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51
Wynwood Walls
Wynwood Walls
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan...
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95 ≈
£26.38
Elegy
Elegy
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95 ≈
£4.62
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
£15.50
Colors Of The Wind
Colors Of The Wind
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Vanessa Williams
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Cindy Blevins
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Colors Of The Wind
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159057 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Cindy Bl...
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Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1159057 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Cindy Blevins. Broadway,Film/TV,Musical/Show. Individual part. 12 pages. Cindy Blevins #759314. Published by Cindy Blevins (A0.1159057). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.If you have a pianist in your life, there is a piano and tin whistle arrangement of this piece listed separately (I am not allowed to bundle them for reasons of copyright).
$4.99 ≈
£3.88
Colors Of The Wind
Colors Of The Wind
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Vanessa Williams
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brizae
#
Colors Of The Wind
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brizae
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1454434 By Vanessa Williams. By Alan Men...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1454434 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by brizae. 20th Century,Classical,Film/TV. 34 pages. Brizae #1033536. Published by brizae (A0.1454434). - Playing time: 3 min. 40 sec.- Arrangement: Woodwind quintet (Flute, Oboe, B-flat Clarinet, Bassoon, F Horn)- Score: Full Score + Part Score *This sheet music comes with two types of scores and parts, one in the original key (C# Major) and the other in D Major, a semitone higher. Also, the D major score is also included with the reading for clarinet in A.- Arranger: brizae (https://twitter.com/brizae_arranger).
$15.00 ≈
£11.65
7 Colors of the Rainbow, for Recorders, Orff Instruments & Piano
7 Colors of the Rainbow, for Recorders, Orff Instruments & Piano
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Rejean Marois
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7 Colors of the Rainbow, for R
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Marois Music Publications
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SheetMusicPlus
Small Ensemble Flute,Orff Instrument,Piano Accompaniment,Recorder - Level 2 - Digital Download SKU: A0.596639 Composed by Rejean Marois. Children,Instruc...
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Small Ensemble Flute,Orff Instrument,Piano Accompaniment,Recorder - Level 2 - Digital Download SKU: A0.596639 Composed by Rejean Marois. Children,Instructional,Standards. Score and parts. 117 pages. Marois Music Publications #2331977. Published by Marois Music Publications (A0.596639). $59.99 (US) complete set or $9.99 per piece. Great repertoire for music in the classroom. Seven original melodies written in varied styles for recorders, Orff instruments and piano (optional bass and drums parts included). Each piece can be perfomed with only the soprano recorder and piano parts. This collection offers, as you wish, the possibility to add the alto recorder part and, gradually, whichever Orff part in order to build an orchestra. All melodies are written on G-A-B-C-D for the soprano recorder, and C-D-E-F#-G for the alto. Audio files are available in a full recording and accompaniment versions; contact me at maroismusic@gmail.com Enjoy!
$59.99 ≈
£46.61
Colors Of The Wind
Colors Of The Wind
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Broadway
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Vanessa Williams
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Hannah Haefele
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Colors Of The Wind
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Hannah Haefele
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1101265 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Ar...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1101265 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Hannah Haefele. Broadway,Musical/Show. 20 pages. Hannah Haefele #704652. Published by Hannah Haefele (A0.1101265). After I sung Colors of the Wind for voice lessons, I fell in love with the song. So I decided to arrange it for a flute choir comprising piccolo, two C flutes, two alto flutes, and a bass flute. This piece is an excellent choice for a Disney concert or any other concert setting. You can play it one person per part or in a larger ensemble. I'd just recommend only using one piccolo since it can cut through the rest of the group. Have fun with this piece!
$19.99 ≈
£15.53
Colors Of The Wind
Colors Of The Wind
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Walt Disney
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Vanessa Williams
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Miranda Wong
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Colors Of The Wind
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Miranda Wong
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Piano,Trombone - Level 2 - Digital Download SKU: A0.520056 By Vanessa Williams. By Alan Menken. Arranged by Miranda...
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Small Ensemble Bassoon,Cello,Clarinet,Piano,Trombone - Level 2 - Digital Download SKU: A0.520056 By Vanessa Williams. By Alan Menken. Arranged by Miranda Wong. Contemporary,Soul. Score and parts. 2 pages. Miranda Wong #2930285. Published by Miranda Wong (A0.520056). Greatest Hits of Disney Song. Theme Song of Pocahontas. Lead Sheet in D Key with Chords. 1 Page. www.MirandaWong.com
$4.99 ≈
£3.88
Colors Of The Wind
Colors Of The Wind
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Walt Disney
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Vanessa Williams
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Miranda Wong
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Colors Of The Wind
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Miranda Wong
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Trombone - Level 2 - Digital Download SKU: A0.520058 By Vanessa Williams. By Alan Menken. Arranged by Miranda Wong....
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Small Ensemble Bassoon,Cello,Clarinet,Trombone - Level 2 - Digital Download SKU: A0.520058 By Vanessa Williams. By Alan Menken. Arranged by Miranda Wong. Contemporary,Soul. Score and parts. 2 pages. Miranda Wong #2930287. Published by Miranda Wong (A0.520058). Greatest Hits of Disney Song. Theme Song of Pocahontas. Lead Sheet in D Key with Chords. 1 Page. www.MirandaWong.com
$4.99 ≈
£3.88
le vol du bourdon
le vol du bourdon
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Abdelhakim HAMAZ
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le vol du bourdon
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Abdelhakim HAMAZ
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SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1018656 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Abdelhakim HAMAZ. Concert,Jaz...
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1018656 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Abdelhakim HAMAZ. Concert,Jazz,World. 55 pages. Abdelhakim HAMAZ #534831. Published by Abdelhakim HAMAZ (A0.1018656). Partition d'ensemble de saxophone + drums + Bass avec toutes les parties séparées, dans le style purement Jazzy avec des rythmiques et des harmonies de la musique actuelle et de jazz, conviendra pour des concerts de haut niveau et lors de représentation dans les festivals de jazz et de musique moderne. .
$22.99 ≈
£17.86
Toccata et fugue en ré mineur (BWV 565)
Toccata et fugue en ré mineur (BWV 565)
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Classical
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Johann Sebastian Bach
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Sam Bateman
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Toccata et fugue en ré mineur
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Sam Bateman
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. ...
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99 ≈
£6.21
QUINTETTE
QUINTETTE
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Ludovic SELMI
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QUINTETTE
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D-Project Co., Ltd.
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SheetMusicPlus
Alto Voice,Cello,Marimba,Violin - Level 5 - Digital Download SKU: A0.1415470 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 103 pages. D-...
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Alto Voice,Cello,Marimba,Violin - Level 5 - Digital Download SKU: A0.1415470 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 103 pages. D-Project Co., Ltd. #997204. Published by D-Project Co., Ltd. (A0.1415470). This is a piece for string quartet and marimba. The marimba is not a soloist but integrated into the ensemble. It's an instrument that resonates the wood directly, whereas string instruments make it vibrate. It's this blend that interested me.As for the piece itself, I started with cells, melodic melismas that I repeat, which transform like a sort of gigantic metamorphosis. There's a brilliant section in the middle, which is a bit like lace, organic and more raw than at the beginning. For the finale, the strings continuously vibrate open strings to give the impression of an orchestra tuning. Il s'agit d'une pièce pour quatuor à codes et marimba. Le marimba n'est pas soliste, mais intégré à l'ensemble. C’est un instrument qui fait raisonner le bois directement alors que les instruments à cordes le font vibrer, c'est ce mélange qui m'intéressait.Pour l'œuvre en elle-même, je suis parti de cellules, de mélismes mélodiques que je répète, qui se transforment comme une sorte de gigantesque métamorphose.Il y a une partie brillante au centre, qui est un petit peu en dentelle, organique et plus brut qu'au début. Pour le final, les cordes vibrent à vide en permanence pour obtenir l'impression d'un orchestre qui s'accorde.
$26.00 ≈
£20.20
The Squeak of My Grandmother's Chair
The Squeak of My Grandmother's Chair
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Peter Wixon
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The Squeak of My Grandmother's
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5047 Composed by Peter Wixon. Portraits, Parlors, Windows, Aged persons, Cats, Nostalgi...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5047 Composed by Peter Wixon. Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5047). Town and Country. Songs. No. 1. The Squeak of My Grandmother's Chair. Words and Music by Peter Wixon. Published 1889 by Chas. D. Blake & Co., 488 Washington St in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. First line reads There's a musical note that I loved long ago, when I was young and fair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.65
Finger Prints Upon the Pane
Finger Prints Upon the Pane
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Thomas P
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Finger Prints Upon the Pane
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.611 Composed by Thomas P. Westendorf. Parlors, Windows, Portraits, Infants, Children's ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.611 Composed by Thomas P. Westendorf. Parlors, Windows, Portraits, Infants, Children's furniture, Beds, Mothers & children, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.611). Finger Prints Upon the Pane. Words by Geo. M. Vickers. Music by Thos. P. Westendorf. Published 1879 by [W.F. Shaw] in n.p. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Windows, Portraits, Infants, Children's furniture, Beds, Mothers & children, Death, Grief. First line reads I had open'd wide the shutters of the long deserted room.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.65
I Fear Soon You'll Cease to Love Me
I Fear Soon You'll Cease to Love Me
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C
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I Fear Soon You'll Cease to Lo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4260 Composed by C.C. Williams. Parlors, Fireplaces, Photographs, Gaslight fixtures, Bo...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4260 Composed by C.C. Williams. Parlors, Fireplaces, Photographs, Gaslight fixtures, Bookcases, Quarreling, Time. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4260). I Fear Soon You'll Cease to Love Me. Words by Mrs. Cath. Sharpe. Music by C.C. Williams. Published 1878 by Ludwig Brother, 129 Fourth St. in Brooklyn, E.D. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Fireplaces, Photographs, Gaslight fixtures, Bookcases, Quarreling, Time. First line reads I fear you'll cease to love me soon my hair is turning gray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.65
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
£6.18
Ange Flégier: Au crépuscule for baritone voice and piano
Ange Flégier: Au crépuscule for baritone voice and piano
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Ange Flégier
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Ange Flégier: Au crépuscule
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Mu...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Musik Fabrik Music Publishing #2913373. Published by Musik Fabrik Music Publishing (A0.533410). A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In e minor. Duration: aprox. 4 minutesAnge Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.Dans le silenceLe bateau dortEt bord sur bordIl se balance.Seul à l’avantUn petit mousseD’une voix douceSiffle le vent.Au couchant pâleEt violetFlotte un refletDernier d’opale.Les flots déteintsOnt sous la briseLa couleur griseDes vieux étains.Alors la veuveAux noirs cheveuxSe dit: «Je veuxFaire l’épreuveDe mes écrinsDans cette glace.»Et la Nuit placeParmi ses crins,Sous ses longs voilesAux plis dormants,Les diamantsDe ses étoiles.
$9.10 ≈
£7.07
Ange Flégier: Le Manoir for baritone voice and piano
Ange Flégier: Le Manoir for baritone voice and piano
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Ange Flégier
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Ange Flégier: Le Manoir for b
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 1...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913661. Published by Musik Fabrik Music Publishing (A0.533424). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In d minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95 ≈
£9.28
Ange Flégier: La Poésie for baritone voice and piano
Ange Flégier: La Poésie for baritone voice and piano
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Ange Flégier
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Ange Flégier: La Poésie for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. M...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913673. Published by Musik Fabrik Music Publishing (A0.533426). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme à sa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore à sa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’à son désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis à ton tour, ô jeune poésie,De la première larme et du premier baiser!
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