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12 sheet music found
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1
The Carolan Suite (five short string quartets)
The Carolan Suite (five short string quartets)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Folkloric/Traditional
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Turlough O'carolan
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Simon Mayor
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The Carolan Suite
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Simon Mayor
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SheetMusicPlus
String Quartet, Mandolin Quartet - Intermediate - Digital Download Composed by Turlough O'carolan. Arranged by Simon Mayor. Baroque Period, World,...
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String Quartet, Mandolin Quartet - Intermediate - Digital Download Composed by Turlough O'carolan. Arranged by Simon Mayor. Baroque Period, World, Folk. Individual Part, Score. 76 pages. Published by Simon Mayor
Simon Mayor presents five short string quartets on themes by Turlough O’Carolan.
Also suitable for mandolin family instruments.
Turlough O’Carolan is one of Ireland’s most celebrated baroque composers, responsible for some of the strongest and grandest melodies to come out of his homeland. He was a great friend of his Italian contemporary Corelli, who spent some time in Dublin and had a significant influence on O’Carolan’s music. But traditional music was an influence too, and, stylistically, his compositions occupy a fascinating middle ground between these two genres.
Contents: Carlan’s Frolics, Hewlett, Lord Brabazon, Princess Royal, Lord Inchiquin.
The audio sample here, part of Princess Royal, is of an impromptu 'read off' by seven string players, so most lines have two instruments. It's only an extract, but gives a flavour of the music.
$24.99
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructi...
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of ​​the arrangement and for studying the individual parts.Good music!am.
$4.99
Les Rappel des Oiseaux - As played by Víkingur Ólafsson
Les Rappel des Oiseaux - As played by VÃkingur Ólafsson
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Piano solo
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INTERMEDIATE
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Jean-Philippe Rameau and Vikin
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Flavio Regis Cunha
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Les Rappel des Oiseaux - As pl
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #762470. Published by Flavio Regis Cunha (A0.1162098). During his studies in New York, VÃÂkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃÂkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
Bach: Wachet auf for Flute Choir
Bach: Wachet auf for Flute Choir
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Flute ensemble
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INTERMEDIATE
#
Classical
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Flute Cho
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Bach: Wachet auf for Clarinet Quartet
Bach: Wachet auf for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Clarinet
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
3 by Bach
3 by Bach
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
#
Classical
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Johann Sebastian Bach
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Ian D
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3 by Bach
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Grumpy Mule Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.949173 Composed by Johann Sebastian Bach. Arranged by Ian D. Crew. Baroq...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.949173 Composed by Johann Sebastian Bach. Arranged by Ian D. Crew. Baroque,Classical,Concert,Standards,World. 23 pages. Grumpy Mule Music #6341485. Published by Grumpy Mule Music (A0.949173). Johann Sebastian Bach created awe-inspiring keyboard works, passions, cantatas, masses, suites and concertos. He also found the time to assemble collections of smaller scale masterpieces. In an arrangement for clarinet quartet, here are three miniature gems from the byways of Bach's output. The first is from a fascinating, little-known early keyboard work; the second from the Little Preludes for Beginners; and the third, and most familiar, from the Notenbüchlein für Anna Magdalena Bach.
$11.99
Bach: Wachet auf for Sax Quartet
Bach: Wachet auf for Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Classical
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Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quart
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
3 by Bach
3 by Bach
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Ian D
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3 by Bach
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.949174 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.949174 Composed by Johann Sebastian Bach. Arranged by Ian D. Crew. Baroque,Classical,Concert,Standards,World. 23 pages. Grumpy Mule Music #6341997. Published by Grumpy Mule Music (A0.949174). Johann Sebastian Bach created awe-inspiring keyboard works, passions, cantatas, masses, suites and concertos. He also found the time to assemble collections of smaller scale masterpieces. In an arrangement for SATBar saxophone quartet, here are three miniature gems from the byways of Bach's output. The first is from a fascinating, little-known early keyboard work; the second from the Little Preludes for Beginners; and the third, and most familiar, from the Notenbüchlein für Anna Magdalena Bach.
$11.99
Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. ÂÂ
$39.95
Bach: Wachet auf for String Trio
Bach: Wachet auf for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by Víkingur Ólafsson
J.S. Bach: Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes - As played by VÃkingur Ólafsson
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Piano solo
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INTERMEDIATE
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Classical
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Johann Sebastian Bach and VÃÂ
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Flavio Regis Cunha
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J.S. Bach: Das Orgelbüchlein,
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1121730 By Johann Sebastian Bach and VÃÂkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flav...
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Piano Solo - Level 3 - Digital Download SKU: A0.1121730 By Johann Sebastian Bach and VÃÂkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred. Score. 4 pages. Flavio Regis Cunha #722917. Published by Flavio Regis Cunha (A0.1121730). Do you want to learn the fascinating Prelude in E major of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619' composed by the legendary Johann Sebastian Bach?  Well, now you can! With the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', you can learn how to play this magnificent piece as performed by VÃÂkingur Ólafsson.  This is the first time this version of the prelude has been available. Get your hands on it now and unlock the mysterious beauty of Bach's prelude! You don't want to miss out on this chance! Get the sheet music of 'Das Orgelbüchlein, BWV 599-644: Christe, du Lamm Gottes, BWV 619', as played by VÃÂkingur Ólafsson, today!J.S. Bach: Das Orgelbüchlein, BWV 599-644 - Christe, du Lamm Gottes, BWV 619 As played by VÃÂkingur Ólafsson in his new album From afar Intermediate level Format: Concert 9 x 12 inches 3 pagesProgram notesThe Orgelbüchlein, BWV 599-644 is a collection of chorale preludes composed for organ by Johann Sebastian Bach. Central to the collection is the chorale prelude Christe, du Lamm Gottes, BWV 619 composed by Bach in 1714.  Christe, du Lamm Gottes, BWV 619 is a unique and melodious composition that combines complex rhythmic elements with a beautiful harmonic progressions. The structure of the composition is highly advanced and Bach uses counterpoint masterfully.  Bach uses the chorale melody to provide a vocal line over rich harmonic progressions. The vocal line is layered over a series of organ chords, which serve as an accompaniment. The combination of both melodic and harmonic elements gives the piece great depth and complexity.  By providing a powerful vocal component to the composition Bach also creates an emotional connection with the listener. The beauty of Bach's composition lies in its ability to transport the listener to a spiritual realm that is only achieved through contemplation and devotion.  Bach also incorporates more traditional elements of musical composition such as tempo and dynamic contrast. This adds a great amount of variety and creates a variety that holds the listener's interest throughout the piece.  There is no doubt that Christe, du Lamm Gottes, BWV 619 is one of Bach's greatest masterpieces and it is a timeless musical tribute to God.
$5.99
Les Rappel des Oiseaux - As interpreted by Víkingur Ólafsson
Les Rappel des Oiseaux - As interpreted by VÃkingur Ólafsson
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Piano solo
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INTERMEDIATE
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Jean-Philippe Rameau and Vikin
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Flavio Regis Cunha
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Les Rappel des Oiseaux - As in
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FRC Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. FRC Music #762536. Published by FRC Music (A0.1162180). During his studies in New York, VÃÂkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃÂkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
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Fascination Baroque
