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226 sheet music found
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226
One Sows for the Benefit of Another Age - Orchestra
One Sows for the Benefit of Another Age - Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Pu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Ofer Ben-Amots
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Enchanted Landscapes, A Sympho
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The Composer's Own Press
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
On the Night Before Christmas (Full orchestra version)
On the Night Before Christmas (Full orchestra version)
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Orchestra
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INTERMEDIATE
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Eric Benjamin
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On the Night Before Christmas
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Eric Benjamin
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1465428 By Eric Benjamin. By Eric Benjamin. 20th Century,Christmas,Classical. 94 pages. Eric Benjamin...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1465428 By Eric Benjamin. By Eric Benjamin. 20th Century,Christmas,Classical. 94 pages. Eric Benjamin #1044130. Published by Eric Benjamin (A0.1465428). A setting for narrator and large orchestra (2+1 2+1 2+1 2/4231 cel. harp tym+2 strgs) of the classic Christmas poem by Clement Moore. Duration is 6 mins. Lyrical and poignant, it is easily playable by groups at all levels. Also available in versions for chamber orchestra, band and chamber groups.
$100.00
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. O...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score and parts)
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score and parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Two Scenes from "P
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 72 pages. Really Good Music, LLC. #4837469. Published by Really Good Music, LLC. (A0.868922). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$90.00
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score)
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Two Scenes from "P
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868920 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868920 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 36 pages. Really Good Music, LLC. #4837467. Published by Really Good Music, LLC. (A0.868920). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$50.00
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Sc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650359. Published by OlivePress Music (A0.1045772). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (this one) or E (transposed from original). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
Albeniz/Leytush: "Azulejos", arranged for full orchestra
Albeniz/Leytush: "Azulejos", - full orchestra
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Orchestra
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ADVANCED
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Issac Albeniz
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Arkady Leytush
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Albeniz/Leytush: "Azulejos", -
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1008358 Composed by Issac Albeniz. Arranged by Arkady Leytush. 20th Century,Romantic Period,Standards...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1008358 Composed by Issac Albeniz. Arranged by Arkady Leytush. 20th Century,Romantic Period,Standards,World. Score and parts. 39 pages. Arkady Leytush #4777939. Published by Arkady Leytush (A0.1008358). This virtuoso piano work has been expanded using the full orchestra palette to exploit the beautiful colors that Albeniz utilizes in a late Romantic style.
$40.00
Mission: Impossible Theme (for Orchestra)
Mission: Impossible Theme (for Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Adam Clayton And Larry Mulle
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Javier Martínez Maya
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Mission: Impossible Theme
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Pa...
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Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Parts. 56 pages. Published by Arte Nova Music Lab
Mission: Impossible is a series of American action spy films based on and a follow-on from the television series of the same name created by Bruce Geller. The series is mainly produced by and stars Tom Cruise, whose character is Ethan Hunt, an agent of the Impossible Missions Force (IMF). The films have been directed, written, and scored from various filmmakers and crew, while incorporating musical themes from the original series by Lalo Schifrin.
Beginning in 1996, the films (taking place starting six years after the events of the previous TV sequel series) follow the missions of the IMF's main field team under the leadership of Hunt to stop an enemy force all the while preventing an impending global disaster. The series focuses on Hunt as the lead character as opposed to the ensemble cast structure of the television series, although some characters, such as Luther Stickell (played by Ving Rhames) and Benji Dunn (played by Simon Pegg) have recurring roles in the films.
$60.00
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
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Orchestra
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INTERMEDIATE
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Classical
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Pa...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. OlivePress Music #6617947. Published by OlivePress Music (A0.1002399). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99
X-Men: Apocalypse - End Titles for Orchestra
X-Men: Apocalypse - End Titles for Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Javier Martínez Maya
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X-Men: Apocalypse - End Titles
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 134 pages. Published by Arte ...
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 134 pages. Published by Arte Nova Music Lab
X-Men: Apocalypse is a 2016 American superhero film directed and produced by Bryan Singer and written by Simon Kinberg from a story by Singer, Kinberg, Michael Dougherty, and Dan Harris. The film is based on the fictional X-Men characters that appear in Marvel Comics and is the ninth installment in the X-Menfilm series. It is the sequel to X-Men: Days of Future Past (2014) and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult,Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, and Lucas Till. In the film, the ancient mutant En Sabah Nur / Apocalypse is inadvertently revived in 1983, and he plans to wipe out modern civilization and take over the world, leading the X-Men to try to stop him and defeat his team of mutants.
The film was announced by Singer in December 2013, with Kinberg, Dougherty, and Harris attached to develop the story. Casting began in October 2014, whileprincipal photography commenced in April 2015 in Montreal and ended in August of the same year.
X-Men: Apocalypse premiered in London on May 9, 2016, and was released in the United States on May 27, 2016 in 3D and 2D, and in IMAX 3D in select international markets. The film received mixed reviews, with critics praising its themes, direction, and acting performances, while the portrayal of Apocalypse, overuse of CGI, and formulaic nature of the film were criticized. A sequel, titled Dark Phoenix, was released on June 7, 2019.
Taken from https://en.wikipedia.org/wiki/X-Men:_Apocalypse
$60.00
Asturias (Leyenda) - I. Albeñiz - For Full Orchestra (Full Score)
Asturias (Leyenda) - I. Albeñiz - For Full Orchestra (Full Score)
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Orchestra
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INTERMEDIATE
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Classical
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Isaac Albeniz
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Daniel de la Rosa Oliva
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Asturias
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Daniel de la Rosa Oliva
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Daniel de la Rosa Oliva. Contemporary. Score and parts. ...
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Full Orchestra - Level 3 - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Daniel de la Rosa Oliva. Contemporary. Score and parts. 38 pages. Daniel de la Rosa Oliva #5209661. Published by Daniel de la Rosa Oliva
$25.00
The Lady Oriana - Orchestra
The Lady Oriana - Orchestra
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Orchestra
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INTERMEDIATE
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Classical
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John Wilbye - 16th Century
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Brendan Elliget
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Duration = 2:35 mins.
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The Lady Oriana - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750748 Composed by John Wilbye - 16th Century. Arranged by Brendan Elliget. Classical. Score and part...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750748 Composed by John Wilbye - 16th Century. Arranged by Brendan Elliget. Classical. Score and parts. 37 pages. BJE Music #3534761. Published by BJE Music (A0.750748). The Lady OrianaWas dight all in the treasures of Guiana;And on her Grace a thousand graces tended:And thus sang they, fair Queen of peace and plenty;The fairest queen of twenty:Then with an olive wreath, for peace renowned,Her virgin head they crowned:Which ceremony ended,Unto her Grace the thousand graces bended.Then sang the shepherds and nymphs of Diana,Long live fair Oriana. A 16th Century composition by John Wilbye originallycomposed as a Madrigal set for six voices (SSATTB).This arrangement is for full orchestra. Extra optional parts for 3rd Clarinet and Bb Bass Clarinet are included.The only percussion parts are for Glockenspiel and Timpani.The MP3 was recorded with NotePerformer. Original Key of A Major changed to Ab MajorGrade = 3.5 Duration = 2:35 mins.
$15.00
Game Of Thrones for Orchestra
Game Of Thrones for Orchestra
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Orchestra
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INTERMEDIATE
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Film/TV
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Javier Martínez Maya
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Game Of Thrones for Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 87 pages. Published by Arte Nova Musi...
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Full Orchestra - Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 87 pages. Published by Arte Nova Music Lab
Game of Thrones is an American fantasy drama television series created by David Benioff and D. B. Weiss for HBO. It is an adaptation of A Song of Ice and Fire, a series of fantasy novels by George R. R. Martin, the first of which is A Game of Thrones. The show was shot in the United Kingdom, Canada, Croatia, Iceland,Malta, Morocco, and Spain. It premiered on HBO in the United States on April 17, 2011, and concluded on May 19, 2019, with 73 episodes broadcast over eight seasons.
Set on the fictional continents of Westeros and Essos, Game of Thrones has a large ensemble cast and follows several story arcs throughout the course of the show. The first major arc concerns the Iron Throne of the Seven Kingdoms of Westeros through a web of political conflicts among the noble families either vying to claim the throne or fighting for independence from whoever sits on it. A second focuses on the last descendant of the realm's deposed ruling dynasty, who has been exiled to Essos and is plotting a return and reclaim the throne. The third follows the Night's Watch, a military order defending the realm against threats from beyond Westeros's northern border.
Taken from https://en.wikipedia.org/wiki/Game_of_Thrones
$50.00
Albeniz/Leytush – “La Vega”, (The Alhambra)
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestra
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ADVANCED
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Classical
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Isaac Albeniz
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A
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Albeniz/Leytush – “La Vega
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. A...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
GO FORTH TO GREET Choral Benediction based on Act 3 Chorus from Wagner's DIE MEISTERSINGER
GO FORTH TO GREET Choral Benediction based on Act 3 Chorus from Wagner's DIE MEISTERSINGER
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Richard Wagner
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Paul Ferington
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GO FORTH TO GREET Choral Bened
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.982371 Composed by Richard Wagner. Arranged by Paul Ferington. Romantic Period,Sacred. Score and part...
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Full Orchestra - Level 4 - Digital Download SKU: A0.982371 Composed by Richard Wagner. Arranged by Paul Ferington. Romantic Period,Sacred. Score and parts. 19 pages. Paul K Ferington #6605401. Published by Paul K Ferington (A0.982371). An elegant and powerful Choral Benediction based on an Act 3 Chorus from Wagner's DIE MEISTERSINGER; set includes Choral Score, Organ Score, and Orchestra parts for an inspiring and uplifting congregational send off. (1:30) Some divisi recommended within voice parts. .
$10.95
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