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You've selected:
Max Tenor voice, Piano
Sheetmusic to print
51 sheet music found
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51
Tonerna [High Voice; Key: Db (Original Key)]
Tonerna [High Voice; Key: Db (Original Key)]
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High voice
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INTERMEDIATE
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Carl Leopold Sjöberg
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Maxence Lasserre-Engberts
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Tonerna [High Voice; Key: Db
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Maxence Lasserre-Engberts
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795792 Composed by Carl Leopold Sjöberg. Arranged by Maxence Lasserre-Engberts. 20th Centur...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795792 Composed by Carl Leopold Sjöberg. Arranged by Maxence Lasserre-Engberts. 20th Century,Concert,Romantic Period,Standards. 1 pages. Maxence Lasserre-Engberts #6424277. Published by Maxence Lasserre-Engberts (A0.795792). Often sung by renowned tenor Jussi Björling, Tonerna is one of the most well-known Swedish romanser.
$3.99
Ave Maria for Tenor & Piano
Ave Maria for Tenor & Piano
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Daniel Leo Simpson
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Ave Maria for Tenor & Piano
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ScorePerfect
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.860431 Composed by Daniel Leo Simpson. Christian,Christmas,Easter,Sacred,Wedding. 10 pages. S...
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Tenor Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.860431 Composed by Daniel Leo Simpson. Christian,Christmas,Easter,Sacred,Wedding. 10 pages. ScorePerfect #2029435. Published by ScorePerfect (A0.860431). The hauntingly beautiful Ave Maria by San Francisco's award-winning composer Daniel Leo Simpson is a new setting of the traditional sacred text (in English) and an exciting addition to the repertoire. Arrangements are available for all voices, typical choir formats and instruments with easy keyboard accompaniments, or, request an arrangement if you don't see it listed! This timely classic will warm the hearts of players and audiences alike and is suitable for weddings, church, recitals and educational opportunities for teachers and their students. With it's serene melody and moments of bold, dramatic climaxes, this piece will not disappoint.
$9.99
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
My Universe
My Universe
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Easy Piano
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BEGINNER
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Pop music
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Coldplay & Bts
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Henrique F Mangoni
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My Universe
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.949671 By Coldplay & Bts. By Bill Rahko, Chris Martin, Guy Berryman, Jon Buckland, Jung Ho-seok, K...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.949671 By Coldplay & Bts. By Bill Rahko, Chris Martin, Guy Berryman, Jon Buckland, Jung Ho-seok, Kim Nam-joon, Max Martin, Min Yoon-gi, Oscar Holter, and Will Champion. Arranged by Henrique F Mangoni. Pop. Score. 5 pages. Henrique Franke Mangoni #6572691. Published by Henrique Franke Mangoni (A0.949671). My Universe by Coldplay and BTS. Arranged for voice and piano accompaniment. Suited for soprano or tenor voices. This version includes the romanized corean lyrics.Join my mailing list and receive weekly updates on my latest products at Sheet Music Plus using this link: https://forms.gle/s5vf9insU9fSdVLQ7
$5.99
Rose for tenor or soprano and piano
Rose for tenor or soprano and piano
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David Warin Solomons
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Rose for tenor or soprano and
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David Warin Solomons
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577244 Composed by David Warin Solomons. 20th Century. 2 pages. David Warin Solomons #3369967....
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.577244 Composed by David Warin Solomons. 20th Century. 2 pages. David Warin Solomons #3369967. Published by David Warin Solomons (A0.577244). I first heard of this poem through our local bell ringer (at St Anne's in Sale), Peter Lomax, who wrote, in 1998:
$8.00
He Will Lead Me Home
He Will Lead Me Home
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Prais...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
If Not For You
If Not For You
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Piano, Voice
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ADVANCED
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Rock
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Maneskin
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Wendy Hellmann
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If Not For You
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Gwendolyn Hellmann
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1303927 By Maneskin. By Damiano David, Ethan Torchio, Martin Max, Rami Yacoub, Savan Kotecha, Sylv...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1303927 By Maneskin. By Damiano David, Ethan Torchio, Martin Max, Rami Yacoub, Savan Kotecha, Sylvester Sivertsen, Thomas Raggi, and Victoria De Angelis. Arranged by Wendy Hellmann. Pop,Rock. Score. 11 pages. Gwendolyn Hellmann #893450. Published by Gwendolyn Hellmann (A0.1303927). This heartfelt arrangement of If Not For You by MÃ¥neskin is for the advanced pianist. It includes the melody and lyrics written for a tenor or mezzosoprano/alto singer. The vocal range is from E3 to A4. It can be played as a piano solo as the vocal melody is doubled in the piano part throughout. This is an excellent addition to your popular repertoire and can be used for cocktail hours and weddings! Â The PDF download contains both a full score and a set of individual parts - Voice and Piano.
$6.99
Tell Me - lead sheet/arrangement - Bing Crosby/Doris Day/Burl Ives/ODJB
Tell Me - lead sheet/arrangement - Bing Crosby/Doris Day/Burl Ives/ODJB
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Piano, Vocal and Guitar
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INTERMEDIATE
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J
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Dan Gabel
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Tell Me - lead sheet/arrangeme
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Daniel Clayton Gabel
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.969101 Composed by J. Will Callahan, Max Kortlander. Arranged by Dan Gabel. Country,Film/TV...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.969101 Composed by J. Will Callahan, Max Kortlander. Arranged by Dan Gabel. Country,Film/TV,Jazz,Pop. Score. 2 pages. Daniel Clayton Gabel #6256093. Published by Daniel Clayton Gabel (A0.969101). A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!This is more than a lead sheet: it is an arrangement in Eb, including the lyrics and the rarely-heard verse. This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. The chart is professionally engraved and formatted for ease of reading.This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:Bing with a Beat (RCA Victor, 1957) - see history below.Tell Me - a brief history:One of the first recordings made by a jazz ensemble, The Original Dixieland 'Jass' Band in 1919. Also a hit recording for tenor Lamber Murphy on Victor Record #45171 on September 18, 1919 (9/18 is arranger Dan Gabel's birthday!).The song experienced renewed interest in the 1950s thanks to the hit recording and movie by Doris Day On Moonlight Bay in 1951. It was also recorded with success by Burl Ives and gained popularity in the folk/country music scene.Revived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band.
$4.99
Roar
Roar
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Choral SSAB, Piano
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INTERMEDIATE
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Pop music
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Katy Perry
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Anna Shields
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Roar
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Anna Shields of Starling Arts
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SheetMusicPlus
Choral Choir,Choral (SSAB) - Level 3 - Digital Download SKU: A0.1382009 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwa...
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Choral Choir,Choral (SSAB) - Level 3 - Digital Download SKU: A0.1382009 By Katy Perry. By Bonnie McKee, Dr. Luke, Henry Walter, Katy Perry, Lukasz Gottwald, and Max Martin. Arranged by Anna Shields. Pop. 14 pages. Anna Shields of Starling Arts #966635. Published by Anna Shields of Starling Arts (A0.1382009). Choral arrangement of Roar, originally performed by Katy Perry. Arranged for 4 parts: Soprano, Alto 1, Alto 2, and Tenor.Perfect for school ensembles and community choirs without large numbers of lower voices.
$2.99
Blank Space
Blank Space
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Piano, Vocal and Guitar
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EASY
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Pop music
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Taylor Swift
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Miranda Wong
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Complete Musical Form
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Blank Space
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Miranda Wong
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.520376 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arrange...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.520376 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Miranda Wong. Pop. Score. 6 pages. Miranda Wong #3405961. Published by Miranda Wong (A0.520376). Greatest Hits of Taylor Swift. Lead Sheet in Published Vocal Key & Complete Musical Form. Suitable for Piano Accompaniment for Female Vocal or Saxophone. F Key with Chords. Lead Sheet in G Key for Bb Instrument.Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet Solo. Lead Sheet in G Key for Eb Instrument. Alto Saxophone or Baritone Saxophone. 2 Pages for each Key.
$9.98
Dies Irae: In Flanders fields from Eternal Light: A Requiem (Downloadable)
Dies Irae: In Flanders fields from Eternal Light: A Requiem (Downloadable)
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Howard Goodall
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Dies Irae: In Flanders fields
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Digital Download SKU: MQ.56-0054-E Composed by Howard Goodall. Le...
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Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Digital Download SKU: MQ.56-0054-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. Instrument part. 13 pages. Duration 5 minutes, 36 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0054-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0054-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement has no soprano part, it is soloist above and ATB below, giving a rich, dark quality to the music. The tenors and basses (divisi) begin this movement, declaiming “Dies irae, dies illa.†Two soloists begin in the “Flanders fields†text above. There is an option for three soloists as the piece evolves. (Soprano, tenor and baritone, the composer gives some options for this.) Soon the choir takes up the poem, yet the Latin text occasionally appears and continues, moving toward a climax on the text “We are the Dead, Short days ago We lived.†As the music descends from the high point, the English poem continues, with the choir very softly commenting “Dies irae†as the movement ends. Duration 5:36.
$3.35
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
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Edwin Penhorwood
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You Are Not Dying, Madame from
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Dig...
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Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
The Impossible Dream (the Quest)
The Impossible Dream (the Quest)
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Broadway
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Joe Darion and Mitch Leigh
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Julian Kuerti
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The Impossible Dream
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Kuertichay Music Publishing
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SheetMusicPlus
Large Ensemble Alto Voice,Baritone Horn TC,Cello,Piano,Soprano voice,Tenor Voice,Viola,Violin - Level 5 - Digital Download SKU: A0.1147479 Composed by Jo...
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Large Ensemble Alto Voice,Baritone Horn TC,Cello,Piano,Soprano voice,Tenor Voice,Viola,Violin - Level 5 - Digital Download SKU: A0.1147479 Composed by Joe Darion and Mitch Leigh. Arranged by Julian Kuerti. Broadway,Musical/Show. Score and parts. 45 pages. Kuertichay Music Publishing #747715. Published by Kuertichay Music Publishing (A0.1147479). Arrangement for solo Tenor, string quartet and piano with optional Soprano, Alto and Baritone backing vocals of the hit song from Mitch Leigh & Joe Darion's hit Broadway musical Man of La Mancha. Starting softly in the key of B flat, this arrangement builds gradually to an emotional climax, with a reprise in B major. Sure to be a hit on any concert devoted to Broadway! Included in the download is a full score, piano vocal score, individual parts for string quartet (violin I, violin II, viola, cello). String parts are formatted for easy page turns.
$12.99
Love Songs (Downloadable Full/Vocal Score)
Love Songs (Downloadable Full/Vocal Score)
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David Conte
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Latin, French, and English
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Love Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice, violoncello, and piano - Moderately Difficult - Digital Download SKU: MQ.8548-E Composed by David Conte. 31 pages. E. C. Schirmer Music Comp...
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Tenor voice, violoncello, and piano - Moderately Difficult - Digital Download SKU: MQ.8548-E Composed by David Conte. 31 pages. E. C. Schirmer Music Company - Digital #8548-E. Published by E. C. Schirmer Music Company - Digital (MQ.8548-E). English, French, Latin.A set of three love poems in three different languages; Latin, French, and English. In all three pieces, the violoncello represents the very soul of the speaker of these three texts, as it moves through many emotions, including passion, suffering, vulnerability, and joy. Levis exsurgit zephirus is taken from the eleventh century volume titled Cambridge Songs. The music has a gentle undulating quality, as the speaker is “possessed by deep sighs in the midst of all this beauty,†for his soul languishes. After several climaxes, the opening music returns in the minor mode, accompanied by “sighs†in the piano and violoncello. Duration: 5:00D’Anne qui me jetta de la neige describes a young man suddenly hit by what Italians poetically call the “Thunderbolt,†a burning moment where one falls suddenly and passionately in love. Duration: 4:00Theodore Roethke's poem, The Moment, is both subtly and unabashedly erotic, and indeed “ends in joy.†Duration: 6:00Contents:1. Levis exsurgit zephirus2. D’Anne qui me jetta de la neige3. The Moment.
$13.00
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
Alle Jahre wieder (every year again) for family band
Alle Jahre wieder (every year again) for family band
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Friedrich Silcher, Wilhelm Hey
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Sophia Transistor
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Alle Jahre wieder
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussio...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Harmonica,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin,Voice - Level 1 - Digital Download SKU: A0.851141 Composed by Friedrich Silcher, Wilhelm Hey. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Score and parts. 14 pages. Sophia Transistor #6624487. Published by Sophia Transistor (A0.851141). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Alle Jahre wieder kommt das Christuskind = Every Year Again, baby Jesus comes back offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 5 verses for each language- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/6evAo392soo German description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Alle Jahre wieder kommt das CHristuskind beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); jeweils 5 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!
$4.99
Mein Fahrrad
Mein Fahrrad
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Choral TTBB
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INTERMEDIATE
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Die Prinzen
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Sophia Transistor
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Mein Fahrrad
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Sophia Transistor
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Octavo. 25 pages. Sophia Transistor #6401511. Published by Sophia Transistor (A0.851134). Description mostly in German, because this song is also in german ;-):Ein Lied über Bipolartransistoren aus Siliziumkarbid in der Leistungselektronik. Ein A-Capella Arrangement des Songs mein Fahrrad von den Prinzen, umgedichtet von Sophia Transistor zu einer Elektrotechniker-Hymne.Lyrics:1. Strophe:Ja ich frag'mich immer wieder,warum gibt's so wenig Liederüber Leistungselektronikoder Halbleiterphysik.das sind Themen, die Bewegennen' Antrieb oder Strom.Betriebszustände: active, desat,failure, off and on.2. Strophe:Mein schöner Bipolartransistor,leitet vorwärts richtig gut,auch sein Steuerstrom ist kraftvoll,Treiber bauen kostet Mut.Soviel kann dabei passieren,wer soll das dann reparieren?Desatschutz und Bypass,sicheres Booting das macht Spaß!REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.3. Strophe:Diese Manager, die meinen:Transistorforschung darf nicht bleiben!Hör'n nicht die Physikerproteste:Unser Bipo ist der Beste!Ingenieure sollen's bauen:Ihr schafft das, hab't vertrauen!Zu spät, der Bipo ist vom Markt verbannt,obwohl zu recht total verkannt.REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.Referenzen / Quellenangabe:https://de.wikipedia.org/wiki/SiliciumEigene alte Power Point Präsentationen von mir (Sophia Transistor)Power Semiconductor Deviceshttps://de.wikipedia.org/wiki/Gallium-Arsenidhttps://en.wikipedia.org/wiki/History_of_the_transistorEigene Aufnahmen aus meiner LaborarbeitszeitNotenreferenz (keine Sorge, dieses Stück ist Teil des SMP arrange-me Programmes, das bedeutet: Arrangieren erlaubt: Copyright © BMG RIGHTS MANAGEMENT GMBH (GERMANY) / LAKEWORTH MUSIC PUBLISHING): Gesangsstimmen:- Part: Solo Voice (Tenor oder Alt) einmal auf 2 Notenseiten und einmal kleiner auf nur einer Seite notiert- Part: 2nd Voice (Alt oder Tenor)- Part: 3rd Voice (Tenor)- Part: 4th Voice (Baritone)- Part: Percussive Baritone (optional)- Part: 5th Voice (Bass)Instrumente (optional):- Part: Piano; ausgeschriebene Klavierbegleitung mit zusätzlichen Akkordsymbolen auf 2 Seiten- Part: Basslinie notiert in C und im Bassschlüssel (Kontrabass, E-Bass, Posaune, Tenorhorn, etc.) notiert auf einer Seite + zusätzlichen Akkordsymbolen- Part: Percussive Bassline (optional zum Gesangspart), ebenfalls als Bassstimme notiert- Part: Drum Set; Schlagzeugnotation (Fahrradklingel steht auch drin)Ultimatives Chor Noten Arrangement von Mein Fahrrad - A Capella Version umgedichtet zu einem Transistor Song.Inhaltsangabe mit timestamps: 00:00 Intro mit Sophia an der Gitarre00:18 Das großartige Transistorlied02:15 Outro mit Gitarre und übertriebenen Laboreinsichten voller Elektronik03:34 Doppelseitig gekühltes package mit rosa Blümchen und SchmetterlingenVideo created, arranged, performed and edited by Sophia Transistor* Disclaimer: Ich habe einen Tonumfang von maximal 2 Oktaven und kann sehr tief singen. Die Bassstimme kann also auch von manchen Frauen komplett ausgefüllt werden.YouTube.
$14.99
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
Leise rieselt der Schnee (The Snow Falls Quietly) for family band
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Choral SATB
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BEGINNER
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Eduard Ebel, traditional
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Sophia Transistor
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Leise rieselt der Schnee
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Sophia Transistor
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,C...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.851142 Composed by Eduard Ebel, traditional. Arranged by Sophia Transistor. Children,Christian,Christmas,World. Octavo. 14 pages. Sophia Transistor #6626617. Published by Sophia Transistor (A0.851142). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly.This arrangement of the german traditional Leise rieselt der Schnee = The Snow Falls Quietly / Softly falls the snow offers several parts for many variable instruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decent vocal scores with the original german lyrics and also english lyrics.The score includes the following parts:- Piano (easy piano, voicings, chord symbols and melody)- vocals (in english and in german); 3 verses- solo instruments in C (violin, flute, etc.); quartet- solo instruments in alto key (viola, alto-trombone, etc.); quartet- solo instruments in Bb (trumpet, clarinet, tenor saxophone, etc.); quartet- solo instruments in bass clef (trombone, cello, bass, etc.); quartet- solo instruments in Eb (alto saxophone, Eb-clarinet, etc.); quartet- solo instruments in F (french horn, F-tuba, etc.); quartet- guitar (notation and TABs)- accordion / harmonica / squeeze box- drums / PercussionType and font sizes have been maximized to support older, elder and farsighted readers in soft candle light situations.So: easy to read even in poor visibility.This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put together ad libitum. All parts are matching, can be combined or played alone.YouTube Playalong: https://youtu.be/LSERuO8KMsUGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns doch was zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht...Dieses Arrangement des Weihnachtsklassikers Leise rieselt der Schnee beinhaltet Noten für die gängigsten Hausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert und den Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt; die Partitur enthält folgende Auszüge:- Klavier (leichte, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie)- Gesang (auf Englisch und auf Deutsch); 4 Strophen- Soloinstrumente in C (Geige, Flöte, etc.); Quartett- Soloinstrumente in Altschlüssel (Bratsche, Altposaune, etc.); Quartett- Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon, etc.); Quartett- Soloinstrumente mit Bassschlüssel (Posaune, Cello, Bass, etc.); Quartett- Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett- Soloinstrumente in F (Waldhorn, F-Tuba, etc.); Quartett- Gitarre (Noten und TABS)- Akkordeon / Harmonika / Schifferklavier- Schlagzeug / PerkussionSchriftgrößen wurden maximiert, um ältere und weitsichtige Notentextleser in schlecht ausgeleuchteten Situationen mit sanftem Kerzenlicht zu unterstützen.Also: Gut lesbar auch bei schlechten Sichtverhältnissen.Dieses Arrangement wurde für On-the-Fly-Auftritte während der Weihnachtszeit optimiert.Die Besetzung der Instrumente (Rhythmus- und Soloinstrumente (auch in transponierenden Partituren)) kann nach Belieben zusammengestellt werden.Alle Teile sind aufeinander abgestimmt, können kombiniert oder alleine gespielt werden.Viel Spaß beim Ausprobieren!#LeiseRieseltDerSchnee#Weihnachtsmusic#smppressmusic
$4.99
2 Be Loved (am I Ready)
2 Be Loved (am I Ready)
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Choral TTBB
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INTERMEDIATE
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Lizzo
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Ash
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2 Be Loved
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1156081 By Lizzo. By Anders Svensson, Ilya Salmanzadeh, Max Martin, Melissa Jefferson, and Savan...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1156081 By Lizzo. By Anders Svensson, Ilya Salmanzadeh, Max Martin, Melissa Jefferson, and Savan Kotecha. Arranged by Ash. A Cappella,Contemporary,Pop. Octavo. 12 pages. Music by Ash #756393. Published by Music by Ash (A0.1156081). A unique and very special arrangement! A stripped-down, vulnerable, and reharmonized choral fantasia of Lizzo's iconic 2 Be Loved. This reimagining focuses on the vulnerability of Lizzo's song and crescendos to a mighty message of empowerment and self-affirmation.General DetailsTTBB with piano only4 voice parts (single bar of divisi on final page for T1's)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 3:15Vocal RangesTenor 1: D3-B4Tenor 2: D3-G4Baritone: D3-E4Bass: G2-B3Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.comÂ
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