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6 sheet music found
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1
Teiresias
Teiresias
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Joerg Widmann
#
Teiresias
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Schott Music - Digital
#
SheetMusicPlus
6 double basses - difficult - Digital Download SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable...
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6 double basses - difficult - Digital Download SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable, score and parts. Duration 14 minutes. Schott Music - Digital #Q11701. Published by Schott Music - Digital (S9.Q11701). 'Ein Orakelspruch für sechs Kontrabässe' (An oracle for six double-basses) – this is how Widmann calls his composition which he wrote upon commission of the Berlin Philharmonic Orchestra on the occasion of the 75th birthday of the conductor Claudio Abbado. The subtle theme seems to be the saga of Teiresias, the blind prophet, from Greek mythology. According to Widmann himself, he imagined a sound for the unusual instrumentation of six double-basses that 'is both blind and seeing' in its enigmatic whispering.
$35.99 ≈
$48.89
Cum enim quietum silentium contineret omnia, ...
Cum enim quietum silentium contineret omnia, ...
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Janusz Krzysztof Korczak
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Cum enim quietum silentium con
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Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB/SATB/SATB/SATB) - advanced - Digital Download SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distingu...
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Mixed choir (SATB/SATB/SATB/SATB) - advanced - Digital Download SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q46315. Published by Schott Music - Digital (S9.Q46315). Latin.For his choral piece Cum enim quietum silentium contineret omnia, ..., the composer, choir director and organist Janusz Krzysztof Korczak, born in Cracow in 1994, was awarded the 3rd prize at the International Composition Competition 'Musica Sacra Nova' 2016. This demanding Latin choral work is written for four four-part a cappella ensembles (SATB/SATB/SATB/SATB), including a plan of the ensembles' precise positions provided by the Polish composer. In this church music work which is divided into several thematic sections for which Korczak has a maximum of four singers for each part in each ensemble in mind, he has tried, by his own account, to set to music 'a kind of programmatic visualization' of the words borrowed from the Liber Sapientiae 18, 14-15b. As a consequence, performance instructions like soft or sharp whispering, singing with open and closed mouth, parts to be recited 'ad libitum', a general rest with explicit indication of seconds, strong dynamic accents as well as an abruptly descending glissando at the end are among the striking features of this 16-part a cappella choral work. Ideal literature for singers who are eager to experiment.
$4.99 ≈
$6.78
Won't You Take Care of Me
Won't You Take Care of Me
#
Holiyo
#
Won't You Take Care of Me
#
Holyone Tombari Dodoh
#
SheetMusicPlus
Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul...
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Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me?
$6.90 ≈
$9.37
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
#
Classical
#
Gustav Mahler
#
David Fetter
#
Symphony No. 2 Finale Choral E
#
Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Peri...
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Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Period. 24 pages. Gordon Cherry #863680. Published by Gordon Cherry (A0.1271282). The Finale movement of Gustav Mahler's Symphony No. 2, (also known as the Resurrection), is a monumental and awe-inspiring composition that serves as the climax of the entire symphony. It is a grand choral movement that combines orchestral forces with vocal soloists and a large choir. In this exquisite section of hushed, whispered, and mysterious music, arranged beautifully by David Fetter, the famous Choral section from the Finale (numbers 32-39 in the score) is set for 8-part Trombone Ensemble. This powerful section of the Finale is emotionally charged and yet is performed at almost a whisper.This arrangement of about 6-minutes in length is suitable for advanced performers. FYI....this is NOT the famous Trombone Choral, rather the hushed, whispered section featuring the chorus. It is truly a work of genius.
$37.50 ≈
$50.94
Two Fantasy Pieces, Op. 2 for Tuba or Bass Trombone
Two Fantasy Pieces, Op. 2 for Tuba or Bass Trombone
#
Carl August Nielsen
#
Sauer, Ralph
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Two Fantasy Pieces, Op. 2 for
#
Gordon Cherry
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Tuba - Level 5 - Digital Download SKU: A0.810923 Composed by Carl August Nielsen. Arranged by Sa...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Tuba - Level 5 - Digital Download SKU: A0.810923 Composed by Carl August Nielsen. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and parts. 16 pages. Gordon Cherry #3904341. Published by Gordon Cherry (A0.810923). Two gorgeous movements by Carl Nielsen have been arranged by Ralph Sauer for Tuba or Bass Trombone and Piano for advanced performers. The first movement is an Andante in a late Romantic style full of deep expression. Movement II is a Humoresque, light and bouncy with challenging technique, ending in a whisper. The length of the work is about 8 minutes.
$15.00 ≈
$20.38
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Paul Wehage
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Paul Wehage: To You for barito
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
$40.68
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1
Whispering
