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51
Stars over Snow: from Evening Stars
Stars over Snow: from Evening Stars
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Dale Warland
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Stars over Snow: from Evening
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
TTBB double choir and piano - Difficult - Digital Download SKU: MQ.9115-E Composed by Dale Warland. 8 pages. E. C. Schirmer Music Company - Digital #9115...
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TTBB double choir and piano - Difficult - Digital Download SKU: MQ.9115-E Composed by Dale Warland. 8 pages. E. C. Schirmer Music Company - Digital #9115-E. Published by E. C. Schirmer Music Company - Digital (MQ.9115-E). English.The third of three pieces based on Sara Teasdale poems from the larger work, “Evening Stars.â€.
$2.65 ≈
$3.59
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music P...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95 ≈
$44.64
Poem For Carlita (viola part - vln, vla, cel)
Poem For Carlita (viola part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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therefore there is no return
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Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part – vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark O’Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
$6.10
Poem For Carlita (violin part - vln, vla, cel)
Poem For Carlita (violin part - vln, vla, cel)
#
Mark O’Connor
#
Mark O'Connor
#
therefore there is no return
#
Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part – vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark O’Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
$6.10
Poem For Carlita (cello part - vln, vla, cel)
Poem For Carlita (cello part - vln, vla, cel)
#
Mark O’Connor
#
Mark O'Connor
#
therefore there is no return
#
Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...
(+)
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello – vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark O’Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
$6.10
Prayer - an Adaptation of Henry David Thoreau's poem (Low Voice)
Prayer - an Adaptation of Henry David Thoreau's poem (Low Voice)
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Sacred music
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Douglas Clark
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Prayer - an Adaptation of Henr
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Glass Bottom Music
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SheetMusicPlus
Small Ensemble Low Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.1019974 Composed by Douglas Clark. Contemporary,Praise & Worship,Sacred,...
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Small Ensemble Low Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.1019974 Composed by Douglas Clark. Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 8 pages. Glass Bottom Music #4412749. Published by Glass Bottom Music (A0.1019974). An original setting by Douglas Clark, for organ and bass/baritone (or alto) soloist. The lyrics are an adaptation of Henry David Thoreau’s poem Prayer, or Great God, I Ask Thee for No Meaner Pelf. The piece was premiered in December 2018 by Jeremy Lees, with Andrew John Kosinski on organ, at the First United Methodist Church in Asbury Park, NJ. The final version available here, benefits from the kind advice of organists John Kosinski, Timothy Broege, and Karin Gargone. God bless.
$4.99 ≈
$6.76
Poem 58
Poem 58
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Rock
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Chicago
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Patrick Sheehan
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Poem 58
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.747848 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 133 pages....
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Small Ensemble - Level 5 - Digital Download SKU: A0.747848 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 133 pages. Patrick Sheehan #4968503. Published by Patrick Sheehan (A0.747848). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The sixth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00 ≈
$27.10
Poem For The People
Poem For The People
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Rock
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Chicago
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Patrick Sheehan
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Poem For The People
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.747854 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 81 pages. ...
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Small Ensemble - Level 5 - Digital Download SKU: A0.747854 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 81 pages. Patrick Sheehan #4968525. Published by Patrick Sheehan (A0.747854). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago II released in 1970. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
$33.87
Pines of the Appian Way from Pines of Rome for 10 Trombones & Timpani
Pines of the Appian Way from Pines of Rome for 10 Trombones & Timpani
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Ottorino Respingi
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Randall Malmstrom
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Pines of the Appian Way from P
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792513 Composed by Ottorino Respingi. Arranged by Randall Malmstrom. 20th Century,Romantic P...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792513 Composed by Ottorino Respingi. Arranged by Randall Malmstrom. 20th Century,Romantic Period. Score and parts. 33 pages. Gordon Cherry #4988463. Published by Gordon Cherry (A0.792513). Ottorino Respighi's Pines of Rome is one of the most colorful orchestral canvases. The final movement of the 4-movement tone poem, Pines of the Appian Way, depicts an ancient Roman army in all their glory marching down the famed tree-lined road. Randall Malmstrom has brilliantly scored this masterpiece for 10-part Trombone ensemble and Timpani. For advanced performers.
$37.50 ≈
$50.81
Themes from Don Juan for 4-part Trombone Choir
Themes from Don Juan for 4-part Trombone Choir
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Classical
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Richard Strauss
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Kempton, Jeremy
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Themes from Don Juan for 4-par
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792316 Composed by Richard Strauss. Arranged by Kempton, Jeremy. 20th Century,Classical,Roma...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792316 Composed by Richard Strauss. Arranged by Kempton, Jeremy. 20th Century,Classical,Romantic Period. Score and parts. 14 pages. Gordon Cherry #4804539. Published by Gordon Cherry (A0.792316). The highlights Richard Struass' great tone poem, Don Juan, have been arranged for 4-part Trombone ensemble by Jeremy Kempton. This brilliant masterpiece is one of the most performed works in the orchestral literature. The dashing melodies, rich harmonies and the passion of the original come through in Mr. Kempton's arrangement. Written for advanced performers, this 4 minute work will add a wonderful climax to any program.
$22.50 ≈
$30.48
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David W. Solomons: Five Poems
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contempor...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95 ≈
$27.03
Poeme Symphonique
Poeme Symphonique
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Contemporary
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Gyorgy Ligeti
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Poeme Symphonique
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Schott Music - Digital
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SheetMusicPlus
100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: score. Downloadable. Duration 20 minutes. Schott Music - Digita...
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100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: score. Downloadable. Duration 20 minutes. Schott Music - Digital #Q54926. Published by Schott Music - Digital
The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structure is on an indeterminate level intermediate - the result of adding individual periods of different length is at any given time random -, it is again determinate on the higher level of the temporal development of the overall from.
This overall form consists of the three phases: uniformity - gradual structuring - and uniformity, whereby uniformity in the initial phase arises form the collective blur of the individual periods, and in the final phase is a results of the periodicity of the one remaining ticking metronome. There are no distinct divisions between the three phases: the rhythmical process leads smoothly and gradually from one phase into the next. This appears to be a continuous process but consists of individual, discontinuous moments as each metronome stop suddenly. In the sparsely instrumented final phase with only a few metronomes left ticking, this discontinuity becomes audible, most obviously when the last metronome stops.
- Gyorgy Ligeti
$13.99 ≈
$18.95
9 Songs to Poems from Peter Härtling
9 Songs to Poems from Peter Härtling
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Wilhelm Killmayer
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9 Songs to Poems from Peter H
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Schott Music - Digital
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SheetMusicPlus
Mezzosoprano and piano - difficult - Digital Download SKU: S9.Q3076 Composed by Wilhelm Killmayer. This edition: Sheet music. Downloadable. Duration 11 m...
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Mezzosoprano and piano - difficult - Digital Download SKU: S9.Q3076 Composed by Wilhelm Killmayer. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q3076. Published by Schott Music - Digital (S9.Q3076). German.
$17.99 ≈
$24.37
A Collection of Critters
A Collection of Critters
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James Sclater
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many options exist
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A Collection of Critters
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James S Sclater
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SheetMusicPlus
Small Ensemble Clarinet - Level 5 - Digital Download SKU: A0.961266 Composed by James Sclater. 20th Century,Children,Concert,Contemporary. Score and part...
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Small Ensemble Clarinet - Level 5 - Digital Download SKU: A0.961266 Composed by James Sclater. 20th Century,Children,Concert,Contemporary. Score and parts. 5 pages. James S Sclater #5991045. Published by James S Sclater (A0.961266). This work for solo clarinet (A or B-flat) can be performed as a solo piece or, as it was originally intended, as accompaniment to ten poems from the wonderful book JOYFUL NOISE: Poems for Two Voices by Paul Fleischman. These poems are read in tandem by two readers. The clarinetist and readers will have to work out the logistics of where the music starts and ends, but this idea is very flexible. There is no one way to coordinate the music and spoken word; many options exist. The poems are charming and suitable for children and adults. This can be a very effective number on a recital or a charming presentation at an elementary school program. Mr. Fleischman's book was the 1989 winner of the Newbery Award.
$3.00 ≈
$4.06
Mit singendem Bogen
Mit singendem Bogen
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Heinz Holliger
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Mit singendem Bogen
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Schott Music - Digital
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SheetMusicPlus
Soprano and violin - advanced - Digital Download SKU: S9.Q46133 Geigenlieder für Sopran und Violine. Composed by Heinz Holliger. This edition: ...
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Soprano and violin - advanced - Digital Download SKU: S9.Q46133 Geigenlieder für Sopran und Violine. Composed by Heinz Holliger. This edition: Sheet music. Violin Library. Downloadable. Duration 18 minutes. Schott Music - Digital #Q46133. Published by Schott Music - Digital (S9.Q46133). German • Middle High German.Heinz Holliger set to music melancholy texts for his eight-part cycle of songs, premiered in 2013, which remind the listeners of the transience and progress of life. The texts range from the medieval Christian mysticism of Mechthild of Magdeburg to Japanese haiku poems from the 18th century (buson) to the contemporary artists Catrin Demenga and Sylvia Nopper.
$11.99 ≈
$16.24
Other Echoes Inhabit the Garden
Other Echoes Inhabit the Garden
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Contemporary
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William Grosvenor Neil
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Other Echoes Inhabit the Garde
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages...
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Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00 ≈
$47.42
The Poet's Pen for Tenor, Oboe and Piano
The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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The Poet's Pen for Tenor, Oboe
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Judith Cloud
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SheetMusicPlus
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score an...
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00 ≈
$20.32
Airborne: Trio for Flute, B-Flat Clarinet, and Marimba
Airborne: Trio for Flute, B-Flat Clarinet, and Marimba
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Contemporary
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Elissa Brill
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Robert D'Ambrosio, clarinet
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Airborne: Trio for Flute, B-Fl
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Elissa Brill Pashkin
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Marimba - Level 5 - Digital Download SKU: A0.938916 Composed by Elissa Brill. Contemporary. Score and parts. 27 pages. Elis...
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Small Ensemble Clarinet,Flute,Marimba - Level 5 - Digital Download SKU: A0.938916 Composed by Elissa Brill. Contemporary. Score and parts. 27 pages. Elissa Brill Pashkin #482405. Published by Elissa Brill Pashkin (A0.938916). Airborne, composed in 1999, was originally inspired by the illustration The Dinky-Bird by Maxfield Parrish, a print of which hung on the wall of my childhood home. The drawing was one of several included in Parrish’s illustrations from the 1904 Scribner and Sons Poems of Childhood, and was itself based on the Eugene Field poem The Dinkey-Bird. The piece is a deliberate attempt to write in a lighter, freer, more audience-accessible style, while capturing both the motion and the child-like wonder of the image. It is also an exploration of timbre, using a combination of instruments (flute, clarinet, marimba) I had not used together before. The piece is approximately 7 1/2 minutes long. Parts are included for the flute and clarinet. The marimba plays from score. The performers in the sound clip are Sue Kurian, flute; Robert D'Ambrosio, clarinet; and Cheryl Wiener, marimba. For more information, please contact the composer at ebrill@hcc.edu. Licensed by BMI.
$8.99 ≈
$12.18
Birthday Suit
Birthday Suit
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Contemporary
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Igor Korneitchouk
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Drake Mabry, Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor K...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01 ≈
$2.72
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