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17 sheet music found
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1
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Therese Brenet
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Thérèse Brenet : A Thing of
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. S...
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95 ≈
£20.09
Sing Lullaby (Downloadable Organ/Choral Score)
Sing Lullaby (Downloadable Organ/Choral Score)
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Christmas
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Sacred music
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Leo Nestor
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Sing Lullaby
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: MQ.6414-E Composed by Leo Nestor. Christmas, Christmas-Sacred. Scor...
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Tenor voice or soprano voice solo, SATB choir, organ - Medium - Digital Download SKU: MQ.6414-E Composed by Leo Nestor. Christmas, Christmas-Sacred. Score & instrument parts. 13 pages. E. C. Schirmer Music Company - Digital #6414-E. Published by E. C. Schirmer Music Company - Digital (MQ.6414-E). Sing Lullaby was commissioned by music director Michael Batcho for the Choir of the Cathedral of St. John the Evangelist, Milwaukee and composed in California during the summer of 2000. Originally scored for tenor solo, mixed chorus, oboe, French horn and violoncello obbligato and organ, an independent fabric for string orchestra was composed for a performance by the Choir of the Basilica of the National Shrine of the Immaculate Conception on Christmas of the same year. The setting was further developed for the debut performance of The Catholic University of America Chamber Choir and Chamber Players at the Pope John Paul II Cultural Center in December of 2002. In the 2008 revision, the composer decided that the obbligato trio of clarinet, French horn and bassoon most clearly evoked the ethos of shepherds, offering optimal timbral contrast to string orchestra and chorus. Substantial emendations of the entire score were made for the present edition of Sing Lullaby, first performed by The Catholic University of America Chamber Choir, University Singers, University Chorus and Symphony Orchestra at the Annual Christmas Concert for Charity at Washington's Basilica of the National Shrine of the Immaculate Conception on 7 December 2012 with tenor Rick Christman, the composer conducting.Variation form, long favored by composers in settings of strophic music, imparts a perception of improvisation as singers and players alter harmonies, melody and rhythm to forward the unfolding narrative. Sensitive performance will caress the natural undulation of the largely ternary meter, tapering unstressed beats at the ends of phrases while maintaining the steady flow of the accompaniment.Two editions of the work are published: (I) for mixed chorus, solo, obbligato trio and organ and (II) for mixed chorus, solo, obbligato trio, string orchestra, harp and organ. The edition for chorus and obbligato instruments adds timbral variety to a Christmas concert while employing modest instrumental means which are easily available. Although in Version II both harp and organ are scored ad libitum, the harp adds significantly to the counterpoint of the obbligato instruments, providing further rhythmic impetus and textural variety. Conceived for lyric tenor, the solo may also be sung by soprano.
$2.65 ≈
£2.05
Silent Night - Chamber Ensemble with Harp, Flute, Violin, Cello and Voice
Silent Night - Chamber Ensemble with Harp, Flute, Violin, Cello and Voice
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Christmas
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Amy Camie
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Amy Camie - Universal Light Pu
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Silent Night - Chamber Ensembl
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Amy Camie - Universal Light Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,Violin,Voice - Level 3 - Digital Download SKU: A0.883441 Composed by Amy Camie. Arranged by Amy Camie - Universal Light P...
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Small Ensemble Cello,Flute,Harp,Violin,Voice - Level 3 - Digital Download SKU: A0.883441 Composed by Amy Camie. Arranged by Amy Camie - Universal Light Publishing. 20th Century,Christian,Christmas,Sacred,Spiritual. Score and parts. 26 pages. Amy Camie - Universal Light Publishing #3535307. Published by Amy Camie - Universal Light Publishing (A0.883441). This fresh new arrangement of a traditional holiday classic breathes new life into the gentle flowing essence of a familiar melody. Share this inspired arrangement at holiday gatherings, church services or during quiet times of meditations and healing. Originally recorded as part of the Tender Mercies concert, you can listen to this version of Silent Night performed with harp, flute, violin, cello and voice here: https://www.cdbaby.com/cd/amycamie3 Thank you for adding this new piece to your holiday offerings! With Gratitude, Amy Website: www.AmyCamie.com Facebook: https://www.facebook.com/AmyCamieHarpist Twitter: https://twitter.com/AmyCamieHarp LinkedIn: https://www.linkedin.com/in/amycamie/ YouTube: BlueStarVideo https://www.youtube.com/channel/UChZxHAHP_NVMn5ZJZ8g4UXA Performing Rights Organization: ASCAP Publishing Company: Universal Light Publishing (ASCAP)
$14.99 ≈
£11.60
O Come, O Come Emmanuel - Chamber Ensemble with Harp, Flute, Violin, Cello, Solo Voice
O Come, O Come Emmanuel - Chamber Ensemble with Harp, Flute, Violin, Cello, Solo Voice
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Traditional
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Amy Camie
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O Come, O Come Emmanuel - Cham
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Amy Camie - Universal Light Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,Violin,Voice - Level 3 - Digital Download SKU: A0.883442 Composed by Traditional. Arranged by Amy Camie. 20th Century,Chr...
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Small Ensemble Cello,Flute,Harp,Violin,Voice - Level 3 - Digital Download SKU: A0.883442 Composed by Traditional. Arranged by Amy Camie. 20th Century,Christian,Christmas,Sacred,Spiritual. Score and parts. 21 pages. Amy Camie - Universal Light Publishing #3548531. Published by Amy Camie - Universal Light Publishing (A0.883442). This fresh new arrangement of a traditional holiday classic breathes new life into the gentle flowing essence of a familiar melody. Share this inspired arrangement at holiday concerts, church services or during quiet times of inner reflection. Originally recorded as part of the Tender Mercies concert, you can listen to this version of O Come, O Come Emmanuel performed with harp, flute, violin, cello and voice here: https://www.youtube.com/watch?v=rOvEFxIuEag Purchase the Tender Mercies CD here: https://www.cdbaby.com/cd/amycamie3 Thank you for adding this new piece to your holiday offerings! With Gratitude, Amy Website: www.AmyCamie.com Facebook: https://www.facebook.com/AmyCamieHarpist Twitter: https://twitter.com/AmyCamieHarp LinkedIn: https://www.linkedin.com/in/amycamie/ YouTube: BlueStarVideo https://www.youtube.com/channel/UChZxHAHP_NVMn5ZJZ8g4UXA Performing Rights Organization: ASCAP Publishing Company: Universal Light Publishing (ASCAP)
$14.99 ≈
£11.60
Joy to the World - Chamber Ensemble with Harp, Flute, Violin, Cello, Voice
Joy to the World - Chamber Ensemble with Harp, Flute, Violin, Cello, Voice
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Sacred music
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Traditional
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Amy Camie
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Joy to the World - Chamber Ens
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Amy Camie - Universal Light Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp,Piano Accompaniment,Violin,Voice - Level 3 - Digital Download SKU: A0.883443 Composed by Traditional. Arranged by Amy Cam...
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Small Ensemble Cello,Flute,Harp,Piano Accompaniment,Violin,Voice - Level 3 - Digital Download SKU: A0.883443 Composed by Traditional. Arranged by Amy Camie. Christian,Christmas,Praise & Worship,Sacred,Spiritual. Score and parts. 23 pages. Amy Camie - Universal Light Publishing #3561747. Published by Amy Camie - Universal Light Publishing (A0.883443). This fresh new arrangement of a traditional holiday classic breathes new life into the flowing essence of this familiar melody. Share this inspired arrangement at holiday gatherings, church services or Christmas concerts. Originally recorded as part of the Tender Mercies concert, you can listen to this version of Joy to the World performed with harp, flute, violin, cello and voice here: https://www.cdbaby.com/cd/amycamie3 Watch the live performance of this joy-filled arrangement celebrating the Light: https://www.youtube.com/watch?v=TZMh9zCo4a0 Thank you for adding this new piece to your holiday offerings! With Gratitude, Amy Website: www.AmyCamie.com Facebook: https://www.facebook.com/AmyCamieHarpist Twitter: https://twitter.com/AmyCamieHarp LinkedIn: https://www.linkedin.com/in/amycamie/ YouTube: BlueStarVideo https://www.youtube.com/channel/UChZxHAHP_NVMn5ZJZ8g4UXA Performing Rights Organization: ASCAP Publishing Company: Universal Light Publishing (ASCAP)
$14.99 ≈
£11.60
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
£7.74
Franck: Panis Angelicus for Piano Quintet
Franck: Panis Angelicus for Piano Quintet
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C
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James M
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Franck: Panis Angelicus for Pi
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jmsgu3
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SheetMusicPlus
Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standa...
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Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 pages. Jmsgu3 #6120511. Published by jmsgu3 (A0.552116). Ceasar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. A famous Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version suits Lent, Easter, or any Christian eucharistic service. It is also an excellent choice for a recital encore because of the potential for musical expressivity.César Franck's Panis Angelicus is significant for several reasons:Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. In summary, Panis Angelicus is significant for its musical beauty, its historical and liturgical context, and its emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$42.95 ≈
£33.25
Dying In La
Dying In La
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Panic! At the Disco
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Bryan Sharpe
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Dying In La
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Bryan Sharpe
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.725769 By Panic! At the Disco. By Brendon Urie, Jacob Sinclair, Michael Viola, Mike Viola, and Morgan Kibby. Arranged ...
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Level 3 - Digital Download SKU: A0.725769 By Panic! At the Disco. By Brendon Urie, Jacob Sinclair, Michael Viola, Mike Viola, and Morgan Kibby. Arranged by Bryan Sharpe. A Cappella,Pop,Punk. 13 pages. Bryan Sharpe (BSharpe Music) #3915989. Published by Bryan Sharpe (BSharpe Music) (A0.725769). A cappella arrangement of Dying in LA by Panic! At the Disco for Solo+SSATB
$2.50 ≈
£1.94
Mixolydian Syncopation (for Carillon)
Mixolydian Syncopation (for Carillon)
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Adam Lenhart
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Mixolydian Syncopation
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1437590 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructiona...
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1437590 Composed by Adam Lenhart. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 2 pages. Adam Lenhart #1017672. Published by Adam Lenhart (A0.1437590). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
£1.54
Waltz in B Major (for Carillon)
Waltz in B Major (for Carillon)
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Adam Lenhart
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Waltz in B Major
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1408955 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional. ...
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1408955 Composed by Adam Lenhart. 21st Century,Classical,Contest,Festival,Instructional. Individual part. 1 pages. Adam Lenhart #991560. Published by Adam Lenhart (A0.1408955). This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$1.99 ≈
£1.54
Silent Night--duet for F horn
Silent Night--duet for F horn
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--duet for F horn
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786759 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka ...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786759 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431071. Published by Beka Wilson (A0.786759). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
Silent Night--duet for C bass clef instruments
Silent Night--duet for C bass clef instruments
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--duet for C bass
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Beka Wilson
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786754 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. C...
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Small Ensemble Bassoon,Cello,Piano,Trombone - Level 3 - Digital Download SKU: A0.786754 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431061. Published by Beka Wilson (A0.786754). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
Silent Night--duet for C treble clef instruments
Silent Night--duet for C treble clef instruments
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Christmas
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Christmas
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--duet for C trebl
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Beka Wilson
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786755 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred....
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.786755 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. 6 pages. Beka Wilson #6431063. Published by Beka Wilson (A0.786755). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99 ≈
£7.73
If Not Now, When?
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score ...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
£19.35
Ogives
Ogives
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Classical
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Contemporary
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Erik Satie
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Paul Burnell
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Ogives
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Paul Burnell
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SheetMusicPlus
Recorder - Level 3 - Digital Download SKU: A0.835794 Composed by Erik Satie. Arranged by Paul Burnell. 20th Century. Recorder Ensemble. 44 pages. Paul Bu...
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Recorder - Level 3 - Digital Download SKU: A0.835794 Composed by Erik Satie. Arranged by Paul Burnell. 20th Century. Recorder Ensemble. 44 pages. Paul Burnell #3451223. Published by Paul Burnell (A0.835794). Ogives, composed by Erik Satie (1866 - 1925), arranged for recorder ensemble by Paul Burnell 2012.Four movements. The download comprises two separate sets of scores and parts: Set one: Two Soprano Recorders, two Alto Recorders, Tenor Recorder, Bass Recorder, Great Bass RecorderSet two: Two Tenor Recorders, two Bass Recorders, Great Bass Recorder, Contrabass Recorder, Sub-Contrabass Recorder Optional: When played by a large ensemble, with more than one to a part, the solo/tutti indications in brackets may be observed. The original piano music was written without bar-lines, with each system consisting of a whole musical phrase. That feature has been maintained in this arrangement and the systems are consistently presented throughout the parts. Original dedications: J.P. Contamine de Latour (1867 - 1926) - poet Charles-Gaston Levadé (1869 -1948) - composer Madame Clément le Breton - to whom Satie also dedicated another early piece 'Valse ballet' Conrad Satie - brother of Erik Satie Programme note: An ogive is the curve that forms the outline of a pointed gothic arch. Erik Satie gave this title to a set of four piano miniatures published in 1886 at the beginning of his career. Their calm, slow melodies are built up from paired phrases reminiscent of plainchant. He wanted to evoke a large pipe organ reverberating in the depth of a cathedral, and achieved this sonority by using full harmonies, octave doubling and sharply contrasting dynamics.
$3.95 ≈
£3.06
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At Harp and Organ
