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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
42.97€
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renai...
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
42.97€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Sacred music
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.78€
On That Cross (choir pack + piano part + licence)
On That Cross (choir pack + piano part + licence)
#
Sacred music
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00 ≈
14.34€
La Vie En Rose
La Vie En Rose
#
Edith Piaf
#
André Nusa
#
La Vie En Rose
#
Andre_Nusa
#
SheetMusicPlus
Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236701 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arrange...
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Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236701 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 8 pages. Andre_Nusa #832221. Published by Andre_Nusa (A0.1236701). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, cello, double bass and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, cello, contrabass and piano unite to breathe new life into this beloved classic.
$12.99 ≈
11.64€
La Vie En Rose
La Vie En Rose
#
Edith Piaf
#
André Nusa
#
La Vie En Rose
#
Andre_Nusa
#
SheetMusicPlus
Piano Quartet Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236696 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by A...
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Piano Quartet Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1236696 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. Jazz,Singer/Songwriter,Standards. 7 pages. Andre_Nusa #832217. Published by Andre_Nusa (A0.1236696). Immerse yourself in the timeless allure of Edith Piaf's La Vie en Rose with this captivating arrangement for violin, viola, double bass, and piano. Indulge in the romantic and soul-stirring melodies of this iconic French song as they intertwine harmoniously among these four exquisite instruments. The strings paint heartfelt and expressive melodies, while the piano adds depth, texture, and rhythmic intricacies to create a captivating tapestry of sound. The interplay between the instruments ignites a mesmerizing musical dialogue, allowing you to fully immerse yourself in the passionate essence of Piaf's composition.Whether performing for an audience or savoring the music in the comfort of your own space, this arrangement promises an unforgettable experience. Let the expressive melodies and harmonies of La Vie en Rose ignite your heart and soul, as the violin, viola, contrabass, and piano unite to breathe new life into this beloved.
$12.99 ≈
11.64€
Without You
Without You
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David Guetta Featuring Usher
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Alex E
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Without You
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Piano Accompaniment,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.1127695 By David Guetta Featuring Usher. By David Guet...
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Alto Saxophone,Cello,Piano Accompaniment,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.1127695 By David Guetta Featuring Usher. By David Guetta, Frederic Riesterer, Giorgio Tuinfort, Rico Love, Taio Cruz, and Usher Raymond. Arranged by Alex E. Contemporary,Film/TV,Hip-Hop,Pop,R & B,Wedding. 14 pages. Müller Publishing company #728297. Published by Müller Publishing company (A0.1127695). Without You - Sheet MusicCelebrate love and union with the perfect sheet music for wedding ceremonies. This selection of sheet music is specially curated to bring a romantic and emotional atmosphere to this special moment. Among the available options is the beautiful song Without You, a powerful collaboration between David Guetta and Usher.The sheet music for Without You arranged for Alto Saxophone, Cello, Piano Accompaniment, Trumpet, Viola, and Violin is ideal for adding a special touch to wedding ceremonies. With each instrument contributing to create an immersive harmony, this music evokes a sense of love and deep connection.Whether you are a beginner or an experienced musician, this sheet music provides an enjoyable and accessible experience. Play the enchanting melodies and passionate harmonies of Without You along with other musicians, creating a magical atmosphere for the wedding.Don't miss the opportunity to acquire this incredible sheet music for Without You and other available options to make your wedding ceremony even more special. Let the music fill the space and touch the hearts of all present, creating an unforgettable moment for the couple and guests.Are you ready to make your wedding ceremony truly memorable? Purchase the sheet music for Without You now and enjoy the perfect soundtrack to celebrate love and happiness in this unique moment.
$12.99 ≈
11.64€
Coronation (Downloadable)
Coronation (Downloadable)
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Jeremy J
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Coronation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Brass quintet, timpani, organ - Moderately Easy - Digital Download SKU: MQ.21-402-E Composed by Jeremy J. Bankson. Easter, Reign of Christ. MorningStar M...
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Brass quintet, timpani, organ - Moderately Easy - Digital Download SKU: MQ.21-402-E Composed by Jeremy J. Bankson. Easter, Reign of Christ. MorningStar Music Publishers - Digital Sheet Music #21-402-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.21-402-E). CORONATION The introduction has the brass playing fanfare passages spaced between the organ playing each phrase of the hymn. Three verse settings follow with the fanfare motifs continuing, then a short fanfare interlude and a concluding final verse. A timpani player and one cymbal player (both suspended and crash) could add to the fun.
$30.00 ≈
26.89€
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. J...
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String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95 ≈
42.97€
Vivaldi – Sonata in G major "per Pisendel" RV 25
Vivaldi – Sonata in G major "per Pisendel" RV 25
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Classical
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Antonio Vivaldi
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Sneakwood Editions
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Vivaldi – Sonata in G major
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 2 - Digital Download SKU: A0.890770 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque....
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Small Ensemble Cello,Harpsichord,Violin - Level 2 - Digital Download SKU: A0.890770 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque. Score and parts. 9 pages. Sneakwood Editions #4782287. Published by Sneakwood Editions (A0.890770). The Sonata for violin and continuo in G Major RV 25 by Antonio Lucio Vivaldi is not just a work that demonstrates the originality and quality of the compositional art of Il Prete Rosso. It is also a valuable exponent of the bond that formed between the Venetian and the young Pisendel. The dedication to Pisendel at the start of the autograph is written by Vivaldi himself, Suonata à Solo fatto p[er] Ma[estro]: Pisendel Del Vivaldi (Sonata written for Master Pisendel by Vivaldi). But not only that. Vivaldi left a space for Pisendel to add a slow movement. The manuscript is practically all written in the hand of Vivaldi, except for the Grave, composed and written by Pisendel.The present edition by Javier Lupiáñez includes:PrefaceEmbellishments for the Grave based on Pisendel embellishments on VivaldiExtra variations for the last Menuetto based on Vivaldi variationswww.snakewoodeditions.com
$8.00 ≈
7.17€
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