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Trio Avec Piano
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5 sheet music found
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1
Est-ce la même ? for soprano, violin, cello and piano, on a poem by Livia Naas
Est-ce la même ? for soprano, violin, cello and piano, on a poem by Livia Naas
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Contemporary
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Jean-Christophe Masson
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Est-ce la même ? for soprano,
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Jean-Christophe Masson
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Violin - Digital Download SKU: A0.878724 Composed by Jean-Christophe Masson. Contemporary. Score and ...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Violin - Digital Download SKU: A0.878724 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 67 pages. Jean-Christophe Masson #3053921. Published by Jean-Christophe Masson (A0.878724). Est-ce la même...?for soprano and piano trio (piano, violin and cello) *Music by Jean-Christophe Massonon a poem by Livia Naasdedicated to Aude Randrianarisoa* This work should be interpreted simultaneously with the video projection of the poem; video available on www.jcmasson.com© Jean-Christophe Masson. SACEM 00623 9409 43 sound reproduction reserved rights membership number. www.jcmasson.comEst-ce la même...?pour soprano et trio avec piano*Musique de Jean-Christophe Massonsur un poème de Livia Naasdédicacé à Aude Randrianarisoa*Cette œuvre doit être interprétée en simultané avec la projection vidéo du poème; vidéo disponible sur www.jcmasson.com©Jean-Christophe Masson. N° de membre SACEM 00623 9409 43 Droits de reproduction sonores réservés. www.jcmasson.com
$15.99 ≈
14.42€
Je Joue du Piano avec les Grands...
Je Joue du Piano avec les Grands...
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learning one the proposed them
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Jean-Michel Adagas
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Je Joue du Piano avec les Gran
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Piano with optional accompaniment of one, two or three instrumentalists Piano with optional accompaniment of one, two or three instrumentalists - Grade 2 - Digi...
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Piano with optional accompaniment of one, two or three instrumentalists Piano with optional accompaniment of one, two or three instrumentalists - Grade 2 - Digital Download SKU: FX.FX071943 Composed by Jean-Michel Adagas. Classical, Educational. Piano Part. FLEX Editions - Digital Sheet Music #FX071943. Published by FLEX Editions - Digital Sheet Music (FX.FX071943). Here is a series of classical piano pieces for young piansists (Telemann, Schumann, Haydn, Beethoven, Tchaikovsky, Balbastre, Pescetti), but extended to be played with an optionnal accompaniement by C, Bb or Eb instruments. By learning one the proposed themes, the pianist will be able to play the exact same piece alone or with a small ensemble (duet or trio).
$16.95 ≈
15.29€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.17€
Lamento et Rock bulgare
Lamento et Rock bulgare
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Atanas Ourkouzounov
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Lamento et Rock bulgare
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar, piano, violin and cello - Digital Download SKU: ZY.DO-1543 Composed by Atanas Ourkouzounov. Score and parts. 56 pages. Les Editions Doberman-Yppa...
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Guitar, piano, violin and cello - Digital Download SKU: ZY.DO-1543 Composed by Atanas Ourkouzounov. Score and parts. 56 pages. Les Editions Doberman-Yppan (digital) #DO 1543. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1543). La pièce « Lamento et Rock Bulgare » a été écrite à la demande du Trio Ahn pour une série de concerts avec la guitariste Antigone Goni. On souhait que je utilise les matériels de Bulgarian Rock originalement composé pour violoncelle et guitare et en faire une nouvelle version pour violon, cello, piano et guitare. J’ai rajouté la partie lente au début (« Lamento ») car le Trio Ahn est constitué de trois soeurs qui venaient de perdre leur mere. Dans le Rock bulgare il y a un mélange du rythme typiquement bulgare à 11 temps (4+3+4) avec des modes de jeux que font référence très largement à la musique rock. La pièce à été créée au Festival Montana Chamber Music aux USA le 20 avril 2024.The piece Lamento et Rock Bulgarian was written at the request of the Ahn Trio for a series of concerts with guitarist Antigone Goni. We would like me to use the materials from Bulgarian Rock originally composed for cello and guitar and make a new version for violin, cello, piano and guitar. I added the slow part at the beginning (Lamento) because the Ahn Trio is made up of three sisters who had just lost their mother. In Bulgarian Rock there is a mixture of the typically Bulgarian 11-beat rhythm (4+3+4) with playing modes that refer very largely to rock music. The piece was premiered at the Montana Chamber Music Festival in the USA on April 20, 2024.
$16.95 ≈
15.29€
Soiree donnee au Gl. La Fayette. Chez un ancien compayonon d'arme
Soiree donnee au Gl. La Fayette. Chez un ancien compayonon d'arme
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Mr
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Soiree donnee au Gl. La Fayett
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and choral), harp, clarinet - Digital Download SKU: LV.21349 Composed by Mr. H. Gilles. Patriotism, Campaigns & battles, Lafayette....
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Piano and voice (solo and choral), harp, clarinet - Digital Download SKU: LV.21349 Composed by Mr. H. Gilles. Patriotism, Campaigns & battles, Lafayette. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21349). Soiree donnee au Gl. La Fayette. Chez un ancien compayonon d'arme. Par Mr. H. Gilles et ses Eleves. Paroles de Mr. E. Ducatel. Choeur et Solo. Avec accompagnement de Piano, Harpe et Clarinette. With English Poetry Adpated to the Music. Published [n.d.] by G. Willig in Baltimore. Composition of sectional with piano and voice (solo and choral), harp, clarinet instrumentation. Subject headings for this piece include Patriotism, Campaigns & battles, Lafayette. First line reads Celebrons, chantons en choeur, chantons en choeur el heros de l'Amerique.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.40€
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Trio Avec Piano
