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Concerto for Viola and Orchestra
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You've selected:
Concerto for Viola and Orchestra
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451
Concerto
Concerto
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Piano and Orchestra
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
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Viola ensemble
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,C...
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String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209851. Published by Regis Bookshar (A0.813408). Viola Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Viola Quintet)
Allegro (from "Concerto for Four Claviers") (A min) (Viola Quintet)
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Viola ensemble
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813383 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,C...
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String Ensemble,String Quintet Viola - Level 5 - Digital Download SKU: A0.813383 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209773. Published by Regis Bookshar (A0.813383). Viola Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Concerto for Viola and Orchestra
Concerto for Viola and Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Robert E
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Concerto for Viola and Orchest
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.809800 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 140 pages. R. E. Pr...
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Full Orchestra - Level 4 - Digital Download SKU: A0.809800 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 140 pages. R. E. Proctor #3097177. Published by R. E. Proctor (A0.809800). The Concerto in C Major for Viola and Orchestra a new composition for the viola. Interesting and challenging, it invites the soloist to explore the range of the instrument, it invites the audience to appreciate the varied tonalities of the instrument and it’s capabilities. Each movement provides interesting twists and turns for both the players and the audience. Written in the key of C to take advantage of the viola’s entire range. At approximately 13 minutes and 30 seconds this work will easily fit into any program adding a delightful contrast to anything else in the concert!
$19.95
Concerto for Viola and orchestra
Concerto for Viola and orchestra
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Orchestra
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INTERMEDIATE
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Gabriel Yudenich
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Concerto for Viola and orchest
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Gabriel Yudenich
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts. 115 pages. Gabriel Yudenich #776065. Published by Gabriel Yudenich (A0.1175939). Concerto for Viola and orchestraComposition of Gabriel YudenichOrquestration:- Piccolo (1)- Flute (2)- Oboe (1)- Clarinet Bb (2)- Basson (2)- Horn F (4)- Trombone (1)- Tuba (1)- Percussion: Timpani, Snare Drum, Bass Drum, Cymbal and Tam-Tam- Harp (optional)- Viola (solist)Strings: - Violin I (min. 3)- Violin II (min. 3)- Viola (min. 2)- Cello (min. 2)- Bass (min. 2)Version revised in 2023 by the composer
$50.00
[Van de Vate] Concerto for Viola and Orchestra
[Van de Vate] Concerto for Viola and Orchestra
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Orchestra
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Contemporary
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Nancy Van de vate
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[Van de Vate] Concerto for Vio
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American Composers Alliance Inc.
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.953069 Composed by Nancy Van de vate. 20th Century. Score and parts. 41 pages. American Composers Alliance Inc....
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Full Orchestra - Digital Download SKU: A0.953069 Composed by Nancy Van de vate. 20th Century. Score and parts. 41 pages. American Composers Alliance Inc. #4635441. Published by American Composers Alliance Inc. (A0.953069). Scored for viola and large orchestra - instrumentation: 3(3+picc)3(3+EH)3(3+bcl)3(3+cbsn) - 433(3=btbn)1 - timp, 3 perc, pno, hp, cel - solo viola - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$25.95
Concerto in G Major (from the Concerto for Two Mandolins): Viola
Concerto in G Major (from the Concerto for Two Mandolins): Viola
Mandolin|Viola
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Classical
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Antonio Vivaldi
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Thomas P
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Concerto in G Major
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Antonio Vivaldi (1678-1741). Arranged by Thomas P. LaJoie. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
The American Seasons (violas part – violin and string orchestra)
The American Seasons (violas part – violin and string orchestra)
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String Orchestra
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ADVANCED
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O...
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String Orchestra - Level 5 - Digital Download SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
Rolla A - Variazioni Brillanti in F major Op.13 for Viola and Piano - Score and Part
Rolla A - Variazioni Brillanti in F major Op.13 for Viola and Piano - Score and Part
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Santino Cara
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Allessandro Rolla and
dedi
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Santino Cara
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Rolla A - Variazioni Brillanti
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Santino Cara
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1295530 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part....
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Piano,Viola - Level 4 - Digital Download SKU: A0.1295530 By Santino Cara. By Alessandro Rolla. Arranged by Santino Cara. Romantic Period. Score and part. 34 pages. Santino Cara #885823. Published by Santino Cara (A0.1295530). Complete score and part of Fantasie Brillanti Op.13 Composed by Allessandro Rolla and dedicated to Francesco Spinola. Transcribed in Rome in 2020 by Santino Cara from Viola and orchestra.Movements: 1. Introduzione (Adagio ma non troppo in A flat major) - 2. Tema (andantino quasi allegro in F major) - Variation 1. (Moderato) - Variation 2. (Più mosso) - Variaton 3. (Adagetto espressivo) - Variation 4. (Tempo primo with Coda)Contact with the transcriber: cara.santinocara.santino@gmail.comOther Works for Viola and Piano:Handel-Casadesus - Viola Concerto in B minor for Viola and PianoJCBach-Casadesus - Viola Concerto in C minor for Viola and PianoSchumann - Märchenbilder Op.113 - Four Pieces for Viola and PianoCara S - Adagio in B minor for Viola and PianoKalliwoda – Six Nocturnes Op.186 for Viola and Piano – Scores and PartRolla A - Divertimento in F major BI 330 - for Viola and Piano - Score and PartTelemann - Viola Concerto in D major TWV 51D1 for Viola and PianoTelemann - Ouverture (Suite) in D major TWV 55-D6 for Viola and PianoTelemann - Viola Concerto in G major TWV 51-G9 for Viola and and PianoTelemann - Sonata in E minor TWV 41-e5 for Viola da Gamba and PianoVivaldi - Six Viola Concertos for Viola and Piano - Complete Scores and Part
$18.60
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Various
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Daniel Kelley
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Music for Four Volume 2, Score
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Last Resort Music Publishing
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pag...
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Level 5 - Digital Download SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort Music Publishing #927370. Published by Last Resort Music Publishing (A0.1341863). Score #70299 from Music for Four, Volume 2Baroque Classical and Romantic Favorites Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 & #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin  & Traumerei from Kinderscenen (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Parts Available for purchase separately 70211  Part 1 Flute or Oboe or Violin 70213  Part 1 Clarinet in Bb 70221  Part 2 Flute or Oboe or Violin70223  Part 2 Clarinet in Bb 70231  Part 3 Viola70236  Part 3 Violin in C  70232  Part 3 French Horn or English Horn in F70233  Part 3 Clarinet in Bb 70241  Part 4 Cello or Bassoon70243  Part 4 Bass Clarinet in Bb 70250  Keyboard or Guitar 70299  Score (Parts 1-4 in C) from Last Resort Music Publishing
$40.00
Concerto
Concerto
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Viola and orchestra
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Classical
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Peteris Vasks
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Concerto
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Schott Music - Digital
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SheetMusicPlus
For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: piano reduction with solo part. Downloadable. Duration 35 minutes. Sc...
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For viola and string orchestra. Composed by Peteris Vasks (1946-). This edition: piano reduction with solo part. Downloadable. Duration 35 minutes. Schott Music - Digital #Q54004. Published by Schott Music - Digital
Peteris .Vasks supports the solo part with a string orchestra accompaniment, employing a warm, sonorous tone that is particularly effective during the slow movements. The two central movements pose exciting technical challenges as the soloist is confronted with extended cadenzas in the 'Allegro moderato' and the following 'Andante'. The rhythmically dominated fast movement is demanding for the soloist who plays in almost uninterrupted polyphony.
$40.99
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
The Fiddle Concerto (string parts – violin and symphony orchestra)
The Fiddle Concerto (string parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
The Fiddle Concerto (wind parts – violin and symphony orchestra)
The Fiddle Concerto (wind parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'Connor Musik International #6208697. Published by Mark O'Connor Musik International (A0.861947). The Fiddle Concerto (wind parts – violin and symphony orchestra) MO120C-HWind Parts (score and parts available)Music by Mark O’Connor111 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120C-HCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
The Fiddle Concerto (brass parts – violin and symphony orchestra)
The Fiddle Concerto (brass parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 81 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861948 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 81 pages. Mark O'Connor Musik International #6208701. Published by Mark O'Connor Musik International (A0.861948). The Fiddle Concerto (brass parts – violin and symphony orchestra) MO120I-MBrass Parts (score and parts available)Music by Mark O’Connor81 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120I-MCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
The Fiddle Concerto (percussion parts – violin and symphony orchestra)
The Fiddle Concerto (percussion parts – violin and symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861949 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208703. Published by Mark O'Connor Musik International (A0.861949). The Fiddle Concerto (percussion parts – violin and symphony orchestra) MO120N-OPercussion Parts (score and parts available)Music by Mark O’Connor34 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120N-OCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Flute Concerto in
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 pages. Sneakwood Editions #4781037. Published by Sneakwood Editions (A0.890769). We present a well reseached edition of the Telemann´s concerto for flute and orchestra contained in the manuscript of the Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms.1033-39.We have maintained the original annotations clearly indicating the cases in which they can be interpreted in another way. The resulting edition can be used directly for its interpretation both by specialists in early music and by any musician who wants to approach this beautiful work.Edition based on (D-DS): Mus.ms.1033-39Score (19 pages) and Parts (friendly performance edition): Flute, Violin I, Violin II, Violin III, Viola and Basso.www.snakewoodeditions.com
$18.00
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (violin solo part – violin and symph
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Orchestra
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ADVANCED
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Mark O'Connor
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2nd Mvnt  
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861954 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 30 pages. Mark O'Connor Musik International #6209339. Published by Mark O'Connor Musik International (A0.861954). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (violin solo part – violin and symphony orchestra) MO152BViolin Solo Part (score and parts available)Music by Mark O’Connor26 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (wind parts – violin and symphony or
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Orchestra
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ADVANCED
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Mark O'Connor
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2nd Mvnt  
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Three Pieces For Violin and Or
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861955 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 183 pages. Mark O'Connor Musik International #6209345. Published by Mark O'Connor Musik International (A0.861955). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (wind parts – violin and symphony orchestra) MO152C-JWind Parts (score and parts available)Music by Mark O’Connor151 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152C-JCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$80.00
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