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You've selected:
F Choir
Sheetmusic to print
1,167 sheet music found
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Dit Is Mijn Vreugde - Intro Flute Oboe (Accompaniment For Mixed Choir)
Dit Is Mijn Vreugde - Intro Flute Oboe (Accompaniment For Mixed Choir)
Flute|Choir|Oboe
#
Sacred music
#
J
#
Jan Mulder
#
Dit Is Mijn Vreugde - Intro Fl
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John Miller Publishing
#
SheetMusicPlus
By J.F. Knapp. Arranged by Jan Mulder. For intro flute oboe. Sacred. Text language: Dutch. 2 pages. Published by John Miller Publishing ...
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By J.F. Knapp. Arranged by Jan Mulder. For intro flute oboe. Sacred. Text language: Dutch. 2 pages. Published by John Miller Publishing
$5.95 ≈
¥42.59
Jingle Bells for Choir in F major
Jingle Bells for Choir in F major
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James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in F ma
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Jps Arrangements
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476581 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Tr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476581 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054092. Published by Jps Arrangements (A0.1476581). Jingle Bells for Choir in F major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in F major and has the numbers.
$1.99 ≈
¥14.24
Jingle Bells for Choir in F major
Jingle Bells for Choir in F major
#
James Lord Pierpont
#
Jps Arrangements
#
Jingle Bells for Choir in F ma
#
Jps Arrangements
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476599 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Tr...
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Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1476599 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 2 pages. Jps Arrangements #1054110. Published by Jps Arrangements (A0.1476599). Jingle Bells for Choir in F major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchase of choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score has been adapted for soprano. Universal Appeal: Music transcends cultures and languages. It is known throughout the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an affordable and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and get started rehearsing with enthusiasm.The arrangement is in F major and does not have the numbers.
$1.99 ≈
¥14.24
Fürchte dich nicht (motette) by J.S. Bach (Double Double-Reed Choir)
Fürchte dich nicht (motette) by J.S. Bach (Double Double-Reed Choir)
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Classical
#
Johann Sebastian Bach
#
Richard Byrnes
#
Fürchte dich nicht
#
Richard Byrnes
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Digital Download SKU: A0.830804 Composed by Johann Sebastian Bach. Arranged by Richard...
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Woodwind Ensemble Bassoon,Double Reed Ensemble,English Horn,Oboe - Digital Download SKU: A0.830804 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 60 pages. Richard Byrnes #5802437. Published by Richard Byrnes (A0.830804). The motet, Fürchte dich nicht (Fear not) is structured in two sections.  The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.  This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 2 Oboes, English Horn, Bassoon, & Choir 2 - 2 Oboes, English Horn, Bassoon).  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
¥214.67
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95 ≈
¥343.22
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥343.22
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥343.22
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥343.22
The Bamboula Rhapsodic Dance for Brass Choir
The Bamboula Rhapsodic Dance for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Ric...
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Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99 ≈
¥286.25
Procession in D Minor (for Wind Ensemble and SATBB Choir)
Procession in D Minor (for Wind Ensemble and SATBB Choir)
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Large Ensemble Choir,Voice - Level 3 - Digital Download SKU: A0.984541 Composed by Tito Abeleda. Concert,Contemporary,Graduation. Score and parts. 111 pa...
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Large Ensemble Choir,Voice - Level 3 - Digital Download SKU: A0.984541 Composed by Tito Abeleda. Concert,Contemporary,Graduation. Score and parts. 111 pages. Visionary Quest Records #4786363. Published by Visionary Quest Records (A0.984541). Procession in D Minor (for Wind Ensemble and SATBB Choir) Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon, Clarinet in E^b, Clarinet in B^b 1, Clarinet in B^b 2, Clarinet in B^b 3, Alto Clarinet in E^b, Bass Clarinet in B^b, Contra Alto Clarinet in E^b, Contrabass Clarinet in B^b, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet in B^b 1, Trumpet in B^b 2, Trumpet in B^b 3, Flugelhorn in B^b 1, Flugelhorn in B^b 2, Horn in F 1, Horn in F 2, Horn in F 3, Trombone 1,Trombone 2, Bass Trombone, Euphonium, Tuba, Timpani,Snare Drum, Bass Drum, Cymbals, Anvil, Wood Block, Tubular Bells, Soprano, Alto, Tenor, Baritone, BassComposed by Tito Abeleda (1964- ) Digital Download 111 pages (c) 2019 Tito Abeleda | Level-IntermediateProcession in D Minor (for Wind Ensemble and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$40.00 ≈
¥286.32
Angels We Have Heard On High - Brass Choir (Ensemble)
Angels We Have Heard On High - Brass Choir (Ensemble)
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Sacred music
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Traditional
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John Groves
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Angels We Have Heard On High -
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John Groves
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784221 Composed by Traditional. Arranged by John Groves. Christmas,Holiday,Prai...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784221 Composed by Traditional. Arranged by John Groves. Christmas,Holiday,Praise & Worship,Religious,Sacred. 20 pages. John Groves #6091343. Published by John Groves (A0.784221). Angels We Have Heard On High - arranged for Brass Choir (Ensemble)Bb Trumpet 1Bb Trumpet 2Bb Trumpet 3Horn in F 1Horn in F 2Horn in F 3Trombone 1Trombone 2Trombone 3Trombone 4Euphonium / Baritone B.C. or opt. Trombone 5TubaNote parts are doubled so you have options to configuration if you don't have all parts covered. Of course the more parts you can cover the richer the sound or double up parts to supersize your brass choir power. The choice is yours!Great holiday feature for your school band brass section, church brass, mass brass events, community brass band ensemble, holiday brass festival.
$29.99 ≈
¥214.67
Procession in D Minor (for Wind Ensemble and SATBB Choir)
Procession in D Minor (for Wind Ensemble and SATBB Choir)
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Alto Saxophone,Alto Voice,Baritone Horn TC,Baritone Saxophone,Bass Voice,Bassoon,Clarinet,Drums,English Horn,Euphonium,Flute,Oboe,Soprano voice,Tenor Saxophone,...
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Alto Saxophone,Alto Voice,Baritone Horn TC,Baritone Saxophone,Bass Voice,Bassoon,Clarinet,Drums,English Horn,Euphonium,Flute,Oboe,Soprano voice,Tenor Saxophone,Tenor Voice,Timpani,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070250 Composed by Tito Abeleda. Concert,Contemporary,Graduation. Full Performance. Duration 259. Visionary Quest Records #4786367. Published by Visionary Quest Records (A0.1070250). Procession in D Minor (for Wind Ensemble and SATBB Choir) Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon, Clarinet in E^b, Clarinet in B^b 1, Clarinet in B^b 2, Clarinet in B^b 3, Alto Clarinet in E^b, Bass Clarinet in B^b, Contra Alto Clarinet in E^b, Contrabass Clarinet in B^b, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet in B^b 1, Trumpet in B^b 2, Trumpet in B^b 3, Flugelhorn in B^b 1, Flugelhorn in B^b 2, Horn in F 1, Horn in F 2, Horn in F 3, Trombone 1,Trombone 2, Bass Trombone, Euphonium, Tuba, Timpani,Snare Drum, Bass Drum, Cymbals, Anvil, Wood Block, Tubular Bells, Soprano, Alto, Tenor, Baritone, BassComposed by Tito Abeleda (1964- ) Digital Download 111 pages (c) 2019 Tito Abeleda | Level-IntermediateProcession in D Minor (for Wind Ensemble and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$2.99 ≈
¥21.40
Let Heaven and Nature Sing: 1st F Horn
Let Heaven and Nature Sing: 1st F Horn
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Instructional
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Jay Althouse and Sally K
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Recorded Acc. Available.
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Let Heaven and Nature Sing: 1s
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1st F Horn - Digital Download SKU: AX.00-PC-0014427_H1 1st F Horn. Composed by Jay Althouse and Sally K. Albrecht. Instructional. Part. 2 pages. A...
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1st F Horn - Digital Download SKU: AX.00-PC-0014427_H1 1st F Horn. Composed by Jay Althouse and Sally K. Albrecht. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014427_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014427_H1). UPC: 038081360096.A full-sounding and joyous choral for your holiday concerts, featuring touches of both Joy to the World and Adeste Fideles. Consider combining all of your choirs for a festive finale. Church choirs will enjoy it, too.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
¥21.47
God Rest Ye Merry Gentleman Vocal Duet with Choir, String Orchestra and Rhythm Section Key of F min
God Rest Ye Merry Gentleman Vocal Duet with Choir, String Orchestra and Rhythm Section Key of F min
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Traditional
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Daryl McKenzie
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God Rest Ye Merry Gentleman Vo
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.718211 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & ...
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Large Ensemble - Level 3 - Digital Download SKU: A0.718211 Composed by Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,World. Score and parts. 75 pages. Daryl McKenzie #5001809. Published by Daryl McKenzie (A0.718211). A Christmas favourite arranged with an Arabic flavour for Vocal duet, Choir, String Orchestra and Rhythm Section.Soprano Voice 1, Soprano Voice 2, Choir, Oud, Riq, Guitar, Piano, Keyboard, Bass Guitar, Drums, Percussion, Harp, Vlns1, Vlns2, Vla, Vcl, CB. Key of F minor.Notes: Soprano Voices can be other type (male). Oud part can be any solo instrument (concert pitch part).Riq is an Arabic Tambourine.  Check the Youtube clip for the performance of this arrangement.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99 ≈
¥357.83
Nessun Dorma - 2 part choir or vocal duet TT with piano with FREE BACKING TRACKS to sing along to.
Nessun Dorma - 2 part choir or vocal duet TT with piano with FREE BACKING TRACKS to sing along to.
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Giacomo Puccini
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Austin Ralphson
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Nessun Dorma - 2 part choir or
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Austin Ralphson
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SheetMusicPlus
Piano,Voice Duet Piano,Tenor Voice - Level 4 - Digital Download SKU: A0.1478315 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Op...
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Piano,Voice Duet Piano,Tenor Voice - Level 4 - Digital Download SKU: A0.1478315 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Opera. 21 pages. Austin Ralphson #1055694. Published by Austin Ralphson (A0.1478315). This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!This duet arrangement uses the voices to produce a moving, uplifting experience during performance and will be a strong addition to your repertoire. I have included the following options to provide flexibility:* Italian-language version in the original key of G, and also a tone lower in F* English-language version in the original key of G, and also a tone lower in F* Backing tracks in the keys of G and F which are available in the downloadable mp3 file, and also on YouTube at https://youtu.be/0vYLZ8yBur4You can print as many copies as are required to facilitate a performance, but you are not permitted to share outside of your choir.
$4.99 ≈
¥35.72
Three Kings Traverse Lands of Eastern Lore for Vocal Solo or Unison Choir and Flexible Sextet
Three Kings Traverse Lands of Eastern Lore for Vocal Solo or Unison Choir and Flexible Sextet
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Peter Cornelius/Philipp Nicola
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William J
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Three Kings Traverse Lands of
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Sigma Squared Music
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Saxophone,Cello,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Digital Down...
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Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Saxophone,Cello,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1097330 Composed by Peter Cornelius/Philipp Nicolai. Arranged by William J. Bullock. 19th Century,Christmas,Holiday,Sacred,Spiritual. 33 pages. Sigma Squared Music #701272. Published by Sigma Squared Music (A0.1097330). This famous song is from the cycle Weihnachtslieder (“Christmas Songsâ€) by the deeply spiritual German composer Peter Cornelius. Composed in 1856 and revised in 1859 and 1870, the cycle is one of the composer’s most popular works. The perspicuity and clarity of its music and verse (Cornelius wrote both) reflect the composer’s engaging and candid temperament. The poetic message of the angular vocal line is cleverly bolstered by the subliminal message of the smoothly flowing accompanying chorale, How Brightly Shines the Morning Star by Philipp Nicolai (1556–1608). Please review our electronic delivery policy before purchasing the digital download version of this title. The accompaniment in this arrangement is scored for flexible instrumentation sextet, and is playable by a wide variety of standard ensembles or any other combination of players. Possible options include woodwind or brass quintet plus melody, string sextet, clarinet choir, saxophone sextet, or double reed ensemble. The parts are available in the following transpositions: Part 1 (Melody) C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax) Part 2 C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax*) Part 3 C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax, Alto Clarinet) Viola Part 4 C (Violin) B-flat (Clarinet, Trumpet) E-flat (Alto Sax, Alto Clarinet) F (Horn in F, English Horn) Viola Part 5 Bass Clef (Bassoon, Cello, Trombone) B-flat (Bass Clarinet, Tenor Sax, Baritone TC) E-flat (Baritone Sax) Horn in F Part 6 Bass Clef (Bassoon, Cello, Trombone, Tuba) B-flat (Bass Clarinet) B-flat (Bass Sax, Contrabass Clarinet) E-flat (Baritone Sax, Contralto Clarinet) * Note that due to the range of Part 2, the Alto Sax is quite high and Soprano would be a better option.
$14.99 ≈
¥107.30
Othello Suite, Op. 79 for Brass Choir
Othello Suite, Op. 79 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Bras
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arra...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99 ≈
¥286.25
Procession in D Minor (for Full Orchestra and SATBB Choir)
Procession in D Minor (for Full Orchestra and SATBB Choir)
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Contemporary
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Tito Abeleda
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Procession in D Minor
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Visionary Quest Records
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Recor...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.984538 Composed by Tito Abeleda. Contemporary. Score and parts. 80 pages. Visionary Quest Records #4780997. Published by Visionary Quest Records (A0.984538). Full Orchestra and SATBB Choir: Piccolo, E Flat Flute, Flute, Oboe, Cor Anglais, Clarinet in E Flat, Clarinet in B Flat, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Horn in F 1-3, Trumpet in C 1-3, Bass Trumpet in E Flat, Trombone 1-2, Tenor Tuba in B Flat, Bass Tuba in F, Timpani, Snare Drums, Bass Drum, Cymbals, Anvil, Wood Blocks, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass, Violin I, Violin II, Viola I, Viola II, Violoncello, ContrabassProcession in D Minor (for Orchestra and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.Email: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00 ≈
¥214.74
Amazing Grace in F# Major - Alto and Bass with Organ Accompaniment
Amazing Grace in F# Major - Alto and Bass with Organ Accompaniment
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Sacred music
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John Newton
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Amanda Cerqueira Rodrigues
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Amazing Grace in F# Major - Al
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Amanda Rodrigues
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SheetMusicPlus
Choral Choir,Choral - Level 1 - Digital Download SKU: A0.1372626 Composed by John Newton. Arranged by Amanda Cerqueira Rodrigues. Christian,Christmas,Eas...
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Choral Choir,Choral - Level 1 - Digital Download SKU: A0.1372626 Composed by John Newton. Arranged by Amanda Cerqueira Rodrigues. Christian,Christmas,Easter,Praise & Worship,Religious. 2 pages. Amanda Rodrigues #956962. Published by Amanda Rodrigues (A0.1372626). Immerse yourself in the timeless beauty of Amazing Grace, a renowned international hymn that resonates with the spirit of Easter and Christmas. This beginner-level Alto and Bass sheet music in F# Major, accompanied by the majestic tones of an organ, offers a simplified arrangement. This allows Alto and Bass, along with the powerful presence of the organ, to effortlessly capture the essence of this gospel classic. With a high-quality PDF, this rendition preserves the depth and soul-stirring melody of the original, ensuring a heartfelt and spiritually uplifting performance.- Easy/Beginner- Alto and Bass- Alto and Bass Sheet Music- F# Major - Accompanied by Organ- High-Quality PDF- Internationally Acclaimed Hymn- Perfect for Easter and Christmas- Simplified Arrangement of the Original- Instant Digital DownloadElevate your choir's repertoire with the profound harmonies of Amazing Grace. This sheet music is not just a score; it's an invitation to embody the uplifting spirit of this cherished hymn. Download your high-quality PDF now and let the transformative power of Amazing Grace enhance your musical journey.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments/groups, so come on checking my profile to pick the perfect one!
$2.99 ≈
¥21.40
Amazing Grace in F Major - Alto, Tenor and Baritone with Organ Accompaniment and Chords
Amazing Grace in F Major - Alto, Tenor and Baritone with Organ Accompaniment and Chords
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Sacred music
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John Newton
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Amanda Cerqueira Rodrigues
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Amazing Grace in F Major - Alt
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Amanda Rodrigues
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SheetMusicPlus
Choral Choir,Choral - Level 1 - Digital Download SKU: A0.1372717 Composed by John Newton. Arranged by Amanda Cerqueira Rodrigues. Christian,Christmas,Eas...
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Choral Choir,Choral - Level 1 - Digital Download SKU: A0.1372717 Composed by John Newton. Arranged by Amanda Cerqueira Rodrigues. Christian,Christmas,Easter,Praise & Worship,Religious. 2 pages. Amanda Rodrigues #957030. Published by Amanda Rodrigues (A0.1372717). Immerse yourself in the timeless beauty of Amazing Grace, a renowned international hymn that resonates with the spirit of Easter and Christmas. This beginner-level Alto, Tenor and Baritone sheet music in F Major, accompanied by the majestic tones of an organ, offers a simplified arrangement. This allows Alto, Tenor and Baritone, along with the powerful presence of the organ, to effortlessly capture the essence of this gospel classic. With a high-quality PDF, this rendition preserves the depth and soul-stirring melody of the original, ensuring a heartfelt and spiritually uplifting performance. Elevate your performance experiencing the depth of accompanying chords, providing a fuller and more immersive musical journey for your ensemble.- Easy/Beginner- Alto, Tenor and Baritone- Alto, Tenor and Baritone Sheet Music- F Major- Chords for Accompaniment - Accompanied by Organ- High-Quality PDF- Internationally Acclaimed Hymn- Perfect for Easter and Christmas- Simplified Arrangement of the Original- Instant Digital DownloadElevate your choir's repertoire with the profound harmonies of Amazing Grace. This sheet music is not just a score; it's an invitation to embody the uplifting spirit of this cherished hymn. Download your high-quality PDF now and let the transformative power of Amazing Grace enhance your musical journey.Want this sheet in a different key? I have it on 15 keys and in a lot of different instruments/groups, so come on checking my profile to pick the perfect one!
$3.49 ≈
¥24.98
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