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74 sheet music found
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1
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51
Christmas Time Is Here
Christmas Time Is Here
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Jazz
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Vince Guaraldi
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Iain Dixon
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Christmas Time Is Here
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Rammy Music
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SheetMusicPlus
Woodwind Ensemble - Level 1 - Digital Download SKU: A0.793745 Composed by Vince Guaraldi. Arranged by Iain Dixon. Jazz. 2 pages. Rammy Music #4298033. Pu...
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Woodwind Ensemble - Level 1 - Digital Download SKU: A0.793745 Composed by Vince Guaraldi. Arranged by Iain Dixon. Jazz. 2 pages. Rammy Music #4298033. Published by Rammy Music (A0.793745). This arrangement, for 2 clarinets, is very much for a teacher / pupil scenario - being aimed at the beginner / intermediate student. The tune is exclusively on the first part with the second part providing a strong & supportive rhythmic accompaniment. The piece is in G Major with the first part going above the break but not higher than an F sharp. The melody goes both above and below the break and as such the piece has an element of break study for the student. Both parts appear together for ease of reference, and are laid out very clearly. There is a minimum of information on the page and as such the piece can be freely interpreted. This melody makes use of ninths and major sevenths so it creates some interesting sonorities. An easy and enjoyable duet.
$4.99
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Duke Ellington
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Ivan Marini
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It Don't Mean A Thing
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www.dalsegno.eu
#
SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.770348 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Ivan Marini. 20th Century,I...
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Small Ensemble - Level 1 - Digital Download SKU: A0.770348 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Ivan Marini. 20th Century,Instructional,Jazz. Score and parts. 14 pages. Www.dalsegno.eu #3567897. Published by www.dalsegno.eu (A0.770348). Very easy arrangement of this classic Duke's standard.Setting: a Soloist for the melody (Vocals - original key - or any other instrument: just pick up your Real Book!), four winds for the Background (four saxes AAAT or a mix of Saxes and Brass) and a small rhythm section (Bass and Drums, opt. Guitar and Piano).Et voila! Jazz for absolute beginners.Really useful for the first attempts of Combo playing and in case for Jazz/Big Band classes.The homorhythmic background is ideal to develope articulation, intonation, balance and phrasing. Very limited ranges.Every part complete with changes for the improvisations.Complete set with score and parts: Alto 1, Trumpet 1 (sub. for Alto 1), Alto 2, Trumpet 2 (sub. for Alto 2), Alto 3, Tenor, Trombone (sub. for Tenor), Drums, Piano/Bass/Guitar.Other transpositions available for free at simply request.Open form (indeterminate duration), 14 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$12.99
Sweet Happy Life (Samba De Orpheo)
Sweet Happy Life (Samba De Orpheo)
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Antonio Maria, Luiz Bonfa, and
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Jeremy Fox
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Sweet Happy Life
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JEREMY S FOX
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SheetMusicPlus
Rhythm Section Voice (SATB divisi) - Level 3 - Digital Download SKU: A0.1365933 Composed by Antonio Maria, Luiz Bonfa, and Norman Gimbel. Arranged by Jer...
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Rhythm Section Voice (SATB divisi) - Level 3 - Digital Download SKU: A0.1365933 Composed by Antonio Maria, Luiz Bonfa, and Norman Gimbel. Arranged by Jeremy Fox. Jazz,Latin. Vocal Jazz Ensemble. 47 pages. JEREMY S FOX #950270. Published by JEREMY S FOX (A0.1365933). Originally written for the 1959 Award Winning Movie “Orfeu Negro†(Black Orpheus), this song has a fun and infectious melody. This arrangement is written for Level IV+ SATB Vocal Jazz. It is very rhythmically challenging, but this song is very worth the effort, as it creates a samba party!
$75.00
All In Love Is Fair
All In Love Is Fair
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Pop music
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Soul/R&B
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Stevie Wonder
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Kevin P Holdgate
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All In Love Is Fair
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Kevin P Holdgate
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SheetMusicPlus
Instrumental Solo,Piano,Sitar - Level 3 - Digital Download SKU: A0.791164 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Sco...
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Instrumental Solo,Piano,Sitar - Level 3 - Digital Download SKU: A0.791164 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Score and individual part. 11 pages. Kevin P Holdgate #5328429. Published by Kevin P Holdgate (A0.791164). KPHMS 'Solo' CollectionAll in Love Is Fair is taken from Stevie Wonder's sixteenth studio album, Innervisions, released on August 3, 1973. All Music's Matthew Greenwald found All in Love Is Fair to be among Wonder's finest ballad statements, which contained one of the most graceful and memorable hooks from the eraThis arrangement is based on the Barbara Streisand version of the song which was recorded in 1974 and appeared on her multi-award-winning album 'The Way We Were',Rhythmically this arrangement is approximately Grade 4/5 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.For the Sitar this is perhaps 'unchartered territory'... but why not go for it? What is there to lose? The opportunity to play something like a 'Pop'Style ballad by the great Stevie Wonder is not something that comes along very often for the Sitar.Tab and Notation parts can be read from the full Piano accompaniment part if required... or there are individual Tab and Notation parts included. A combined part for Sitar including the Notation and Ravi Shanker style Tab is available free of charge after purchase from kevinholdgate61@hotmail.com (if required).N.B. There are versions of this arrangement available for a variety of solo instruments and also versions as a vocal and instrumental solo with Brass Band and a 10 piece brass ensemble.
$4.99
Sunny
Sunny
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Bobby Hebb
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Stewart J Wallace
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Sunny
#
Stewart J Wallace
#
SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 2 - Digital Download SKU: A0.1394109 By Bobby Hebb. By Bobby Hebb. Arranged by Stewart J Wallace. Disco,Jazz,Latin,P...
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Choral Choir,Choral (3-Part) - Level 2 - Digital Download SKU: A0.1394109 By Bobby Hebb. By Bobby Hebb. Arranged by Stewart J Wallace. Disco,Jazz,Latin,Pop,Soul. 17 pages. Stewart J Wallace #977567. Published by Stewart J Wallace (A0.1394109). Sunny was written in 1963 and released as a single by the composer Bobby Hebb in 1966 rising to number 2 on the US Pop chart. Thanks to its success Bobby Hebb toured with The Beatles in the same year, and other performers who have recorded the song include Andy Williams, Frank Sinatra, Stevie Wonder, Cher and Boney M. It is an optimistic and upbeat song, but when Hebb's older brother was stabbed outside a Nashville nightclub this event inspired him to write the song. He once said about the song, All my intentions were to think of happier times and pay tribute to my brother – basically looking for a brighter day – because times were at a low. This arrangement has a slight latin groove to the piano accompaniment, and the vocals should be sung with a direct, clipped and rhythmic delivery. Clarity of the words is very important, and even though the song is in a minor key, the performance needs to be uplifting, hopeful and encouraging. Watch out for the key shifts!
$1.99
Beethoven - Rondo Op.49 - Flute, Viola, Cello, Piano Piano Quartet
Beethoven - Rondo Op.49 - Flute, Viola, Cello, Piano Piano Quartet
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Classical
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol.com
#
Beethoven - Rondo Op.49 - Flut
#
TK
#
SheetMusicPlus
Small Ensemble Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.823999 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical...
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Small Ensemble Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.823999 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #4783595. Published by TK (Tim) Murray (A0.823999). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
Beethoven - Rondo Op.49 - Clarinet Viola Cello Piano, Piano Quartet
Beethoven - Rondo Op.49 - Clarinet Viola Cello Piano, Piano Quartet
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Classical
#
Ludwig van Beethoven
#
TK Murray
#
tkmurraycomp@aol.com
#
Beethoven - Rondo Op.49 - Clar
#
TK
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.824162 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,...
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Small Ensemble Cello,Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.824162 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #6717071. Published by TK (Tim) Murray (A0.824162). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Clarinet, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
Beethoven - Rondo Op.49 - Oboe, Viola Cello Piano, Piano Quartet
Beethoven - Rondo Op.49 - Oboe, Viola Cello Piano, Piano Quartet
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Classical
#
Ludwig van Beethoven
#
TK Murray
#
tkmurraycomp@aol.com
#
Beethoven - Rondo Op.49 - Oboe
#
TK
#
SheetMusicPlus
Small Ensemble Cello,Oboe,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.824160 Composed by Ludwig van Beethoven. Arranged by TK Murray. ...
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Small Ensemble Cello,Oboe,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.824160 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #6717057. Published by TK (Tim) Murray (A0.824160). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Oboe, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
Entardecer em Nazaré da Mata
Entardecer em Nazaré da Mata
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Jonas Hocherman
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Jonas Hocherman
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Entardecer em Nazaré da Mata
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Jonas Hocherman
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SheetMusicPlus
Trombone - Level 4 - Digital Download SKU: A0.1181059 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. Chamber,Contemporary,Latin,Mul...
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Trombone - Level 4 - Digital Download SKU: A0.1181059 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. Chamber,Contemporary,Latin,Multicultural,Traditional,World. 28 pages. Jonas Hocherman #780890. Published by Jonas Hocherman (A0.1181059). The piece Entardecer in Nazaré da Mata for trombone octet, is a dreamlike journey about the richness of colors of Pernambuco music in carnival. Although much of the piece is based on the rhythm of maracatu de baque virado, this piece was composed from the memories on the day I went to Nazaré da Mata in Pernambuco in the northeast of Brazil to see the arrival of caboclos of the rural maracatu and later, upon arriving in Recife on the same night listen to several other rhythms such as Afoxé,  Coconut, Frevo, Caboclinho, Forró.   This piece has very melodic moments sounding like a beautiful trombone choir and has some very rhythmic moments. Maracatú is a traditional rhythm of Pernambuco and is characterized by being very rhythmic. Despite being traditionally in compass 4/4, this song was written in the 3/4 compass, being a kind of style stylization. The difficulty of this rhythm is that it needs to be very precise, can not leave the music behind, the breaks of semicolcheias has to be very in time.
$50.00
All Bless the One
All Bless the One
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Sacred music
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Hilton Kean Jones
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All Bless the One
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Hilton Kean Jones
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SheetMusicPlus
Choral Choir - Level 1 - Digital Download SKU: A0.988482 Composed by Hilton Kean Jones. Praise & Worship,Sacred. Octavo. 4 pages. Hilton Kean Jones #6295...
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Choral Choir - Level 1 - Digital Download SKU: A0.988482 Composed by Hilton Kean Jones. Praise & Worship,Sacred. Octavo. 4 pages. Hilton Kean Jones #6295575. Published by Hilton Kean Jones (A0.988482). A very simple 2-part mixed anthem on Dan 3:52-90, with a strong, rhythmic canonic melody over modal harmony. Another emergency anthem for Sunday mornings when not everyone shows up. Will make your choir sound bigger than it is. The mp3 sample is instrumental until a choral sample is recorded.
$1.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Living For The City
Living For The City
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Stevie Wonder
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Lucas Rei Ramos
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Living For The City
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Lucas Rei Ramos
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,S...
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Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,Singer/Songwriter,Soul. Octavo. 13 pages. Lucas Rei Ramos #841681. Published by Lucas Rei Ramos (A0.1247126). Arrangement for SSATB and soloist of this Stevie Wonder classic, aimed to choirs that include jazz, rock or gospel in their repertoire.The arrangement is very energetic and would fit any choral programme involving jazz, pop, rock soul and gospel arrangements. It has a very strong rhythmic feel that will likely make the choir and the audience to clap and dance! It has occasional (but optional) divisi in tenors in certain places. If features a contrapunctal interlude that leads to the last verses after a modulation, and a big finale after a final crescendo where the music explodes.This arrangement was a commission from Coro da Rá, a choir specialized in jazz and Brazilian music. I’ve received it before I even knew about the tune, but I’ve poured my soul into it and I’ve enjoyed singing it while it lasted in the regular repertoire. I’d love to have it sung in other choirs around the world and hope you enjoy it as well.
$1.99
Exegesis - Unaccompanied solo for Bass Trombone
Exegesis - Unaccompanied solo for Bass Trombone
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Brink, Phil
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Exegesis - Unaccompanied solo
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.792059 Composed by Brink, Phil. 20th Century,Contemporary. Individual part. 4 pages....
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.792059 Composed by Brink, Phil. 20th Century,Contemporary. Individual part. 4 pages. Gordon Cherry #3014037. Published by Gordon Cherry (A0.792059). Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges. Below is a brief instruction to the performer from the composer. The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that crescendo and diminuendo relate to acceleration or deceleration as indicated. There are odd little notes, like secretive in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture! The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.
$20.00
"Jacaranda" Original Tango for Wind Sextet
"Jacaranda" Original Tango for Wind Sextet
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Grant Horsley
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"Jacaranda" Original Tango for
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Grant Horsley
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1388044 Composed by Grant Horsley. Contest,Festiva...
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Woodwind Ensemble Alto Saxophone,Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1388044 Composed by Grant Horsley. Contest,Festival,Latin,Multicultural,Traditional,Wedding,World. 35 pages. Grant Horsley #971640. Published by Grant Horsley (A0.1388044). Jacaranda is a very tall tree with a purple bloom which is native to South America. This tree lines the streets of Buenos Aires which is considered by many to be the birthplace of the Argentinian Tango. Scored for Flute, Oboe, Clarinet, Alto Sax, Horn and Bassoon, this original Tango has two main sections- a passionate and animated section to begin with which clearly states the rhythms associated with the Tango, followed by a contrasting more wistful romantic middle section, which has the Cuban Habanera elements present, from which a Tango is derived. Then the piece returns to the first section taking it to a conclusion Jacaranda is in Concert C minor with the middle section in C major. The range is around two octaves and I have tried to keep all parts interesting with shared moments of melodic and rhythmic interest. It also has wide dynamic contrasts and heavy accents, along with legato and staccato phrasing, all of which are effectively used in this genre.The youtube link  has the full score so you can assess suitability.It is set to Intermediate level- it is 4 mins 40 in length and would make a lovely addition to any programme. Price is for the full score and all parts.
$14.50
Lament
Lament
Clarinet and Marimba
Intermediate/advanced level
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Terry Vosbein
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Lament
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Max Frank Music
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SheetMusicPlus
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16...
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1404871 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 16 pages. Max Frank Music #987900. Published by Max Frank Music (A0.1404871). The is ethereal 7-minute duet for bass clarient is a perfect showacse for these less-used instruments.PROGRAM NOTESDeep grief. Profound sadness. Feelings so immense that words do them no justice. It is at such junctures that artists often turn to abstract creative endeavors to facilitate process- ing the pain. There is frequently no option. As with the navigation of grief, this music has hopeful and even joyous moments. But despair is never far from the surface.Throughout the Lament the bass clarinet takes on the role of the mourner. The melodic lines are at times sad, confused, hopeful, prayerful, or even playful. There is a continuous sense of searching, for answers, for reasons, for a resolution that can never be. The marimba offers solace, empathy, compassion, and distraction to the dolorous melody.A tone of sorrow is established by the marimba with its evocative minor key introduction. The aria begins as the bass clarinet presents a plaintive expression of the main melody. Soon, a rhythmic mood settles in, the bass clarinet yearning and searching for answers, as the marimba offers support with jazz inspired harmonies. There are hints of melancholia, of nostalgia, even a very brief waltz, as the feelings spin freely.The tale ends as it begins, with a return to the opening sound world. A return to plainly stated sorrow, unadorned, pure, simple. After a final tender plea, bringing the bass clarinet quietly to its highest range, it descends to the depths, where it hoovers, pondering.PERFORMANCE NOTESTempi and phrasing are subject to the performersâ?? musical conception. Interpret this as one would Brahms: molto espressivo, and highly romantic.
$9.99
Be Still, My Soul - Full Score
Be Still, My Soul - Full Score
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Lorie Line
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Be Still, My Soul - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Level 2+ - Digital Download SKU: C7.CGB722 Composed by Lorie Line. Geseral. Full score. 32 pages. Chorister's Guild - Digital #CGB722. Published by Chori...
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Level 2+ - Digital Download SKU: C7.CGB722 Composed by Lorie Line. Geseral. Full score. 32 pages. Chorister's Guild - Digital #CGB722. Published by Chorister's Guild - Digital (C7.CGB722). UPC: 749193016831.This delightfully rhythmic original composition is very flexible. It may be played as a double-choir piece for handbell and handchime choirs or by handbell choir alone. The up-tempo meter alternates between 4/4 and 6/8, and the handbell part includes the use of mallets, ring touch, martellato, and martellato lift. A restful, lyrical middle section follows, using a new melody that begins softly then blossoms into a rich and glorious sound. The piece concludes in its original up-beat, rhythmic style. Te Deum Laudamus is translated as We Praise Thee, O God, making this piece suitable throughout the church year, as well as for festival or concert use.
$15.95
Te Deum Laudamus - Full Score and Instrumental Parts
Te Deum Laudamus - Full Score and Instrumental Parts
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Christmas
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Cathy Moklebust
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Te Deum Laudamus - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Triangle,Chime tree,Tamb,Sus Cym - Level 3+ - Digital Download SKU: C7.CGB728 Composed by Cathy Moklebust. Christmas. With Triangle, Chime tree, Tambouri...
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Triangle,Chime tree,Tamb,Sus Cym - Level 3+ - Digital Download SKU: C7.CGB728 Composed by Cathy Moklebust. Christmas. With Triangle, Chime tree, Tambourine, Suspended Cymbals. Score and parts. 24 pages. Chorister's Guild - Digital #CGB728. Published by Chorister's Guild - Digital (C7.CGB728). UPC: 749193016855.This delightfully rhythmic original composition is very flexible. It may be played as a double-choir piece for handbell and handchime choirs or by handbell choir alone. The up-tempo meter alternates between 4/4 and 6/8, and the handbell part includes the use of mallets, ring touch, martellato, and martellato lift. A restful, lyrical middle section follows, using a new melody that begins softly then blossoms into a rich and glorious sound. The piece concludes in its original up-beat, rhythmic style. Te Deum Laudamus is translated as We Praise Thee, O God, making this piece suitable throughout the church year, as well as for festival or concert use.
$13.95
Variations on Green Sleeves for Marimba Trio
Variations on Green Sleeves for Marimba Trio
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Dan Heslink
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Variations on Green Sleeves fo
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba - Digital Download SKU: A0.935377 Arranged by Dan Heslink. Christian,Christmas,Jazz,Latin. Score and parts. 21 pages. Pharaoh Publ...
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Small Ensemble Marimba - Digital Download SKU: A0.935377 Arranged by Dan Heslink. Christian,Christmas,Jazz,Latin. Score and parts. 21 pages. Pharaoh Publications #4967167. Published by Pharaoh Publications (A0.935377). Variations on Green Sleeves for marimba trio arr. by Dan Heslink This most ancient and loved British folksong can be found in hundreds of arrangements, but imagine it’s setting for percussion ensemble, or as a Caribbean salsa, or as an American jazz selection. All of these styles are explored with this extremely popular tune. This if one of two arrangements of Green Sleeves by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion quintet, follows similar musical contours and is available separately. It’s demands are at the intermediate level. This work will serve any concert or recital very well. It also brings the melody’s seasonal associations, for it is the tune to which the words What Child Is This is set. Audiences and performers will enjoy its modal cast and high variety of expressive content, ranging from evocative pastoral folksong, to rhythmic Latin dance and to the swinging climax.
$3.99
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It is very rhythmic. 
