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You've selected:
Hans Werner Henze
Sheetmusic to print
174 sheet music found
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151
An Brenton
An Brenton
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Viola
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ADVANCED
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Contemporary
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Hans Werner Henze
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An Brenton
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Schott Music - Digital
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SheetMusicPlus
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. D...
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Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7281. Published by Schott Music - Digital
Hans Werner Henze's output is primarily dominated by large-scale, representative musical genres with a richly differentiated instrumental tonal palette: opera and other forms of musical theatre works, ballet, solo concertos and cantatas and also music for large-scale orchestra or chamber ensemble. In contrast, the chamber music works which Henze has composed throughout his entire compositional career right up to the present day have always remained somewhat on the sidelines. Many of these chamber music works had been composed for specific occasions, chiefly to honour figures who had accompanied him on longer or shorter stretches of his journey through life.
Henze composed An Brenton in July 1993 for an event commemorating the Australian violinist Brenton Langbein who had just died. The violinist had been a long-standing leader of the Collegium Musicum Zurich, the orchestra established and conducted by Paul Sacher, and was subsequently also the leader of the Basel Chamber Orchestra [Basler Kammerorchester].He additionally held a violin class at the Music Academy in Basel for a substantial period of his career. Interestingly enough, this piece is not composed for the violinist's instrument, but instead for solo viola. The work was given its first performance on 15 July 1993 by Jurg Dahler, one of the two viola players of the Chamber Musicians of Zurich [KammermusikerZurich]. This ensemble had been formed by Langbein in 1962: it frequently included compositions by Henze in its programmes and had given the premiere of Henze's music for Volker Schlondorffs Film Der junge Torless in its transformation as the Fantasia of the same name for string sextet (1967) in 1968. Langbein was the soloist in the first performance of Henze's Violin Concerto No. 2 in 1972 which had been commissioned by Paul Sacher. Henze had already made acquaintance with Langbein during the 1960s.
$9.99
Fantasia for Strings
Fantasia for Strings
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String Orchestra
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ADVANCED
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Film/TV
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Hans Werner Henze
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Fantasia for Strings
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Schott Music - Digital
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SheetMusicPlus
String orchestra - Digital Download From the film Young Torless by Volker Schlondorff. Composed by Hans Werner Henze (1926-). This edition: study sco...
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String orchestra - Digital Download From the film Young Torless by Volker Schlondorff. Composed by Hans Werner Henze (1926-). This edition: study score. Music Of Our Time. Downloadable. Duration 15 minutes. Schott Music - Digital #Q3134. Published by Schott Music - Digital
Hans Werner Henze has composed several film scores for Volker Schlondorff's literary adaptations. 'In 1966 I wrote the music of Volker Schlondorff's first film Der junge Torless. I then thought the sound of the old early instruments that I chose could be understood as a metaphor for the early immature, almost childishly youthful and endangered of the protagonists of Musil's novella. Later I arranged several pieces from the score for string sextet and even made a string orchestra version of it.' (Hans Werner Henze).
$36.99
Hans Werner Henze: Scorribanda Pianistica for piano solo
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Piano solo
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INTERMEDIATE
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Classical
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Hans Werner Henze
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Virtualsheetmusic
Instantly printable sheet music by Hans Werner Henze for piano solo of MEDIUM skill level. / classical
Instantly printable sheet music by Hans Werner Henze for piano solo of MEDIUM skill level. / classical
$8.97
Hans Werner Henze: Sonatina 1947 for piano solo
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Piano solo
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INTERMEDIATE
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Classical
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Hans Werner Henze
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Virtualsheetmusic
Instantly printable sheet music by Hans Werner Henze for piano solo of MEDIUM skill level. / classical
Instantly printable sheet music by Hans Werner Henze for piano solo of MEDIUM skill level. / classical
$8.97
Royal Winter Music
Royal Winter Music
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Guitar
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ADVANCED
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Contemporary
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Hans Werner Henze
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Royal Winter Music
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Schott Music - Digital
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SheetMusicPlus
Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guita...
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Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.
The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.
- Hans Werner Henze.
$19.99
Wesendonck-Lieder
Wesendonck-Lieder
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Chamber Orchestra
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Hans Werner Henze and Richard
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Wesendonck-Lieder
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Schott Music - Digital
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SheetMusicPlus
1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamb...
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1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.
$45.99
1. Sinfonie
1. Sinfonie
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Chamber Orchestra
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Hans Werner Henze
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1. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. cham...
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1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. chamber orchestra - Digital Download SKU: S9.Q3040 New version for chamber orchestra. Composed by Hans Werner Henze. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 17 minutes. Schott Music - Digital #Q3040. Published by Schott Music - Digital (S9.Q3040). In contrast to many composerswho only began to write symphonies in their maturity, Hans Werner Henze composed his First Symphony when he was 20. Henze himself later described this original version as a complete failure – a revised version of the work was performed in Berlin in 1964: Rhythmic, harmonic, and melodic cells from the original version remain, and in the slow movement there are almost no changes; otherwise everything is new, different, and better. - Hans Werner Henze.
$34.99
Sonata for 6 Players
Sonata for 6 Players
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Hans Werner Henze
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Sonata for 6 Players
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Schott Music - Digital
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SheetMusicPlus
Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. ·...
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Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
$34.99
Sinfonia N. 8
Sinfonia N. 8
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Orchestra
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Hans Werner Henze
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Sinfonia N. 8
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Schott Music - Digital
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SheetMusicPlus
Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. ...
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Large orchestra - Digital Download SKU: S9.Q3053 Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q3053. Published by Schott Music - Digital (S9.Q3053). ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 2 · 1 · Basspos. · 1 - P. S. (3 hg. Beck. · 3 Tamt. · Schellentr. · 3 Tomt. · Mil. Tr. · gr. Tr. [mit u. ohne Beck.] · Tempelbl. · Peitsche · Marimba · Vibr. · Glsp · chin. Gong · Fingerzimb.) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$47.99
Der junge Törless
Der junge Törless
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Hans Werner Henze
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Der junge Törless
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Schott Music - Digital
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SheetMusicPlus
3 violins, 2 violas and cello - Digital Download SKU: S9.Q561026 Fantasia for string sextet. Composed by Hans Werner Henze. Music Of Our Time. Dow...
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3 violins, 2 violas and cello - Digital Download SKU: S9.Q561026 Fantasia for string sextet. Composed by Hans Werner Henze. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q561026. Published by Schott Music - Digital (S9.Q561026). Hans Werner Henze has composed several film scores for Volker Schlöndorff's literary adaptations. 'In 1966 I wrote the music of Volker Schlöndorff's first film Der junge Törless. I then thought the sound of the old early instruments that I chose could be understood as a metaphor for the early immature, almost childishly youthful and endangered of the protagonists of Musil's novella. Later I arranged several pieces from the score for string sextet and even made a string orchestra version of it.' (Hans Werner Henze).
$13.99
I sentimenti di Carl Philipp Emanuel Bach
I sentimenti di Carl Philipp Emanuel Bach
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String Orchestra
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Classical
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Carl Philipp Emanuel Bach and
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I sentimenti di Carl Philipp E
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Schott Music - Digital
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SheetMusicPlus
Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe...
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Fassung für kleines Kammerorchester: Fl. solo - Hfe. solo - Str. (4 · 0 · 2 · 2 · 1) Fassung für großes Kammerorchester: Fl. solo - Hfe. solo - 2 Vl. solo · Va. solo · Vc. solo - Str. flute, harp and string orchestra - Digital Download SKU: S9.Q3147 Transcription by Hans Werner Henze for flute, harp and strings of the Clavier-Fantasie with violin accompaniment (1787). Composed by Carl Philipp Emanuel Bach and Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q3147. Published by Schott Music - Digital (S9.Q3147). I originally wrote this piece as a piéce d'occasion for the Accademia Filarmonica Romana, to complement the Mozart Concerto for flute, harp and strings. Retaining the note values of the original with exactitude, I have to set C. P. E. Bach's Fantasy-Sonata for piano and violin of 1787 for solo flute, harp and strings. I was my purpose to project the extremely interesting and expressive harmonic material of this composition into a larger instrumental apparatus and thereby to make its future-oriented harmonic structures more manifest and plastic. The strings can be presented in two different forms: either as a string quartet and a string quintet, or as string quartet and tutti strings. As will be seen, I have also attempted to loosen up and set in a concertante manner the sound of the strings in the spirit of early classic chamber music. - Hans Werner Henze.
$19.99
Richard Wagnersche Klavierlieder
Richard Wagnersche Klavierlieder
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Hans Werner Henze and Richard
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Richard Wagnersche Klavierlied
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Schott Music - Digital
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SheetMusicPlus
2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra...
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2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$55.99
Sinfonia N. 9
Sinfonia N. 9
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Choral SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This editio...
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
Triplo concerto barocco
Triplo concerto barocco
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Chamber Orchestra
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Hans Werner Henze
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Triplo concerto barocco
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Schott Music - Digital
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our T...
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Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q5767. Published by Schott Music - Digital (S9.Q5767). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella ’Concierto Barocco’ by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Picc. · 2 · 1 · Cornetto (oder Ob. d'am. oder Engl. Hr.) · 0 · 0 - 0 · 1 · 0 · 0 - P. S. (Marimba · 4 hg. Beck. · Crot. · 3 Gongs · Schellentr. · 2 Bong. · Tomt. · 2 afrik. Tr. · Trinidad Steel Drum · Tempelbl. · Schüttelrohr) (4 Spieler) - Cemb. (konzertierend) · Klav. (konzertierend) · Org. (konzertierend) · 1 Trumscheit - Str.
$29.99
El Cimarrón
El Cimarrón
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Hans Werner Henze
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Hans Magnus Enzensberger
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El Cimarrón
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q22853 Biography of the runaway slave Estéban Montejo. Recital for four musicians
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Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q22853 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by Hans Werner Henze. Arranged by Hans Magnus Enzensberger. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 76' 0. Schott Music - Digital #Q22853. Published by Schott Music - Digital (S9.Q22853). German • English.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).
$33.99
Nachtstücke und Arien
Nachtstücke und Arien
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Hans Werner Henze
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Nachtstücke und Arien
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Schott Music - Digital
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SheetMusicPlus
3 (2., 3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · Altsax. · 2 · Kfg. - 4 · 3 · 2 · 1 - P. S. (hg. Beck. · Beckenpaar ·...
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3 (2., 3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · Altsax. · 2 · Kfg. - 4 · 3 · 2 · 1 - P. S. (hg. Beck. · Beckenpaar · 3 Tamt. · Tamb. · Mil. Tr. · gr. Tr. · Gl.) (3 Spieler) - 2 Hfn. · Klav. - Str. soprano and large orchestra - Digital Download SKU: S9.Q2287 Nach Gedichten von Ingeborg Bachmann. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23 minutes. Schott Music - Digital #Q2287. Published by Schott Music - Digital (S9.Q2287). German.Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Komposition, aus Gründen der Symmetrie noch einen zweiten Vierzeiler hinzuschrieb, der das Gedicht noch viel schöner macht. In diesen Zeilen ist ungefähr die vorherrschende Stimmung von Nachtstücke und Arien wiedergegeben, auch wenn in der anderen Arie ein chorischer Hymnus aus eine schöne, atombombenfreie Zukunft gesungen und gespielt wird, was sich im instrumentalen Finale fortsetzt, in dessen Zentrum übrigens ein paar Noten aus dem Epilog von Ondine auftauchen. Mit dieser Musik hatte ich wohl die extremste Gegenposition zur sogenannten Darmstädter Schule erreicht, und so nimmt es denn auch nicht weiter wunder, dass bei der von Gloria Davy gesungenen und von Hans Rosbaud glänzend dirigierten Uraufführung am 20. Oktober 1957 in Donaueschingen drei Vertreter des anderen Extrems, Boulez, Nono (mein Freund der Gigi!) und Stockhausen, demonstrativ schon nach den ersten Takten von ihren Plätzen aufsprangen und den Saal verließen. So entwanden sie sich den Schönheiten meiner jüngsten Bemühungen! - Hans Werner Henze (Reiselieder mit böhmischen Quinten).
$25.99
El Cimarrón
El Cimarrón
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Hans Werner Henze
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El Cimarrón
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q558665 Biography of the runaway slave Estéban Montejo. Recital for four musicians
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Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q558665 Biography of the runaway slave Estéban Montejo. Recital for four musicians. Composed by Hans Werner Henze. Downloadable, Performance score. Duration 76' 0. Schott Music - Digital #Q558665. Published by Schott Music - Digital (S9.Q558665). Spanish • German.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).
$83.99
El Cimarrón
El Cimarrón
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Hans Werner Henze
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El Cimarrón
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Schott Music - Digital
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SheetMusicPlus
Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q47695 Biography of the runaway slave Estéban Montejo. Composed by Hans Werner H...
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Baritone, flute, guitar, percussion - Digital Download SKU: S9.Q47695 Biography of the runaway slave Estéban Montejo. Composed by Hans Werner Henze. This edition: performance score. Music Of Our Time. Downloadable, Performance score. Duration 76' 0. Schott Music - Digital #Q47695. Published by Schott Music - Digital (S9.Q47695). German • English.The making of El Cimarrón began in about 1986, with a conversation I had with Hans Magnus Enzensberger about the difficulties of writing political songs today that would go beyond the achievements of Eisler, Weill and Dessau in this field. It seemed to me that I might try to tackle the problem by writing a cycle with a variety of musical materials out of which perhaps something novel might emerge in a new and different context, almost by chance. Enzensberger told me of the recent publication of a biography by Estéban Montejo, an old Afrocuban who lived in Havana and who recalled his adolescence as a slave, and suggested that I should set episodes from this book that he, Enzensberger, would select for my experimentation. El Cimarrón, however, did not turn into a cycle of songs and was, indeed, not even intended as such - what came out of the work is a new form of theatrical music making. Singer, flautist and guitarist are occasionally required to play percussion instruments. - Hans Werner HenzeMitwirkende: Bariton - Flötist (Picc. · Fl. · Altfl. · Bassfl. · Ryuteki [oder Picc.] · Mundharm. [Harmonetta] · Trillerpf. · Maultrommel) - Gitarrist - Schlagzeuger (3 Fingerzimb. · Vibr. · Marimba · 3 Herdengl. · 3 hg. Beck. · 2 Tamt. · 13 Tomt. [chrom.] · 3 Bong. · kl. Tr. · 8 Boo-bams · 4 Log Drums · Cong. [Tumba] · Trinidad Steel Drum · gr. Tr. [mit Ped.] · Mar. · Guiro · Kette auf Holz · Kette auf Metallplatte · 3 Dobaçi · Clav. · Matraca · hg. Bambusstäbe · hg. Glasstäbe [Glasspiel] · Shell Chimes · Vogellockrufe · Marimbula · 2 Donnerbleche).
$149.99
Moralities
Moralities
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Hans Werner Henze
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Moralities
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc. ad lib.) · 1 · 1 · 1 – 1 · 1 · 1 · 0 – P. S. (hg. Beck · 3 Tomt. · Tamb. · Mil. Tr. · gr. Tr. · 3 Woodbl. · Glsp. · Bassxyl. · X...
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1 (auch Picc. ad lib.) · 1 · 1 · 1 – 1 · 1 · 1 · 0 – P. S. (hg. Beck · 3 Tomt. · Tamb. · Mil. Tr. · gr. Tr. · 3 Woodbl. · Glsp. · Bassxyl. · Xyl. [ad lib.]) (5 Spieler) – Klav. – Str. mixed choir (SATB) with soloists (AB), speakers and small orchestra or 2 pianos and percussion - advanced - Digital Download SKU: S9.Q589579 3 morality plays after Aesop's fables. Composed by Hans Werner Henze. Downloadable, Piano reduction. Duration 23 minutes. Schott Music - Digital #Q589579. Published by Schott Music - Digital (S9.Q589579). English • German.„I. Frösche wünschen sich einen König. Sie mißverstehen die Warnung Jupiters vor diesem dummen Wunsch, darauf schickt er ihnen einen Kranich, der sie frißt. II. Früher konnten die Krähen wunderschön singen. Doch als sie versuchen, das modische Gewiehere von Pferden nachzuahmen, verlieren sie diese Fähigkeit. III. Eine Schiffsgesellschaft gerät in einen Seesturm und fleht zu den Göttern um Hilfe. Nach dem schadlos überstandenen Seegang lachen sie in der wiedergewonnenen Lebensfreude alle Autoritäten aus und feiern ein ausgelassenes Fest.” (Einführungstext im Programmheft des Jugendmusikfestes Deutschlandsberg 1991) „Dies sind drei Lehrstücke oder Schulopern, komponiert Anfang 1967 für das Musikfest in Cincinnati, wo sie im Mai 1968 uraufgeführt wurden. Ich stelle mir vor, dass sie in Musikschulen, Opernstudios und Colleges aufgeführt werden können, konzertant oder szenisch. [...] Das erste Lehrstück handelt von der Schwierigkeit, die Vorzüge anarchistischer Lebensweise zu erkennen, das zweite vom Modernismus und das dritte vom schnellen Vergessen einer Gesellschaft, die glaubt, noch einmal davongekommen zu sein. Jedes der drei Operchen ist in Nummern aufgeteilt, es sind Kurzformen, kleine Arien, Rezitative, Chorensembles.” (Hans Werner Henze).
$53.99
Orpheus Behind the Wire
Orpheus Behind the Wire
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Hans Werner Henze
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Orpheus Behind the Wire
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - Digital Download SKU: S9.Q9188 Poems by Edward Bond. Composed by Hans Werner Henze. This edition: choral score. Schot...
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Mixed choir (SSSAAATTTBBB) - Digital Download SKU: S9.Q9188 Poems by Edward Bond. Composed by Hans Werner Henze. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 17 minutes. Schott Music - Digital #Q9188. Published by Schott Music - Digital (S9.Q9188). German • English.Edward Bond hat für das Programmheft der Stuttgarter Uraufführung des Tanzdramas Orpheus am 17. März 1979 anstelle eines Essays eine Anzahl von Gedichten geschrieben, die als Marginalien zu seinem visionären Ballett-Libretto zu verstehen sind. Für den Chorzyklus hat er noch einige weitere Gedichte hinzugefügt. Ich habe aus beiden Materialien eine Auswahl getroffen und sie im Sommer 1983 während eines langen Lehraufenthaltes in Tanglewood, Mass., in Musik gesetzt, mit Ausnahme von zwei Sätzen, die schon existierten, und von denen 'Epitaph' 1982 in Kindberg, Steiermark, als Teil eines Requiems für den Arbeiterdichter Walter Buchebner durch den ORF-Chor uraufgeführt wurde, während das andere 'Pressed by the weight of...' durch den Chor der Musikhochschule Köln als Zeil einer von AIDA organisierten Solidaritätskundgebung für die argentinischen desaparecidos aufgeführt wurde. - Hans Werner Henze.
$16.99
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