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1
Sugar Magnolia
Sugar Magnolia
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The Grateful Dead
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Lee Johnson
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Sugar Magnolia
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Lee Johnson Music
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1181489 By The Grateful Dead. By Bob Weir and Rober...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1181489 By The Grateful Dead. By Bob Weir and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. 48 pages. Lee Johnson Music #781279. Published by Lee Johnson Music (A0.1181489). Sugar Magnolia will be an instant audience favorite and a fulfilling and satisfying musical experience for your wind ensemble. It is scored for symphonic woodwinds and skillfully features the members of the ensemble by moving the melodic and rhythmic materials around for all to have a good time. Sugar Magnolia is one of the many fan favorites from the renowned Dead Symphony no. 6 by arranger and composer Lee Johnson that celebrates the music of the Grateful Dead. You may have heard it on Sirius/XM or on the Grateful Dead Hour. Don't forget the tie-died T-shirts for the performance!Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit:Â www.leejohnsonmusic.comKings Bishop Productions YouTube ChannelÂ
$49.99 ≈
$69.26
Colores (Let the Children Teach Us)
Colores (Let the Children Teach Us)
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. ...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00 ≈
$48.49
The Mighty Quinn
The Mighty Quinn
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Anne Jennifer Dudley
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Shaula Kitan Walko
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The Mighty Quinn
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Shady Lady Music
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SheetMusicPlus
Percussion Ensemble Steel Pan - Level 4 - Digital Download SKU: A0.1229871 Composed by Anne Jennifer Dudley. Arranged by Shaula Kitan Walko. Film/TV,Mult...
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Percussion Ensemble Steel Pan - Level 4 - Digital Download SKU: A0.1229871 Composed by Anne Jennifer Dudley. Arranged by Shaula Kitan Walko. Film/TV,Multicultural,Reggae,World. 62 pages. Shady Lady Music #824924. Published by Shady Lady Music (A0.1229871). Steel drum band, advanced intermediate level. Movie music, reggae. Key of C.Bob Dyan's classic Quinn The Eskimo has been performed by many various groups, including Manfred Mann, The Hollies, Ian & Sylvia, Grateful Dead, Phish, and even The Beatles during their Let It Be sessions.Quinn The Eskimo was adapted as The Mighty Quinn to be an integral part of the 1989 motion picture The Mighty Quinn starring Denzel Washington and Sheryl Lee Ralph. It is sung in the movie by Sheryl Lee Ralph, Cedella Marley, and Sharon Marley Prendergast, and later in the movie by Maria McDonald.This is an arrangement of The Mighty Quinn from the 1989 film of the same name. Playing level is advanced intermediate. It begins at a moderate pace with swing eighth notes and ends at a faster pace with straight eighth notes, making the transition at the instrumental toasting section, one bar before letter F. In the scrolling score sample, the tempo is 130 bpm for the swing section and 152 bpm for the straight eighths section.Rhythmic elements include: Swing rhythm switches to straight eighths along with change in tempo; quarter-note triplets; instrumental toasting section; accents on off-beats; interlocking syncopation.Instrument ranges:Lead     E4 - C6Doubles  G3 - E5Cello    C3 - G4Six Bass  C2 - D3Playing time is about 4:05 at swing = 130 bpm and straight eighths = 152 bpm.
$25.00 ≈
$34.64
It's Christmas Time - an original hymn for SATB voices
It's Christmas Time - an original hymn for SATB voices
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Sacred music
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Kevin G
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It's Christmas Time - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701519 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Praise & Worship,Sacred. 3...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701519 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218181. Published by Kevin G. Pace (A0.701519). An original Christmas hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/_QTtS_iOFKQIt's Christmas time now, and the lights are a glow. We sit and we ponder of times long ago. Dear Joseph and Mary, the babe who didst lay All wrapped in those swaddling clothes on the nice, soft hay. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man. How grateful we feel as we look at the year, And ponder the blessings amidst Christmas cheer. As the lights glow with beauty so bright in the snow, we will always remember the birth long ago. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man.
$1.99 ≈
$2.76
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
$26.32
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