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51
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Musi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
£15.40
Symphony for Piano Quintet - Score Only
Symphony for Piano Quintet - Score Only
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Contemporary
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Antonio Gervasoni
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Symphony for Piano Quintet - S
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Antonio Gervasoni
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 5 - Digital Download SKU: A0.1088419 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 74 pag...
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Piano Quintet,String Ensemble - Level 5 - Digital Download SKU: A0.1088419 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 74 pages. Antonio Gervasoni #692684. Published by Antonio Gervasoni (A0.1088419). Five-movement work for piano quintet. Ever since I had the idea of ​​writing a symphony, many years ago, I always knew that I wanted it to be about my childhood memories. I spent much of my childhood in the house of my paternal grandparents and both the house, its inhabitants and the occasional guests we had, appear from time to time in my dreams. One day I asked myself the following question: can I write a symphony for a set of instruments other than an orchestra? Is it a requirement that a symphony be performed by an orchestra? What is a symphony? How is it defined in modern times? I know some people will find the title of my piece inappropriate and argue that I could simply have called it a piano quintet and dispensed with the word symphony in its name. However, I think that the work conveys a certain symphonic character and, therefore, it is, in my opinion, a symphony, a symphony for piano quintet.
$11.99 ≈
£9.26
Drifting - Score Only
Drifting - Score Only
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Contemporary
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Antonio Gervasoni
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Drifting - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Ger...
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Small Ensemble - Level 5 - Digital Download SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Gervasoni #692688. Published by Antonio Gervasoni (A0.1088423). Single-movement work for string trio. I've been practicing meditation for several years and if I had to choose a particular word to describe what I experience, that word would be drifting. After relaxing, my mind begins to wander. Fragments of images, thoughts and sounds flash through my mind, like fast zapping on a TV. Everything is blurry, but every now and then an image takes shape and for a moment I see all kinds of things: people, landscapes, animals, etc.; sometimes I hear a voice that speaks to me; I've even listened to music, like tuning in to a radio station for a few seconds (and when I say listen I mean it; it's not like remembering a song, it's exactly like listening to it). This is known in neuroscience as the hypnagogic state, in which hallucinations often occur. I decided to draw on this kind of experience to write Drifting. It's organized in three sections, with no break between them: relaxing, flowing and being.
$5.99 ≈
£4.62
Concerto For Clarinet - Score Only
Concerto For Clarinet - Score Only
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet - Score
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00 ≈
£27.02
Heisenberg was looking for a raison d'être - Score Only
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post...
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Piano Quintet - Level 5 - Digital Download SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03 ≈
£6.97
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts....
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99 ≈
£15.43
Who Wants To Live Forever
Who Wants To Live Forever
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Rock
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Queen
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Jeffrey Cottrell
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good college group
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Who Wants To Live Forever
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Jeffrey Cottrell
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.933730 By Queen. By Brian May. Arranged by Jeffrey Cottrell. Rock. Score and parts. 13 pages...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.933730 By Queen. By Brian May. Arranged by Jeffrey Cottrell. Rock. Score and parts. 13 pages. Jeffrey Cottrell #3603321. Published by Jeffrey Cottrell (A0.933730). This arrangement for 6 trombones is the entire epic song as used in the movie. Playable by an advanced high school or good college group. Bass bone range is to D below the staff, tenor to one high C above the staff, but mostly only goes up to high G or A. High melodic work is split between 1st and 2nd parts to help with endurance.
$20.00 ≈
£15.44
The Spirits of Cahuachi - Score Only
The Spirits of Cahuachi - Score Only
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Contemporary
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Antonio Gervasoni
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The Spirits of Cahuachi - Scor
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Antonio Gervasoni
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Ger...
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Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Gervasoni #692676. Published by Antonio Gervasoni (A0.1088411). Single-movement work for 10 musicians. This piece is inspired by the reading of the book 'Behind the Silence: Music in the Nasca Culture', by the Polish scientist Anna Gruszczyńska-Ziółkowska, which describes the discovery, in 1994, of several antaras (Andean pan flutes) made of clay in a temple in the city of Cahuachi, the political and cultural center of the Nasca culture. The book includes tables with the exact tones that each tube is capable of producing. The Spirits of Cahuachi uses these tones, i.e. their approximate counterpart in our modern tuning system, treating them in different ways, sometimes as chords, sometimes as scales, sometimes as pitch-class sets, fragmenting the sets, and then overlapping the resulting groups, etc. Of course, there is no intention to produce something that resembles the music of the ancient Nasca inhabitants. We don't know anything about their music. None of it has survived with the exception of these tones, these 'spirits' contained in the pipes of the antaras discovered in Cahuachi.
$6.99 ≈
£5.40
Portrait - Score Only
Portrait - Score Only
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Contemporary
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Antonio Gervasoni
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Portrait - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 5 - Digital Download SKU: A0.1088407 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 21 pag...
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Piano Quintet,String Ensemble - Level 5 - Digital Download SKU: A0.1088407 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 21 pages. Antonio Gervasoni #692671. Published by Antonio Gervasoni (A0.1088407). Single-movement work for piano quintet. Portrait is a piece I wrote in August 2004 as a gift to Adolf Sobrevilla, to whom it is dedicated. As the title suggests, it is a portrait, an attempt to describe a person—not physically, but emotionally—through music. The original version called for a string orchestra and piano, but I was never completely satisfied with that solution and kept constantly revising the score over the years. In 2016 I was close to a definitive solution after realizing that, due to the virtuosity required of the strings, it was better to reduce them to a solo quintet. Finally, in 2022, I thought it would be better to rewrite the piece for a piano quintet, being a more standard formation.
$4.99 ≈
£3.85
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
£23.12
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
£6.91
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
£6.91
Concerto for Eb Clarinet and Clarinet Choir from Vivaldi Piccolo Concerto RV 443
Concerto for Eb Clarinet and Clarinet Choir from Vivaldi Piccolo Concerto RV 443
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Antonio Vivaldi
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Alan Edgar
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Concerto for Eb Clarinet and C
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Alan Edgar Ted Moon
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edga...
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edgar Ted Moon #1006198. Published by Alan Edgar Ted Moon (A0.1425377). VIVALDI RV 443 PICC CONCERTO ARR FOR EB CLARINET AND CLARINET CHOIR. Essential: Eb soloist, Bb1,2,3 or Alto, Bass. Optional Contra-alto, Contrabass. This Concerto in C Major for flautino RV443 dates from1728-29. It was probably composed for the Ospedale della Pietà in Venice, the convent/orphanage with which he was affiliated.. The girls of the Pietà were famous throughout Europe for their musical performances. . Since the term “flautino” was not generally used in Vivaldi’s day, scholars have speculated ever since about what instrument Vivaldi had in mind. The leading candidate is the sopranino recorder. However, later in the 18th century the transverse flute replaced the recorder in general use, and a new edition of RV 443 was published for the piccolo, a member of the flute family.There are several passages with only the bass line accompanying, and no figures, so I have realised some of these. Some of the accompaniment rhythm patterns, originally for strings, seem too heavy-footed on clarinets, so I have made a few tiny modifications in them. The cadenza, all the articulations and dynamics are mine. 9 minutes if the soloist is very agile.
$40.00 ≈
£30.88
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
£6.91
Wave
Wave
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Contemporary
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Antonio Carlos Jobim
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Tony Benade
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Wave
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Tony Benade
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.809132 Composed by Antonio Carlos Jobim. Arranged by Tony Benade. Co...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.809132 Composed by Antonio Carlos Jobim. Arranged by Tony Benade. Contemporary. Score and parts. 18 pages. Tony Benade #4888383. Published by Tony Benade (A0.809132). This is one of the prettiest songs Jobim has ever written. Of course all his tunes are wonderful music compositions but this one has a special charm to it as it sets a soft and gentle mood. It lends itself quite well to the brass quintet ensemble and with the addition of the drum set, it really moves the latin feel to the utmost. The trumpet and trombone split the ad lib chorus before going to the final chorus. This song is not the normal AABA 32 bar type of song as the chorus is 12 bars rather than 8 bars so it extends into areas that other tunes do not. This will be enjoyed by not only jazz enthusiast but several other listeners as well.
$24.99 ≈
£19.29
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 7
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 7
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876539 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876539 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 24 pages. JoeCopio Music LLC #2101561. Published by JoeCopio Music LLC (A0.876539). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
£7.71
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 3
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 3
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876535 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876535 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 18 pages. JoeCopio Music LLC #2101549. Published by JoeCopio Music LLC (A0.876535). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
£7.71
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 6
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 6
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Classical
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876538 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876538 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 13 pages. JoeCopio Music LLC #2101557. Published by JoeCopio Music LLC (A0.876538). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
£7.71
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 2
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 2
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Classical
#
Joe Procopio The Beethoven Due
#
Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR VIOLA
#
JoeCopio Music LLC
#
SheetMusicPlus
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876534 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876534 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 11 pages. JoeCopio Music LLC #2101547. Published by JoeCopio Music LLC (A0.876534). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
£7.71
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 5
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 5
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Classical
#
Joe Procopio The Beethoven Due
#
Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR CELLO
#
JoeCopio Music LLC
#
SheetMusicPlus
String Ensemble Cello - Level 5 - Digital Download SKU: A0.876548 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. ...
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.876548 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 17 pages. JoeCopio Music LLC #2101593. Published by JoeCopio Music LLC (A0.876548). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99 ≈
£7.71
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