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 1 soprano sax, 3 alto sax, 1 tenor sax, 3 trumpets, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Leading instrument: flute (performer should be able to play in a swing style) Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$7.99 ≈
£6.18
I Love Being Here With You
I Love Being Here With You
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Pop music
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Peggy Lee
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Daryl McKenzie
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I Love Being Here With You
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Voice,Cello,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.718628 By Peggy Lee. By B...
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Large Ensemble Bass Voice,Cello,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.718628 By Peggy Lee. By Bill Schluger and Peggy Lee. Arranged by Daryl McKenzie. Pop. Score and parts. 56 pages. Daryl McKenzie #6474723. Published by Daryl McKenzie (A0.718628). Arranged in the style of Peggy Lee. Female Vocal with Big Band and optional Strings (5 Saxes, 4 Trumpets, 4 Trombones, Piano/Guitar, Bass, Drums, Violins 1, Violins 2, Violas, Cellos) Key of C major.Cross cueing enables reduced instrumentation.8 Piece (4 Horns) arrangement also available on SMPFull audio demo on Soundcloud (no strings) : https://soundcloud.com/user-99505314/i-love-being-here-with-you
$79.99 ≈
£61.91
Hosanna to the King!
Hosanna to the King!
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Orchestra
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Melchior Teschner & Carl Tuttl
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Jack Schrader
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Hosanna to the King!
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - Digital Download SKU: H1.C5178ODP Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Confirmation / Graduation, Palm S...
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(Orchestra) - Digital Download SKU: H1.C5178ODP Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Confirmation / Graduation, Palm Sunday, Peace. Set of Instrumental Parts. 53 pages. Hope Publishing - Digital #C5178ODP. Published by Hope Publishing - Digital (H1.C5178ODP). By Melchior Teschner & Carl Tuttle.Choral medley of songs by Melchior Teschner & Carl Tuttle Choral medley incorporating Melchior Teschner's All Glory, Laud and Honor with Carl Tuttle's Hosanna - skillfully arranged by Jack Schrader. The orchestration by Mark Kellner contains a Conductor's Score and parts for: Piano, Rhythm, Flute, Oboe, Clarinet, Trumpet 1, Trumpet 2 & 3, Horns 1 & 2, Trombone 1 & 2, Trombone 3/Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos and Basses.
$89.95 ≈
£69.61
Hosanna to the King!
Hosanna to the King!
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Melchior Teschner & Carl Tuttl
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Jack Schrader
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Hosanna to the King!
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Orchestra) - Digital Download SKU: H1.C5178DP Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Confirmation / Graduation, ...
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Choral (Orchestra) - Digital Download SKU: H1.C5178DP Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Confirmation / Graduation, Palm Sunday, Peace. Octavo. 8 pages. Hope Publishing - Digital #C5178DP. Published by Hope Publishing - Digital (H1.C5178DP). By Melchior Teschner & Carl Tuttle.Choral medley of songs by Melchior Teschner & Carl Tuttle Choral medley incorporating Melchior Teschner's All Glory, Laud and Honor with Carl Tuttle's Hosanna - skillfully arranged by Jack Schrader. The orchestration by Mark Kellner contains a Conductor's Score and parts for: Piano, Rhythm, Flute, Oboe, Clarinet, Trumpet 1, Trumpet 2 & 3, Horns 1 & 2, Trombone 1 & 2, Trombone 3/Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos and Basses.
$3.25 ≈
£2.52
A Jubilant Song
A Jubilant Song
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Sacred music
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Allen Pote
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A Jubilant Song
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Hope Publishing - Digital
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SheetMusicPlus
(Brass, Choral, Handbells, Orchestra) - Digital Download SKU: H1.F979HDP Composed by Allen Pote. Piano Accompaniment with Optional Orchestra. Hope's All-...
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(Brass, Choral, Handbells, Orchestra) - Digital Download SKU: H1.F979HDP Composed by Allen Pote. Piano Accompaniment with Optional Orchestra. Hope's All-Time Best Sellers Series. General Worship, God's Attributes/Character, Joy, Adoration & Praise, Sacred. Handbell Parts - 18 Bells - G4-. 2 pages. Hope Publishing - Digital #F979HDP. Published by Hope Publishing - Digital (H1.F979HDP). Psalms 90:1 - Psalms 90:2 - Psalms 90:3 - Psalms 90:4 - Psalms 90:5 - Psalms 90:6 - Psalms 90:7 - Psalms 90:8 - Psalms 90:9 - Psalms 90:10 - Psalms 90:11 - Psalms 90:12 - Psalms 90:13 - Psalms 90:14 - Psalms 90:15 - Psalms 90:16 - Ps.Original anthem Allen Pote's exuberant top-selling anthem of praise is now available in new TTBB and SSSA voicings. The accompaniment for all the various settings can be provided by keyboard alone, keyboard with optional brass and handbells, or the exquisite orchestration (or CD track) by Mark Kellner, which includes a Conductor's Score and parts for: Piano, Electric Bass, Flute, Oboe, Clarinet, Trumpets 1, 2 & 3, Trombone 1 & 2, Trombone 3 or Tuba, Percussion & Timpani, Harp, Violins, Violas, Cellos and Basses. The Brass packet includes parts for 2 B-flat Trumpets & 2 Trombones.
$5.25 ≈
£4.06
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TRUMPET 2 Cellos, Piano
