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Sheetmusic to print
52 sheet music found
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51
SlideShow for 8-part Trombone Ensemble
SlideShow for 8-part Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Contemporary
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David Wilborn
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SlideShow for 8-part Trombone
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792343 Composed by David Wilborn. 20th Century,Contemporary. Score and parts. 84 pages. Gord...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792343 Composed by David Wilborn. 20th Century,Contemporary. Score and parts. 84 pages. Gordon Cherry #4805543. Published by Gordon Cherry (A0.792343). David Wilborn's SlideShow for 8-part Trombone Ensemble is a showy work that has continuous energy all the way throughout. It is in A-B-A format with the B section being a bit more relaxed. The work has lots of rhythmic and tonal contrasts and gives a very good work out for the performers' slides as well, as per the title. The music is about 6 minutes in length, all in bass clef and is appropriate for advanced performers. SlideShow was written for Jon Bohls and the SlideShow Trombone Choir of Dallas, Texas.
$40.00
How Deep is the Night
How Deep is the Night
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Contemporary
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Neil Campbell
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How Deep is the Night
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Neil Campbell
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1003812 Composed by Neil Campbell. 20th Century. Guitar Tab. 5 pages. Neil Campbell #3023123. Published by Ne...
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Guitar - Level 4 - Digital Download SKU: A0.1003812 Composed by Neil Campbell. 20th Century. Guitar Tab. 5 pages. Neil Campbell #3023123. Published by Neil Campbell (A0.1003812). Solo piece for classical guitar of medium to advanced difficulty. A melodic piece drawing on elements of folk, jazz and classical guitar music, perfect for inclusion in recital programmes. Appropriate to all players and playable in popular as well as classical performance contexts. Tab is provided along with standard notation. To hear the piece and find out more visit https://neilcampbell.bandcamp.com/album/through-the-looking-glass-remixed-remastered-and-expanded. Duration is approximately 5.5 mins.
$1.99
There's No Business Like Show Business
There's No Business Like Show Business
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Broadway
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Irving Berlin
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Aaron Lee
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There's No Business Like Show
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J. Aaron Lee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1107860 Composed by Irving Berlin. Arranged by Aaron Lee. 20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1107860 Composed by Irving Berlin. Arranged by Aaron Lee. 20th Century,Broadway,Chamber,Musical/Show. 27 pages. J. Aaron Lee #710473. Published by J. Aaron Lee (A0.1107860). There's No Business Like Show Business is the opening number from Irving Berlin's musical, Annie Get Your Gun. In it, the cast are eagerly singing about the joys and challenges of being live performers in an upbeat, energetic number. This arrangement for string quartet is rather challenging and could be suitable for professionals or perhaps advanced students. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$14.99
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Par...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.
Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).
The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
Cascades in Brass for Brass Quartet
Cascades in Brass for Brass Quartet
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Brass Quartet: 2 trumpets, 2 trombones
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ADVANCED
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Contemporary
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Jeremy Niles Kempton
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Cascades in Brass for Brass Qu
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Cherry Classics Music
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SheetMusicPlus
Brass Quartet - Advanced - Digital Download Composed by Jeremy Niles Kempton. 21st Century, 20th Century. Score, Set of Parts. 11 pages. Published by C...
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Brass Quartet - Advanced - Digital Download Composed by Jeremy Niles Kempton. 21st Century, 20th Century. Score, Set of Parts. 11 pages. Published by Cherry Classics Music
Cascades in Brass for Brass Quartet by Jeremy Niles Kempton is a showpiece with lots of sparkle. If the dynamics are faithfully observed at times it will create a rippling effect like that of cascading waterfalls. This piece will add considerable flair in either a concert or church setting. It is intended for advanced performers but actually sounds harder than it is. If the trombonist uses the marked positions he will find it surprisingly easy to keep up with the valved instruments.
Instrumentation is for 2 Trumpets in B-flat, Horn in F, and Trombone.
$15.00
Romantic Concerto for Trombone with Piano reduction accompaniment
Romantic Concerto for Trombone with Piano reduction accompaniment
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Trombone and Piano
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ADVANCED
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Contemporary
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Jan Freidlin
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Romantic Concerto for Trombone
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Cherry Classics Music
#
SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Pian...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425
Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.
Below is what the composer has written about his work:
"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.
The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.
The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.
With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.
The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."
Jan Freidlin
The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
Fugue on a Theme of Greensleeves
Fugue on a Theme of Greensleeves
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Guitar
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ADVANCED
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Contemporary
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Dan Jones
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Fugue on a Theme of Greensleev
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danjonesguitarist.com
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SheetMusicPlus
Guitar - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemporary Classical. Individual Part. 3 pages. Published by danjonesguit...
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Guitar - Advanced - Digital Download Composed by Dan Jones. 21st Century, Contemporary Classical. Individual Part. 3 pages. Published by danjonesguitarist.com
Fugue on a Theme of Greensleeves
This is an original fugal composition which uses the iconic English melody Greensleeves as its subject.
The fugue passes through all of the traditional processes associated with the structure including an exposition, inversions, augmentations, modulations, stretto and diminutions. A link to an analytical video showing a performance and annotated score is given below.
The work makes an excellent concert item as the theme is well-known to audiences of all ages and cultures.
www.danjonesguitarist.com
$3.99
String Quartet no. 3 "Man"
String Quartet no. 3 "Man"
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String Quartet: 2 violins, viola, cello
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Contemporary
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Zachary C
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String Quartet no. 3 "Man"
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Divisi Labs
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1010674 Composed by Zachary C. Daniels. 20th Century,Contemporary. Score and parts. 109 pages. D...
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String Quartet String Quartet - Digital Download SKU: A0.1010674 Composed by Zachary C. Daniels. 20th Century,Contemporary. Score and parts. 109 pages. Divisi Labs #6563629. Published by Divisi Labs (A0.1010674). Score and PartsThis piece was written, for the most part, in Fall 2015 with the third interlude and final movement following in the Fall of 2016. The quartet depicts the story of mankind. The first movement, Birth from the Cosmos, represents the formation of the universe and everything in it, culminating in man. The second movement, starting with an aggressive cello ostinato, represents not only the fall of man, but also advancement and progress toward becoming a unified, advanced society. The third movement, cold and open, looks back at our short time on Earth through the eyeglass of eternity, showing what little impact our chaotic existence has on the grand scheme of things in an infinitely vast universe. A cello cadenza signals the arrival of the final movement which, in contrast to the third, shows our impact on the universe as we are shown the impacts of what we leave behind and left with a singular question: Did our actions matter, or did we fail to leave our mark on an infinite universe?
$14.99
Al Circo (To the Circus) for Trombone and Harp
Al Circo (To the Circus) for Trombone and Harp
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Contemporary
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- ...
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Trombone, Harp - Advanced - Digital Download Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.
David Stout writes about his work:
"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says “hand in bell” he had a problem. With a bass trombone he couldn’t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can’t see him. He then plays that passage. ‘Is that the sound you want?’ he asks. ‘Yeah that’s it. Perfect!’ I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ‘con sardino.’
Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp
This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00
Passing Time
Passing Time
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Piano solo
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ADVANCED
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Contemporary
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Greg Howlett
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Passing Time
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Greg Howlett Productions
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SheetMusicPlus
Composed by Greg Howlett. For Piano,Piano Solo. 21st Century. Advanced. Score. 6 pages. Published by Greg Howlett Productions ...
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Composed by Greg Howlett. For Piano,Piano Solo. 21st Century. Advanced. Score. 6 pages. Published by Greg Howlett Productions
$1.99
Heirloom
Heirloom
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Greg Howlett
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Heirloom
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Greg Howlett Productions
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SheetMusicPlus
Composed by Greg Howlett. For Piano,Piano Solo. 21st Century. Advanced Intermediate. Score. 5 pages. Published by Greg Howlett Productions ...
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Composed by Greg Howlett. For Piano,Piano Solo. 21st Century. Advanced Intermediate. Score. 5 pages. Published by Greg Howlett Productions
$1.99
Thomas Wiggins - Oliver Gallop - Black Composers, Classical Quartets
Thomas Wiggins - Oliver Gallop - Black Composers, Classical Quartets
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Wiggins
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Jeremy Crosmer
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Thomas Wiggins - Oliver Gallop
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Jeremy Crosmer
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Wiggins. Arranged by Jeremy Crosmer. Romantic Period, Classical Period. ...
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String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Wiggins. Arranged by Jeremy Crosmer. Romantic Period, Classical Period. Score, Set of Parts. 8 pages. Published by Jeremy Crosmer
Thomas Wiggins was a talented American pianist and composer from the late nineteenth century. Born to slave parents, Wiggins was blind at birth and was not given usual slave labor. Instead, he learned to play piano by ear, and wrote his first composition at age 5. He was hired to tour throughout the US as a performer when he was only 8 years old, and earned an estimated $750,000 for his owner, General James Neil Bethune, making Wiggins arguably the most highly compensated pianist of the nineteenth century. Reportedly Wiggins could hear a performance only once and was able to reproduce the music at the piano. He continued to perform extensively until he was 55, when he allegedly suffered a stroke. Even after retiring, however, neighbors said they could hear Wiggins playing piano at all hours at his home in Hoboken, New Jersey.
Visit jeremycrosmer.com/black-composers for more Classical String Quartets by Black Composers, where you will find coupons and a wide selection of products. Composers include: Joseph Bologne, Thomas Wiggins, Ignatius Sancho, George Bridgetower, Francis Johnson, and more.
$9.99
Duo Mpingo
Duo Mpingo
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Contemporary
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953....
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
Stretto: Variations for String Quartet
Stretto: Variations for String Quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Chris Howard
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Stretto: Variations for String
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Chris Howard
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SheetMusicPlus
Composed by Chris Howard. For Violin,Viola,Cello,String Quartet. 21st Century. Advanced. Score,Set of Parts. Published by Chris Howard ...
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Composed by Chris Howard. For Violin,Viola,Cello,String Quartet. 21st Century. Advanced. Score,Set of Parts. Published by Chris Howard
$27.99
Pretty how town for recorder orchestra
Pretty how town for recorder orchestra
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Recorder Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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David Warin Solomons
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Pretty how town for recorder o
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). For Recorder, recorder orchestra: 1 sopranino, 2 sopranos, 2 altos, 2 tenors, 2 basses, 1 great bass, 1 contrabass. 20...
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Composed by David Warin Solomons (1953-). For Recorder, recorder orchestra: 1 sopranino, 2 sopranos, 2 altos, 2 tenors, 2 basses, 1 great bass, 1 contrabass. 20th Century. Advanced Intermediate. Score, Set of Parts. Published by David Warin Solomons
$16.00
Trombone Fanfare
Trombone Fanfare
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Contemporary
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Samantha Hogan
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Trombone Fanfare
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Coffee Seal Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918237 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 15 pages. Cof...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.918237 Composed by Samantha Hogan. 20th Century,Contemporary. Score and parts. 15 pages. Coffee Seal Music #6233037. Published by Coffee Seal Music (A0.918237). This fanfare is perfect for a concert starter for your studio or section!It is for 6 Part Trombone Choir (4 tenor trombone and 2 bass trombone parts). Bass trombone parts may be substituted or doubled by tuba.Difficulty: Advanced Intermediate- Best suited for College to Professional level players.Duration: 1 min 30 secProgram Notes:When I was writing this piece, I was experimenting a lot with 2 against 3 rhythms and wanted to try something with a deliberate ostinato and modern harmonies. My idea was to create an intro where one trombone voice would begin in the distance to quiet the room, and the rest of the choir would join, much like how one wolf may howl in the night, all others stop their commotion to listen, and then the rest of the wolves then begin responding.
$21.99
Fantasia on the 'Dargason' from Second Suite in F
Fantasia on the 'Dargason' from Second Suite in F
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Clarinet Quintet: 5 clarinets
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ADVANCED
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Classical
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Contemporary
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Gustav Holst
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Andrew Lamb
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Fantasia on the 'Dargason' fro
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Andrew Lamb
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1302637 By Gustav Holst. By Gustav Holst. Arranged ...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1302637 By Gustav Holst. By Gustav Holst. Arranged by Andrew Lamb. 20th Century. 95 pages. Andrew Lamb #892255. Published by Andrew Lamb (A0.1302637). This arrangement comes in 2 keys, concert Eb and concert F.Introducing Fantasia on the Dargason - Clarinet Ensemble Transcription 🎵🎶🎼 Dive into the enchanting world of Gustav Holst's musical genius with this faithful transcription of Fantasia on the Dargason, the fourth movement of his renowned Second Suite in F for Military Band. Holst, the English composer celebrated for his masterpiece, The Planets, showcases his versatile talent in this mesmerizing composition. Now, this transcription brings his artistry to life for clarinet enthusiasts of all levels.🔥 Level of Difficulty: Advanced 🔥This arrangement for Eb Clarinet, 2 Bb Clarinets, Alto Clarinet, and Bass Clarinets is designed to challenge and captivate seasoned clarinet players. It offers a rich tapestry of harmonies, melodies, and rhythms that will test your skills and captivate your audience.🎓 Potential Uses: 🎓 🎶 Concerts: Elevate your performance with this arrangement's depth and complexity. It's the perfect addition to your concert repertoire, sure to leave a lasting impression on your audience. 🎵 Recitals: Showcase your virtuosity and musicality in a recital setting. Fantasia on the Dargason will captivate your listeners and make your recital an unforgettable experience. 📚 Educational Purposes: Use this arrangement to challenge and inspire students. It's an excellent tool for teaching advanced clarinet techniques and exploring Holst's innovative compositions. 🌟 About Gustav Holst: 🌟Gustav Theodore Holst, a visionary English composer, arranger, and teacher, left an indelible mark on the world of music. Best known for The Planets, his influence extended across various genres. His unique compositional style drew inspiration from Richard Wagner, Richard Strauss, English folksongs, and rising modern composers like Maurice Ravel.🎹 Despite early aspirations as a pianist, Holst overcame adversity to become a renowned composer. He taught at the Royal College of Music, played the trombone professionally, and left a lasting legacy in music education. His contributions to music festivals and his pioneering work at St Paul's Girls' School continue to influence generations of musicians.🌿 Second Suite in F for Military Band by Holst: 🌿Holst's Second Suite in F for Military Band is a gem in the band repertoire. Composed in 1911 and dedicated to James Causley Windram, it remains a staple for bands worldwide. Drawing from his fascination with folk music, Holst seamlessly weaves traditional tunes into this masterful suite. Seven timeless melodies come alive through four captivating movements, showcasing Holst's brilliance.This arrangement pays homage to Holst's dedication to the craft, preserving the suite's complexity and charm while showcasing the clarinet ensemble's prowess.Experience the magic of Holst's Fantasia on the Dargason in this arrangement—a masterpiece that will leave audiences spellbound and musicians inspired. 🌠🎶.
$10.00
Timeless Solos for Guitar
Timeless Solos for Guitar
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Guitar
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INTERMEDIATE
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Contemporary
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Com...
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
The Circus Bee
The Circus Bee
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Concert band
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Contemporary
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Henry Fillmore
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Marc Oliver
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The Circus Bee
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custo...
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Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custom Musical Engravings #2347385. Published by Ayotte Custom Musical Engravings (A0.733031). The Circus Bee is a circus march written by Henry Fillmore of Cincinnati, Ohio in February 1908. Because of its complexity and advanced writing, it is sometimes used as either an opener or an encore piece in band concerts. The Circus Bee was a celebration of sorts for the fact that Henry Fillmore and his father, who managed their publishing business in Cincinnati, finally agreed that the young composer could publish his music at home, even though it did not meet the elder Fillmore's standard of being religious music. It was during this period of conflict between father and son that Henry, showing defiance to his father for not repenting his desire to write marches, reportedly told him, I will huff and I will puff, and I will continue to write marches. This alleged statement by the younger Fillmore gave birth to one of his many composing pseudonyms, Will Huff. The march is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows where he played the trombone. He was also famous for his many trombone marches, such as Bones Trombone, Teddy Trombone and the famous Lassus Trombone, all showcasing the trombone glissando, or smear, caused by moving the trombone slide in and out while playing the instrument (usually loud).
$59.99
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