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Common Renaissance
Not classified 4

Piano & keyboards
Piano Quartet: piano, violin, viola, cello 1
Piano, Voice 1
Piano Trio: piano, violin, cello 1

Guitars

Voice
Choral Unison 1
Choral 3-part 1

Woodwind
Clarinet and Piano 2
Flute and Piano 1
Clarinet Quartet: 4 clarinets 1
Flute, Oboe, Clarinet, Bassoon 1
2 Clarinets (duet) 1

Clarinet, Double bass (duet) 1
Oboe, Piano (duet) 1
3 Recorders (trio) 1

+ 3 instrumentations

- Retract

Woodbrass
3 Trombones (trio) 1

Strings
Harp 1
String Quartet: 2 violins, viola, cello 1
Viola, Piano 1
Cello, Piano 1
2 Violins (duet) 1

Violin and Piano 1

+ 1 instrumentations

- Retract

Percussion & orchestra
Concert band 2
String Orchestra 1

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4 sheet music found

O Come, Emmanuel - jazz clarinet and trombone

O Come, Emmanuel - jazz clarinet and trombone #Phil Beaman #O Come, Emmanuel - jazz clarin #Phil Beaman #SheetMusicPlus

B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renais...(+)

B-Flat Clarinet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1349244 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933989. Published by Phil Beaman (A0.1349244). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.

$4.99

O Come, Emmanuel - jazz clarinet and electric bass guitar

O Come, Emmanuel - jazz clarinet and electric bass guitar #Phil Beaman #O Come, Emmanuel - jazz clarin #Phil Beaman #SheetMusicPlus

B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Ren...(+)

B-Flat Clarinet,Bass Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349242 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933987. Published by Phil Beaman (A0.1349242). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.

$4.99

O Come, Emmanuel - jazz flute and marimba

O Come, Emmanuel - jazz flute and marimba #Phil Beaman #O Come, Emmanuel - jazz flute #Phil Beaman #SheetMusicPlus

Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pa...(+)

Flute,Instrumental Duet,Marimba - Level 2 - Digital Download SKU: A0.1350511 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935323. Published by Phil Beaman (A0.1350511). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low A to 4th line D2 pages score, 1 page @ part, Â 2:05 minutes.

$4.99

O Come, Emmanuel - jazz flute and bass clarinet

O Come, Emmanuel - jazz flute and bass clarinet #Phil Beaman #O Come, Emmanuel - jazz flute #Phil Beaman #SheetMusicPlus

Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance...(+)

Bass Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1350510 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935322. Published by Phil Beaman (A0.1350510). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, low B to 4th space E2 pages score, 1 page @ part, Â 2:05 minutes.

$4.99