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76
"Wade in the Water" from Crossing Jordan, arranged for clarinet, piano and cello
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
#
Maria Thompson Corley
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"Wade in the Water" from Cross
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Mar...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00 ≈
£11.43
24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
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Contemporary
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Judith Cloud
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24 Italian Songs and Arias for
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Judith Cloud
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981196 Composed by Judith Cloud. Contemporary. Score and parts....
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981196 Composed by Judith Cloud. Contemporary. Score and parts. 5 pages. Judith Cloud #6591239. Published by Judith Cloud (A0.981196). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.The complete volume is available from Classical Vocal Reprints (www.classicalvocalrep.com)Model #5273
$4.99 ≈
£3.80
Alone Together
Alone Together
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Jazz
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Arthur Schwartz and Howard Die
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Kate Skinner
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Alone Together
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Skinny Squared Music
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SheetMusicPlus
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1288964 Composed by Arthur Schwartz and Howard Dietz. Arranged by Kate Skinner. 2...
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Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1288964 Composed by Arthur Schwartz and Howard Dietz. Arranged by Kate Skinner. 21st Century,Jazz,Pop,Standards. Vocal Jazz Ensemble. 35 pages. Skinny Squared Music #879809. Published by Skinny Squared Music (A0.1288964). This fun, swinging arrangement of the jazz standard Alone Together will challenge and excite your group. Â A simple and hip delivery of the melody leads into a full chorus harmonized soli/shout, and a section for some solos over the form. Â The rhythm section will have fun with the reharms, and the singers will dig the tight harmonies and big band-esque rhythms of the soli/shout. Â This level 4 chart is a perfect opener for your concert.PDF includes score and parts for vocals, piano, bass, and drums.
$60.00 ≈
£45.72
Sullivan: The Lost Chord for Baritone Horn & Piano
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP...
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
£20.53
Sullivan: The Lost Chord for Oboe d'Amore & Piano
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for O
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
£20.53
The Very Thought Of You
The Very Thought Of You
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Rick Nelson
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Gerhard Guter
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The Very Thought Of You
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Gerhard Guter
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SheetMusicPlus
Choral Choir,Choral - Level 4 - Digital Download SKU: A0.844240 By Rick Nelson. By Ray Noble. Arranged by Gerhard Guter. Contemporary. 46 pages. Gerhard ...
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Choral Choir,Choral - Level 4 - Digital Download SKU: A0.844240 By Rick Nelson. By Ray Noble. Arranged by Gerhard Guter. Contemporary. 46 pages. Gerhard Guter #3860313. Published by Gerhard Guter (A0.844240). Very much influenced by Gene Puerling's writing for The Singers Unlimited, this chart is the perfect opener or closer; it packs an energy-packed punch from start to finish! The arrangement benefits from reharmonization, counterline, a challenging scat soil, and an instrumental writing approach to articulation. The soil (which can be taken at half-time for beginning-intermediate groups) sends off a piano solo, a return to introductory material, and an exciting conclusion. In addition to the chord chart versions, drums and fully-notated bass and piano (with a written example solo) parts are included. Your singers and band will have a blast with this barn-burner! Premiered at the University of North Texas/Addison Jazz Festival in 2007. Â SSATTB + rhythm (piano/bass/drums) Backing tracks available here: http://tiny.cc/inosuz Â
$3.99 ≈
£3.04
Over The Rainbow
Over The Rainbow
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Broadway
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Film/TV
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Judy Garland
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Scott S
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Over The Rainbow
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. ...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.955797 By Judy Garland. By Harold Arlen. Arranged by Scott S. Stewart. Contemporary. 5 pages. Scott S. Stewart #6036813. Published by Scott S. Stewart (A0.955797). Classically trained singers are generally first contact for most elementary, middle school and high school students via in-school programs, out-reach programs, etc. For those YAP programs/Studio Artists programs popular music arrangements are needed, and those available leave the singer oft' times wanting something more... This arrangement grew out of such an experience: a gifted singer & her talented pianist showed up at a school with the most generic of printed arrangements. Thus this attempt to create an ensemble of two - performing a tune recognized by all. All it requires is the singers art & soul.
$12.99 ≈
£9.90
The Nearness Of You
The Nearness Of You
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Jazz
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George Shearing
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Steve William Lussing
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The Nearness Of You
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S. W. Lussing
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve W...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99 ≈
£3.80
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (PARTS)
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (PARTS)
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Classical
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Classical
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from
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Amnael Orozco-Diaz
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 10 pages. Amnael Orozco-Diaz #4407076. Published by Amnael Orozco-Diaz (A0.826941). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$13.24 ≈
£10.09
The Night We Called It A Day
The Night We Called It A Day
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Frank Sinatra
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Tim Brent
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The Night We Called It A Day
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Tim Brent Music
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.877211 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Tim Brent. A Cappella,Jazz....
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.877211 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Tim Brent. A Cappella,Jazz. Octavo. 7 pages. Tim Brent Music #6575199. Published by Tim Brent Music (A0.877211). It is illegal to photocopy music. You must purchase enough copies for each member of your ensembleThis beautiful a cappella ballad set for TTTBBB voices (but work just as well for SATB voices) made famous by Frank Sinatra, will dazzle your audiences with lush, interesting harmony, interesting texture, and a poignant lyric. Similar to the style of the Hi-Lo's and the Singers Unlimited, the ensemble will find plenty of opportunities for expression and emotion in this piece.Ranges:Tenor 1 D5Bass 3 D2
$2.65 ≈
£2.02
(There's No Place Like) Home For The Holidays
(There's No Place Like) Home For The Holidays
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Perry Como
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John Fries
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(There's No Place Like) Home F
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1487434 By Perry Como. By Al Stillman and Robert Allen. Arranged by John Fries. 20th Century,Christmas,...
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C Instrument - Level 4 - Digital Download SKU: A0.1487434 By Perry Como. By Al Stillman and Robert Allen. Arranged by John Fries. 20th Century,Christmas,Holiday,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1064381. Published by John Fries (A0.1487434). TYPE JOHN FRIES IN THE SEAQRCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. (There's No Place Like) Home for the Holidays is a 1954 song commonly associated with the Christmas and holiday season. The lyrics detail the joys of being in your home community during the holidays and give examples of how some people will travel long distances to be with their loved ones. The music was composed by Robert Allen, with the lyrics written by Al Stillman. The best-known recordings of Home for the Holidays were made by Perry Como, who recorded the song twice, both times accompanied by Mitchell Ayres' Orchestra and the Ray Charles Singers. Perhaps the most iconic version of the song, other than the original Perry Como version, is the Carpenters’ recording on their 1984 LP release, An Old Fashioned Christmas.
$3.99 ≈
£3.04
The Lost Chord for Tuba Choir
The Lost Chord for Tuba Choir
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Contemporary
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Sir Arthur Seymour Sullivan
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Graham Boag
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The Lost Chord for Tuba Choir
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Graham Boag
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graha...
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included
$22.99 ≈
£17.52
On the Seashore of Endless Worlds (Orchestral score and parts)
On the Seashore of Endless Worlds (Orchestral score and parts)
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick ...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #6028589. Published by Colin Kirkpatrick Publications (A0.522061). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple groups of two and three beats.The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. The full score and all the orchestral parts are contained in a single PDF file. A high-quality audio file containing the orchestral accompaniment is also available separately. The choral score with piano reduction is available separately too, from SMP.
$69.95 ≈
£53.30
Two Songs for the Aging Diva
Two Songs for the Aging Diva
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Jill Hudson
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Two Songs for the Aging Diva
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Jill Hudson
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1005539 Composed by Jill Hudson. Concert,Contemporary. 10 pages. Jill Hudson #6260677. Published by...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1005539 Composed by Jill Hudson. Concert,Contemporary. 10 pages. Jill Hudson #6260677. Published by Jill Hudson (A0.1005539). This two song set, written in the Art song genre, is perfect for any recital, especially for those singers who have a few years under their belt. The aging Diva reflects on the fact that life is short, so don't save your best dishes or wine - use them now to create joy and the memories that are meaningful in life. The second song finds that, after living the day to it's fullest joy potential, she is tired and really just wants to go to bed, forgoing any of the usual movie watching.
$4.99 ≈
£3.80
Castle On The Hill
Castle On The Hill
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Pop music
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Ed Sheeran
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Julian Hay
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Castle On The Hill
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Julian Hay
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99 ≈
£2.28
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages...
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95 ≈
£9.10
Amami (Our Father)
Amami (Our Father)
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Tanglaw Singers
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Jeannard Carmen Ticong
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Amami
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Jeannard Carmen Ticong
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SheetMusicPlus
Choral Choir - Level 4 - Digital Download SKU: A0.1044245 By Tanglaw Singers. By Jeannard Carmen Ticong. Arranged by Jeannard Carmen Ticong. A Cappella,C...
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Choral Choir - Level 4 - Digital Download SKU: A0.1044245 By Tanglaw Singers. By Jeannard Carmen Ticong. Arranged by Jeannard Carmen Ticong. A Cappella,Contemporary,Contest,Festival,Multicultural,Sacred,World. Octavo. 7 pages. Jeannard Carmen Ticong #648206. Published by Jeannard Carmen Ticong (A0.1044245). In this setting, The Lord's Prayer is rendered in Ilocano, a Filipino language. This piece features a spoken prayer, which may be done using one's/the performer's local dialect, a short duet, challenging rhythmic patterns, lengthy phrases, and interesting melodic and harmonic realizations.
$10.00 ≈
£7.62
(they Long To Be) Close To You
(they Long To Be) Close To You
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The Carpenters
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Elise Letourneau
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(they Long To Be) Close To You
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Elise Letourneau
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SheetMusicPlus
Choral Choir,Choral (SAA) - Level 4 - Digital Download SKU: A0.1304441 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Elise Letourneau. ...
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Choral Choir,Choral (SAA) - Level 4 - Digital Download SKU: A0.1304441 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Elise Letourneau. A Cappella,Contemporary,Jazz,Pop,Standards. 5 pages. Elise Letourneau #893932. Published by Elise Letourneau (A0.1304441). As performed by The Juliet Singers.A cappella SAA arrangement of Burt Bacharach and Hal David's Close To You. Chord symbols included. 5 pages.Elise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00 ≈
£1.52
I Am The Walrus
I Am The Walrus
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Rock
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 10 pages. RayThompsonMusic #379309. Published by RayThompsonMusic (A0.771667). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Transposed into Ab Arranged brass quartet: 2 tpt, tbn and tuba. Alt horn in F part for tbn. You tube link is the clarinet quartet arrangement, but will give you an idea as to how the wq will sound.
$17.95 ≈
£13.68
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