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Paul Wehage: Les Rendez-vous Manqués for narrator and mixed ensemble
Paul Wehage: Les Rendez-vous Manqués for narrator and mixed ensemble
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Paul Wehage
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Paul Wehage: Les Rendez-vous M
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Multi-Percussion,Trumpet,Voice - Level 5 - Digital Download SKU: A0.534393 Composed by Paul Wehage. Contempo...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Multi-Percussion,Trumpet,Voice - Level 5 - Digital Download SKU: A0.534393 Composed by Paul Wehage. Contemporary,Holiday,Love. Score and parts. 128 pages. Musik Fabrik Music Publishing #3400115. Published by Musik Fabrik Music Publishing (A0.534393). !wrutteb as a companion piece for Walton's Facade, the piece consists of an overture, thrteen French poems by Jean-Thierry Boisseau and two encores. Scored for narrator with flute, Bb clarinet, alto saxophone, C trumpet, percussion (snare drum, castagnettes, triangle, bass drum, suspended cymbale, 3 temple blocks and 2 wood blocks) and violoncello. The poems speak of famous couples and what might have happened if their meetings had been different.
$38.95 ≈
$53.13
Paul Wehage - L'Aube Spirituelle
Paul Wehage - L'Aube Spirituelle
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Contemporary
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Mus...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95 ≈
$35.40
Au dessous des étoiles
Au dessous des étoiles
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Thierry Pecou
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Au dessous des étoiles
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATBarB) - difficult - Digital Download SKU: S9.Q44804 For mixed choir a cappella (SATBarB). Composed by Thierry Pecou. This edition:...
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Mixed choir (SATBarB) - difficult - Digital Download SKU: S9.Q44804 For mixed choir a cappella (SATBarB). Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 6 minutes. Schott Music - Digital #Q44804. Published by Schott Music - Digital (S9.Q44804). French.Like the work Les effets du jour (The Effects of Light), also the setting of a poem by Paul de Brancion, this composition identifies the ecological catastrophes confronting human beings as a result of their irresponsibility. This composition focuses on the future scarcity of water. A melodic figure evokes the fluidity of this precious liquid, leading into a hypnotic shamanic song praying without avail for some rain.
$6.99 ≈
$9.54
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
$40.86
Double Troubles
Double Troubles
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Paul Saunders
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Double Troubles
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Forton Music - Digital
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SheetMusicPlus
Fl/Cl/Sax.Pft - Advanced - Digital Download SKU: F2.FM685 Composed by Paul Saunders. These pieces were composed as a direct consequence of the increase i...
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Fl/Cl/Sax.Pft - Advanced - Digital Download SKU: F2.FM685 Composed by Paul Saunders. These pieces were composed as a direct consequence of the increase in College Level students studying the art of woodwind doubling. They are of moderate to advanced level and are designed to be played sitting down, with the required instruments set up on. Score and Parts. 61 pages. Forton Music - Digital #FM685. Published by Forton Music - Digital (F2.FM685). ISBN 9790570485840.
$19.95 ≈
$27.21
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
$10.85
How High The Moon
How High The Moon
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Contemporary
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Les Paul & Mary Ford
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Bill Swick
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How High The Moon
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Bill Swick
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SheetMusicPlus
Guitar Ensemble Guitar - Level 5 - Digital Download SKU: A0.1034971 By Les Paul & Mary Ford. By Morgan Lewis. Arranged by Bill Swick. Contemporary. Score...
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Guitar Ensemble Guitar - Level 5 - Digital Download SKU: A0.1034971 By Les Paul & Mary Ford. By Morgan Lewis. Arranged by Bill Swick. Contemporary. Score and parts. 18 pages. Bill Swick #2347285. Published by Bill Swick (A0.1034971). The arrangement was written for 5 guitars by Bill Swick as a tribute to Les Paul. There is a soli section in the middle that is a transcription of Les Paul's solo when he recorded it with his wife and singer Mary Ford. Guitar 1 goes up to a high G at the fifthteenth fret. This arrangement may be performed with a quartet by eliminating the guitar 4 part. The soli is challenging along with the extended range making this an Advanced level piece. Here is a link to a performance of this arrangement as performed by the Las Vegas Academy of the Arts intermediate guitar class. https://youtu.be/qB-XHuD3N84
$12.99 ≈
$17.72
Tiger Rag (for Hungry Five Polka Band)
Tiger Rag (for Hungry Five Polka Band)
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Les Paul & Mary Ford, Original
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Nathaniel Hontz
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Tiger Rag
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TigerSong LLC
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SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1451778 By Les Paul & Mary Ford, Original Dixieland Jazz Band, and Princeton Universi...
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Clarinet,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1451778 By Les Paul & Mary Ford, Original Dixieland Jazz Band, and Princeton University Band. By Original Dixieland Jazz Band. Arranged by Nathaniel Hontz. Historic,Jazz,March,Ragtime,Standards. 20 pages. TigerSong LLC #1031087. Published by TigerSong LLC (A0.1451778). A bright, peppy ragtime/jazz standard, arranged for Hungry Five Polka Band! Originally published in 1917, Tiger Rag has gone through many iterations. This version is simplified, removing the long solo passages, into a tight quintet. A sure and rousing crowd-pleaser.
$12.99 ≈
$17.72
Kleinste Nachttopfmusik
Kleinste Nachttopfmusik
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Classical
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Paul Dessau
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Kleinste Nachttopfmusik
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Schott Music - Digital
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SheetMusicPlus
Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - Digital Download SKU: S9.Q6262 Smallest chamber pot music...
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Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - Digital Download SKU: S9.Q6262 Smallest chamber pot music, roughly based on Mozart's Eine kleine Nachtmusik. Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q6262. Published by Schott Music - Digital (S9.Q6262). Everybody who loves Eine kleine Nachtmusik by Wolfgang Amadeus Mozart will get sheer pleasure out of this amusing little work which includes - as the title suggests - two small glass chamber pots used as percussion instruments. Paul Dessau dedicated his Kleinste Nachttopfmusik to Bertold Brecht's granddaughter Johanna Stephanie Brecht.
$16.99 ≈
$23.18
I Will
I Will
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Rock
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The Beatles
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David Wright
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I Will
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David Wright
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SheetMusicPlus
Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.569655 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Capp...
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Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.569655 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Cappella. Score and parts. 4 pages. David Wright #178791. Published by David Wright (A0.569655). This arrangement is for women's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99 ≈
$17.72
I Will
I Will
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Rock
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The Beatles
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David Wright
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I Will
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David Wright
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SheetMusicPlus
Small Ensemble Low Voice - Level 5 - Digital Download SKU: A0.569306 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Cappe...
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Small Ensemble Low Voice - Level 5 - Digital Download SKU: A0.569306 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Cappella. Score and parts. 4 pages. David Wright #178681. Published by David Wright (A0.569306). This arrangement is for men's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99 ≈
$17.72
I Will
I Will
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Rock
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The Beatles
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David Wright
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I Will
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David Wright
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.569656 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Cappella. 4 pages. David Wright ...
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Level 5 - Digital Download SKU: A0.569656 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Wright. A Cappella. 4 pages. David Wright #178823. Published by David Wright (A0.569656). This arrangement is for men's barbershop quartet, suitable for contest. Â The price entitles the purchaser to four copies.
$12.99 ≈
$17.72
American Tune
American Tune
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Rock
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Paul Simon
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David Wright
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American Tune
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David Wright
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SheetMusicPlus
Small Ensemble Low Voice - Level 5 - Digital Download SKU: A0.512611 By Paul Simon. By Paul Simon. Arranged by David Wright. Pop,Rock. Score and parts. 5...
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Small Ensemble Low Voice - Level 5 - Digital Download SKU: A0.512611 By Paul Simon. By Paul Simon. Arranged by David Wright. Pop,Rock. Score and parts. 5 pages. David Wright #6264537. Published by David Wright (A0.512611). This arrangement is for men's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99 ≈
$17.72
No Other Love
No Other Love
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Paul Weston & His Orchestra
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David Wright
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No Other Love
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David Wright
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SheetMusicPlus
Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.1187142 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David ...
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Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.1187142 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappella,Barbershop. Score and parts. 4 pages. David Wright #786778. Published by David Wright (A0.1187142). This arrangement is for women's barbershop quartet, suitable for contest. Â The pricce entitles the performer to four copies.
$12.99 ≈
$17.72
No Other Love
No Other Love
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Paul Weston & His Orchestra
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David Wright
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No Other Love
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David Wright
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.1187136 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A C...
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Small Ensemble - Level 5 - Digital Download SKU: A0.1187136 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappella,Barbershop. Score and parts. 4 pages. David Wright #786770. Published by David Wright (A0.1187136). This arrangement is for men's barbershop quartet, suitable for contest. Â The pricce entitles the performer to four copies.
$12.99 ≈
$17.72
Bossa Bravado; Allegretto in Bb Minor; for 3 cellos & Jazz Ensemble
Bossa Bravado; Allegretto in Bb Minor; for 3 cellos & Jazz Ensemble
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John Paul Kayne
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John Paul Kayne
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Bossa Bravado; Allegretto in B
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John P. Kayne
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SheetMusicPlus
Large Ensemble Acoustic Guitar,B-Flat Trumpet,B-Flat trombone,Bass Trombone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tambourine - Leve...
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Large Ensemble Acoustic Guitar,B-Flat Trumpet,B-Flat trombone,Bass Trombone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tambourine - Level 5 - Digital Download SKU: A0.879841 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. Contemporary,Film/TV,Jazz,Latin,Multicultural,World. Score and parts. 35 pages. John P. Kayne #486251. Published by John P. Kayne (A0.879841). Bossa Nova style instrumental for Jazz Ensemble featuring Trumpet’s, Trombone & Bass Trombone and Cello solo’s. Originally scored in Notion for iPad using jazz brass samples & techniques including a fair amount of mute and plunger articulations.
$49.99 ≈
$68.19
Single and double in 2 movements
Single and double in 2 movements
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Lépine Jean-Paul
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Single and double in 2 movemen
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Lépine Jean-Paul
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.992287 Composed by Lépine Jean-Paul. Contemporary,Instructional,Musical/Show,Standards. I...
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.992287 Composed by Lépine Jean-Paul. Contemporary,Instructional,Musical/Show,Standards. Individual part. 3 pages. Lépine Jean-Paul #3456611. Published by Lépine Jean-Paul (A0.992287). Cette étude peut être jouée dans un concert, audition ou dans le cadre d'un cours de timbales.Ce morceau est difficile et s'adresse à des musiciens avancés.--------------------------------------------------------------------------------------------------------------------------------------This study can be played in a concert, audition or as a part of a timpani course.This piece is difficult and is aimed at advanced musicians.
$3.99 ≈
$5.44
Shaping Metal (percussion duo)
Shaping Metal (percussion duo)
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Contemporary
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Paul SanGregory
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Shaping Metal
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Sc...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Vibraphone - Level 5 - Digital Download SKU: A0.977038 Composed by Paul SanGregory. Contemporary. Score and parts. 12 pages. Distant Engraver Music #3538593. Published by Distant Engraver Music (A0.977038). This imaginative piece evokes the creation of a large metal sculpture and the various natural sounds that inspired it. Percussion instruments are used to evoke the quiet sounds of water bubbles, rain, ocean waves, a bird call... Then there are also many metallic scraping, tapping, dragging and hammering sounds evoking the sculptures creation. The sculpture itself is represented by a bright colorful chord succession, but the complete succession doesn't immediately appear. While the artist is still gathering metal materials and working on the sculpture, the chords appear as various isolated arpeggios in and around the various other sounds of the piece. It isn't until the sculpture begins taking shape that the tempo increases and the chords become recognizable as a theme. This piece requires performers with good ears for color and a knack for finding just the right way to strike or scrape an instrument (instructions are provided on the score). Also, there is much changing of mallets and/or the way they are held, and at times the vibraphone part requires wide-ranging fast arpeggios.INSTRUMENTATIONPerformer 1:vibraphonelarge suspended cymbal (22 preferred)
$10.00 ≈
$13.64
All You Need Is Love
All You Need Is Love
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Pop music
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The Beatles
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Deke Sharon
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All You Need Is Love
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Deke Sharon
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SheetMusicPlus
Choral Baritone Horn TC,Bass Voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479767 By The Beatles. By John Lennon and Paul McCartney. Arrange...
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Choral Baritone Horn TC,Bass Voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479767 By The Beatles. By John Lennon and Paul McCartney. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 115. Deke Sharon #6UPIhMePFcdUXejgeenlq2. Published by Deke Sharon (A0.479767). Key: G major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99 ≈
$2.71
You Were Once Darkness
You Were Once Darkness
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Robert Myers
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You Were Once Darkness
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WheatMyer Music
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SheetMusicPlus
String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #7...
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String Trio - Level 5 - Digital Download SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published by WheatMyer Music (A0.1115501). You Were Once Darkness is written for advanced string trio being full of extended techniques, cross rhythms, and challenging harmonies. It is well suited for string trio recitals and chamber concerts. The music follows a redemptive arc, a journey from dark to light, from chaos to repose. It’s not meant to be auto-biographical but to be meaningful to anyone who has known the sweetness of overcoming personal brokenness, whether it might be addiction, self-destruction, religious deliverance, or other crisis. It approaches the topic from the perspective of overcoming self. The harmonies, rhythms, and timbres of the piece strive to portray this transition. The age-old metaphors of darkness for ill and light for good are featured characters in the music. In particular, the title refers to a line from the Apostle Paul’s letter to the church in Ephesus, “You were once darkness but now you are light in the Lord. Walk as children of light, for the fruit of the light consists in all goodness, righteousness, and truth.†“You Were Once Darkness†uses the melody from a very familiar Christmas carol but it is highly camouflaged and difficult to distinguish. Although it forms the backbone of the music it also, as our own backbones do, remains mostly unobserved. Clues do peak through the darkness, so to speak, from time to time so the attentive listener may discern the melody by the end. The music sounds edgy and unfamiliar even though it only uses the notes of the C-major scale (all the white keys on the piano). This is achieved using techniques developed by Estonian composer Arvo Pärt which employ rules-based writing, typically using a simple scale over a single major or minor accompanying chord. The concept sounds simple but that does not make it easy to write or to play. The technique produces an interplay of dissonance and consonance that creates a fascinating variation of sound much as a kaleidoscope does with color. Robert Myers S.D.G. wheatmyermusic.com.
$19.99 ≈
$27.27
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