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You've selected:
Dialogues
Sheetmusic to print
46 sheet music found
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1
26
Dialogues
Dialogues
#
Barbara Heller
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Dialogues
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Schott Music - Digital
#
SheetMusicPlus
2 clarinets in Bb - Digital Download SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downlo...
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2 clarinets in Bb - Digital Download SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performance score. Schott Music - Digital #Q22488. Published by Schott Music - Digital (S9.Q22488). The clarinettist Irith Gabriely was inspired by her love of Barbara Heller’s Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludes at readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
$16.99 ≈
15.39€
"Dialogues" - for Soprano and Percussion [Performance Score]
"Dialogues" - for Soprano and Percussion [Performance Score]
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Contemporary
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Lior Navok
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"Dialogues" - for Soprano and
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Lior Navok Music
#
SheetMusicPlus
Small Ensemble High Voice,Multi-Percussion - Level 5 - Digital Download SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts...
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Small Ensemble High Voice,Multi-Percussion - Level 5 - Digital Download SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719301. Published by Lior Navok Music (A0.976035). DIALOGUES - for Soprano and Percussion (1999) DURATION: 11 Minutes TEXT BY: Lior Navok / Vocalize MOVEMENTS: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia LANGUAGE: English PROGRAM NOTES: The composer writes about his work: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia, as the name implies, deals with the relationship between a person and his/her shadow. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: DIN B4 / Ledger.
$21.00 ≈
19.02€
Dialogues
Dialogues
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Hans-Martin Linde
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Dialogues
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Schott Music - Digital
#
SheetMusicPlus
Recorder (alto recorder, tenor recorder) and cello - intermediate - Digital Download SKU: S9.Q778471 Composed by Hans-Martin Linde. In the pieces Spuren ...
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Recorder (alto recorder, tenor recorder) and cello - intermediate - Digital Download SKU: S9.Q778471 Composed by Hans-Martin Linde. In the pieces Spuren (alto recorder) and Linien (tenor recorder) created in 2020, Hans-Martin Linde lets recorder and violoncello enter into an equal dialogue: entertaining, enriching, exchanging. Downloadable, Performance score. Schott Music - Digital #Q778471. Published by Schott Music - Digital (S9.Q778471). In the pieces Spuren (alto recorder) and Linien (tenor recorder) created in 2020, Hans-Martin Linde lets recorder and violoncello enter into an equal dialogue: entertaining, enriching, exchanging.
$9.99 ≈
9.05€
Dialogues
Dialogues
#
Kenneth D
#
Dialogues
#
KFS Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.699638 Composed by Kenneth D. Friedrich. Concert,...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.699638 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and parts. 24 pages. KFS Publishing #3013973. Published by KFS Publishing (A0.699638). Original music for trombone or euphonium and piano.
$17.50 ≈
15.85€
Dialogues, for alto sax and electric guitar
Dialogues, for alto sax and electric guitar
#
Contemporary
#
Paul SanGregory
#
Dialogues, for alto sax and el
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Distant Engraver Music
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.977049 Composed by Paul SanGregory. Contemporary....
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Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.977049 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #4804179. Published by Distant Engraver Music (A0.977049). Elements of this music can be traced to jazz, blues and classical music, but it’s not really crossover or fusion. It doesn’t sound like jazzy classical music and it certainly isn’t jazz hoping to be serious or grandiose. Its seemingly disparate impulses blend logically into a work that feels natural on its own terms. So when the saxophone plays syncopated melodies or bent pitches, it just sounds like the right thing to do. Similarly, though the inspiration for certain guitar sounds and effects came from electric-based fusion or more serious-minded rock music, those influences are probably not obvious. Of course, guitarists will bring some of their own concepts and experience into their sounds, too, but general guidelines are given on the score. The three movements of this piece are:
$9.00 ≈
8.15€
Pacific Dialogues, opus 252
Pacific Dialogues, opus 252
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Contemporary
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Michael Kibbe
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Pacific Dialogues, opus 252
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Stretto Music
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 4...
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Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 45 pages. Stretto Music #4595545. Published by Stretto Music (A0.984151). Four movement work for Cello and Marimba, [13:40].
$15.00 ≈
13.58€
Dialogues
Dialogues
4 Percussions
Easy level
#
Contemporary
#
Brian Monroe
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Dialogues
#
LudwigMasters Digital
#
SheetMusicPlus
Percussion Quartet - Grade 2 - Digital Download Composed by Brian Monroe. 21st Century. Score and Parts. 9 pages. LudwigMasters Digital #50603003. Publ...
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Percussion Quartet - Grade 2 - Digital Download Composed by Brian Monroe. 21st Century. Score and Parts. 9 pages. LudwigMasters Digital #50603003. Published by LudwigMasters Digital
$5.95 ≈
5.39€
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 p...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
9.06€
Conflusion - Suite - Woodwind Ensemble
Conflusion - Suite - Woodwind Ensemble
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Classical
#
Thomas Graf
#
Thomas Graf
#
Conflusion - Suite - Woodwind
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00 ≈
72.44€
Fantasie
Fantasie
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporar...
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Altosaxophone - difficult - Digital Download SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99 ≈
11.76€
Akrilates No.2
Akrilates No.2
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - Digital Download SKU: A0.1438474 Compose...
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - Digital Download SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95 ≈
11.73€
As freezing fountains
As freezing fountains
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Pelham Humphrey
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Early Music Scores
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As freezing fountains
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #64...
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Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645368. Published by Early Music Scores (A0.1040572). Voice and continuo: Pelham Humphrey (1647-1674). From Choice Ayres, Songs & Dialogues, Third Book, London, 1681. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.42€
The appointed hour of promis'd bliss
The appointed hour of promis'd bliss
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Classical
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John Weldon
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Early Music Scores
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dialogues, No
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The appointed hour of promis'd
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.791757 Composed by John Weldon. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Score...
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Vocal Solo,Voice - Digital Download SKU: A0.791757 Composed by John Weldon. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6363075. Published by Early Music Scores (A0.791757). Voice and continuoComposed by John Weldon (1676-1736). From A collection of the choicest songs & dialogues, No. 145. Baroque Period. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.42€
Adieu to the Pleasures and Follies of Love
Adieu to the Pleasures and Follies of Love
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Classical
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James Hart
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Early Music Scores
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Dialogues, London, 1676
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Adieu to the Pleasures and Fol
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores...
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Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6350389. Published by Early Music Scores (A0.791752). Voice and continuoComposed by James Hart (1647-1718). From Choice Ayres, Songs & Dialogues, London, 1676. Baroque period. Edited by Felipe Dias. 2 pages.
$6.99 ≈
6.33€
As I walked forth one Summer's day
As I walked forth one Summer's day
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Robert Johnson
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Early Music Scores
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As I walked forth one Summer's
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Ea...
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Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Early Music Scores #6614369. Published by Early Music Scores (A0.791824). Voice and continuoComposed by Robert Johnson (c.1583 - 1633). From Select Musicall Ayres and Dialogues, First Book, Playford, 1652. Baroque period. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.42€
Where the bee sucks there suck I
Where the bee sucks there suck I
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Pelham Humphrey
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Early Music Scores
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Where the bee sucks there suck
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #64...
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Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645373. Published by Early Music Scores (A0.1040577). Voice and continuo: composed by Pelham Humphrey (1647 - 1674). From Choice Ayres, Songs & Dialogues, First Book, London, 1675. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.42€
Amarillis tear thy hair
Amarillis tear thy hair
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William Lawes
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Early Music Scores
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Amarillis tear thy hair
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.978858 Composed by William Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #58452...
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Vocal Solo,Voice - Digital Download SKU: A0.978858 Composed by William Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #584524. Published by Early Music Scores (A0.978858). Voice and continuo: Composed by William Lawes (1602-1645). From Select Ayres and Dialogues, Second Book, Playford, 1669. Baroque period. Edited by Felipe Dias. 2 pages.
$5.99 ≈
5.42€
Alto dos Schuenck - Waltz for Piccolo and Piano
Alto dos Schuenck - Waltz for Piccolo and Piano
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Thiago Osorio
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Alto dos Schuenck - Waltz for
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Thiago Osorio Music
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. ...
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Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and individual part. 17 pages. Thiago Osorio Music #6440759. Published by Thiago Osorio Music (A0.946705). ''Alto dos Schuenck'' (in english: ''Schuenck's Altitude Lands'') is a gracious waltz for Piccolo and Piano in homage to the great flute player from Nova Friburgo, Rubem Schuenck. In the 19th century, Nova Friburgo received German settlers. Among these Germans, the Schuenck family settled in the district of Amparo to grow coffee. As it is a region in the mountains, the place was named Alto dos Schuenck (Alto refers to altitude).A composition that demands dexterity from Piccolo, mentioning the challenges of the road that leads to the location, but which at the same time has the lightness in its themes, piano counterpoints and dialogues between the instruments. A great opportunity to expand your repertoire with Piccolo soloist with piano accompaniment.
$10.00 ≈
9.06€
Wake all ye dead (Cupid's doomsday)
Wake all ye dead (Cupid's doomsday)
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Alphonso Marsh
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Early Music Scores
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Wake all ye dead
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1041700 Composed by Alphonso Marsh. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #646...
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Vocal Solo,Voice - Digital Download SKU: A0.1041700 Composed by Alphonso Marsh. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #646472. Published by Early Music Scores (A0.1041700). Voice and continuo: composed by Alphonso Marsh (1627-1681). From Select Ayres and Dialogues, Second Book, Playford, 1669. Edited by Felipe Dias. 2 pages.
$5.99 ≈
5.42€
Love's constancy: No more shall meads be deckt with flowers
Love's constancy: No more shall meads be deckt with flowers
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Classical
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Nicholas Lanier
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Early Music Scores
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Love's constancy: No more shal
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arranged by Early Music Scores. Baroque,Classical. 3 pages. Early Music S...
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Vocal Solo,Voice - Digital Download SKU: A0.791608 Composed by Nicholas Lanier. Arranged by Early Music Scores. Baroque,Classical. 3 pages. Early Music Scores #5720665. Published by Early Music Scores (A0.791608). Voice and continuoLove's constancy: No more shall meads be deckt with flowers. Composed by Nicholas Lanier (c.1588-1666). Baroque period. From Select Ayres and Dialogues , Second Book, published by John Playford (1669). Edited by Felipe Dias. 3 pages.
$6.99 ≈
6.33€
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