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20 sheet music found
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1
SPANISH DANCE OP 12, NO1 – BRASS QUARTET
SPANISH DANCE OP 12, NO1 – BRASS QUARTET
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Classical
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Moritz Moszkowski
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BRIAN W
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SPANISH DANCE OP 12, NO1 – B
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EMK Music
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.834028 Composed by Moritz Moszkowski. Arranged by BRIAN W. COPPING. Romantic Period. 32 pages. EMK Music #6082521. Pub...
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Level 5 - Digital Download SKU: A0.834028 Composed by Moritz Moszkowski. Arranged by BRIAN W. COPPING. Romantic Period. 32 pages. EMK Music #6082521. Published by EMK Music (A0.834028). Scored for two Trumpets, Trombone/Euphonium and Tuba. There are alternative parts for F and Eb Horn (Trombone), Bb Trombone/Euphonium in Bass and Treble clefs (Trombone) and Eb and Bb Bass in Treble and Bass clefs. Moritz Moszkowski (1854- 1925), a cosmopolitan European, proud of his Jewish heritage, was born in Breslau, Prussia (now Poland). His set of Spanish Dances have been arranged for different Chamber combinations, including The Spanish Dance No 5 (Bolero) which was used in David Lean's film, Brief Encounter (1945). This piece, Spanish Dance, Op.12, No 1, has also, for good reason, retained its popularity in a number of different musical settings.
$14.00 ≈
12.90€
Dance The Night Away
Dance The Night Away
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Contemporary
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The Mavericks
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Austin Ralphson
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Dance The Night Away
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Austin Ralphson
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SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563217 By The Mavericks. By Raul Malo. Arranged by Au...
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563217 By The Mavericks. By Raul Malo. Arranged by Austin Ralphson. Contemporary. Score and parts. 14 pages. Austin Ralphson #3483373. Published by Austin Ralphson (A0.563217). Written by Raul Malo and recorded by American country band The Mavericks, this song was released as a single in 1998. It is a popular song for any kind of gig or concert, and is sure to fill the dance floor. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99 ≈
11.97€
English Dances, Set 1, Op. 27: No. 3. Mesto
English Dances, Set 1, Op. 27: No. 3. Mesto
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Contemporary
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Jay Ferguson and Malcolm Arnol
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John Gibson
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English Dances, Set 1, Op. 27:
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.582070 Composed by Jay Ferguson and Malcolm Arnold. Arranged by John...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.582070 Composed by Jay Ferguson and Malcolm Arnold. Arranged by John Gibson. Contemporary. 82 pages. JB Linear #4834977. Published by JB Linear (A0.582070). Malcolm Arnold Set 1 of English Dances, arranged for flute choir. Arnold was born in Northampton, Northamptonshire, England in 1921. He not only wrote music for films, but also a great deal of compositions or a more serious nature. He wrote his English Dances (set 1) in 1950 and they became instantly popular. This is a setting for flute choir of the four movements. The instrumentation is piccolo, flute 1 - 4, alto flute 1 and 2, and bass flute by John Gibson. The piece runs about 8 minutes.
$17.50 ≈
16.13€
English Dances, Set 1, Op. 27: No. 3. Mesto
English Dances, Set 1, Op. 27: No. 3. Mesto
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Contemporary
#
Jay Ferguson and Malcolm Arnol
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John Gibson
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English Dances, Set 1, Op. 27:
#
JB Linear
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.582071 Composed by Jay Ferguson and Malcolm Arnold. Arranged by John...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.582071 Composed by Jay Ferguson and Malcolm Arnold. Arranged by John Gibson. Contemporary. 86 pages. JB Linear #4841425. Published by JB Linear (A0.582071). Malcolm Arnold Set 1 of English Dances, arranged for clarinet choir. Arnold was born in Northampton, Northamptonshire, England in 1921. He not only wrote music for films, but also a great deal of compositions or a more serious nature. He wrote his English Dances (set 1) in 1950 and they became instantly popular. This is a setting for clarinet choir of the four movements. The instrumentation is Eb clarinet, clarinet 1 - 4, alto clarinet (or an alternate 5th clarinet for alto), bass clarinet, and Contrabass Clarinet by John Gibson. The piece runs about 8 minutes.
$18.50 ≈
17.05€
Dance of the Tumblers from The Snow Maiden
Dance of the Tumblers from The Snow Maiden
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Opera
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Classical
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Barclay Brass Quintet
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David J
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Dance of the Tumblers from The
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Sterling Music Editions
#
SheetMusicPlus
Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1108291 By Barclay Brass Quintet. By Nikolay Andreyevich Rimsky-Korsakov. Arrange...
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Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1108291 By Barclay Brass Quintet. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by David J. Miller. 19th Century,Classical,Opera,Romantic Period. 28 pages. Sterling Music Editions #710920. Published by Sterling Music Editions (A0.1108291). Rimsky-Korsakov composed his opera The Snow Maiden in 1880, and was premiered in 1882. The Dance of the Tumblers was popularized as the fourth and final movement from the Suite compiled by the composer. This movement has been rewritten for Brass Quintet, and is a showcase for each musician. This arrangement works well as a concert opener, closer, or anywhere in between.
$35.00 ≈
32.26€
Hungarian Holiday for Clarinet Quintet
Hungarian Holiday for Clarinet Quintet
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Classical
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Johannes Brahms
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James Haynor
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Hungarian Holiday for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1103799 Composed by Johannes Brahms. Arranged by James Haynor. Romantic Period. 52 pages. James Ha...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1103799 Composed by Johannes Brahms. Arranged by James Haynor. Romantic Period. 52 pages. James Haynor #707080. Published by James Haynor (A0.1103799). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms, are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They vary from about a minute to five minutes in length. They are among Brahms's most popular works and were the most profitable for him. This arrangement is scored for Clarinet Quintet and makes a lively and exciting addition to any concert or recital. Dances 1, 5 and 6 comprise the mini suite. Not for the faint of heart, the arrangement is well worth the effort. ( Duration - 8:57 ).
$10.00 ≈
9.22€
Nutcracker Mini-Suite, arranged for wind decet and double bass
Nutcracker Mini-Suite, - wind decet and double bass
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Philip Le Bas
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Philip Le Bas
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Nutcracker Mini-Suite, - wind
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Philip Le Bas
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 5 - Digital Download SKU: A0.1226177 By Philip Le Bas. By P Tchaikovsky. Arranged by Philip Le Bas...
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Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 5 - Digital Download SKU: A0.1226177 By Philip Le Bas. By P Tchaikovsky. Arranged by Philip Le Bas. 19th Century,Chamber,Christmas,Classical. 198 pages. Philip Le Bas #822205. Published by Philip Le Bas (A0.1226177). An arrangement for double wind quintet (decet) and double bass by Philip Le Bas of five movements from Tchaikovsky's ever-popular Nutcracker ballet : 1. March, 2. Dance of the Sugar Plum Fairy, 3. Russian Dance: Trepak, 4. Chinese Dance, 5. Waltz of the Flowers.
$5.99 ≈
5.52€
Offenbach: Orphée aux Enfers Overture - symphonic wind ensemble
Offenbach: Orphée aux Enfers Overture - symphonic wind ensemble
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Opera
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Classical
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Jacques Offenbach
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Ray Thompson
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Offenbach: Orphée aux EnfersÂ
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RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553869 Composed by Jacques Offenbach. Arranged by Ray Th...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553869 Composed by Jacques Offenbach. Arranged by Ray Thompson. Opera,Romantic Period. Score and parts. 52 pages. RayThompsonMusic #5204901. Published by RayThompsonMusic (A0.553869). Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.This arrangement is of The best-known and much-recorded Orphée aux enfers overture which is not by Offenbach, and is not part of either the 1858 or the 1874 scores. It was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.This music also appears at the end of the overture.Arranged double wind quintet/bassClarinets in Bb provided in addition to Clts in A.
$17.95 ≈
16.54€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio LuÃs de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio LuÃs de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première Å“uvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses Å“uvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là , certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des Å“uvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses Å“uvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'Å“uvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.33€
Classical Gas
Classical Gas
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Mason Williams
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Sarah Houle
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Classical Gas
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SARAH L HOULE
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SheetMusicPlus
Euphonium Solo - Level 5 - Digital Download SKU: A0.1426054 Composed by Mason Williams. Arranged by Sarah Houle. Classical,Contest,Festival,Pop,Rock,Stan...
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Euphonium Solo - Level 5 - Digital Download SKU: A0.1426054 Composed by Mason Williams. Arranged by Sarah Houle. Classical,Contest,Festival,Pop,Rock,Standards. Individual part. 6 pages. SARAH L HOULE #1006847. Published by SARAH L HOULE (A0.1426054). Classical Gas by Mason Williams, arranged for Solo Unaccompanied Euphonium by Sarah Houle, 2024.What a lovely (and fun!) piece this has been to arrange for solo euphonium! Originally for guitar, it was quite an interesting task figuring out how best to outline the chord structures for a monophonic brass instrument. The arrangement includes a slower, more simple introduction, development sections, chorus sections, and sort of an outtro. The piece is a lovely cross between expressive and technical classical feel and a dancing/driving popular music format complete with verses, choruses and bridges.Often, in the places where the original guitar plays two or more notes in chordal fashion, the euphonium will either play grace notes or an altered rhythm to accommodate the chord structure. The grace notes are always slurred, their length designated by the note values used. Many of the passages are fully articulated rather than slurred, so care will need to be taken to play in the correct style for the arrangement to be performed well. Technical passages, especially those with syncopation, must dance. It is highly recommended to listen to an original guitar recording to get this feel!Additionally, the euphonium will need to breathe, so there are also breathing 'suggestions' in the arrangement. The arrangement doesn't stretch into the lowest euphonium range, but it does hang out on multiple high C's and B's in every chorus, so there is a bit of difficulty there in retaining stability through those passages.Enjoy this arrangement of Classical Gas for Unaccompanied Solo Euphonium!
$15.00 ≈
13.82€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
25.80€
Ravel: Le Tombeau de Couperin IV Rigaudon - Symphonic wind
Ravel: Le Tombeau de Couperin IV Rigaudon - Symphonic wind
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.650930 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Baroque. 22 pages. RayThompsonMusic #260018. ...
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Level 5 - Digital Download SKU: A0.650930 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Baroque. 22 pages. RayThompsonMusic #260018. Published by RayThompsonMusic (A0.650930). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged Double wind quintet/Bass 2nd Oboe has some bars of Cor Anglais .!st Clarinet in Bb has a section for Clarinet in A. This is my arrangement of No.IV Rigaudon in the orchestral suite for wind dectet.
$14.95 ≈
13.78€
Muirland Willie Set
Muirland Willie Set
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Traditional Scottish
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James Scott
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Muirland Willie Set
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Mesa Music Publishing
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SheetMusicPlus
String Ensemble,String Trio Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.892520 Composed by Traditional Scottish. Arranged by James Scot...
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String Ensemble,String Trio Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.892520 Composed by Traditional Scottish. Arranged by James Scott. Baroque,Celtic,Folk,Holiday,World. Score and parts. 17 pages. Mesa Music Publishing #6120247. Published by Mesa Music Publishing (A0.892520). Muirland Willie, for violin, viola, and double bass An arrangement Muirland Willie and My Nanny-O’, from William Thomson's Orpheus Caledonius (1725). These are very popular Scottish country dance tunes. My Nanny-O’ begins with a double bass solo. 4Min. 10. From the Celtic Arts Trio Collection.
$8.00 ≈
7.37€
Acte por Harp, Guitar, Marimba, Glock.
Acte por Harp, Guitar, Marimba, Glock.
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Classical
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Celebrity Chamber Players
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Acte por Harp, Guitar, Marimba
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Guitar,Harp,Percussion - Level 5 - Interactive Download SKU: A0.492911 By Celebrity Chamber Players. By Marshall Thomas. This edition: Int...
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Small Ensemble Guitar,Harp,Percussion - Level 5 - Interactive Download SKU: A0.492911 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical. Score and parts. 8 pages. Duration 49. Father Ambrose Press #4WKmyQQVBjuSFa3cDPUNeB. Published by Father Ambrose Press (A0.492911). Key: Eb major.A popular, brief, and spirited dance composition for small chamber ensemble...
$12.00 ≈
11.06€
Del Caserío
Del CaserÃo
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Contemporary
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William Ortiz
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Del CaserÃo
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William Ortiz
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SheetMusicPlus
Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1008998 Composed by Wil...
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Small Ensemble Bass Guitar,Electric Guitar,Multi-Percussion,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1008998 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 123 pages. William Ortiz #6093209. Published by William Ortiz (A0.1008998). Subtitled An urban pastiche, Del CaserÃÂo combines abstract sections of what I call sonic graffiti with popular Latin and Rock music riffs, which are most likely heard in a CaserÃÂo (a low-income housing community).The graffiti episodes are interrupted suddenly by these dance motives. This process is a musical metaphor for the dichotomy of present-day urban life. The work is scored to reflect the sound world and the emotional distress of a marginated society. But at the same time, it underlines and conveys the enthusiasm, energy and joyfulness that embodies this astonishing culture.
$22.00 ≈
20.27€
Can't Stop The Feeling from TROLLS
Can't Stop The Feeling from TROLLS
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Justin Timberlake
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Steve Hackman, Stereo Hideout
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Can't Stop The Feeling from TR
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From the Top
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SheetMusicPlus
Small Ensemble Cello,Drums,Flute,Horn,Viola,Violin - Level 5 - Digital Download SKU: A0.1010920 By Justin Timberlake. By Johan Schuster, Justin Timberlak...
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Small Ensemble Cello,Drums,Flute,Horn,Viola,Violin - Level 5 - Digital Download SKU: A0.1010920 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Steve Hackman, Stereo Hideout http://www.stereohideout.com. Dance,Pop. Score and parts. 40 pages. From the Top #3068535. Published by From the Top (A0.1010920). From the producers of the popular NPR radio show From the Top comes a classically-infused take on Justin Timberlake’s summer pop hit. Watch the From the Top music video: https://www.youtube.com/watch?v=VneAmvetQ9M
$12.99 ≈
11.97€
Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
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Contemporary
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.697174 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Centur...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.697174 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 23 pages. RayThompsonMusic #305768. Published by RayThompsonMusic (A0.697174). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Flute 2 has some piccoloOboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A
$14.95 ≈
13.78€
Zekiel's Got Shoes
Zekiel's Got Shoes
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Hart Morris
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Zekiel's Got Shoes
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Hope Publishing - Digital
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SheetMusicPlus
Handbells Tap Shoes - Level 5 - Digital Download SKU: H1.1770DP Arranged by Hart Morris. Agape Bronze - L4-5. General Worship. Handbell score. 16 pages. ...
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Handbells Tap Shoes - Level 5 - Digital Download SKU: H1.1770DP Arranged by Hart Morris. Agape Bronze - L4-5. General Worship. Handbell score. 16 pages. Hope Publishing - Digital #1770DP. Published by Hope Publishing - Digital (H1.1770DP). Medley of popular songs Ezekiel Saw the Wheel and I Go Shoes are skillfully arranged for show and fun!Use tap dancer or tap shoes as percussion. Techniques include SK, Mallet, TD, PL, RT. This piece should be a great challenge! Watch for key changes and accidentals. Measures total 118.
$7.00 ≈
6.45€
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Popular Dance 
