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The Lover's A, B, C
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You've selected:
The Lover's A, B, C
Sheetmusic to print
25 sheet music found
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1
The Lover's A, B, C
The Lover's A, B, C
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Piano, Voice
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Max S
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The Lover's A, B, C
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.7095 Composed by Max S. Witt. Portraits, Couples, Courtship. Lester S. Levy Collection. 5 pages. Published by ...
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Piano and voice - Digital Download SKU: LV.7095 Composed by Max S. Witt. Portraits, Couples, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7095). The Lover's A, B, C. by Max S. Witt. Published 1903 by Jos. W. Stern & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Courtship. First line reads She ws as fair as a maiden could be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Best Hymns of All Time (for Wind Instruments) Book 3
The Best Hymns of All Time (for Wind Instruments) Book 3
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Concert band
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 13...
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
America's Favorite Hymns arranged for Wind Instruments
America's Favorite Hymns - Wind Instruments
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Concert band
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Americana
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Various
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America's Favorite Hymns - Win
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick P...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications
Here?sa new collection of thirty-two of America?s best-loved hymn tunes, at a bargainprice too! The arrangements are intended either as stand-alone pieces thatcould be used as interludes in a service, or they could be used to accompanysolo, choral or congregational singing.
Thepublication consists of a four-staff score in concert pitch together withfifteen separate parts in various transpositions including a simplifiedoptional keyboard part. These four-partarrangements use flexible instrumentation so that you can exercise considerablecontrol over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumentaltone color by omitting groups of instruments. If the ensemble is large enoughyou could omit brass instruments in the quieter sections, or use a solo trumpetagainst a woodwind background. There are endless possibilities.
Thecomplete set includes Part 1 in B flat, E flat and C (high and low pitch); Part2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in Bflat, E flat and C. While Part 1 (high pitch) is suitable for flute and oboebeing an octave above concert, the low pitch version is more suited toelementary players. Part 2 in C is an octave higher than concert. Parts 3 and 4in C are in the bass clef. The arrangements could be played by virtually anycombination of conventional wind instruments. Using the optional keyboard partthey could also be used as solos, duets or trios. The scores and all the parts are containedin a single 244-page PDF file.
The collection includes the followingtitles: A Mighty Fortress IsOur God (Ein? Feste Burg); All Creatures Of our God and King(Lasst uns Erfreuen); All People that on Earth do Dwell (OldHundredth); Abide with Me (Eventide); AllHail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross(Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision(Slane); Blessed Assurance(Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); ComeThou Fount of Every Blessing (Nettleton); ComeWe That Love the Lord (St. Thomas);Crown Him with ManyCrowns (Diademata); Guide Me OThou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy(Nicea); How Firm a Foundation (Foundation); It is Wellwith my Soul (Ville du Havre); Jesus Christ is Risen Today(Easter Hymn);Jesus, Lover of My Soul (Hollingside); JesusPaid it All (All to Christ); Joy to theWorld (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, AllLoves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty(Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River?(Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement);To God Be The Glory(To God be the Glory); There is a Fountain (Cleansing Fountain);What a Friend WeHave in Jesus (Converse) and WhenI Survey the Wondrous Cross (Hamburg).
The audio demo contains the followingtitles (1) Abide with Me; (2) All Hailthe Power of Jesus? Name; (3) A Mighty Fortress is our God and (4) Love Divine,all Loves Excelling.
$23.99
Jesus, Lover of My Soul (Easy Bowed Psaltery Solo with Piano Accompaniment)
Jesus, Lover of My Soul (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Sharon Wilson
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Sharon Wilson
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Jesus, Lover of My Soul
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565800 By Sharon Wilson. By Charl...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565800 By Sharon Wilson. By Charles Wesley. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score and individual part. 7 pages. Sharon Wilson #6228655. Published by Sharon Wilson (A0.565800). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the familiar hymn tune MARTYN by Simeon B. Marsh and lyrics by Charles Wesley. The psaltery part was designed for a beginning psaltery player and includes only half and quarter notes and no flats or sharps. The piano accompaniment is at the intermediate level. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Jesus, Lover of My Soul (Piano Accompaniment Track for Easy Bowed Psaltery Solo).To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to E5 (the second E above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
America's Favorite Hymns arranged for Brass
America's Favorite Hymns - Brass
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Brass Quartet: 2 trumpets, horn, trombone
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Sacred music
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Various
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Worship, Sacred
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America's Favorite Hymns - Bra
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, Sacred. Score and parts. 179 pages. Colin Kirkpatrick Publication...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, Sacred. Score and parts. 179 pages. Colin Kirkpatrick Publications #6326509. Published by Colin Kirkpatrick Publications
Here’s a new collection of thirty-two of America’s best-loved hymn tunes for brass, at a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.
The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (T.C.) and C (B.C.) in case you need them. They are the same as the tenor part. In some hymns, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The scores and all the parts are contained in a single 178-page PDF file.
The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in brass-friendly keys, the arrangements are not compatible with the string collection of the same title.
The collection includes the following titles: A Mighty Fortress Is Our God (Ein’ Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus’ Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Top¬la¬dy); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be The Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).
The audio demo contains the following titles (1) Love Divine, all Loves Excelling; (2) Abide with Me; (3) That a Friend we have in Jesus; (4) Nearer my God to Thee; (5) Shall we gather at the River?
$16.99
Après un rêve (Fauré) for Euphonium B.C. and Piano
Après un rêve (Fauré) for Euphonium B.C. and Piano
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Classical
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Gabriel Faure
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Harry Walker
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Baritone Horn BC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.1303410 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,F...
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Baritone Horn BC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.1303410 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892984. Published by SCORE EDITIONS (A0.1303410). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Euphonium B.C. and Piano by Harry Walker.
$5.99
Lover's Wonderland
Lover's Wonderland
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Bert Kaempfert
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Merlin Sisko
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Lover's Wonderland
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Bram Minnaert
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SheetMusicPlus
B-Flat Trumpet,C Trumpet,Piano - Level 2 - Digital Download SKU: A0.1452401 By Bert Kaempfert. By Bert Kaempfert, Herbert Rehbein, and Milt Gabler. Arran...
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B-Flat Trumpet,C Trumpet,Piano - Level 2 - Digital Download SKU: A0.1452401 By Bert Kaempfert. By Bert Kaempfert, Herbert Rehbein, and Milt Gabler. Arranged by Merlin Sisko. Jazz,Pop. Score and part. 6 pages. Bram Minnaert #1031732. Published by Bram Minnaert (A0.1452401). Dive into Lover's Wonderland: A Romantic Trumpet Arrangement with piano.This arrangement is available in two separate scores: one for Bb trumpet and one for C trumpet.The score for the piano accompaniment includes the Bb trumpet trumpet part.
$4.99
A Little Night Music: Baritone B.C.
A Little Night Music: Baritone B.C.
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Concert band
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Classical
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Wolfgang Amadeus Mozart
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Todd Stalter
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A Little Night Music: Baritone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014560_BBC1 Baritone B.C.. Composed by Wolfgang Amadeus Mozart. Arranged by Todd Stalter. Classical...
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Concert Band - Digital Download SKU: AX.00-PC-0014560_BBC1 Baritone B.C.. Composed by Wolfgang Amadeus Mozart. Arranged by Todd Stalter. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014560_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014560_BBC1). UPC: 038081394916.Mozart's Serenade No. 13 for strings in G Major, K. 525 is commonly referred to as Eine Kleine Nachtmusik, which stands for a little serenade, but is more familiar to music lovers as a little night music. This arrangement uses themes from the first movement, and is cast in a comfortable key and range for young band musicians. Careful attention to the sudden, extreme dynamic changes will make the performance of this piece really come to life.
$3.00
Jazz Minuet in G Major (for British Style Brass Band)
Jazz Minuet in G Major (for British Style Brass Band)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Christian Petzold
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Richard Jones
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Jazz Minuet in G Major
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Richard Jones
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Ja...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Jazz. Score and parts. 52 pages. Richard Jones #5968417. Published by Richard Jones (A0.1026133). Until the 1970s the Minuet in G Major was attributed to the great Johann Sebastian Bach. For centuries musicologists believed it was an original composition as it was a part of the manuscript notebook compiled by Bach and his wife Anna Magdalena Bach, in 1725.Petzold was born in Konigstein, Germany, in 1677 and little is known about his exact birth date. Relatively few pieces ofhis have survived the centuries, but the inclusion of his two minuets in the Anna Magdalena Notebook, remain the most famous of these.The theme to the Minuet in G was used in 1966 by the American pop group The Toys, in their song 'A Lover's Concerto'.In this arrangement I have syncopated the theme and accompanying parts to create a jazz feel. From letter A the theme appears in the cornet and euphonium lines and then at letter B the theme is transferred to the horn section. Whilst the theme is in the horn section there is a counter riff in the baritones and trombones, and a simple jazz syncopation in the cornets. At C the key changes to the sub-dominant key of C and the back row cornets get the tune in a simple but syncopated form whilst a flowing counter melody continues in the lower instruments. Then at D the euphoniums, baritones and basses have their chance and the syncopation appears in the horns and interjections in the cornets. After the D.S the the piece goes to the Coda, which hasthe tune split between each of the sections of the band with a fortissimo climax.
$19.99
Sea Drift for Brass Septet
Sea Drift for Brass Septet
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Brass Septet
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1193715 Composed by Samuel Coleridge-Taylor. Arranged...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1193715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 44 pages. Charles Decker Music Press #793188. Published by Charles Decker Music Press (A0.1193715). Coleridge-Taylor's Sea Drift scored for Brass Septet captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers.  One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for three trumpets in B-flat with alternate parts for C trumpets, three trombones with alternate substitute horn part, and tuba.  The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$17.95
Sea Drift for Brass Octet
Sea Drift for Brass Octet
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Brass Octet
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1197023 Composed by Samuel Coleridge-Taylor. Arranged...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1197023 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Historic,Multicultural,World. 50 pages. Charles Decker Music Press #796180. Published by Charles Decker Music Press (A0.1197023). This brass octet arrangement of Coleridge-Taylor's Sea Drift captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers.  One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir here arranged for mixed brass octet, Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for eight brass with alternate parts - three B-flat trumpets with alternate C trumpet parts , two F horns with alternate flugelhorn parts, two trombones with an alternate horn part for trombone 1, and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95
Sea Drift for Brass Choir
Sea Drift for Brass Choir
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1430702 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 2...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1430702 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Historic,Multicultural,World. 64 pages. Charles Decker Music Press #1011201. Published by Charles Decker Music Press (A0.1430702). This brass choir arrangement set for an orchestral brass section of Coleridge-Taylor's Sea Drift captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir here arranged for large brass ensemble, Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for an orchestral brass section of three B-flat trumpets with alternate C trumpet parts, four horns , three trombones and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music use the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series Brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$27.95
Sea Drift for Horn Sextet with euphonium and tuba
Sea Drift for Horn Sextet with euphonium and tuba
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Horn Sextet with
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Charles Decker Music Press
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SheetMusicPlus
Horn Ensemble Euphonium,Horn,Tuba - Level 4 - Digital Download SKU: A0.1224506 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Cent...
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Horn Ensemble Euphonium,Horn,Tuba - Level 4 - Digital Download SKU: A0.1224506 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Multicultural,Romantic Period,World. 38 pages. Charles Decker Music Press #820610. Published by Charles Decker Music Press (A0.1224506). Coleridge-Taylor's Sea Drift scored for Horn Sextet with euphonium and tuba captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers.  One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for six horns with euphonium and tuba playing the two lowest parts. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$16.95
Easy On Me
Easy On Me
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C Instruments
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INTERMEDIATE
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Pop music
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Adele
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Milanov
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Easy On Me
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Milanov
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1259354 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Milanov. Pop. Lead Sheet / Fake Book. 3...
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C Instrument - Level 3 - Digital Download SKU: A0.1259354 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Milanov. Pop. Lead Sheet / Fake Book. 3 pages. Milanov #852629. Published by Milanov (A0.1259354). Easy on me by Adele. Lead sheet. Intermediate. B Major.Easy on Me is a poignant and soulful ballad by British singer Adele, capturing the raw vulnerability and emotional journey of a person navigating through the complexities of a broken relationship. Adele's hauntingly powerful vocals are accompanied by a minimalistic piano arrangement, evoking a sense of introspection and longing. The lyrics delve into themes of heartbreak, introspection, and the need for compassion, as Adele pleads for understanding and empathy from her former lover. With its heartfelt delivery and captivating melodies, Easy on Me showcases Adele's ability to connect deeply with listeners, offering a poignant glimpse into the pain and healing associated with love and loss.
$5.99
Is You Is, Or Is You Ain't (ma' Baby)
Is You Is, Or Is You Ain't (ma' Baby)
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C Instruments
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INTERMEDIATE/ADVANCED
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Louis Jordan And His Tympany F
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John Fries
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Is You Is, Or Is You Ain't
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1311618 By Louis Jordan And His Tympany Five. By Billy Austin and Louis Jordan. Arranged by John Fries....
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C Instrument - Level 4 - Digital Download SKU: A0.1311618 By Louis Jordan And His Tympany Five. By Billy Austin and Louis Jordan. Arranged by John Fries. Blues,Country,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #900626. Published by John Fries (A0.1311618). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Is You Is or Is You Ain't My Baby is a song written by Louis Jordan and Billy Austin. The song's first recording, by Jordan, was made on October 4, 1943. It was released as the B-side of a single with G.I. Jive with the title Is You Is or Is You Ain't (Ma' Baby). The song reached No. 1 on the US folk/country charts, number two for three weeks on the pop chart, and number three on the R&B chart. The song was also featured in the Tom and Jerry short Solid Serenade, in which Tom the cat sings it to his lover. T om's singing voice is provided by Ira Buck Woods. The standard has been recorded by more than 130 different artists over the years.
$3.99
Sweet Betsy Sonatina
Sweet Betsy Sonatina
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Piano solo
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INTERMEDIATE
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Thomas Coker
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Sweet Betsy Sonatina
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Thomas Rembert Coker Jr
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Cok...
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Piano Solo - Level 3 - Digital Download SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. Published by Thomas Rembert Coker Jr (A0.933610). To quote Wikipedia: Sweet Betsy from Pike is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County (Missouri?) to California. The cover art here is drawn by artist, Kaytha Coker Potts, whose image captures the imagined Betsy and Ike as they cross rivers, plains, and mountains on the way to California. The music for the various movements of Sweet Betsy, similarly, can be seen as musical pictures of this harrowing yet thrilling trip. Movement I pictures a joyful determination to make the trip, accompanied by energy enough to make the early struggles endurable. Movement II pictures rest and reflection. The evening comes when one thinks through the events of the day with peace and anticipation of continuing the journey tomorrow. Movement III paints the joy of the journey with the end in sight. High energy and much joy is found here.This sonatina was inspired by – and in many ways patterned after – Dmitri Kabalevsky’s Sonatina Op. 13, No. 1. The first movement, Allegretto, imitates Kabalevsky’s use of the arch phrase in which two bars are mirrored by the following two bars. As the movement progresses, the tempo adjusts to meet continuing challenges – all filled with energy. In the second movement, Introspection Andante, one takes the time to rest and reflect and, in so doing, to find the mental and musical balance needed on a journey as well as in music. Movement III, the sonatina’s name sake, is in rondo form and rollicks along in b minor and 6/8 meter. The tune, Sweet Betsy, always in mind yet unstated, finally erupts three times in the center section, first in the left hand (in B Major), then a second time (in F Major) before appearing in the right hand (in C# Major) while accompanied (in B Major) in the left hand. The resulting conflicting tonalities are followed by a transitional sixteenth note run leading back to the first theme in b minor as the rondo plays out.
$4.99
Harrigan (Trombone quintet)
Harrigan (Trombone quintet)
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George M
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Robert Coil
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Harrigan
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Polished Brass
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SheetMusicPlus
Small Ensemble Bass Clef Instrument,Bass Trombone,Euphonium,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Level 3 - Digital Download SKU: A0.961201 Compos...
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Small Ensemble Bass Clef Instrument,Bass Trombone,Euphonium,Tenor Trombone,Trombone/Baritone B.C.,Tuba - Level 3 - Digital Download SKU: A0.961201 Composed by George M. Cohan. Arranged by Robert Coil. Broadway,Holiday,Jazz,Musical/Show. Score and parts. 12 pages. Polished Brass #6231635. Published by Polished Brass (A0.961201). Arranged for trombone quintet, with an eye to sharing the melody and interest among all parts. The range on the first part is to Bb4 above the staff and the bass trombone goes to Bb1 below the staff. This should be within the grasp of a good high school group, and has enough variety to be enjoyed by advanced players. (ASPN pitch notation) Of particular interest for trombonists are the falls and interplay between the melody and the echo parts. It is hard to find a tune that does a better job of capturing the pride of the Irish than Harrigan. Harrigan was written for the musical Fifty Miles From Boston which opened February 3, 1908 and closed a month later. The song title is a tribute to the Irish-American actor, Edward Harrigan. While the other major songs from the musical are rarely performed, Harrigan found favor with audiences. Born to Irish parents, it shouldn't be surprising that Cohan's lyrics, proud of all the Irish that is in me have a heart-felt ring to them. It didn't hurt that another actor of Irish descent, James Cagney, sang the piece in the very successful production about Cohan, Yankee Doodle Dandy. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$9.99
Mea Lesbia
Mea Lesbia
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Choral SATB
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INTERMEDIATE
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Mark D
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Mea Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Published by Mark Templeton Choral Music (A0.864429). Mea Lesbia, commonly known as Catullus 87, consists of two elegiac couplets written by Gaius Valerius Catullus (84 - 54 B.C.E) for his lover, Lesbia. Catullus was only one of Lesbia’s many lovers, and he often wrote of his jealousy and disdain for her unfaithful actions. This elegy was written at a time when Lesbia had been particularly cruel toward Catullus. Despite being broken hearted, his obsession with her never waned. In his despair and desperation, he basically says, My love for you is so great that no other woman could possibly even know what love is..
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Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeto...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
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