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Living in America
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You've selected:
Living in America
Sheetmusic to print
40 sheet music found
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1
26
Living In America
Living In America
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Soul/R&B
#
James Brown
#
Austin Ralphson
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Living In America
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Austin Ralphson
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SheetMusicPlus
Small Ensemble Alto Saxophone,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563402 By James Brown. By Charlie Midnigh...
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Small Ensemble Alto Saxophone,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.563402 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Austin Ralphson. R & B. Score and parts. 28 pages. Austin Ralphson #3686293. Published by Austin Ralphson (A0.563402). Horn parts and synthesizer arranged as per the original for this classic disco / funk track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef. The trumpet and alto sax solos are fully notated, or can be improvised.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$14.99 ≈
14.02€
Living In America
Living In America
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James Brown
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Jim Farley - www
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Living In America
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1130817 By Jame...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1130817 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Jim Farley - www.arrangementsone.com. Funk,Hip-Hop,R & B,Rock. Score and parts. 56 pages. Jim Farley arrangementsone.com #731087. Published by Jim Farley arrangementsone.com (A0.1130817). Included: Directors score, Piano/Vocal, Guitar (chords only), Bass, Drums, Alto & Tenor Sax (identical), Trumpets I & II, Trombone. ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$50.00 ≈
46.78€
Living In America
Living In America
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Soul/R&B
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James Brown
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Chris Walden
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Living In America
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Chris Walden
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.708362 By James Brown. By Charlie Midn...
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Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.708362 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Chris Walden. R & B. Score and parts. 24 pages. Chris Walden #6029621. Published by Chris Walden (A0.708362). For male vocal in the key of C, 116 BPM, Duration: 4'30Instrumentation: trumpet, tenor sax, trombone, guitar, piano, bass, drums.
$12.99 ≈
12.15€
Another Day In America
Another Day In America
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Gospel/Spiritual
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Sacred music
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - Digital Download SKU: A0.621283 Composed by Steven Curtis Chapman. Arranged by S...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - Digital Download SKU: A0.621283 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535311. Published by Exultet Music (A0.621283). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for Bb-Trumpet and French Horn with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 ≈
4.67€
Another Day In America
Another Day In America
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Gospel/Spiritual
#
Sacred music
#
Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
#
SheetMusicPlus
Piano Quintet,String Ensemble - Level 2 - Digital Download SKU: A0.621288 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gosp...
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Piano Quintet,String Ensemble - Level 2 - Digital Download SKU: A0.621288 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 24 pages. Exultet Music #3535497. Published by Exultet Music (A0.621288). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as for a String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99 ≈
12.15€
Another Day In America
Another Day In America
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Gospel/Spiritual
#
Sacred music
#
Steven Curtis Chapman
#
Stephen DeCesare
#
Another Day In America
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.621280 Composed by Steven Curtis Chapman. Arranged by...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.621280 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535297. Published by Exultet Music (A0.621280). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for Flute and Bb-Clarinet with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 ≈
4.67€
Another Day In America
Another Day In America
#
Gospel/Spiritual
#
Sacred music
#
Steven Curtis Chapman
#
Stephen DeCesare
#
Another Day In America
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - Digital Download SKU: A0.621281 Composed by Steven Curtis Chapman. Arranged...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - Digital Download SKU: A0.621281 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535299. Published by Exultet Music (A0.621281). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for C-Instruments with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99 ≈
4.67€
Modern Dinosaur
Modern Dinosaur
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00 ≈
46.78€
Jingle Bells for Baritone Horn & Piano
Jingle Bells for Baritone Horn & Piano
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Christmas
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James Pierpont
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James M
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Jingle Bells for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
23.34€
Hoodoos 1, for alto flute and bassoon
Hoodoos 1, for alto flute and bassoon
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Contemporary
#
using the unconventional combi
#
Scott Miller
#
Hoodoos 1, for alto flute and
#
Scott A Miller
#
SheetMusicPlus
Instrumental Duet Alto Flute,Bassoon,Instrumental Duet - Level 5 - Digital Download SKU: A0.1026263 Composed by Scott Miller. 20th Century,Concert,Contem...
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Instrumental Duet Alto Flute,Bassoon,Instrumental Duet - Level 5 - Digital Download SKU: A0.1026263 Composed by Scott Miller. 20th Century,Concert,Contemporary. Score and parts. 5 pages. Scott A Miller #6116331. Published by Scott A Miller (A0.1026263). Hoodoos 1, for Alto Flute and Bassoon Facing Tunnel Mountain Across the Bow River Instrumentation: Alto Flute, BassoonDuration: 4 minutes 45 secondsHoodoos 1 draws on the experience of walking in the morning along the Hoodoos Trail near Tunnel Mountain Campground in Banff National Park, and seeing the Bow River valley brighten as the sun climbs past the peaks of the mountains to the east. By using the unconventional combination of alto flute and bassoon, Hoodoos 1 seeks to create impressions of the color, space, and magnitude of the vista, while it expands the chamber music repertoire for those instruments.This work is a suitable chamber work for advanced players. It features some extended techniques including pitch bending, sliding, and quarter-tones in both instrumental parts, and a percussive effect in the bassoon part. Hoodoos 1 received an Honorable Mention in the 2020 International Duo Symposium Composition Contest. Composed by Scott Miller, 2019 Recorded 2019 by Charmaine Bacon, alto flute and Scott Miller, bassoonScott Miller is an American composer living in Winnipeg, Manitoba.For more music by the composer, please follow 2XReeds on YouTube and Instagram.
$12.99 ≈
12.15€
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
2.48€
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music...
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95 ≈
60.76€
String Reflections 2-Digital Download
String Reflections 2-Digital Download
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String Reflections 2-Digital D
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). J...
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Digital Download SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich.Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.
Song List
: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
$26.95 ≈
25.21€
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 ≈
21.05€
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 ≈
14.03€
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