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50 sheet music found
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1
26
Wexford Carol - Harp (lever or pedal) solo
Wexford Carol - Harp (lever or pedal) solo
#
Harp
#
EASY
#
Christmas
#
Traditional Irish
#
Marilyn Rummel
#
no pedal markings
#
Wexford Carol - Harp
#
Demand Music
#
SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.849941 Composed by Traditional Irish. Arranged by Marilyn Rummel. Christian,Christmas,Classical,Sacred,World. S...
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Harp - Level 2 - Digital Download SKU: A0.849941 Composed by Traditional Irish. Arranged by Marilyn Rummel. Christian,Christmas,Classical,Sacred,World. Score. 3 pages. Demand Music #4265313. Published by Demand Music (A0.849941). Medieval carol from Ireland in a solo lever or pedal harp arrangement. First verse is suitable for advanced beginner, 2nd verse is intermediate level. Lever markings are easy to follow between staves; no pedal markings. Marilyn is known for her innovative arrangements for lever harps that help performers to smoothly play accidentals.
$3.99 ≈
£3.03
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Classical
#
Frederic Chopin
#
Brian Streckfus
#
Waltz Op 69 No 2
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Brian Streckfus
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
£1.51
Sonatina in C Op 20 No 1 (Kuhlau)
Sonatina in C Op 20 No 1 (Kuhlau)
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Friedrich Kuhlau
#
Michela A
#
Sonatina in C Op 20 No 1
#
Michela A. Pinner
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.899518 Composed by Friedrich Kuhlau. Arranged by Michela A. Pinner. Classical. Score. 4 pages. Michela A....
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Piano Solo - Level 4 - Digital Download SKU: A0.899518 Composed by Friedrich Kuhlau. Arranged by Michela A. Pinner. Classical. Score. 4 pages. Michela A. Pinner #3541197. Published by Michela A. Pinner (A0.899518). The first movement of Kuhlau's Opus 20 Sonatina in C Major (No. 1).Clear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Late intermediate level (Grade 5 UK and Australia).
$2.99 ≈
£2.27
The Avalanche (Study in Am, Op 45, No 2) by Heller
The Avalanche (Study in Am, Op 45, No 2) by Heller
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Piano solo
#
INTERMEDIATE
#
Classical
#
Stephen Heller
#
Michela A
#
The Avalanche
#
Michela A. Pinner
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.899519 Composed by Stephen Heller. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michel...
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Piano Solo - Level 3 - Digital Download SKU: A0.899519 Composed by Stephen Heller. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #3541199. Published by Michela A. Pinner (A0.899519). Heller's brilliant study in A minor The AvalancheClear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Intermediate level (Grade 4 UK and Australia).Revised October 2020 with fingering etc.
$2.99 ≈
£2.27
Spinning Song (Op 24, No 5) by Ellmenreich
Spinning Song (Op 24, No 5) by Ellmenreich
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Piano solo
#
INTERMEDIATE
#
Classical
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Albert Ellmenreich
#
Michela A
#
Spinning Song
#
Michela A. Pinner
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.899520 Composed by Albert Ellmenreich. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Mi...
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Piano Solo - Level 3 - Digital Download SKU: A0.899520 Composed by Albert Ellmenreich. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #3541203. Published by Michela A. Pinner (A0.899520). The ever popular Spinning Song by Albert Ellmenreich.Clear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Early intermediate/intermediate level (Grade 3 UK and Australia).
$2.99 ≈
£2.27
Meditation Op. 42 No. 1 - transcription for violin & harp
Meditation Op. 42 No. 1 - transcription for violin & harp
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Harp, Violin (duet)
#
ADVANCED
#
Classical
#
P
#
N
#
Meditation Op. 42 No. 1 - tran
#
iStrings
#
SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Ro...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866767. Published by iStrings (A0.875784). This beautiful piece by Tchaikovsky is one of a set of three for violin and piano. It is the original violin part edited with fingerings / bowings with the piano part transcribed to a lovely harp accompaniment. Very much like his ballet music, played some times even as an extra part for the ballet Swan Lake. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, in collaboration with his duo partner/daughter who took care of the pedal markings of the harp part.
$15.00 ≈
£11.38
Adagietto from symphony No 5; transcription for string quartet & harp
Adagietto from symphony No 5; transcription for string quartet & harp
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Harp, String quartet
#
INTERMEDIATE/ADVANCED
#
Classical
#
G
#
N
#
Adagietto from symphony No 5;
#
iStrings
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.875785 Composed by G. Mahler. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pag...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.875785 Composed by G. Mahler. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866763. Published by iStrings (A0.875785). One of the most beautiful moments of Mahler; the slow movement of his fifth Symphony with the main part given to the harp. String quartet version of the orchestra parts and original harp part with some additions in the orchestral sections.Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, the harp part with all pedal markings.
$10.00 ≈
£7.59
Sweet Dream from "Album for the Young", Op. 39, No. 21 (Tchaikovsky)
Sweet Dream from "Album for the Young", Op. 39, No. 21 (Tchaikovsky)
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Piano solo
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INTERMEDIATE
#
Classical
#
Pyotr Tchaikovsky
#
Michela A
#
Sweet Dream from "Album for th
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Michela A. Pinner
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.899529 Composed by Pyotr Tchaikovsky. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Mic...
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Piano Solo - Level 3 - Digital Download SKU: A0.899529 Composed by Pyotr Tchaikovsky. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #6090265. Published by Michela A. Pinner (A0.899529). Clear typesetting of Tchaikovsky's Sweet Dream, No 21 from Op 39 (Album for the Young). Includes fingering and editorial pedal and expression markings to enhance interpretation.
$2.99 ≈
£2.27
Fantasy No.2 in C minor K 396
Fantasy No.2 in C minor K 396
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Michael Bomier
#
Fantasy No.2 in C minor K 396
#
Michael Butkus-Bomier
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michae...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classical,Concert,Standards. Score and parts. 9 pages. Michael Butkus-Bomier #3667951. Published by Michael Butkus-Bomier (A0.862671). This Mozart piece was a favorite of Alfred Brendel. It has more sweep and scope than most of his other piano music and most of the sonatas as well. Thus, it was favored as a showpiece. Our setting uses all the trademarks of our house style: no clef changes in the middle of ANY measure, labeled notes above three ledger lines, written-out ornamentation, the re-distribution of various notes into the opposite hand to facilitate a gesture, and a minimum of interpretive markings and multiple voices, so as to make sure you know where each New Note Begins, and less attention paid to how long it lasts. This piece has a repeat at the three-minute mark, which requires a turnback from the top of pg. 3 to the beginning, a bit outside of our usual practice, but unavoidable here, UNLESS one considers that repeat as optional, and avoids it, which Brendel does indeed do. Full running time at our conservative tempo is 13 mins+. Pedal this deeply for a resonant effect on all the sweeping arpeggios, or use it sparingly for a dryer, more early Classical Period sort of effect. MBB
$4.99 ≈
£3.79
Gymnopodie No. 1 for Flute and Lever Harp (pour flûte & harpe celtique à leviers)
Gymnopodie No. 1 for Flute and Lever Harp (pour flûte & harpe celtique à leviers)
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Harp, Flute (duet)
#
Classical
#
Contemporary
#
Erik Satie
#
Marilyn Rummel
#
Gymnopodie No. 1 for Flute and
#
Demand Music
#
SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Digital Download SKU: A0.849970 Composed by Erik Satie. Arranged by Marilyn Rummel. 20th Century,Contemp...
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Instrumental Duet Flute,Harp,Instrumental Duet - Digital Download SKU: A0.849970 Composed by Erik Satie. Arranged by Marilyn Rummel. 20th Century,Contemporary,Film/TV,Standards. Score and parts. 6 pages. Demand Music #5206521. Published by Demand Music (A0.849970). A very popular tune for harp solo, it also is gorgeous with flute and harp. This is a transcription of the original, with the melody taken throughout by the flute, with harp playing the luscious accompaniment in 2 hands. The harp has markings for lever harps only, but can also be played on pedal harp.
$6.99 ≈
£5.30
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
#
Guitar notes and tablatures
#
INTERMEDIATE/ADVANCED
#
Classical
#
Frederic Chopin
#
Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporar...
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Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
£1.51
Heartened (Meditation no. 7 for Solo Piano)
Heartened (Meditation no. 7 for Solo Piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Jazz
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Contemporary
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Ben Dockery
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Heartened
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.693016 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #34...
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Piano Solo - Level 4 - Digital Download SKU: A0.693016 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #3425817. Published by Ben Dockery (A0.693016). This late intermediate solo piano meditation (3 min) belongs to a set of twelve meditations and is reminiscent of Ravel or Poulenc but with a more contemporary harmonic sensibility. Sweet, tender, and triumphant--this piece has heart through and through. This may be my personal favorite of the entire set.The performer should use pedal throughout and take careful notice of the tenuto markings which, in this arrangement, represent tones which should be brought out. The tempo is flexible and rubato should be employed to maximum effect. Although not too technically difficult, some pianists may need to practice the jumps in the left-hand accompaniment during the coda section. .
$3.99 ≈
£3.03
Puttin' On The Ritz
Puttin' On The Ritz
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1 Piano, 4 hands
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EASY
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Jazz
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Taco
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Paul Taylor
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Puttin' On The Ritz
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Paul Taylor
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1309247 By Taco. By Irving Berlin. Arranged by Paul Taylor. Broadway,Film/TV,Jazz,Musical...
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1309247 By Taco. By Irving Berlin. Arranged by Paul Taylor. Broadway,Film/TV,Jazz,Musical/Show,Ragtime,Singer/Songwriter. Score. 12 pages. Paul Taylor #898429. Published by Paul Taylor (A0.1309247). This piano duet is truly a fun arrangement of this jazz standard. Both parts have interesting parts and care has been taken toinsure that the hands do not bump into one another:)Â There are no pedal markings, but this is the challenge of primo/secondo playing, finding a pedallingthat works for both parts.
$4.99 ≈
£3.79
Pure Imagination - 3 versions for lever & pedal harps
Pure Imagination - 3 versions for lever & pedal harps
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Harp
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INTERMEDIATE
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Rock
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Leslie Bricusse
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Pure Imagination - 3 versions
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Astute Music
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SheetMusicPlus
Harp - Intermediate - Digital Download By Leslie Bricusse. 6 pages. Published by Astute Music ...
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Harp - Intermediate - Digital Download By Leslie Bricusse. 6 pages. Published by Astute Music
THREE VERSIONS of Pure Imagination - perfect for teaching all levels of harpists.
Arranged for lever & pedal harps.
Easy lever harp - with no lever changes
Intermediate lever harp - with lever changes
Intermediate pedal harp
For Beginner to Intermediate standard harpists, complete with lever markings and pedalling.
This version has been expertly arranged for lever and pedal harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.
$5.99 ≈
£4.54
Waltz in C# Minor, Op. 1
Waltz in C# Minor, Op. 1
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Piano solo
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INTERMEDIATE
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Alex Tierney
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Waltz in C# Minor, Op. 1
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Alex Tierney
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1253748 Composed by Alex Tierney. 19th Century,20th Century,21st Century,Contemporary,Romantic Period. Sc...
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Piano Solo - Level 3 - Digital Download SKU: A0.1253748 Composed by Alex Tierney. 19th Century,20th Century,21st Century,Contemporary,Romantic Period. Score. 5 pages. Alex Tierney #847360. Published by Alex Tierney (A0.1253748). My first piece I'm publishing! I'm really excited to have completed this piece, and I hope you all like it. As is of my playing style, take as much interpretation with this piece as you would like, add emotion, use rubato, do not just play come è scritto. There are no pedal markings indicated, so you may play with as much or as little pedal as you want. Tempo for the first section should be around 80-100 BPM, but you can go faster if you would like, and the middle section should be about 50% faster. In the last section, take very heavy rubato. If you have any feedback, i would love to hear it, but please keep it to errors and ideas that could make it better, not just what you would have done or would like. Thank you, and I hope you enjoy this piece!This piece was notated using MuseScore 4 and the MP3 recording is from MuseScore. Please note that the recording DOES NOT have rubato and plays without emotion, so please use the recording to decide whether you would like to play this piece or not, not as a referene recording for an interpretation.To purchase this piece, please send me an Email.Email: alextierney3141@gmail.com.
$10.00 ≈
£7.59
Of The Rose- solo harp
Of The Rose- solo harp
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Harp
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INTERMEDIATE/ADVANCED
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John Hoesly
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Of The Rose- solo harp
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PRS&B
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SheetMusicPlus
Harp - Level 4 - Digital Download SKU: A0.753587 Composed by John Hoesly. 21st Century,Classical,Contemporary. Score. 15 pages. PRS&B #2926329. Published...
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Harp - Level 4 - Digital Download SKU: A0.753587 Composed by John Hoesly. 21st Century,Classical,Contemporary. Score. 15 pages. PRS&B #2926329. Published by PRS&B (A0.753587). OF THE ROSE for solo harp- Of The Rose is a work in three movements for solo harp. Movement I begins in a pensive mood using stark, bare interconnecting melodic lines which occasionally coalesce to form a harmonic high points. Movement II starts out with a ground bass which states the melody, which then is transformed into several joyful variations. Movement III is a wistful setting of JOHNNY HAS GONE FOR A SOLDIER, a song from the revolutionary war era. The piece was written for harpist Elaine Christy of Princeton University. The Princeton area saw a decisive battle during the revolution, therefore the use of JOHNNY HAS GONE FOR A SOLDIER. Grade Level 6. There are no pedal markings so that the player can mark-up the part as they see fit.
$10.00 ≈
£7.59
Drivers License
Drivers License
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Easy Piano
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BEGINNER
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Pop music
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Olivia Rodrigo
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Christina Fordham
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Drivers License
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Christina Fordham Vera
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.870550 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Christina Fordham. Pop. Score. ...
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Easy Piano - Level 1 - Digital Download SKU: A0.870550 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Christina Fordham. Pop. Score. 6 pages. Christina Fordham Vera #6246353. Published by Christina Fordham Vera (A0.870550). This is an early elementary solo piano arrangement of Olivia Rodrigo's drivers license. This arrangement has been simplified to C major (originally in Bb major), meaning there are no black keys throughout!Performance Time: 3-4 minutes6 pages longIncludes full lyrics (edited to be kid-friendly) Key Signature: C Major (NO sharps or flats)Pedal markings and fingerings shown throughoutBy changing the key signature to C major, students studying in the earlier levels will be able to master this popular 2021 hit song! The sheet music includes all of the lyrics so you can sing along. All of the pedaling suggestions are marked in the music and fingerings are given throughout to help students find reaches and moves more easily. I hope you enjoy!
$5.99 ≈
£4.54
Piano Trio in C minor, Op. 143
Piano Trio in C minor, Op. 143
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00 ≈
£28.07
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1
26
no pedal markings
