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You've selected:
century Medieval
intermediate
Sheetmusic to print
34 sheet music found
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1
26
Guthrie: Neomedieval Suite for 2 Bassoons & Contrabassoon
Guthrie: Neomedieval Suite for 2 Bassoons & Contrabassoon
#
James M
#
Guthrie: Neomedieval Suite for
#
jmsgu3
#
SheetMusicPlus
Small Ensemble Contrabassoon - Level 3 - Digital Download SKU: A0.548881 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructio...
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Small Ensemble Contrabassoon - Level 3 - Digital Download SKU: A0.548881 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. Score and parts. 21 pages. Jmsgu3 #3430769. Published by jmsgu3 (A0.548881). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for Flute, Oboe & Bassoon
Guthrie: Neomedieval Suite for Flute, Oboe & Bassoon
#
James M
#
Guthrie: Neomedieval Suite for
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548887 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruc...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548887 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. 19 pages. Jmsgu3 #3430783. Published by jmsgu3 (A0.548887). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
Guthrie: Neomedieval Suite for Flute, Oboe & Alto Clarinet
Guthrie: Neomedieval Suite for Flute, Oboe & Alto Clarinet
#
James M
#
Guthrie: Neomedieval Suite for
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548886 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instruc...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.548886 Composed by James M. Guthrie, ASCAP. 20th Century,Contemporary,Easter,Instructional. 19 pages. Jmsgu3 #3430781. Published by jmsgu3 (A0.548886). Neomedieval Suite - Duration: 11:43 Score: 10 pages, parts: 3 pages, 113 measures. In 5 movements.
$32.95 ≈
29.84€
16th Century Motets and Anthems Arranged for Strings
16th Century Motets and Anthems Arranged for Strings
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Renaissance
#
Many
#
Curtis Hanson
#
 
#
16th Century Motets and Anthem
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Curtis Hanson
#
SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis H...
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String Ensemble - Level 3 - Digital Download SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first piece in the collection.
$24.99 ≈
22.63€
O Come, Emmanuel - jazz flute and euphonium/baritone horn
O Come, Emmanuel - jazz flute and euphonium/baritone horn
#
Phil Beaman
#
O Come, Emmanuel - jazz flute
#
Phil Beaman
#
SheetMusicPlus
Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 ...
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Euphonium,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350505 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #935316. Published by Phil Beaman (A0.1350505). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
O Come, Emmanuel - jazz clarinet and euphonium/baritone horn
#
Phil Beaman
#
O Come, Emmanuel - jazz clarin
#
Phil Beaman
#
SheetMusicPlus
B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renai...
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B-Flat Clarinet,Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.1349247 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 5 pages. Phil Beaman #933992. Published by Phil Beaman (A0.1349247). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
O Come, Emmanuel - jazz flute and electric bass guitar
O Come, Emmanuel - jazz flute and electric bass guitar
#
Phil Beaman
#
O Come, Emmanuel - jazz flute
#
Phil Beaman
#
SheetMusicPlus
Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. ...
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Bass Guitar,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.1350497 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935308. Published by Phil Beaman (A0.1350497). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99 ≈
4.52€
Landini: Ecco la Primavera for Clarinet Trio
Landini: Ecco la Primavera for Clarinet Trio
#
Landini
#
James M
#
Landini: Ecco la Primavera for
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Histo...
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. 15 pages. Jmsgu3 #1063348. Published by jmsgu3 (A0.1486287). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95 ≈
31.65€
Landini: Ecco la Primavera for Double Reed Trio
Landini: Ecco la Primavera for Double Reed Trio
#
Landini
#
James M
#
Landini: Ecco la Primavera for
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Oboe - Level 3 - Digital Download SKU: A0.1486330 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Histor...
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Woodwind Ensemble Bassoon,Oboe - Level 3 - Digital Download SKU: A0.1486330 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. 15 pages. Jmsgu3 #1063393. Published by jmsgu3 (A0.1486330). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95 ≈
31.65€
Landini: Ecco la Primavera for Brass Trio
Landini: Ecco la Primavera for Brass Trio
#
Landini
#
James M
#
Landini: Ecco la Primavera for
#
jmsgu3
#
SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Re...
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Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063306. Published by jmsgu3 (A0.1486246). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures.The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389.As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings.Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95 ≈
31.65€
Landini: Ecco la Primavera for Saxophone Trio
Landini: Ecco la Primavera for Saxophone Trio
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamb...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063339. Published by jmsgu3 (A0.1486279). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an essential example of Italy's musical, cultural, and intellectual shifts during the transition from the medieval period to the Renaissance.
$34.95 ≈
31.65€
Machaut: Rondeau No. 13 - Dame, Se Vous N'Avez for Eb Saxophone Trio
Machaut: Rondeau No. 13 - Dame, Se Vous N'Avez for Eb Saxophone Trio
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Guillaume de Machaut
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James M
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Machaut: Rondeau No. 13 - Dame
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - Digital Download SKU: A0.1358218 Composed by Guillaume de Machaut. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - Digital Download SKU: A0.1358218 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 12 pages. Jmsgu3 #942678. Published by jmsgu3 (A0.1358218). Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, is a significant work that forms part of his extensive and influential musical output. Machaut, a pinnacle genius of Western music in the Middle Ages, is renowned for his mastery of polyphony and ability to unite melodic and rhythmic elements in his compositions. The rondeau is one of three thirteen-line rondeau poems that Machaut set to music, showcasing his skill in shaping melodic nuances and conceiving forms on a larger scale. The piece is part of Machaut's French songs, which dominated the fourteenth century in terms of quality and volume, further emphasizing its importance in his repertoire. Machaut's work, including Dame, Se Vous N'Avez, has been the subject of scholarly analysis and musical appreciation, underscoring its historical and musical significance. Guillaume de Machaut's Rondeau No. 13 lyrics, Dame, Se Vous N'Avez, express genuine love and devotion. The speaker professes love without deception and invites the lady to test the sincerity of his affection, emphasizing his unwavering commitment to her. The lyrics convey a sense of loyalty and constancy in love, reflecting the themes of courtly love and chivalry prevalent in medieval poetry and music. The poem's emotional depth and romantic expression contribute to its significance as a representative example of medieval lyrical tradition and Machaut's poetic and musical prowess. The musical structure of Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, follows the typical form of a two-part composition, as is common in the musical rondeau. The rondeau is a form of medieval and Renaissance French poetry and a corresponding musical chanson form, typically structured around a fixed pattern of repetition of verse with a refrain. The case of Dame, Se Vous N'Avez is one of three thirteen-line rondeau poems that Machaut set to music, and this form inevitably weights the first part over the second, which is significant for the parodic relationship between the two. The musical setting of the rondeau involves a specific pattern of repetition and refrain, contributing to its characteristic structure within the genre of medieval and Renaissance French music.
$24.95 ≈
22.59€
de Vitry: O canenda/Rex regum for Brass Quartet
de Vitry: O canenda/Rex regum for Brass Quartet
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Cont...
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Brass Quartet Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95 ≈
22.59€
de Vitry: Hugo princeps/Cum structura for Brass Trio
de Vitry: Hugo princeps/Cum structura for Brass Trio
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Philippe De Vitry
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James M
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de Vitry: Hugo princeps/Cum st
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jmsgu3
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SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Histor...
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Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Traditional. 6 pages. Jmsgu3 #932321. Published by jmsgu3 (A0.1347512). The motet Hugo, Hugo, princeps by Philippe de Vitry is significant for its musical innovation and potential political connotations. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a strong political statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament and the corrupt leadership at the time. Additionally, the motet employs elements that de Vitry helped develop early in the 14th century, which would later characterize the Ars Nova period in music. Therefore, Hugo, Hugo, princeps is notable for its musical and potentially political significance.The term Hugo princeps in Philippe de Vitry's motet is believed to refer to a specific individual named Hugo, potentially with political connotations. The term princeps in the motet's title may imply a reference to a leader or prince. When combined with the context of the text, it likely carries a symbolic or allegorical meaning related to that period's political and social environment. The term Cum structura in Hugo princepsCum structura is a musical term that translates to with structure in English. In the context of Philippe de Vitry's motet, it likely denotes the structural complexity and organization of the musical composition. This term reflects the meticulous and innovative musical construction for which Vitry's works are known, particularly during the Ars Nova period in the 14th century.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95 ≈
22.59€
Of our Father's Silent Night (for Horn & Trombone)
Of our Father's Silent Night (for Horn & Trombone)
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Christmas
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Franz Xaver Gruber, Medieval P
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Brett L
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Of our Father's Silent Night
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.837513 Composed by Franz Xaver Gruber, Medieval Plainchant. Arrang...
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Instrumental Duet Horn,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.837513 Composed by Franz Xaver Gruber, Medieval Plainchant. Arranged by Brett L. Wery. 20th Century,Christmas,Classical. Score and parts. 4 pages. Sonata Grendel Publishing #6657115. Published by Sonata Grendel Publishing (A0.837513). Of Our Father’s Silent Night combines the medieval plainchant, Of Our Father’s Love Begotten (Divinum mysterium), and the 1818-advent hymn, Silent Night, composed by Austrian schoolteacher, church organist and composer, Franz Xaver Gruber. It is a simple arrangement that focuses on the similarities of the two instruments in a gentle contemplative setting.
$9.59 ≈
8.68€
Solage: Plusers gens voy for Brass Quartet
Solage: Plusers gens voy for Brass Quartet
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Solage
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James M
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Solage: Plusers gens voy for B
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jmsgu3
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SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1268067 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,...
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Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1268067 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #860623. Published by jmsgu3 (A0.1268067). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95 ≈
22.59€
John Stainer | A Song of Praise | Clarinet Sextet
John Stainer | A Song of Praise | Clarinet Sextet
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John Stainer
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Andrew Lamb
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John Stainer | A Song of Prais
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Andrew Lamb
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1469196 By John Stainer. By J...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1469196 By John Stainer. By John Stainer. Arranged by Andrew Lamb. 19th Century,Classical,Praise & Worship. 22 pages. Andrew Lamb #1047216. Published by Andrew Lamb (A0.1469196). 🎵 Clarinet Sextet Adaptation of A Song of Praise by John Stainer 🎵Experience the beauty of Sir John Stainer's A Song of Praise with this delightful clarinet sextet arrangement. Perfect for concert or recital settings, as well as church services, this medium difficulty piece will enchant both performers and audiences alike.Scored for: 🎶 Part 1: Clarinet in Eb 🎶 Part 2: Clarinet in Bb 🎶 Part 3: Clarinet in Bb 🎶 Part 4: Alto Clarinet in Eb 🎶 Part 5: Bass Clarinet in Bb 🎶 Part 6: Contra Alto Clarinet in Eb Sir John Stainer (6 June 1840 – 31 March 1901) was a prominent English composer and organist. Although his music is less frequently performed today, it enjoyed great popularity during his lifetime. One of his most renowned works is The Crucifixion, still performed in Anglican churches during Passiontide. Stainer’s influence on Anglican church music and his academic contributions, especially in Medieval and Renaissance music studies, remain significant.Please like and subscribe for more videos and music arrangements. 🎼✨.
$10.00 ≈
9.06€
Ancha Es Castilla - Mago De Oz Acoustic Guitar Cover Tablatura y partitura by SLAVE
Ancha Es Castilla - Mago De Oz Acoustic Guitar Cover Tablatura y partitura by SLAVE
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MagoDeOz
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SLAVE, MAGO DE OZ
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Ancha Es Castilla - Mago De Oz
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SLAVE
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1442711 By MagoDeOz. By Unknown. Arranged by SLAVE, MAGO DE OZ. 20th Century,Baroque,Folk,Medieval,Rock. Guit...
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Guitar - Level 3 - Digital Download SKU: A0.1442711 By MagoDeOz. By Unknown. Arranged by SLAVE, MAGO DE OZ. 20th Century,Baroque,Folk,Medieval,Rock. Guitar Tab. 3 pages. SLAVE #1022689. Published by SLAVE (A0.1442711).
$6.00 ≈
5.43€
Floreat Rosa Divina (May the divine rose flourish) for violin and bassoon (mp3)
Floreat Rosa Divina (May the divine rose flourish) for violin and bassoon (mp3)
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Franck Leblois
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Floreat Rosa Divina
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David Warin Solomons
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SheetMusicPlus
Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Me...
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Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 183. David Warin Solomons #948232. Published by David Warin Solomons (A0.1363834). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). performed by Pavel Eret and Franck LeBloisThe poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$6.00 ≈
5.43€
Popular Music from the Age of Humanism 1430-1530 - - Score Only
Popular Music from the Age of Humanism 1430-1530 - - Score Only
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Adrian Willaert, Anonymous, Co
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Alastair Lodge
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Popular Music from the Age of
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich I...
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Level 3 - Digital Download SKU: A0.1365464 Composed by Adrian Willaert, Anonymous, Conrad Paumann, Guglielmo Ebreo da Pesaro, Guillaume Dufay, Heinrich Isaac, Johannes Ockeghem, John Bedyngham, Josquin Des Pres, Juan Roman, Magistro Rofino/Francesco Patavino, Robert Morton, and etc. Arranged by Alastair Lodge. Early Music,Historic,Medieval,Renaissance. 88 pages. Wold Meridian #949794. Published by Wold Meridian (A0.1365464). 26 Secular consort pieces and songs  in 2, 3 and 4 parts from late mediaeval and early renaissance sources in full score with lyrics.  The century between 1430 and 1530 was a revolutionary time for the arts in Europe, bridging the late Middle Ages and Early Renaissance.This selection of 26 pieces have been prepared in modern notation and familiar time signatures for those who wish to explore music popular secular music composed between these years .  There are songs and instrumental pieces that can be performed in a wide variety of ways, using modern  or period reproduction instruments.  Each piece has background historical notes, and there is an accompanying playlist on YouTube in which each of the pieces can be auditioned.  The pieces are presented in full score form, with lyrics provided.This book covers the transition in music between that featured in my volume Harmony of the Middle Ages, and the other two volumes Chording to the Dance Masters and Chording to the Consort.  Together they provide an invaluable companion to performers of Early Music, re-enactors or people who would like to extend their repertoire and get to know works of this period.
$15.00 ≈
13.58€
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