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You've selected:
Four dances
Sheetmusic to print
82 sheet music found
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Two Dances, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
Two Dances, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Two Dances, First Book of Danc
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522177 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. S...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522177 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 25 pages. Colin Kirkpatrick Publications #6093927. Published by Colin Kirkpatrick Publications (A0.522177). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. These are the thirteenth and fourteenth dances in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.
$10.99
Two Almandes, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
Two Almandes, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Almandes, First Book of Da
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.522176 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. S...
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Small Ensemble - Level 3 - Digital Download SKU: A0.522176 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 24 pages. Colin Kirkpatrick Publications #6088869. Published by Colin Kirkpatrick Publications (A0.522176). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. These are the thirteenth and fourteenth dances in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and two players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$10.99
Four Dances - arranged for four guitars (tab included)
Four Dances - - four guitars (tab included)
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Classical
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Fr
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Erik Otte
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Four Dances - - four guitars
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Erik Otte
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1372028 Composed by Fr.Schubert. Arranged by Erik Otte. 19th Century,Chamber,Classical. 10 pages. Erik Otte #...
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Guitar - Level 2 - Digital Download SKU: A0.1372028 Composed by Fr.Schubert. Arranged by Erik Otte. 19th Century,Chamber,Classical. 10 pages. Erik Otte #956231. Published by Erik Otte (A0.1372028). Four easy dances composed by Franz Schubert for piano, now arranged for four guitars by Erik Otte. Tab and fingering are included
$11.95
English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo
English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages....
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Large Ensemble - Level 5 - Digital Download SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusic #4854111. Published by RayThompsonMusic (A0.553828). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.There are 4 mvts in each suite.This is the 1st movement of the second suite.It was used from 1969 to 2008 as the theme music for the long-running UK television programme What the Papers Say, and was used again for the revived version of the programme on BBC Radio Four.It is arranged for double wind quintet/bass/tuba.One of the flutes plays piccolo throughout.
$12.99
Four Romantic Cuban Dances for oboe and English Horn trio
Four Romantic Cuban Dances for oboe and English Horn trio
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Ignacio Cervantes
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John Gibson
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Four Romantic Cuban Dances for
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JB Linear
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 4 - Digital Download SKU: A0.582105 Composed by Ignacio Cervantes. Arranged by John Gibson. Hol...
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Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 4 - Digital Download SKU: A0.582105 Composed by Ignacio Cervantes. Arranged by John Gibson. Holiday,Latin. 25 pages. JB Linear #5314607. Published by JB Linear (A0.582105). Ignacio Cervantes (1847 - 1905) was an influential Cuban composer born in Havana, Cuba. His many Cuban Dances are wonderful examples of the growth of the very rhythmic and charming Cuban music that we enjoy so much now. This set of four dances was arranged by John Gibson for double reed trio (2 oboes and English Horn). It includes: La Tarde Esta Amorosa (This Romanic Evening), Mis Amores (My Romance), No Ilores mas! (Weep No Longer!), and De Mil Amores (With All My Heart). Once you have Habanera rhythms learned the music flows easily. There are many accidentals, which is why the music is noted as Advanced Intermediate, although an intermediate player could play it successfully. These are wonderful little miniatures to perform! (listen to the wonderful You Tube video of the Double Reed Diva's of La Tarde Esta Amorosa!).
$13.75
Four Farmer Dances - Score Only
Four Farmer Dances - Score Only
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Crazy Laurens
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Four Farmer Dances - Score Onl
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CrazyLaurens
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1463560 Composed by Crazy Laurens. Folk,Multicultural,Traditional,World. 14 pages. CrazyLaurens #1042317. Published by...
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Level 2 - Digital Download SKU: A0.1463560 Composed by Crazy Laurens. Folk,Multicultural,Traditional,World. 14 pages. CrazyLaurens #1042317. Published by CrazyLaurens (A0.1463560). Four dances for Flute, Englisch Horn, Euphonium, Tambourine, Snare Drum and Bass Drum.(MP3 is without repeats).
$1.99
Plateau of Dances with a Scottish Flavour
Plateau of Dances with a Scottish Flavour
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Alexandra Lehmann
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Plateau of Dances with a Scott
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Forton Music - Digital
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SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet...
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
English Dances Set 2
English Dances Set 2
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances Set 2
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RayThompsonMusic
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1253894 Composed by Malcolm Arnold. Arranged by Ray Thompson. 20...
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B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1253894 Composed by Malcolm Arnold. Arranged by Ray Thompson. 20th Century. 73 pages. RayThompsonMusic #847523. Published by RayThompsonMusic (A0.1253894). Arranged wind dectet/bass (double wind quintet/bass/tuba )One of the flutes plays piccolo throughout English Dances Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951. Each set consists of four dances inspired by, although not based upon, country folk tunes and dances. Each movement is denoted by the tempo marking, as the individual movements are untitled. This is set 2 I. Allegro non troppo II. Con brio III. Grazioso IV. Giubiloso - lento e maestosoCheck out my pastiche composition Tyneside Dances for wind dectet.
$24.95
English Dances, Set 2, Op. 33: No. 4. Giubiloso - Lento E Maestoso
English Dances, Set 2, Op. 33: No. 4. Giubiloso - Lento E Maestoso
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.553826 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. 18 pages. RayThompsonMusic #4850885. Publis...
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Level 5 - Digital Download SKU: A0.553826 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. 18 pages. RayThompsonMusic #4850885. Published by RayThompsonMusic (A0.553826). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.There are 4 mvts in each suite.This is mvt 4It is arranged for double wind quintet with bass/tuba.Other pieces by Arnold, arranged by me, are available on this site.
$12.99
English Dances, Set 2, Op. 33: No. 2. Con Brio
English Dances, Set 2, Op. 33: No. 2. Con Brio
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553827 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 17 pages....
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Large Ensemble - Level 5 - Digital Download SKU: A0.553827 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 17 pages. RayThompsonMusic #4853691. Published by RayThompsonMusic (A0.553827). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.This is of mvt.2 arranged double wind quintet/bass/tubaOne flute pays piccolo throughout
$12.99
English Dances, Set 2, Op. 33: No. 3. Grazioso
English Dances, Set 2, Op. 33: No. 3. Grazioso
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.553829 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 15 pages....
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Large Ensemble - Level 4 - Digital Download SKU: A0.553829 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 15 pages. RayThompsonMusic #4854479. Published by RayThompsonMusic (A0.553829). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.This is the 3rd movement of the the second set.It is arranged for double wind quintet/bass/tuba.One of the flutes play piccolo throughout.
$12.99
English Dances, Set 2, Op. 33: No. 4. Giubiloso - Lento E Maestoso
English Dances, Set 2, Op. 33: No. 4. Giubiloso - Lento E Maestoso
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Contemporary
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Malcolm Arnold
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Ray Thompson
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English Dances, Set 2, Op. 33:
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RayThompsonMusic
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.553830 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. 73 pages. RayThompsonMusic #4854771. Publis...
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Level 5 - Digital Download SKU: A0.553830 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. 73 pages. RayThompsonMusic #4854771. Published by RayThompsonMusic (A0.553830). Arranged double wind quintet/bass/tuba English Dances,One of the flutes plays piccolo throughout Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951. Each set consists of four dances inspired by, although not based upon, country folk tunes and dances. Each movement is denoted by the tempo marking, as the individual movements are untitled. This is set 2 I. Allegro non troppo II. Con brio III. Grazioso IV. Giubiloso - lento e maestoso.
$24.95
Pavane & Gaillarde Des Dieux, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
Pavane & Gaillarde Des Dieux, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Pavane & Gaillarde Des Dieux,
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.522175 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,We...
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Small Ensemble - Level 3 - Digital Download SKU: A0.522175 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 26 pages. Colin Kirkpatrick Publications #6088861. Published by Colin Kirkpatrick Publications (A0.522175). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the pavane and gaillarde were both popular dances and frequently paired. These are the third and fourth paired dances in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and two players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$11.99
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
Dances of the Dead - Score Only
Dances of the Dead - Score Only
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Robert A
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Dances of the Dead - Score Onl
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Robert A. Howard
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SheetMusicPlus
Digital Download SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #104926...
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Digital Download SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by Robert A. Howard (A0.1471488). This work aims to depict a common theme of certain pieces by some classical composers: that of deathly or devilish dances, and the like. This piece is an extended single movement structure for a mixed chamber ensemble that is an octet of oboe, 2 clarinets, bassoon, piano, viola, cello, and double bass. The form is divided into a series of contrasting dances (labelled as Dance, Folk Lament, Jig, Meditation, and Funeral March), all of which are interspersed with differing statements of an ostinato-based 'chorale' idea on the piano. The whole work is framed by an 'intrada', which builds the germinal motif on which the whole piece is based, characterised by semitones and fourths. Indeed, the 'devil's interval' of the augmented fourth has a particular function and significance. The piece actually ends with an 'epilogue', which features mysterious and ghostly reminiscences of the previous main sections. The title of this work also refers to the episode 'Dance of the Dead' from the 1960s cult TV series 'The Prisoner'. In part, the piece attempts to capture the mystery and atmosphere of the series, and of that specific episode. Indeed, the music's series of related but contrasting sections act almost as an original sequence of dramatic TV incidental music cues. The work is accessible to both performers and audience alike. The attached document is the full score only, with audio provided.Duration: 11 minutes 40 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
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Wajdi Abou Diab
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Wajdi Abou Diab
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FOUR ARABIC SKETCHES - FLEXIBL
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W. Abou Diab
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SheetMusicPlus
Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultur...
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Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
Dvorak: Slavonic Dances Op.46 No.7 in C minor (Skocná) - symphonic wind dectet/bass
Dvorak: Slavonic Dances Op.46 No.7 in C minor (Skocná) - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: Slavonic Dances Op.46
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553794 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Standards,Wedding. Score and parts. 31 pages. RayThompsonMusic #4621337. Published by RayThompsonMusic (A0.553794). The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 7 from the first set Op.46This is titled SkoÄná which is a rapid Slavic folk-dance, normally in 24 metre.Arranged double wind quintet and bass.
$14.95
Dvorak: Slavonic Dances Op.46 No.3 in Ab (Polka) - symphonic wind dectet/bass
Dvorak: Slavonic Dances Op.46 No.3 in Ab (Polka) - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: Slavonic Dances Op.46
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129885 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,F...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129885 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 42 pages. RayThompsonMusic #730292. Published by RayThompsonMusic (A0.1129885). Arranged double wind quintet/bass The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. Contrary to what the title might suggest, the dances are not so much inspired by Slavic folk music generally, but specifically by styles and forms from Bohemia. In these pieces, Dvořák never actually quotes folk melodies, but evokes their style and spirit by using traditional rhythmic patterns and structures in keeping with traditional folk dances.This is my arrangement of No 3 Polka from the first set Op.46 In Simrock's original edition of the piano duet, no. 3 was the D major Sousedská and no. 6 the A flat major Polka - an order apparently approved by Dvořák. Their positions were reversed in the orchestral version. The term polka referring to the dance is derived from the Czech word Polka meaning Polish woman (feminine form corresponding to Polák, a Pole). Czech cultural historian ÄŒenÄ›k ZÃbrt also attributes the term to the Czech word půlka (half), referring to both the half-tempo 2 4 and the half-jump step of the dance.[2] The word was widely introduced into the major European languages in the early 1840s.
$14.95
Ritual Dances
Ritual Dances
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Sir Michael Tippett
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Ritual Dances
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett....
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Orchestra, choir and 4 soloists ad. lib. - Digital Download SKU: S9.Q21225 From the opera The Midsummer Marriage. Composed by Sir Michael Tippett. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21225. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21225). English • German • French.Tippett’s decision to extract the four Ritual Dances from his opera 'The Midsummer Marriage' as a self-contained concert suite reflects the fact that the medium of dance was always present in his conception of the opera. From the start, there was to be an interaction within the opera between the real world and the world of mythology, partly Greek, partly Celtic. This mythological element culminates, in the finished opera, in the 'Ritual Dances' of Acts 2 and 3. Tippett himself described his opera as ‘a kind of elaborate 'L’après midi d’un faune’, in which the 'Ritual Dances' display a powerful sexual energy, though of a very different kind from Debussy’s voluptuous langour. Composition of The Midsummer Marriage occupied Tippett for six years from 1946 to 1952. The first performance of the Ritual Dances as a concert suite was given in Basel on 13 February 1953 by the Basel Kammerorchester conducted by Paul Sacher, and preceded the premiere of the complete opera by two years. Today the Ritual Dances rival the Concerto for Double String Orchestra (ETP 1331) as Tippett’s most widely-performed orchestral work.
$35.99
4 Spanish Songs and Dances for Piano Trio
4 Spanish Songs and Dances for Piano Trio
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Traditional
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Peter Kay
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4 Spanish Songs and Dances for
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Peter Kay
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.984821 Composed by Traditional. Arranged by Peter Kay. Contemporary,World. Score and part...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.984821 Composed by Traditional. Arranged by Peter Kay. Contemporary,World. Score and parts. 37 pages. Peter Kay #6404887. Published by Peter Kay (A0.984821). Each of these four appealing traditional songs and dances is from a different region of Spain. The four arrangements are for the standard piano trio of piano/violin/violincello. Total performance time is 8 minutes and each piece is suitable as an encore piece.
$10.00
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