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Sheetmusic to print
9 sheet music found
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1
kannana kanne
kannana kanne
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Contemporary
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indian guitar lessons
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kannana kanne
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indian guitar lessons
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.904980 Arranged by indian guitar lessons. Contemporary. Score and ...
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Small Ensemble Alto Saxophone,Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.904980 Arranged by indian guitar lessons. Contemporary. Score and parts. 6 pages. Indian guitar lessons #4852351. Published by indian guitar lessons (A0.904980). Kannana kanne kannana kanne en meedu sayava.
$3.99 ≈
3.67€
A Girl Born in Afghanistan (for solo voice with piano and optional violin)
A Girl Born in Afghanistan (for solo voice with piano and optional violin)
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Greg Bartholomew
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A Girl Born in Afghanistan
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Burke & Bagley
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.787341 Composed by Greg Bartholomew. Concert,Contemporary,Graduation,Standards. Sc...
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.787341 Composed by Greg Bartholomew. Concert,Contemporary,Graduation,Standards. Score and parts. 14 pages. Burke & Bagley #2807631. Published by Burke & Bagley (A0.787341). United Nations Secretary-General Kofi Annan was awarded the 2001 Nobel Peace Prize. The text for this piece is adapted from his Nobel Lecture given on December 10, 2001. The lecture text is Copyright © 2001 by The Nobel Foundation, Stockholm, 2001, and is used by permission. This work was originally written for unaccompanied mixed choir. It was adapted for solo voice with optional violin for Michael Oriatti.A Girl Born in Afghanistan Today, in Afghanistan, a girl will be born. Her mother will hold her and feed her, comfort her and care for her – just as any mother would anywhere in the world. In these basic acts of human nature, humanity knows no divisions. We must focus on improving the conditions of men and women. We must begin with the young Afghan girl. Saving that one life is to save humanity itself. In this new century, we must start from understanding Peace must be made real and tangible in the daily lives of every man and woman. The notion that what is ours must conflict with what is theirs is both false and dangerous. It has resulted in endless enmity and conflict. It has led men to commit great crimes in the name of a higher power. It need not be so. We can love what we are, without hating what we are not, without hating who we are not. The girl born in Afghanistan today is just one test of our humanity – But it is the only test that matters.
$9.99 ≈
9.20€
A MALVA ROSE
A MALVA ROSE
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Lars Ek
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Perfor...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99 ≈
1.83€
Sanna, Sannanina - Full Score
Sanna, Sannanina - Full Score
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Sandra Eithun and Traditional
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Sandra Eithun and Traditional
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Pyotr Ilyich Tchaikovsky
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Sanna, Sannanina - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Handbells 2-3 and 3-5 octaves - Level 3- - Digital Download SKU: C7.CGB886 Holy, Most Holy Lord. Composed by Sandra Eithun and Traditional South A...
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Handbells 2-3 and 3-5 octaves - Level 3- - Digital Download SKU: C7.CGB886 Holy, Most Holy Lord. Composed by Sandra Eithun and Traditional South African. Arranged by Sandra Eithun and Traditional South African. Palm Sunday, General. With Percussion, Handchimes. Full score. 32 pages. Chorister's Guild - Digital #CGB886. Published by Chorister's Guild - Digital (C7.CGB886). UPC: 749193020487.Tune sources: Jean-Joseph Mouret; Pyotr Ilyich Tchaikovsky; Johann Sebastian Bach; Johannes Brahms; Franz Schubert * General * Contents: Fanfare-Rondeau; Theme from Tchaikovsky Concerto #1; Sheep May Safely Graze; Theme from Swan Lake; Theme from Brahms Symphony #1; Sleeping Beauty Waltz; March Militaire * Level 2 and 2+ * As the title suggests, this collection offers reproducible handbell or handchime arrangements of several well-known themes from the classical music world. Ringers will enjoy the opportunity of ringing these wonderful masterpieces in school, community and worship settings. Handbell techniques include pluck mallet, martellato, and shakes. Suggestions are included for adapting techniques for use on handchimes.
$14.95 ≈
13.77€
STRAWBERRY TIME IN BUCKHANNAN
STRAWBERRY TIME IN BUCKHANNAN
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Patrick Wisman
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STRAWBERRY TIME IN BUCKHANNAN
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patrick wisman
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.973634 Composed by Patrick Wisman. Contemporary,Folk,Instructional,Pop,World. Score and parts. 1 page...
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Small Ensemble - Level 3 - Digital Download SKU: A0.973634 Composed by Patrick Wisman. Contemporary,Folk,Instructional,Pop,World. Score and parts. 1 pages. Patrick wisman #6305327. Published by patrick wisman (A0.973634). EDITED VERSION OF OUR 2002 COPYRIGHTED BLUE BERRY TIME IN SOUTH HAVEN. JUST A NICE TUNE TO SING OR PLAY AT YOUR NEXT PERFORMANCE. AND DONT FORGET ABOUT THAT SRAWBERRY PIE AND STRAWBERRYS AT THIS GREAT WV. FESTIVAL .HAVE A GOOD TIME AND ENJOY!PAT AND SANDRA WISMAN, BMI AFFILIATION.
$3.99 ≈
3.67€
Omane
Omane
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Aadu Jeevitham
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Justin Yohannan
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Omane
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Chords and Words
#
SheetMusicPlus
Guitar,Voice - Level 2 - Digital Download SKU: A0.1413038 By Aadu Jeevitham. By A. R. Rahman. Arranged by Justin Yohannan. 21st Century,Film/TV,Multicult...
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1413038 By Aadu Jeevitham. By A. R. Rahman. Arranged by Justin Yohannan. 21st Century,Film/TV,Multicultural,Traditional,World. Guitar Tab with Voice. 6 pages. Chords and Words #995044. Published by Chords and Words (A0.1413038). Step into a world of blossoming love with Omane, a romance duet from the magical voices of Chinmayi Sripada and Vijay Yesudas. This song is a celebration of passion and vibrant emotions that captures the charm of new-found love!Song Credit: OMANE SONG COMPOSED, PRODUCED AND ARRANGED BY AR RAHMANLYRICS RAFIQ AHAMEDSINGER VIJAY YESUDAS, CHINMAYI SRIPADA, RAKSHITA SURESH.
$3.00 ≈
2.76€
Konjum Nin Imbam
Konjum Nin Imbam
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Thalavattam
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Justin Yohannan
#
Konjum Nin Imbam
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Chords and Words
#
SheetMusicPlus
Guitar,Voice - Level 2 - Digital Download SKU: A0.1393678 By Thalavattam. By Raghu Kumar. Arranged by Justin Yohannan. 20th Century,Hindi,Instructional. ...
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1393678 By Thalavattam. By Raghu Kumar. Arranged by Justin Yohannan. 20th Century,Hindi,Instructional. Guitar Tab with Voice. 3 pages. Chords and Words #977143. Published by Chords and Words (A0.1393678). Guitar Tabs for Konjum Nin Imbam from Movie ThaalavattamLanguage: Malayalam.
$5.00 ≈
4.60€
Kanakanilaave
Kanakanilaave
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Kaithapram
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Justin Yohannan
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Kanakanilaave
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Chords and Words
#
SheetMusicPlus
Guitar,Voice - Level 2 - Digital Download SKU: A0.1390494 By Kaithapram. By S P Venkitesh. Arranged by Justin Yohannan. 21st Century,Early Music. Guitar ...
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1390494 By Kaithapram. By S P Venkitesh. Arranged by Justin Yohannan. 21st Century,Early Music. Guitar Tab with Voice. 5 pages. Chords and Words #974021. Published by Chords and Words (A0.1390494). Guitar Tabs for Kanakanilave from Movie KauravarSong: KanakanilaveMovie: KauravarMusic: S P VenkiteshSingers: K J Yesudas, K S Chithra.
$4.00 ≈
3.68€
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menes...
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
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