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Adagio for two Violas
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You've selected:
Adagio for two Violas
Sheetmusic to print
18 sheet music found
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1
Corelli, A. - Sonata No. 4 (Mvt. 3) for Two Violas
Corelli, A. - Sonata No. 4 (Mvt. 3) for Two Violas
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2 Violas (duet)
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EASY
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Classical
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Arcangelo Corelli
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Linda M
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Corelli, A. - Sonata No. 4
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Linda M Scott
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SheetMusicPlus
Viola Duet Viola - Level 2 - Digital Download SKU: A0.540449 Composed by Arcangelo Corelli. Arranged by Linda M. Scott. Baroque. Score. 3 pages. Linda M ...
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Viola Duet Viola - Level 2 - Digital Download SKU: A0.540449 Composed by Arcangelo Corelli. Arranged by Linda M. Scott. Baroque. Score. 3 pages. Linda M Scott #4287391. Published by Linda M Scott (A0.540449). Arcangelo Corelli (1653-1713) was an Italian violinist and composer. This charming Adagio movement is from a group of twelve trio sonatas he wrote in 1689, his Sonata No. 4 in B Minor, Op. 3 Mvt. 3. The original instrumentation was for strings and keyboard.An easy, accessible baroque duo for two violas. Ideal for advanced beginners or intermediate students, adult amateurs and performers.
$5.99
Adagio for Two Violas
Adagio for Two Violas
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Viola (band part)
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INTERMEDIATE
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Hal C
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Adagio for Two Violas
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HAL C THOMAS
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.983906 Composed by Hal C. Thomas. Contemporary,Instructional,Standards. Individual part. 3 pages. HAL C T...
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Viola Solo - Level 3 - Digital Download SKU: A0.983906 Composed by Hal C. Thomas. Contemporary,Instructional,Standards. Individual part. 3 pages. HAL C THOMAS #5299435. Published by HAL C THOMAS (A0.983906). Your Adagio for two violas is charming and very idiomatic for the instrument. As it is in A Minor, it enables the players to utilize harmonics and open strings that are far more resonant than on the violin. It would be ideal even for young players who have attained the Mitte, or middle level of abilities, as the German musicians designate it. Paul R. Frankenfeld, President Cincinnati Musicians Association
$4.95
Bach, C.P.E. - Adagio and Gigue, Arranged for Viola Duo
Bach, C.P.E. - Adagio and Gigue, Arranged for Viola Duo
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2 Violas (duet)
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INTERMEDIATE
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Classical
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C
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Sheetmusic4strings
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Bach, C.P.E. - Adagio and Gigu
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Linda M Scott
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.796217 Composed by C.P.E Bach. Arranged by Sheetmusic4strings.com. Baroque,Classical. Score. 13 pag...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.796217 Composed by C.P.E Bach. Arranged by Sheetmusic4strings.com. Baroque,Classical. Score. 13 pages. Linda M Scott #403399. Published by Linda M Scott (A0.796217). This is an intermediate baroque duo for two violas, and is ideal for intermediate students, adult amateurs and professionals. This arrangement is based on the Duo for two Clarinets, and includes both the Adagio and Allegro movements.
$5.99
Adagio for two Violas
Adagio for two Violas
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2 Violas (duet)
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Contemporary
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Hal C
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Adagio for two Violas
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HAL C THOMAS
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.983907 Composed by Hal C. Thomas. Contemporary. Score and parts. 3 pages. HAL C THOMAS #5299429. Published by H...
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Small Ensemble - Digital Download SKU: A0.983907 Composed by Hal C. Thomas. Contemporary. Score and parts. 3 pages. HAL C THOMAS #5299429. Published by HAL C THOMAS (A0.983907).
$4.95
Sonate in C-major Op.24 for two Violas
Sonate in C-major Op.24 for two Violas
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Viola
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Michel Corrette
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Mikio Kamada
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Sonate in C-major Op.24 for tw
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ACORDO Sheet Music
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SheetMusicPlus
Viola Solo - Digital Download SKU: A0.777892 Composed by Michel Corrette (1707-1795). Arranged by Mikio Kamada. Baroque. Individual part. 4 pages. ACORDO...
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Viola Solo - Digital Download SKU: A0.777892 Composed by Michel Corrette (1707-1795). Arranged by Mikio Kamada. Baroque. Individual part. 4 pages. ACORDO Sheet Music #423775. Published by ACORDO Sheet Music (A0.777892). Michel Corrette (1707-1795) was a French composer and an organist. He also played many other instruments, and wrote musical method books for strings, woods, etc. This piece consists of I. Adagio, II. Allegro, III. Sarabanda, and IV. Tempo di Minuetto. It is a beautiful piece and very enjoyable to play.
$3.80
Sonata Op.34-1 for Two Violins & Two Violas
Sonata Op.34-1 for Two Violins & Two Violas
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-1 for Two Violins
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778012 Composed by Boismortier, Joseph Bodin de (1689-1755). Arrang...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778012 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 18 pages. ACORDO Sheet Music #4809205. Published by ACORDO Sheet Music (A0.778012). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-1 consists of the following movements; I. Adagio, II. Presto, III. Adagio, IV. Allegro. Very beautiful and elegant piece.
$10.00
Miscellaneous: Wedding Collection for two violas & piano
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2 Violas (duet)
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INTERMEDIATE
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Wedding/Ballad
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangements for two violas & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: bridal chorus,Here Comes the Bride,Bride's entrance,lohengrin,adagio,adagio in g minor,air on g, ...
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This is an exclusive arrangements for two violas & piano of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: bridal chorus,Here Comes the Bride,Bride's entrance,lohengrin,adagio,adagio in g minor,air on g, Air on a G String, Air on G String, ave maria, march, wedding march / wedding,traditional,classical,festival,love,french
$10.75
Sonata Op.34-3 for Two Violins & Two Violas
Sonata Op.34-3 for Two Violins & Two Violas
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-3 for Two Violins
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778018 Composed by Boismortier, Joseph Bodin de (1689-1755). Arrang...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778018 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 19 pages. ACORDO Sheet Music #4837609. Published by ACORDO Sheet Music (A0.778018). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-3 consists of the following movements; I. Andante II. Presto III. Adagio IV. Allegro Beautiful piece. Players will appreciate the fun of playing in concert with others.
$12.00
Sonata Op.34-5 for Two Violins & Two Violas
Sonata Op.34-5 for Two Violins & Two Violas
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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I
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Sonata Op.34-5 for Two Violins
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778025 Composed by Boismortier, Joseph Bodin de (1689-1755). Arrang...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778025 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 19 pages. ACORDO Sheet Music #5355213. Published by ACORDO Sheet Music (A0.778025). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-5 consists of the following movements; I. Andante, Beautiful with elegance. II. Presto, Simple but enjoyable. III. Adagio, Short and lovely. IV. Allegro, Fugue, classy.
$12.00
Sonata Op.34-6 for Two Violins & Two Violas
Sonata Op.34-6 for Two Violins & Two Violas
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-6 for Two Violins
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778028 Composed by Boismortier, Joseph Bodin de (1689-1755). Arrang...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778028 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 22 pages. ACORDO Sheet Music #5723275. Published by ACORDO Sheet Music (A0.778028). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-6 consists of the following movements; I. Adagio, not melodic but harmony-changing is enjoyable. II. Allegro, Fugue. III. Largo, idyllic and beautiful. IV. Allegro, cute Fugue.
$12.00
Sonata Op.34-2 for Two Violins & Two Violas
Sonata Op.34-2 for Two Violins & Two Violas
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Sonata Op.34-2 for Two Violins
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778015 Composed by Boismortier, Joseph Bodin de (1689-1755). Arrang...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.778015 Composed by Boismortier, Joseph Bodin de (1689-1755). Arranged by Kamada, Mikio. Baroque. Score and parts. 20 pages. ACORDO Sheet Music #4824401. Published by ACORDO Sheet Music (A0.778015). Six Sonatas Op.34 were originally composed by Boismortier for three melodic instruments (violins, flutes, etc.) and basso continuo on 1731. Op.34-2 consists of the following movements; I. Vivace, II. Allegro, III. Adagio, IV. Allegro. The music flows beautifully like a fountain. It will be a great fun to play this piece. The cord changes in the movement III is also noticeable.
$11.00
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Viola Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Viola Duo
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2 Violas (duet)
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EASY
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Viola Duet Viola - Level 2 - Digital Download SKU: A0.612850 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthr...
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Viola Duet Viola - Level 2 - Digital Download SKU: A0.612850 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222046. Published by jmsgu3 (A0.612850). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Comp...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classical
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
Bach - Brandenburg Concerto No.6 in B flat major BWV 1051 - Piano Version
Bach - Brandenburg Concerto No.6 in B flat major BWV 1051 - Piano Version
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Piano solo
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ADVANCED
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Classical
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Santino Cara
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Johann Sebastian Bach in 1721
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Santino Cara
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Bach - Brandenburg Concerto No
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1323836 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 31 pages. Sa...
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Piano Solo - Level 5 - Digital Download SKU: A0.1323836 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 31 pages. Santino Cara #912024. Published by Santino Cara (A0.1323836). Complete score of the Brandenburg Concerto No.6 in B flat major BWV 1051 for Piano solo. Composed by Johann Sebastian Bach in 1721 for two viole da braccio, two viole da gamba, cello, violone and cembalo. Transcribed for Piano in Rome in 2023 by Santino Cara.3 Movements: 1. Alla breve (ma poco allegro), 2. Adagio ma non tanto (E flat major), 3. Allegro (B flat major).Sources and annotations:The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date. The title in the autograph score shows the instrumentation for 2 violas to braccio (normal violas), 2 violas da gamba, cello, violone and harpsichord, the absence of violins is unusual. We also add that the second movement in E flat major ends with an imperfect cadence in G minor.Other piano works by Bach and baroque and classical composers
$18.40
Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts
Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts
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Flute, Orchestra
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Classical
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Wolfgang Amadeus Mozart
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Mozart - Flute Concerto in G m
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Santino Cara
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical Period. Set of Parts, Sheet Music Single. 153 pages. Published by...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical Period. Set of Parts, Sheet Music Single. 153 pages. Published by Santino Cara
Complete score and parts of the "Flute Concerto in G major K. 313" for Flute and Orchestra. Composed in 1777 by Wolfgang Amadeus Mozart. Rewritten and processed by Santino Cara in Rome in 2019.
Movements: 1. Allegro Maestoso, 2. Adagio ma non troppo, 3. Rondo (Tempo di minuetto).
Instrumentation: Two Oboes (In the 1st and 3rd movements), Two Flutes (only in the 2nd movement), Two Horns in G (In the 1st and 3rd movements), Two Horns in D (only in the 2nd movement), Flute solo, Violins I, Violins II, Violas, Violoncello and Double basses.
$24.80
Serenade No. 11
Serenade No. 11
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classic...
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String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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Johannes Brahms
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Ray Thompson
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in C for movement II
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Brahms: Serenade No. 2 in A Op
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Cen...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95
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