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Study nº2
Not classified 25

Piano & keyboards
Piano solo 15
Piano, Voice 3
Easy Piano 1

Guitars
Guitar 20

Voice
Voice solo 1
Choral SATB 1

Woodwind
2 Flutes (duet) 4
2 Saxophones (duet) 3
Clarinet 2
Oboe, Piano (duet) 2
2 Recorders (duet) 1

Recorder Ensemble 1
2 Clarinets (duet) 1
Clarinet Quintet: 5 clarinets 1
Saxophone Quintet: 5 Saxophones 1
English Horn 1
2 Oboes (duet) 1

+ 6 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 2
2 Trombones (duet) 1
Euphonium, Piano (duet) 1
2 French horns (duet) 1
2 Trumpets (duet) 1

English Horn 1

+ 1 instrumentations

- Retract

Strings
Violin 2
2 Violas (duet) 1
Violin and Piano 1
2 Violins (duet) 1
2 Cellos (duet) 1

Cello 1

+ 1 instrumentations

- Retract

Percussion & orchestra
Concert band 17
Orchestra 3

Jazz Ensemble 1
Chamber Orchestra 1
Jazz combo 1

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Study nº2

Orchestra

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3 sheet music found

Sinfonia N. 10

Sinfonia N. 10 #Orchestra #Hans Werner Henze #Sinfonia N. 10 #Schott Music - Digital #SheetMusicPlus

Orchestra - Digital Download SKU: S9.Q6369 In four movements for large orchestra. Composed by Hans Werner Henze. This edition: study score. Music ...(+)

Orchestra - Digital Download SKU: S9.Q6369 In four movements for large orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 42 minutes. Schott Music - Digital #Q6369. Published by Schott Music - Digital (S9.Q6369). 4 (2. auch Picc., 3. auch Picc. u. Altfl., 4. auch Altfl. u. Bassfl.) * 1 * Ob. d'am. * 2 Engl. Hr. (2. auch Heckelphon) * 4 (3. auch Bassklar., 4. auch Bassklar. u. Kb.-Klar.) * 4 (4. auch Kfg.) - 6 * 4 * 4 * 0 - P. S. (3 hg. Beck. * 3 Tamt. * 4 Thai Gongs * Trinidad Steel Drum * Wassergong [tief] * Crot. * 7 Bong. * 12 Tomt. [chrom.] * Schellentr. * O-Daiko * Log Drums * kl. Tr. * gr. Tr. mit Beck. * Tempelbl. * 3 Woodbl. * 2 Sistr. * Guiro * Mar. * Ratsche * Kast. * Frusta * 2 Flex. * Donnerblech [bronze] * Glsp. * Vibr. * Marimba) (5 Spieler) - Hfe. * Cel. * Klav. - Str.4 (2. auch Picc., 3. auch Picc. u. Altfl., 4. auch Altfl. u. Bassfl.) Â· 1 Â· Ob. d'am. Â· 2 Engl. Hr. (2. auch Heckelphon) Â· 4 (3. auch Bassklar., 4. auch Bassklar. u. Kb.-Klar.) Â· 4 (4. auch Kfg.) - 6 Â· 4 Â· 4 Â· 0 - P. S. (3 hg. Beck. Â· 3 Tamt. Â· 4 Thai Gongs Â· Trinidad Steel Drum Â· Wassergong [tief] Â· Crot. Â· 7 Bong. Â· 12 Tomt. [chrom.] Â· Schellentr. Â· O-Daiko Â· Log Drums Â· kl. Tr. Â· gr. Tr. mit Beck. Â· Tempelbl. Â· 3 Woodbl. Â· 2 Sistr. Â· Guiro Â· Mar. Â· Ratsche Â· Kast. Â· Frusta Â· 2 Flex. Â· Donnerblech [bronze] Â· Glsp. Â· Vibr. Â· Marimba) (5 Spieler) - Hfe. Â· Cel. Â· Klav. - Str.

$47.99

Sinfonia N. 8

Sinfonia N. 8 #Orchestra #Hans Werner Henze #Sinfonia N. 8 #Schott Music - Digital #SheetMusicPlus

Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. ...(+)

Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q3053. Published by Schott Music - Digital (S9.Q3053). â€˜My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeareâ€™s A Midsummer Nightâ€™s Dreamâ€˜, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the workâ€™s reference to Shakespeareâ€™s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberonâ€™s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze2 (1. auch Picc., 2. auch Picc. u. Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 2 (2. auch Bassklar.) Â· 2 (2. auch Kfg.) - 4 Â· 2 Â· 1 Â· Basspos. Â· 1 - P. S. (3 hg. Beck. Â· 3 Tamt. Â· Schellentr. Â· 3 Tomt. Â· Mil. Tr. Â· gr. Tr. [mit u. ohne Beck.] Â· Tempelbl. Â· Peitsche Â· Marimba Â· Vibr. Â· Glsp Â· chin. Gong Â· Fingerzimb.) (3 Spieler) - Hfe. Â· Cel. Â· Klav. - Str.

$47.99

Orchestraining No. 01 [Orchestra]

Orchestraining No. 01 [Orchestra] #Orchestra #EASY #Juan MarÃa Solare #Orchestraining No. 01 [Orchest #Juan Maria Solare #SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructio...(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecuciÃ³n. Estos estudios estÃ¡n concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorarÃ¡ si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinaciÃ³n y muchos otros aspectos de la ejecuciÃ³n orquestal.Adicionalmente, estos estudios son tambiÃ©n Ãºtiles para estudiantes de direcciÃ³n orquestal. Por ejemplo, es imprescindible saber cÃ³mo dirigir un ataque simultÃ¡neo de un acorde que no comienza en el uno, sino una corchea despuÃ©s del tercer tiempo.ComencÃ© a escribir estos estudios hacia 2013, cuando asumÃ la direcciÃ³n de la Bremer Orchestergemeinschaft y notÃ© la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de tÃ©cnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la tÃ©cnica de ejecuciÃ³n orquestal y las dificultades especÃficas de ensamblaje que Ã©sta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultÃ¡neos, presentando una serie de acordes staccato en distintas partes del compÃ¡s. La obra se tocarÃ¡ dos veces, con distintas dinÃ¡micas y (en parte) con distintas tÃ©cnicas de ejecuciÃ³n (particularmente en las cuerdas: pizzicato vs. arco).

$5.00