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At the End of the Day Violin (band part)
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You've selected:
At the End of the Day Violin (band part)
Sheetmusic to print
7 sheet music found
<
1
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.05€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.05€
The Phoenix Waltz - Piano Trio - Score plus individual parts
The Phoenix Waltz - Piano Trio - Score plus individual parts
#
Jonathan Wilson
#
The Phoenix Waltz - Piano Trio
#
Fresh Air
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1023021 Composed by Jonathan Wilson. Concert,Folk,Holiday,Jazz,Wedding. Score and parts. ...
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1023021 Composed by Jonathan Wilson. Concert,Folk,Holiday,Jazz,Wedding. Score and parts. 26 pages. Fresh Air #4360871. Published by Fresh Air (A0.1023021). This is the piano trio arrangement of the Phoenix Waltz which was originally written to celebrate all of the musicians who played in the legendary Auchterby Band and the numerous musical line-ups born out of the ashes of that band. The Auchterby Band was a ceilidh band based in Aberdeen, Scotland which usually played fast and furious folky music for Scottish dancing at weddings, parties and various drunken events. The Phoenix Waltz is not actually particularly folky or Scottish in style (more like Jazz) but, nevertheless, works well as a last waltz of the evening. I arranged it for Piano, Violin and Cello for a fundraising concert to raise money for a new piano for our village hall and managed to rope in a couple of fantastic young musicians, through my piano teacher, to compensate for my mediocre piano playing. The piano, at that point, was borrowed and very out of tune, but the concert itself was totally unique and very special. I have included a recording from the concert which I hope you like. On listening to it I feel it is slightly rushed (I was nervous) so relax, take it easy and let it breathe!
$19.50 ≈
17.96€
The Rakes of Kildare (Irish Traditional) - Lead sheet in original key of Am
The Rakes of Kildare (Irish Traditional) - Lead sheet in original key of Am
#
Celtic/Irish
#
Folkloric/Traditional
#
Irish Traditional
#
Stephen Bulat
#
The Rakes of Kildare
#
Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859285 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6694693. Published by Stephen Bulat Publishing (A0.859285). This traditional Irish jig goes by several titles including The Barn Door, The Barndoor, Cum Y çhenn Oanrey çheh, Cum Yn Çhenn Oanrey Çheh, Cum Yn Shenn Oanrey Cheh, Fagamaoid Súd Mar Atá Sé, Get Up Early, Jim McBride’s, Leave That As It Is, Let Us Leave That As It Is, McBride’s, The Old Barn Door, The Old Barndoor, The Race Of Kildare, The Rake Of Kildare and The Rakes Of Kildare Retreat March.It has been recorded and performed by many recording artists including Natalie MacMaster, The Bushwhackers Band, John Macdonald, Maura O’Connor, Vincent Blin & Gilles Poutoux, Éanna Ó CróinÃn, Wendy MacIsaac, Ewen Baker, Kirsty And Katie Lawrence, Cordoba Celtica, Black Sheep and The Corrs.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.21€
Cool Drowsy Walks
Cool Drowsy Walks
#
Traditional Irish Public Domai
#
Steve Martin, Rainy Night Musi
#
Cool Drowsy Walks
#
Steve Martin, Rainy Night Music
#
SheetMusicPlus
Small Ensemble Acoustic Guitar,Banjo,Bass Guitar,Fiddle,Flute,Tambourine - Level 5 - Digital Download SKU: A0.972993 Composed by Traditional Irish Public...
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Small Ensemble Acoustic Guitar,Banjo,Bass Guitar,Fiddle,Flute,Tambourine - Level 5 - Digital Download SKU: A0.972993 Composed by Traditional Irish Public Domain. Arranged by Steve Martin, Rainy Night Music. Celtic,Folk,Holiday,Traditional. Score and parts. 17 pages. Steve Martin, Rainy Night Music #3575347. Published by Steve Martin, Rainy Night Music (A0.972993). A blistering blended medley of 3 traditional Irish Tunes.They say folk music isn't written down, but that doesn't mean it shouldn't be. This is a full folk band arrangement of a blend of Cooley's Reel, The Gravel Walks (to Grandma's), and Drowsy Maggie. It isn't a standard medley - the tunes are blended throughout. Advanced players only on this - the banjo player, fiddle/ violinist, and Flautist particularly. It comes with notation and Tab for the banjo, guitar and bass. This piece would absolutely bring the house down, every time - no doubt about it.To be the first to receive notification of future releases please email rainynightmusic@hotmail.com stating that you wish to receive this information. Alternatively, follow me on Facebook and receive updates on all my musical releases at www.facebook.com/rainynightmusic. Thank you for your purchase and I hope you enjoy the music.
$7.50 ≈
6.91€
Fairy Tales
Fairy Tales
#
Robert Schumann
#
Fairy Tales
#
Schott Music - Digital
#
SheetMusicPlus
Clarinet (violin), viola and piano - intermediate to advanced - Digital Download SKU: S9.Q48185 Based on Robert Schumann. Neue Ausgabe sämtlicher W...
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Clarinet (violin), viola and piano - intermediate to advanced - Digital Download SKU: S9.Q48185 Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Composed by Robert Schumann. This edition: score and parts. Stücke nach Robert Schumann. Downloadable, Score and parts. Op. 132. Schott Music - Digital #Q48185. Published by Schott Music - Digital (S9.Q48185). The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt†Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions†in 1829.
$18.99 ≈
17.49€
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1
At the End of the Day Violin (band part)
