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You've selected:
Hush,
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Sheetmusic to print
4 sheet music found
<
1
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
#
Contemporary
#
The Carpenters
#
Mike Lyons
#
There's A Kind Of Hush
#
Lyons Music Services
#
SheetMusicPlus
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.767418 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons. Con...
(+)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.767418 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons. Contemporary. Score and parts. 25 pages. Lyons Music Services #3690579. Published by Lyons Music Services (A0.767418). This lovely song has been arranged for string quintet and this arrangement is also suitable for string orchestra.
$25.00 ≈
23.03€
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
#
Classical
#
Gustav Mahler
#
David Fetter
#
Symphony No. 2 Finale Choral E
#
Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Peri...
(+)
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Period. 24 pages. Gordon Cherry #863680. Published by Gordon Cherry (A0.1271282). The Finale movement of Gustav Mahler's Symphony No. 2, (also known as the Resurrection), is a monumental and awe-inspiring composition that serves as the climax of the entire symphony. It is a grand choral movement that combines orchestral forces with vocal soloists and a large choir. In this exquisite section of hushed, whispered, and mysterious music, arranged beautifully by David Fetter, the famous Choral section from the Finale (numbers 32-39 in the score) is set for 8-part Trombone Ensemble. This powerful section of the Finale is emotionally charged and yet is performed at almost a whisper.This arrangement of about 6-minutes in length is suitable for advanced performers. FYI....this is NOT the famous Trombone Choral, rather the hushed, whispered section featuring the chorus. It is truly a work of genius.
$37.50 ≈
34.55€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
#
Carson Cooman
#
Carson Cooman: Concerto for Ba
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concer...
(+)
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95 ≈
30.35€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
#
Musik Fabrik Music Publishing
#
Carson Cooman: Concerto for Ba
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Musi...
(+)
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
18.38€
<
1
Hush,
