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Be My Wife
Not classified 35

Piano & keyboards
Piano solo 26
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Lyrics and Chords 4
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Choral SATB 9
Baritone voice, Piano 1
Alto voice, Piano 1
Tenor voice, Piano 1
Choral 3-part 1

Choral 2-part 1
Choral TTBB 1

+ 2 instrumentations

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Clarinet Quartet: 4 clarinets 2
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Flute and Piano 2
Saxophone Quartet: 4 saxophones 1
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Brass Quintet: 2 trumpets, horn, trombone, tuba 5
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Violin, Cello (duet) 3
Cello 2

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String Quartet: 2 violins, viola, cello 2
Harp 1

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2 Cellos (duet) 1

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Be My Wife

Cello

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Canções e sambinhas (1996) for cello and piano

Canções e sambinhas (1996) for cello and piano #Cello #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Canções e sambinhas #Thomas Oboe Lee #SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part...(+)

Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: CanÃ§Ãµes e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, AndrÃ©s DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. CanÃ§Ãµes e Sambinhas is in four movements. I. CanÃ§Ã£o de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vÃªz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chÃ´ros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vÃªz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA

$9.99

PERFIL DEL ÁNIMA, Op. 86, for solo cello

PERFIL DEL ÁNIMA, Op. 86, for solo cello #Cello #INTERMEDIATE/ADVANCED #CÃ‰SAR CANO #PERFIL DEL ÁNIMA, Op. 86, for #POLYHYMNIA Ediciones musicales #SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÃ‰SAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones m...(+)

Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÃ‰SAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del Ã¡nima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of DvoÅ™Ã¡kâ€™s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the celloâ€™s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to RafaÅ‚ Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.

$4.99