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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.46€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.46€
…if I should fall… (standing on the edge)
…if I should fall… (standing on the edge)
#
Contemporary
#
Christina Misso
#
Clark College in March 2012
#
…if I should fall…
#
Christina Misso
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.896262 Composed by Christina Misso. Contemporary. Score and parts. 21 page...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.896262 Composed by Christina Misso. Contemporary. Score and parts. 21 pages. Christina Misso #3367991. Published by Christina Misso (A0.896262). This duet for two pianos is meant to imitate the sensation of drifting into a dream of falling. Imagine climbing to the top of the highest mountain and standing on the edge. Looking out, you wonder, What would happen if I fell? Now look down...feel your heart clench in your chest and your blood flow. Then take a step back, realise your feet are firmly planted, but the adrenaline is coursing through you… The recording is by Kylie Cassidy and Dani Fenske at Lewis & Clark College in March 2012.
$10.95 ≈
9.78€
Ulysses at the Edge of the World
Ulysses at the Edge of the World
#
Harry Partch
#
Ulysses at the Edge of the Wor
#
Schott Music - Digital
#
SheetMusicPlus
Alto Sax · Baritone Sax · Diamond Marimba · Boo · Bass Marimba · Cloud-Chamber Bowls baritone, bass and orchestra - difficult - Digital Download ...
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Alto Sax · Baritone Sax · Diamond Marimba · Boo · Bass Marimba · Cloud-Chamber Bowls baritone, bass and orchestra - difficult - Digital Download SKU: S9.Q48963 For baritone, bass and orchestra. Composed by Harry Partch. This edition: performance score. The Harry Partch Edition. Downloadable, Performance score. Duration 7 minutes. Schott Music - Digital #Q48963. Published by Schott Music - Digital (S9.Q48963). English.Ulysses at the Edge oft he World war ursprünglich ein Stück in gleichtemperierter 12-Ton-Stimmung. Die hier vorliegende Fassung ist das Ergebnis weiterer Revisionen mit einem neuen Vokalpart, der eine Frage enthält, die Partch auf seinen Reisen als Landstreicher von der lokalen Polizei oft zu hören bekommen hatte: „Dein Name ist also Ulysses – weil du in der Weltgeschichte umherstreifst. Sag mal, warst du schon jemals im Gefängnis?
$7.99 ≈
7.14€
Carol of the Bells
Carol of the Bells
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Christmas
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Mykola Leontovych
#
Jessica Hiscock
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Carol of the Bells
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Fen Edge Press
#
SheetMusicPlus
Level 5 - Interactive Download SKU: A0.1393730 Composed by Mykola Leontovych. Arranged by Jessica Hiscock. This edition: Interactive Download. Christmas....
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Level 5 - Interactive Download SKU: A0.1393730 Composed by Mykola Leontovych. Arranged by Jessica Hiscock. This edition: Interactive Download. Christmas. 6 pages. Duration 76. Fen Edge Press #fkMCLhYjj3ljxJe1n4Y0Z. Published by Fen Edge Press (A0.1393730). Key: C major.An arrangement for cello quartet. Includes bowing and suggested fingering.
$6.99 ≈
6.24€
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
26.75€
Debussy/Orledge: La Saulaie for baritone and orchestra, full score
Debussy/Orledge: La Saulaie for baritone and orchestra, full score
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Classical
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Claude Debussy/Robert Orledge
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Debussy/Orledge: La Saulaie fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Voice - Level 5 - Digital Download SKU: A0.534736 Composed by Claude Debussy/Robert Orledge. 20th Century,Holiday,Love,Standards. Score an...
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Large Ensemble Voice - Level 5 - Digital Download SKU: A0.534736 Composed by Claude Debussy/Robert Orledge. 20th Century,Holiday,Love,Standards. Score and parts. 42 pages. Musik Fabrik Music Publishing #6533969. Published by Musik Fabrik Music Publishing (A0.534736). Debussy left three pages of sketches for this setting of Dante Gabriel Rossetti's Willow-wood as translated into French by Pierre Loÿis. Robert Orledge has completed and orchestrated this work using these sketches. The item is the full score. The piano vocal score is for sale. The parts are on rental from the publisher.
$29.95 ≈
26.75€
Z 65 (edges) for Guitar, Marimba, Glockenspiel
Z 65 (edges) for Guitar, Marimba, Glockenspiel
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Celebrity Chamber Players
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Z 65
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Guitar,Percussion - Level 5 - Interactive Download SKU: A0.636880 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interact...
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Small Ensemble Guitar,Percussion - Level 5 - Interactive Download SKU: A0.636880 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 6 pages. Duration 45. Father Ambrose Press #5pcE65Rg00J7YZicuK1XBp. Published by Father Ambrose Press (A0.636880). Key: C major.A brief, sharp-edged confection that ends quietly... composed for small chamber ensemble.
$11.99 ≈
10.71€
The Legend Of Zelda
The Legend Of Zelda
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Contemporary
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Saban Haim and Shuki Levy
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Patrick C
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The Legend Of Zelda
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Patrick Cooper Sullivan
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SheetMusicPlus
Large Ensemble Bass Trombone,Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1016828 Composed by Saban Haim and Shuki Levy. Arranged by Patrick C. Su...
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Large Ensemble Bass Trombone,Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1016828 Composed by Saban Haim and Shuki Levy. Arranged by Patrick C. Sullivan. Contemporary. Score and parts. 38 pages. Patrick Cooper Sullivan #6449751. Published by Patrick Cooper Sullivan (A0.1016828). This is arrangement was written for 1 Alto Trombone, 5 Tenor Trombones, 1 Bass Trombone, and 1 Contrabass Trombone.Part Ranges1st Trombone - G top space of the bass clef staff to the G two octaves above the staff.2nd Trombone - Bb second line from the bottom of the staff to the C just above the fourth ledger line above the staff.3rd Trombone - D middle line of the staff to the C just above the fourth ledger line above the staff.4th Trombone - Bb second line from the bottom of the staff to the G three ledger lines above the staff.5th Trombone - Bb second line from the bottom of the staff to the A just above the third ledger line above the staff.6th Trombone - Bb second line from the bottom of the staff to the D five ledger lines above the staff.1st Bass Trombone - C three ledger lines below the staff to the D just above the first ledger line above the staff2nd Bass Trombone - Eb five ledger lines below the staff to A first space from the bottom of the staff.
$30.00 ≈
26.80€
The Messenger (Romance for Voice And Orchestra) - Score And Parts
The Messenger (Romance for Voice And Orchestra) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kri...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
125.04€
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporar...
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Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
116.11€
The death and Resurrection opera book part 1
The death and Resurrection opera book part 1
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Eke Chijindu Favour
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HEDGES NOWAY OUT
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to an opera for acting
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The death and Resurrection ope
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Eke Chijindu Favour
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1018784 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary,Instructio...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1018784 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary,Instructional,Sacred. Octavo. 12 pages. Eke Chijindu Favour #3594353. Published by Eke Chijindu Favour (A0.1018784). The story about the death and Resurrection of Jesus Christ from the Bible was composed to an opera for acting by EKE CHIJINDU FAVOUR HEDGES in his new Opera book titled THE DEATH AND RESURRECTION
$2.00 ≈
1.79€
Hallelujah to the Lord
Hallelujah to the Lord
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Contemporary
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Eke Chijindu Favour
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HEDGES NOWAY OUT
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by EKE CHIJINDU
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Hallelujah to the Lord
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Eke Chijindu Favour
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1018779 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary. Octavo. 5...
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1018779 Composed by Eke Chijindu Favour. Arranged by HEDGES NOWAY OUT. Contemporary. Octavo. 5 pages. Eke Chijindu Favour #3456619. Published by Eke Chijindu Favour (A0.1018779). Hallelujah to the Lord is a song composed by EKE CHIJINDU FAVOUR HEDGES FOR HANDEL MEMORIAL THE SONG IS FROM THE BOOK (Glorious Exaltate)
$1.99 ≈
1.78€
Beacons for Euphonium Quartet
Beacons for Euphonium Quartet
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Contemporary
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Matthew Nunes
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Beacons for Euphonium Quartet
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Matthew Nunes Music
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SheetMusicPlus
Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published...
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Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published by Matthew Nunes Music (A0.489190). Listen to this piece hereBeacons is a four movement work for euphonium quartet begun during the final year of my undergraduate degree and completed during my first semester of graduate school. In this work are a multitude of emotions I was living or struggling with during a period where life never went as expected. The first movement, Glimmer, represents an individual seeing a faint light in the darkness unsure of what it truly is or how long the path to it will take. Regardless, they move towards it while reflecting on the possibilities of what awaits them. In the second movement, Beacon Bacchanal, the surety of reaching this goal has seduced this person into a doomed revelry of overconfidence. The celebration spirals out of control into Aura Awry where time churns on and inner demons surface. In the final movement, Shine, this individual finds themselves standing at the edge of the light. They do not know where it comes from or what lies ahead once they cross this threshold. Regardless, they step forth….
$25.99 ≈
23.21€
I Wonder As I Wander
I Wonder As I Wander
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Folkloric/Traditional
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John Jacob Niles
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Donald A
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I Wonder As I Wander
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Donald A Mills
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and par...
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99 ≈
11.60€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kri...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
116.11€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kri...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
125.04€
Elegy
Elegy
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95 ≈
5.31€
"Jazz Licks" - Daily Studies
"Jazz Licks" - Daily Studies
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Jazz
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Tony Benade
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Tony Benade
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"Jazz Licks" - Daily Studies
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Tony Benade
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download S...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.809120 Composed by Tony Benade. Arranged by Tony Benade. Instructional,Jazz. Score and parts. 91 pages. Tony Benade #4809131. Published by Tony Benade (A0.809120). For every student of jazz, this manual is meant for your daily study and practice routine. It explains the theory of modes in major and minor keys in an easy to understand way. It then provides jazz licks or jazz phrases in simple one bar creations. It also shows the method in which they have been created to assist the student to be able to create their own licks. It is followed by two bar and four bar licks by combing the the previous ones learned. Finally, it gives the student real chord progressions that are used in jazz standards to apply their recently gained knowledge. If followed as presented over a period of time, the student will be improvising on their own with real jazz licks sounding like they've been doing this for years. It's a tried and true method used by professionals throughout the world. Follow the directions and you won't disappointed.
$24.95 ≈
22.28€
Iron Balconies and Lilies for soprano, piano and chamber ensemble
Iron Balconies and Lilies for soprano, piano and chamber ensemble
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Contemporary
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The Sea II
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Robert M
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Iron Balconies and Lilies for
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Robert M. Greenberg
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.987859 Composed by Robert M. Greenberg. 20th ...
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Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score and parts. 264 pages. Robert M. Greenberg #115607. Published by Robert M. Greenberg (A0.987859). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 35 minutes Year of composition: 1992 Program Note: I. A City By The Sea II. Hay Mowing III. When Grandma, May She Rest In Peace, Died IV. Longing V. Ancient Murderess Night VI. Lullaby VII. Toys VIII. Old Age IX. Rest IRON BALCONIES AND LILIES was written between December 1991 and November 1992. The nine poems of the cycle, originally in Yiddish and by various poets, speak of a woman's life at various stages, from extreme old age to youth, and back to old age. The poetry is magnificent and direct: at turns quiet, passionate, gentle, ferocious, erotic, agonized and violent. In setting these poems, I have particularly sought to capture the many images and metaphors that unite them. For example, the music representing the violent, life-giving blades (scythes) of No. 2 evoke agonized, ritualized grief in No. 3, a ghastly (and comic) celebration of death in No. 5, and ultimately, a wondrous and benign angel of death in No. 9. Over the course of the cycle, the power and singular clarity of childhood memory gives way to the quiet complexity and blurred edge of adult memory. All poems used by permission.
$44.00 ≈
39.30€
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The Edge
