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Get me a rag! Just a minute...
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You've selected:
Get me a rag! Just a minute...
Sheetmusic to print
6 sheet music found
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1
Get me a rag! Just a minute... for Ragtime Ensemble
Get me a rag! Just a minute... for Ragtime Ensemble
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Ragtime
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Stanley M
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Get me a rag! Just a minute...
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stanleymhoffman.com
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,E-Flat Clarinet,Piano,Piccolo,Trombone,Tuba,Viola - Digital Download SKU: A0.924882 Composed by Stanley M. Hoff...
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Large Ensemble Cello,Double Bass,Drum Set,E-Flat Clarinet,Piano,Piccolo,Trombone,Tuba,Viola - Digital Download SKU: A0.924882 Composed by Stanley M. Hoffman. Ragtime. Score and parts. 26 pages. Stanleymhoffman.com #6645199. Published by stanleymhoffman.com (A0.924882). Get me a rag! Just a minute... was composed in homage to Scott Joplin; version for piano dedicated to Shiau-uen Ding in 2011 as part of a call for scores from the Fifteen Minutes of Fame concert series created by Vox Novus. I arranged for Ragtime Ensemble in 2021. If the world is going to end in 2012, it is going to create quite a mess. Umm... it didn't. ;-).
$6.50
Get me a rag! Just a minute...
Get me a rag! Just a minute...
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Piano solo
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Ragtime
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Stanley M
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Get me a rag! Just a minute...
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stanleymhoffman.com
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.924864 Composed by Stanley M. Hoffman. Concert,Contemporary,Folk,Ragtime. Score. 4 pages. Stanleymhoffman.com #3913...
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Piano Solo - Digital Download SKU: A0.924864 Composed by Stanley M. Hoffman. Concert,Contemporary,Folk,Ragtime. Score. 4 pages. Stanleymhoffman.com #3913767. Published by stanleymhoffman.com (A0.924864). Composed for a call for scores for Vox Novus' 15 Minutes of Fame series, this piece is dedicated to and was chosen for performance by world-renowned pianist Shiau-uen Ding. It is and homage to Scott Joplin, and bears the tongue-in-cheek words, If the world is going to end in 2012, it is going to create quite a mess. Get me a rag! Just a minute... Get it? This piece ought to be quite popular.
$2.00
Ragamuffin Rag - Will Huff
Ragamuffin Rag - Will Huff
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Concert band
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INTERMEDIATE
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Will Huff
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Emmett Anglin
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Ragamuffin Rag - Will Huff
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OTBM
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.990602 Composed by Will Huff. Arranged by Emmett Anglin. 20th Century,Ragtime. Score and parts. 68 page...
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Concert Band - Level 3 - Digital Download SKU: A0.990602 Composed by Will Huff. Arranged by Emmett Anglin. 20th Century,Ragtime. Score and parts. 68 pages. OTBM #50559. Published by OTBM (A0.990602). Contact Information: Emmett Anglin at 803-775-4400 or rabish@fromtier.com The piece is in the Public Domain and has been out of print for many years. It is typical of the ragtime music written in the early 20th Century and a lot of fun to play. It is about 3 or 4 minutes long depending on which repeats the conductor takes. It has parts not included in the original for bells, 2nd & 3rd Alto Sax and others so that it will fit well with the modern concert band. If you get it and there is any problem (wrongly transposed parts etc.) I will fix it. Just call me or e-mail me and we can talk. I've been doing this for several years now and I make every effort to eliminate mistakes but sometimes....................
$35.00
Don't You (forget About Me)
Don't You (forget About Me)
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Accordion
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EASY
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Simple Minds
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Luc Papens
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Don't You
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Luc Papens
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SheetMusicPlus
Accordion - Level 2 - Digital Download SKU: A0.1303192 By Simple Minds. By Keith Forsey and Steve Schiff. Arranged by Luc Papens. 20th Century,Film/TV,Po...
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Accordion - Level 2 - Digital Download SKU: A0.1303192 By Simple Minds. By Keith Forsey and Steve Schiff. Arranged by Luc Papens. 20th Century,Film/TV,Pop,Rock. 34 pages. Luc Papens #892780. Published by Luc Papens (A0.1303192). This is one of the most popular songs of the Eighties, thanks to the Simple Minds and the film “The Breakfast Clubâ€.The Scottish rock band Simple Minds recorded this song in 1985 for the film which became a cult hit, as did the theme song. The song was written specifically for the movie by songwriters Keith Forsey and Steve Schiff.Simple Minds were reluctant to perform the song since it was not written by them. But gradually it found its way to the playlist and became one of the highlights of their live shows, when the audience sings “lalalala†for minutes.This arrangement for accordion orchestra starts in a ‘classical bombastic’ style, on a slower tempo, but picks up the tempo when the typical drum riff starts. There is a lot of dynamic movement: from soft verses, only 2 voices playing, to bombastic crescendo in the choruses. To get your audience participating, the typical ‘break’ from the live performances is also included, repeating the “lalalala†melody. Just encourage them to sing and clap and see what happens! 😊Have fun with this Eighties Classic!The pdf is a bundle containing the FULL SCORE and a complete SET OF PARTS.It contains: Full Score, Accordion1, Accordion2, Accordion3, Accordion4, Piano/Keyboard, Bass, Percussion, Drums. Note: some pages might be blank to avoid overlapping of parts when printing recto verso.The mp3 is produced by Sibelius notation software and Kontakt sample libraries. Duration: 4:45Luc Papens MusicPopular music for accordion orchestra
$49.99
Cinnamon Rolls (for Brass Quintet)
Cinnamon Rolls (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 page...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
String Quartet No. 3
String Quartet No. 3
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String Quartet: 2 violins, viola, cello
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Julian Anderson
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String Quartet No. 3
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minut...
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String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music - Digital #Q771471. Published by Schott Music - Digital (S9.Q771471). My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own.Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: ‘hana no hanataba’ meaning, in Japanese, ‘bouquet of flowers’.A brief description:1)Moderately fast. Short droplets of sounds gather increasing momentum. 2)Very fast. Canons and bells at different speeds.3)Very slow – fast – very slow – very fast – very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music.4)Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument – like a sort of large resonating Medieval tromba marina.5)Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition ‘with some things changed and others not.’6)Slow - Very Fast - Fast – Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze – a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.
$24.99
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