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1
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Matt Smith
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Passacaglia and Fugue in C Min
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Matt Smith
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.789767 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.789767 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Score and parts. 56 pages. Matt Smith #6134707. Published by Matt Smith (A0.789767). Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th and 20th century passacaglias: Robert Schumann described the variations of the passacaglia as intertwined so ingeniously that one can never cease to be amazed.This arrangement for Brass Quintet will be the highlight of any concert. It shows off the technical possibilities of brass instruments and will have your audience mesmerised.Good luck and have fun!Duration: About 11 1/2 minutesYouTube demo video: https://www.youtube.com/watch?v=gcrX7qqyyssVisit www.mattsmithmusic.co.uk for more!
$29.99
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
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Classical
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Johann Sebastian Bach
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Matt Smith
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Passacaglia and Fugue in C Min
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Matt Smith
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SheetMusicPlus
Digital Download SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677....
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Digital Download SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677. Published by Matt Smith (A0.1069430). Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th and 20th century passacaglias: Robert Schumann described the variations of the passacaglia as intertwined so ingeniously that one can never cease to be amazed.This arrangement for Brass Quintet will be the highlight of any concert. It shows off the technical possibilities of brass instruments and will have your audience mesmerised.Good luck and have fun!Duration: About 11 1/2 minutesYouTube demo video: https://www.youtube.com/watch?v=gcrX7qqyyssVisit www.mattsmithmusic.co.uk for more!
$2.99
Balkan Bachlava
Balkan Bachlava
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2 Saxophones (duet)
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INTERMEDIATE
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Alexander Bosrup Karlsen
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Balkan Bachlava
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Alexander Bosrup Karlsen
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.973995 Composed by Alexander Bosrup Karlsen. J...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.973995 Composed by Alexander Bosrup Karlsen. Jazz,Jewish,World. Score and parts. 2 pages. Alexander Bosrup Karlsen #5354075. Published by Alexander Bosrup Karlsen (A0.973995). My own balkan-inspired composition i 7/8-meter. It features the gypsy minor. Be sure to check out my patterns for gypsy minor in the PDF Bosrup's guide to gypsy minor. Good Luck!Check out my other arrangements, backing tracks etc, and don’t hesitate to contact me on email: alexander.bosrup@gmail.com instagram: @bosrup, @bossesbongoband youtube: alexanderbosrup
$2.50
Balkan Bachlava
Balkan Bachlava
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2 Saxophones (duet)
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INTERMEDIATE
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Alexander Bosrup Karlsen
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Balkan Bachlava
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Alexander Bosrup Karlsen
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.973996 Composed by Alexander Bosrup Karlsen. J...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.973996 Composed by Alexander Bosrup Karlsen. Jazz,Jewish,World. Score and parts. 2 pages. Alexander Bosrup Karlsen #5354145. Published by Alexander Bosrup Karlsen (A0.973996). My own composition in 7/8-meter featuring the gypsy minor. Be sure to check out my PDF Bosrup's guide to Gypsy Minor here as well. Good Luck!Check out my other arrangements, backing tracks etc, and don’t hesitate to contact me on email: alexander.bosrup@gmail.com instagram: @bosrup, @bossesbongoband youtube: alexanderbosrup
$2.50
Prelude Suite No. 1 in G major, BWV 1007
Prelude Suite No. 1 in G major, BWV 1007
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Cello
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EASY
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Classical
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Johann Sebastian Bach
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Professional Orchestrator from
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Prelude Suite No. 1 in G major
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Professional Orchestrator from Amazonas
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.1134362 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Professional Orchestrator from Am...
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Cello Solo - Level 2 - Digital Download SKU: A0.1134362 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Professional Orchestrator from Amazonas. 19th Century,Baroque,Early Music,Film/TV,Multicultural,World. Individual part. 2 pages. Professional Orchestrator from Amazonas #734452. Published by Professional Orchestrator from Amazonas (A0.1134362). This version of Prelude is completely free of slur. As you know the suites were written in the Baroque period but were discovered and worked on by Pablo Casals who presented a more romantic and of course very beautiful version. Later, with the researchers, the suites were taking their most original form, the baroque language. This version is aimed at creative students and teachers who enjoy exploring the different possibilities of expression in cello and music. Good luck and good studies. Ps. To facilitate the reading, I placed some fingerings at the end of the work, opting for simplified writing and with proper fingering indication for students.
$2.99
Peaceful Feeling
Peaceful Feeling
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Easy Piano
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BEGINNER
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Scott Camp
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Scott Camp
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Peaceful Feeling
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Scott Camp
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1285434 By Scott Camp. By Scott Camp. Arranged by Scott Camp. 21st Century,Classical,Instructional,New Ag...
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Easy Piano - Level 1 - Digital Download SKU: A0.1285434 By Scott Camp. By Scott Camp. Arranged by Scott Camp. 21st Century,Classical,Instructional,New Age. Score. 2 pages. Scott Camp #876545. Published by Scott Camp (A0.1285434). Peaceful Feeling is a piece I've composed for my beginning adult piano student, Herbert Ford.As a beginning piano student, we're working on -Identifying note names on the keyboard-Hand Positions and Finger NumbersThis piece introduces an expansion of the RH Position.Another big concept we're addressing is the absolute imperative to prepare hands alone first.That leads us to the real work of piano: putting hands together.This piece is also good for introducing THE PEDAL!As you can see, this piece lays a foundation for eventually playing Prelude in C by JS Bach.Good luck!If you have any questions or comments (as a student or instructor), simply write them on the back of a $20 bill, and mail to my address.Or, just email:scottcampislandpiano@gmail.com
$1.99
"Orpheé aux Enfers"
"Orpheé aux Enfers"
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Easy Piano
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BEGINNER
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Classical
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J
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pfkaori
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"Orpheé aux Enfers"
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pfkaorimusic
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1180380 By J..Offenbach. By J..Offenbach. Arranged by pfkaori. Classical. Score. 3 pages. Pfkaorimusic #7...
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Easy Piano - Level 1 - Digital Download SKU: A0.1180380 By J..Offenbach. By J..Offenbach. Arranged by pfkaori. Classical. Score. 3 pages. Pfkaorimusic #780278. Published by pfkaorimusic (A0.1180380). Music by Offenbach,「Orpheé aux Enfersã€Pianosolo beginner♪Would you like to attend the presentation? ^^ Good luck with your practice ♪.
$5.00
Sonata in Bb, D.960 I Molto moderato
Sonata in Bb, D.960 I Molto moderato
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Franz Schubert
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Scott Camp
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Sonata in Bb, D.960 I Molto mo
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1112236 Composed by Franz Schubert. Arranged by Scott Camp. Classical. Score. 30 pages. Scott Camp #71439...
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Piano Solo - Level 4 - Digital Download SKU: A0.1112236 Composed by Franz Schubert. Arranged by Scott Camp. Classical. Score. 30 pages. Scott Camp #714397. Published by Scott Camp (A0.1112236). This presentation (it's not an arrangement, because nothing has been changed with regard to notes, etc) is the result of my friend Mieke Smit, whose goal was to play this particular movement. She succeeded on her own through virtue of her own experience and efforts. This presentation will enable others to have similar success preparing this music. Other similar SMP editions include: Preludes by JS Bach (C Major and Bb Major) Sonata Pathetique (movements 1 and 2) by Beethoven Moonlight Sonata (movement 1) by Beethoven. Nocturne, Op. 9, No. 2 in Eb by Chopin Pieces by Debussy, including Reverie, Clair de Lune, and the Girl with the Flaxen Hair Gymnopedie by Erik Satie Let me know if you have any questions, comments, etc about your experience with this music. Good luck, Scott Camp scottcampislandpiano@gmail.com.
$3.99
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Easy Piano
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BEGINNER
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Classical
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmüller
Ballade, Op. 100, No. 15 Friedrich Burgmüller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vélocité, Op. 109, No. 10 Friedrich Burgmüller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructi...
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Level 3 - Digital Download SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
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