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One More Time For Me for Large Harp
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You've selected:
One More Time For Me for Large Harp
Sheetmusic to print
6 sheet music found
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1
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
$34.58
ATON part 7-Duett von Eje und Pharao - tenor and bass voices, woodwind, harp, cello
ATON part 7-Duett von Eje und Pharao - tenor and bass voices, woodwind, harp, cello
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David Warin Solomons
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ATON part 7-Duett von Eje und
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - Digital Download SKU: A0.576185 Composed by David Warin Solomons. ...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - Digital Download SKU: A0.576185 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4565. Published by David Warin Solomons (A0.576185). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
$6.92
Call Me Maybe
Call Me Maybe
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Carly Rae Jepsen
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Amphibia Cultural Legacy
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Call Me Maybe
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percuss...
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Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Recorder,Steel Guitar,String Synthesizer,Suspended Cymbal,Treble Clef Instrument,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1204562 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Amphibia Cultural Legacy. Broadway,Disco,Musical/Show,New Age,Pop,Rock. Score and parts. 9 pages. Amphibia Cultural Legacy #803024. Published by Amphibia Cultural Legacy (A0.1204562). Call Me Maybe is a fun and catchy song that has played at countless parties since its debut in 2011. But have you ever heard it with additional instruments added? Amphibia Cultural Legacy took the original Carly Rae Jepsen hit and remixed it, adding drums, guitar riffs, and other elements to create an even more upbeat version that is perfect for celebrating.The new version of Call Me Maybe by Amphibia Cultural Legacy features a faster tempo than the original, making it ideal for dancing and getting your guests up. The added instruments give the song a fuller sound that will energize your partygoers from start to finish. This remix will surely be a crowd-pleaser that will keep everyone entertained throughout the night.As the end of the year approaches, many people are already looking forward to their New Year's celebrations. One key element of any successful party is the music, and Call Me Maybe by Amphibia Cultural Legacy is a perfect choice. Carly Rae Jepsen initially wrote this cover remix with additional instruments, but Amphibia's unique sound has given it new life.The song starts with a catchy beat that immediately gets people moving on the dance floor. Adding various instruments, such as trumpets and drums, adds depth to the track and makes it even more exciting. The lyrics also testify to the joyous spirit of New Year's celebrations - Before you came into my life, I missed you so bad - reminding us that we should cherish those we love during this time.
$80.00 ≈
$110.65
Ten Traditional Spirituals for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Ten Traditional Spirituals for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson Music
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Ten Traditional Spirituals for
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.5651...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565165 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Praise & Worship,Spiritual. Score and parts. 80 pages. Sharon Wilson #3500119. Published by Sharon Wilson (A0.565165). This collection contains 10 traditional spirituals arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for handbells on one part and Boomwhackers® on a second part (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part.Though this sheet music is notated for handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of each song. The staves are shown without sharps or flats for simplicity since even though some of the songs are actually written in the key of F or G major, no sharps or flats are used.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesEach of the 10 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection:Come and Praise the LordEvery Time I Feel the SpiritI Shall Not Be MovedI'm Gonna Sing When the Spirit Says SingI'm So Glad Jesus Lifted MeI've God Peace Like a RiverKum Ba YahRise and ShineWe Are Climbing Jacob's LadderWhen the Saints Go Marching InBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
$27.65
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
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Sacred music
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick....
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99 ≈
$22.12
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
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David Warin Solomons
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ATON part 1-Orchestermusik - w
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemp...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4553. Published by David Warin Solomons (A0.576179). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
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One More Time For Me for Large Harp
