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Oot-kwa-tah, Dance of the Seven Sisters
Oot-kwa-tah, Dance of the Seven Sisters
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #...
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Monteverdi - The Fifth Book of Madrigals (1605) - 1. Cruda Amarilli
Monteverdi - The Fifth Book of Madrigals (1605) - 1. Cruda Amarilli
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767236 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767236 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3103767. Published by Lyons Music Services (A0.767236). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.Cruda Amarilli is a very evocative song, describing the cruelty sometimes inflicted upon each other by lovers. Cruel Amarillis is the translation of the first line and the fp in each part's entry emphasises that cruelty, along with the increased use of dissonance.
$5.99
Monteverdi - The Third Book of Madrigals - No 5 Stracciami Pur Il Core
Monteverdi - The Third Book of Madrigals - No 5 Stracciami Pur Il Core
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.767192 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767192 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3074147. Published by Lyons Music Services (A0.767192). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The fifth song, Stracciami Pur Il Core is a song about carnal love.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
April, the grace and smile for clarinet and classical guitar (mp3)
April, the grace and smile for clarinet and classical guitar (mp3)
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András Csáki
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April, the grace and smile for
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Cent...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506753 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 102. David Warin Solomons #1082124. Published by David Warin Solomons (A0.1506753). This is the fifth movement of the suite Times of Change. It is based on my setting of my father's translation of a poem about the month of April by Rémi BelleauApril, the grace and smileThat all beguile,The tang and the sweet breath:Perfume of Gods on high,Who from the skyRelish the scent of earth.April, courteous and gentleWho from exileSummons the wanderers,The forkèd swifts that skimTheir way and seemOf Spring the messengers.May-flower and eglantine,And verdant thyme,Lilies and roses redAt this so beauteous tide,Growing in prideWith lovely raiment spread.(c) S N Solomons.
$5.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Firth Of Fifth
Firth Of Fifth
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Rock
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Genesis
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D Telgen
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Firth Of Fifth
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Neglet Music
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1384449 By Genesis. By Michael Rutherford, Peter Gabriel...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1384449 By Genesis. By Michael Rutherford, Peter Gabriel, Phil Collins, Steven Hackett, and Tony Banks. Arranged by D Telgen. Rock. 52 pages. Neglet Music #968721. Published by Neglet Music (A0.1384449). The Genesis prog rock classic—originally featuring a flute solo from Peter Gabriel—now reimagined for flute choir! Enjoy the driving rhythms of the shifting time signatures and the fun of shredding rock solos in a piece that will challenge your players and mesmerize your audience. Flutes rock!Has parts for two basses, two altos (one with featured solo), two C flutes (both with featured solos), and one piccolo. Note that the piccolo part includes optional flute 3, which need not be played unless the piccolo player prefers to keep busy for the whole piece.
$20.00
Beethoven's. Wig - A Piano Is Stuck In The Door (Music: The Entertainer, Joplin)
Beethoven's. Wig - A Piano Is Stuck In The Door (Music: The Entertainer, Joplin)
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Ragtime
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Richard Perlmutter, Scott Jopl
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Beethoven's. Wig - A Piano Is
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.928573 Composed by Richard Perlmutter, Scott Joplin. Children,Contemporary,Instructional,Standards...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.928573 Composed by Richard Perlmutter, Scott Joplin. Children,Contemporary,Instructional,Standards. Score. 6 pages. Beethoven's Wig, Inc. #6385081. Published by Beethoven's Wig, Inc. (A0.928573). Inspired and wildly imaginative, Beethoven's Wig songs are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association.CONTENTS This piano/vocal sheet music contains lyrics set to the music for The Entertainer as originally composed by Scott Joplin. The lyrics are by Richard Perlmutter.
$4.99
I Had Much Grief
I Had Much Grief
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Tei...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
He Is Born, the Divine Christ Child (piano solo)
He Is Born, the Divine Christ Child (piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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French carol
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Anne Britt
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He Is Born, the Divine Christ
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Anne Britt
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1494822 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 6 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1494822 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 6 pages. Anne Britt #1071387. Published by Anne Britt (A0.1494822). The French carol “Il est né, le divin Enfant” celebrates the long-awaited birth of the Savior, foretold by ancient prophets. This piano solo arrangement starts out sweetly with the melody being played in the left hand, then starts adding in rolled open-fifth chords and right-hand ornamentation to give it a Celtic flair. The energy picks up as it transitions to an lively 6/8 meter, making you want to get up and dance in joyful celebration! 6 pages, late intermediate level. Performance time: approximately 3:05.Also available for intermediate piano duet.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$5.99
Double Stop Shifting Challenges for the Cello
Double Stop Shifting Challenges for the Cello
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Cello
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INTERMEDIATE/ADVANCED
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Instructional
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Studies
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Cassia Harvey
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Double Stop Shifting Challenge
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SheetMusicPlus
Cello - Advanced Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique ...
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Cello - Advanced Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 34 pages. Published by Cassia Harvey
Are you an intermediate or early-advanced cellist who wants to take their technique to the next level?
These intensive cello double stop shifting exercises will help improve your intonation and help build your left-hand strength. At the same time, they will raise the intensity level of your practice, making the time you spend on exercises as efficient as possible.
Moving through the first seven cello positions, these exercises use double stop sixths, thirds, and occasionally fifths and fourths to build your cello technique.
Who this book can help: Cellists who can shift between the first seven positions and want to improve their shifting and finger strength.
How to use this book: Work on one exercise each day, after warming up with finger exercises, scales, and shifting exercises.
by Cassia Harvey
29 pages
Level: Late-Intermediate or Early-Advanced. Uses first through seventh positions on the cello.
$8.95
Jesus, Keep Me Near The Cross (Woodwind Trio: Flute, Bb Clarinet, Bassoon)
Jesus, Keep Me Near The Cross (Woodwind Trio: Flute, Bb Clarinet, Bassoon)
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Flute, Clarinet and Bassoon.
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Sacred music
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William H
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Cathy Stamegna
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Jesus, Keep Me Near The Cross
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Cathy Stamegna
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1184817 Composed by William H. Doane. Arranged by Cathy Stame...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1184817 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. 10 pages. Cathy Stamegna #784492. Published by Cathy Stamegna (A0.1184817). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30.Â
$6.99
Jesus, Keep Me Near The Cross (String Trio: Violin, Viola, Violoncello)
Jesus, Keep Me Near The Cross (String Trio: Violin, Viola, Violoncello)
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Sacred music
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William H
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Cathy Stamegna
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Jesus, Keep Me Near The Cross
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Cathy Stamegna
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1184824 Composed by William H. Doane. Arranged by Cathy Stamegna. Blu...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1184824 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. Score and parts. 10 pages. Cathy Stamegna #784499. Published by Cathy Stamegna (A0.1184824). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30.Â
$6.99
Jesus, Keep Me Near The Cross (String Trio: Two Violins, Violoncello)
Jesus, Keep Me Near The Cross (String Trio: Two Violins, Violoncello)
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String Trio: 2 violins, cello
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INTERMEDIATE/ADVANCED
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Christian contemporary
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Sacred music
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William H
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Cathy Stamegna
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Jesus, Keep Me Near The Cross
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Cathy Stamegna
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1184820 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Chr...
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String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1184820 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. Score and parts. 10 pages. Cathy Stamegna #784495. Published by Cathy Stamegna (A0.1184820). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30.Â
$6.99
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7...
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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The Fifth Time
