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There Were Two Men
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1
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter...
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50 ≈
4.99€
TWO NEW MEDITATIONS for TREBLE or Spranino Recorder
TWO NEW MEDITATIONS for TREBLE or Spranino Recorder
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Alan Edgar
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TWO NEW MEDITATIONS for TREBLE
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Alan Edgar Ted Moon
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SheetMusicPlus
Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted...
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Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988099. Published by Alan Edgar Ted Moon (A0.1405063). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00 ≈
19.97€
Two Pieces in Scott Joplin Style
Two Pieces in Scott Joplin Style
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Jim Bosse
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Two Pieces in Scott Joplin Sty
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Jim Bosse
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.954976 Composed by Jim Bosse. Concert,Folk,Ragtime. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.954976 Composed by Jim Bosse. Concert,Folk,Ragtime. Score and parts. 10 pages. Jim Bosse #4580117. Published by Jim Bosse (A0.954976). These two pieces; Vista Point and Squirrel Creek were inspired by hiking destinations in the mountains of Colorado, to two foundation ruins of lodges built in the 1920s, then later burned down. My thought was that there was surely a piano in these lodges and Scott Joplin pieces were likely among the repertoire of the pianists of that era. These two pieces are scored for classical guitar solo with an optional narration part that tells the history of these lodges. Without narration the set performance time is 8 minutes. With the narration the pieces are played through once with the narration, then repeated without the narration, thus doubling the performance time. Performance demand is advanced intermediate. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99 ≈
2.71€
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
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Classical
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G maj
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KVAMusic Edition
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMus...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00 ≈
29.96€
Three Painters (parts)
Three Painters (parts)
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Contemporary
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and ...
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99 ≈
9.07€
Three Painters (score)
Three Painters (score)
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Contemporary
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and ...
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99 ≈
9.07€
Alpenhorn Variety Pack (solo and piano reduction of orchestra)
Alpenhorn Variety Pack (solo and piano reduction of orchestra)
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Gary Friedman
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Alpenhorn Variety Pack
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Gary Friedman
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.889883 Composed by Gary Friedman. Contemporary,Romantic Period,World....
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.889883 Composed by Gary Friedman. Contemporary,Romantic Period,World. Score and parts. 6 pages. Gary Friedman #13177. Published by Gary Friedman (A0.889883). This contains music in several styles, both slow and lively, for solo alpenhorn and orchestra. A piano is included in the orchestra, but if not available, other instruments are provided with cues for the piano passages. It was written to celebrate the 75th anniversary of the San Francisco Civic Symphony, the oldest community orchestra on the West Coast. There were three performances in 2006, the anniversary year - two indoor and one outdoor. A piano reduction of the orchestra accompaniment is provided here. It is also included with the orchestra score and set of parts, sold separately for $40.00. Duration: 6 or 8 minutes, depending on whether an optional repeat is taken. Year: 2005.
$5.00 ≈
4.54€
Nine Swann Songs for High Voice, Violin, Cello and Piano - Opus 18
Nine Swann Songs for High Voice, Violin, Cello and Piano - Opus 18
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Daniel Carr
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Nine Swann Songs for High Voic
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Daniel Carr
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1040455 Composed by Daniel Carr. Broadway,Classical,Contemporary,Film/T...
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Small Ensemble Cello,High Voice,Piano,Violin - Level 4 - Digital Download SKU: A0.1040455 Composed by Daniel Carr. Broadway,Classical,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 265 pages. Daniel Carr #645246. Published by Daniel Carr (A0.1040455). Full recording here - https://danielcarr1.bandcamp.com/album/daniel-carr-volume-3-high-voice-and-piano-trio In an unusual twist, Carr composed the musical component of Nine Bethany Swann Songs prior to the texts having been written. The poet, Bethany Swann, listened to his music and through that experience was able to create the lyrics that so perfectly flow in the songs – an impressive achievement. The nine-movement song cycle begins with In Memoriam, the most “pop music†sounding of the songs, with a simple lyrical line. Roses Through Barbed Wire follows – it is more aggressive and percussive with an active accompaniment to the voice. The third piece of the cycle, The Somnambulist, is in two parts: the first with long melodic lines over a minimalist accompaniment; the second, more chordal and lyrically active. The Struggle shows influences of “Americana†and has a purely instrumental middle section. The midway point of the cycle, Stained Glass, makes use of glowing chords in various modes. The sixth song is A Return, which contains thick textures and chordal accompaniment in support of the vocal part. Song of Returns introduces a slower pace and is imagined as an “impressionistic cowboy song†– if such a thing were to exist! The penultimate movement, Light Sources is a multi-part song having an ethereal middle section and an explosive instrumental ending. The cycle concludes with Northern Boundaries, which includes a hymn-inspired section at the end.
$9.99 ≈
9.07€
Velogeno and Fugue for Double Bass and Vibraphone
Velogeno and Fugue for Double Bass and Vibraphone
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Contemporary
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Jo Asker
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Velogeno and Fugue for Double
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Jo Asker Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1026116 Composed by Jo Asker. 20th Century,Contemporary. ...
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Instrumental Duet Double Bass,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1026116 Composed by Jo Asker. 20th Century,Contemporary. Score and parts. 14 pages. Jo Asker Publishing #5866955. Published by Jo Asker Publishing (A0.1026116). A take on my original ballad Velogeno with two subsequent fugue sections comprised of material from the main theme. Velogeno is an anagram for the words Love Gone and the character of the piece reflects this. Ethereal harmonies and floating melodic content comprise the main theme and last fugue. The first fugue is more rhythmic in nature, almost like if J.S. Bach were to write a tonally ambiguous invention.
$8.99 ≈
8.16€
Duo on 'Hyfrydol' (Fl/Va)
Duo on 'Hyfrydol' (Fl/Va)
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Paul Jones
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Paul S
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Duo on 'Hyfrydol'
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Paul S. Jones
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.871073 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.871073 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Contemporary,Sacred. Score and parts. 4 pages. Paul S. Jones #3558747. Published by Paul S. Jones (A0.871073). This lovely unaccompanied setting of the Welsh hymn, Hyfrydol, is arranged for Flute and Viola, which were the original instruments for which it was arranged. There is also a Treble C and Bass C version (could be violin/cello, or flute/bassoon, or oboe/bassoon). The same arrangement appears in a version for B-flat clarinet and viola. A great piece for church or a recital, particularly in a Christian college. [The recording here features the violin/cello version.] Performers should purchase two copies.
$7.00 ≈
6.35€
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