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196 sheet music found
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176
THE MUSIC OF YOUR VOICE. lead sheet&words( #CJDennis ) AND piano
THE MUSIC OF YOUR VOICE. lead sheet&words( #CJDennis ) AND piano
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Piano, Voice
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ADVANCED
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#GeoffRodThomson
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THE MUSIC OF YOUR VOICE. lead
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Geoff R Thomson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019300 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Instructional,Music...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019300 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Instructional,Musical/Show. Score. 1 pages. Geoff R Thomson #3142137. Published by Geoff R Thomson (A0.1019300). #TheMusicOfYourVoice is a poem by the Australian poet C.J.Dennis, with Lead Sheet and Piano added by Geoff Rod Thomson.....when he hears someone talk about the things that he loves it is music to his ears. The song has a beautiful tune to it, and there is a great syncopation in the left hand of the piano. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
Enterprising Young Men
Enterprising Young Men
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Film/TV
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Michael Giacchino
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Aleks Motykowski and James Own
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Enterprising Young Men
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James Langston Ownby
#
SheetMusicPlus
Trumpet Ensemble Flugelhorn,Trumpet - Level 5 - Digital Download SKU: A0.1292569 By Michael Giacchino. By Michael Giacchino. Arranged by Aleks Motykowski...
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Trumpet Ensemble Flugelhorn,Trumpet - Level 5 - Digital Download SKU: A0.1292569 By Michael Giacchino. By Michael Giacchino. Arranged by Aleks Motykowski and James Ownby. 21st Century,Film/TV. 66 pages. James Langston Ownby #883123. Published by James Langston Ownby (A0.1292569). This is an arrangement of the Star Trek Enterprising Young Men piece for 4 Trumpets, 3 Flugelhorns, and Bass Trumpet. The Flugelhorn parts can also be played on trumpet or additional F Horn parts are included as optional substititutions for these parts. The Bass Trumpet part can be played on T.C. Baritone. B.C. Baritone, Trombone, Tuba, and Electric bass substitution parts are also provided. The ideal would be to have tuba or electric bass on the bottom to take full advantage of the low end initially intended (because a Bass Trombone player did the initial arrangement).
$12.99
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Choral SATB
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ADVANCED
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Colbie Caillat
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Chris Arnold
#
Have Yourself A Merry Little C
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Chris Arnold
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.874634 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Chris Arnold. A Cappella,J...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.874634 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Chris Arnold. A Cappella,Jazz. Octavo. 4 pages. Chris Arnold #4286443. Published by Chris Arnold (A0.874634). Classic Christmas song made famous by the likes of Frank Sinatra and Judy Garland.Written for mixed barbershop ensemble, it would also be suitable for SATB high-school/college jazz ensembles. The melody sits primarily in the alto part, with one line of melody in the bass, but there are frequent voice crossings between the upper three voices, and it includes some tricky jazz harmonies.$12.99 US price includes 4 copies per purchase, suitable for quartets. For choruses, look for the same title available under choral ensembles.
$12.99
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Choral SATB
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ADVANCED
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Christmas
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Colbie Caillat
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Chris Arnold
#
Have Yourself A Merry Little C
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Chris Arnold
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.874636 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Chris Arnold. A Cappella,J...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.874636 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Chris Arnold. A Cappella,Jazz. Octavo. 4 pages. Chris Arnold #4286447. Published by Chris Arnold (A0.874636). Classic Christmas song made famous by the likes of Frank Sinatra and Judy Garland.Written for mixed barbershop ensemble, it would also be suitable for SATB high-school/college jazz ensembles. The melody sits primarily in the alto part, with one line of melody in the bass, but there are frequent voice crossings between the upper three voices, and it includes some tricky jazz harmonies.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.
$1.99
Listen To Your Heart
Listen To Your Heart
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Jazz Ensemble
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ADVANCED
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Contemporary
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D
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Andrew Will
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Listen To Your Heart
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Andrew Will
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.983035 By D.H.T. By Mats Persson and Per Gessle. Arranged by Andrew Will. Contemporary. ...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.983035 By D.H.T. By Mats Persson and Per Gessle. Arranged by Andrew Will. Contemporary. Score and Parts. 75 pages. Andrew Will #6190289. Published by Andrew Will (A0.983035). Big Band (Vocal Feature) arrangement of the song Listen to Your Heart by Roxette. Advance arrangement that would make a great addition to your next performance. Score and Parts included. Enjoy!
$49.99
Your Move, I've Seen All Good People
Your Move, I've Seen All Good People
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2 Euphoniums and 2 Tubas
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ADVANCED
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Rock
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Chris Squire and Jon Anderson
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Tim Olt
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Your Move, I've Seen All Good
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Olt Music
#
SheetMusicPlus
Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1357961 Composed by Chris Squire and Jon Anderson. Arranged by Tim Olt. Rock. 23 pages. ...
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Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1357961 Composed by Chris Squire and Jon Anderson. Arranged by Tim Olt. Rock. 23 pages. Olt Music #942468. Published by Olt Music (A0.1357961). This Yes classic is arguably the centerpiece of Prog Rock. Admittedly this version is a bit unusual, but I think Yes would approve.
$15.00
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
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Bee Gees
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Darren Lloyd
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Violin section
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How Deep Is Your Love from the
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Darren Lloyd
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SheetMusicPlus
Large Ensemble Bass Guitar,Drum Set,Flute,Piano Accompaniment,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.855779 By Bee Gees. By Barry G...
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Large Ensemble Bass Guitar,Drum Set,Flute,Piano Accompaniment,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.855779 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Darren Lloyd. Dance,Disco. Score and parts. 44 pages. Darren Lloyd #3480721. Published by Darren Lloyd (A0.855779). This is an arrangement for show band (James Last style)!The line up is Flute, Trumpets x 4, Trombones x 3, Piano, Bass, Drums, Guitar & Violin section.The arrangement is very sympathetic to the Bee Gees original and would be great for dancing or listening to. .
$45.00
I Wish I Knew How It Would Feel To Be Free - for solo harp
I Wish I Knew How It Would Feel To Be Free - for solo harp
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Harp
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ADVANCED
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Contemporary
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Billy Taylor
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Lauren Scott
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I Wish I Knew How It Would Fee
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Astute Music
#
SheetMusicPlus
Harp - Advanced - Digital Download By Billy Taylor. Arranged by Lauren Scott. 3 pages. Published by Astute Music ...
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Harp - Advanced - Digital Download By Billy Taylor. Arranged by Lauren Scott. 3 pages. Published by Astute Music
Arranged for pedal harp.
For Advanced standard harpists, complete with pedalling.
This version has been expertly arranged for pedal harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.
Sign up for new music notifications from Lauren Scott http://eepurl.com/dCTo1P
Watch a video of this arrangement here https://youtu.be/qGuyq3O2Zks
$5.99
Three Poems for Soprano Voice & Piano
Three Poems for Soprano Voice & Piano
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Piano, Voice
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ADVANCED
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Nick Raspa, Emily Dickinson
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Three Poems for Soprano Voice
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NJR Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189....
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.754232 Composed by Nick Raspa, Emily Dickinson. 20th Century. Score. 32 pages. NJR Music #2918189. Published by NJR Music (A0.754232). A setting of three Emily Dickinson poems (Syllable, Word, Phrase) for piano & soprano voice. Â Syllable was selected for performance in the 1988 New Music Festival at the University of Wisconsin. Â The song cycle was selected for performance at the Region 1 meeting of the Society of Composers in 1992. Â Emily Dickinson did not title the poems. Â The titles were selected based on the context of the poems. Â Duration of the entire song cycle is about 3 1/2 minutes: Syllable and Word are approximately 1 minute each and Phrase is about 1 1/2 minutes. Â 32 pages.SyllableCould mortal lip divinethe undeveloped FreightOf a delivered syllable'Twould crumble with the weight.WordA word is deadWhen it is said,Some say.I say it justBegins to liveThat Day.PhraseI found the phrase to every thoughtI ever had - but One -Â And that - defies me -As a Hand did try to chalk the SunTo Races - nurtured in the Dark -How would your own - begin?Can Blaze be shown in Cochineal -Â Or Noon - in Mazarin? ASCAP.
$12.95
I Would Be Your Slave
I Would Be Your Slave
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Piano solo
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ADVANCED
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Rock
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David Bowie
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Meral Guneyman
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I Would Be Your Slave
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Mguneymanmusic
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.916971 By David Bowie. By David Bowie. Arranged by Meral Guneyman. Pop,Rock. Score. 5 pages. Mguneymanmus...
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Piano Solo - Level 5 - Digital Download SKU: A0.916971 By David Bowie. By David Bowie. Arranged by Meral Guneyman. Pop,Rock. Score. 5 pages. Mguneymanmusic #4110745. Published by Mguneymanmusic (A0.916971).
$7.99
Sonata Franckoniana
Sonata Franckoniana
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Oboe, Piano (duet)
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ADVANCED
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Contemporary
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Brass Quartet - Titans
Brass Quartet - Titans
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Brass ensemble
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ADVANCED
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
Canoe for solo piano
Canoe for solo piano
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Piano solo
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ADVANCED
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99
Paradise By The Dashboard Light
Paradise By The Dashboard Light
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Choral TTBB
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ADVANCED
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Meat Loaf
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Liz Garnett
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Paradise By The Dashboard Ligh
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Liz Garnett
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.856210 By Meat Loaf. By Jim Steinman. Arranged by Liz Garnett. A Cappella,Rock. Octavo. 14 pages...
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.856210 By Meat Loaf. By Jim Steinman. Arranged by Liz Garnett. A Cappella,Rock. Octavo. 14 pages. Liz Garnett #4313721. Published by Liz Garnett (A0.856210). This is an extended drama in rock 'n' roll. Meatloaf's story tells of young love, young lust, hasty decisions and adult regret in a multi-sectioned song that verges on the operatic in its narrative urgency and expressive range.The arrangement features a female soloist, and an optional spoken narrative section in the middle. It is shorter than Meatloaf's version, but still a full five minutes in length. It was originally commissioned along with my other two Meatloaf arrangements, but the three together are just two expressively huge to work as an a cappella show set. This one would work as a strong statement-piece, either as a closer, or the penultimate number followed by something shorter and lighter.Vocal Ranges:Tenor: B flat 3 - C5Lead: D3 - G4Bari: B flat 2 - G4Bass: G2 - A flat 3Solo: G3 - B flat 4www.HelpingYouHarmonise.com
$3.99
Extinction Events - Clarinet Quartet - Mvt 1 Buzzy Delights
Extinction Events - Clarinet Quartet - Mvt 1 Buzzy Delights
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Clarinet Quartet: 4 clarinets
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ADVANCED
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Contemporary
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581934 Composed by John Gibson. Contemporary. 31 pages. JB Linear #...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.581934 Composed by John Gibson. Contemporary. 31 pages. JB Linear #3456341. Published by JB Linear (A0.581934). Extinction Events (1st movement - Buzzy Delights (honey bees) by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players. This is the first movement only...the others may be purchased separately: It Isn't Easy Being a Cuckoo, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Buzzy Delights (honey bees) – Bees are industrious and play a key role in propagating plants, while the queen stays in the hive in her pentagonal glory and sings a song in 5/4 time. Honey Bees have been having issues with some types of insecticides and diseases and whole areas of hives have died off. Humans would be in a bad way if they buzzed off and went extinct.You may watch a video on YouTube: https://youtu.be/j-zLUcxiMas
$15.25
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
The Carnival of the Animals - 14. Finale
The Carnival of the Animals - 14. Finale
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Classical
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals -
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Sam Bateman
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone,Xylophone - Level 5 - Digital Download SKU: A0.948141 Composed b...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone,Xylophone - Level 5 - Digital Download SKU: A0.948141 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 30 pages. Sam Bateman #3434639. Published by Sam Bateman (A0.948141). What better way to end this marvelous musical experience than with an upbeat, jaunty tune remixed with some of the previous movements? This piece will keep you toe-tapping from beginning to end - and probably make you think of a flamingo with a yo-yo - and it's all yours for just 18 US dollars!Like Fossils, this movement also includes a xylophone part, though this time it combines the xylophone and glass harmonica parts from the original.If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$18.00
Passacaglia
Passacaglia
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Piano solo
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ADVANCED
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Classical
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Gary D
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Passacaglia
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score....
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Piano Solo - Level 5 - Digital Download SKU: A0.796677 Composed by Gary D. Belshaw (ASCAP) and Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score. 10 pages. DR GARY D BELSHAW #3451141. Published by DR GARY D BELSHAW (A0.796677). An advanced work for solo piano, Passacaglia adheres to traditions established for works in this genre, including the Passacaglia in C Minor (BWV582) by Johann Sebastian Bach and contemporary works by Walter Piston and Samuel Barber. The main subject is an ostinato bass built on a 12-tone row. Two freely chromatic counter-subjects mark the first and second of the variations which follow. In spite of its classical traditions, a great deal of expressiveness is intended for performance for this work. Duration is approximately six minutes. There are 8 pages of score. The audio examples were excerpted from Richard Fountain's recorded performance on his debut CD, American Ivory. Richard's performance is also available on the album Modern Music for Piano, Vol. 2, on the RMN Classical Label. This 2021 edition corrects minor errors in layout, and fixes an issue with printing. PLEASE let us know if you have issues printing this edition. Follow us on Facebook and Twitter; your comments are welcome and deeply appreciated. We would also welcome your written review right here on sheetmusicplus.com.
$8.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
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