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You've selected:
Parallel Line
Sheetmusic to print
24 sheet music found
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1
Parallel Lines (Acoustic Guitar & Piano)
Parallel Lines (Acoustic Guitar & Piano)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.1469468 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Sco...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.1469468 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 21 pages. Paul Barker Music #1047500. Published by Paul Barker Music (A0.1469468). Parallel Lines is a dynamic concert work for Acoustic Guitar and Piano inspired by minimalist stylistics which explores parallel motifs and angular themes. Scored to feature both players in the spotlight, this contemporary work is suitable for recitals, concerts and competitions. Performance Recording and Piano Accompaniment MP3 are available from www.paulbarkermusic.com and from the links below:Performance Recording MP3Piano Accompaniment MP3Level: Intermediate (Grade 5+ UK/Grade 2+ USA) Duration: 2:40 Occasion: Concert - Formal/Informal - Recitals - CompetitionsOrchestration: Acoustic Guitar - Piano.
$5.95
Parallel Lines (Electric Guitar & Piano)
Parallel Lines (Electric Guitar & Piano)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.1469462 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Sco...
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Guitar,Piano - Level 3 - Digital Download SKU: A0.1469462 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 21 pages. Paul Barker Music #1047488. Published by Paul Barker Music (A0.1469462). Parallel Lines is a dynamic concert work for Electric Guitar and Piano inspired by minimalist stylistics which explores parallel motifs and angular themes. Scored to feature both players in the spotlight, this contemporary work is suitable for recitals, concerts and competitions. Performance Recording and Piano Accompaniment MP3 are available from www.paulbarkermusic.com and from the links below:Performance Recording MP3Piano Accompaniment MP3Level: Intermediate (Grade 5+ UK/Grade 2+ USA) Duration: 2:40 Occasion: Concert - Formal/Informal - Recitals - CompetitionsOrchestration: Electric Guitar - Piano.
$5.95
Parallel Lines (Electric Guitar Performance Recording MP3)
Parallel Lines (Electric Guitar Performance Recording MP3)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Acoustic Guitar,Piano - Level 3 - Digital Download SKU: A0.1469464 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Fest...
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Acoustic Guitar,Piano - Level 3 - Digital Download SKU: A0.1469464 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Full Performance. Duration 149. Paul Barker Music #1047492. Published by Paul Barker Music (A0.1469464). Performance Recording MP3 of Parallel Lines.Score and Parts are available here.Piano Accompaniment MP3 is available here.
$5.95
Parallel Lines (Acoustic Guitar Piano Accompaniment MP3)
Parallel Lines (Acoustic Guitar Piano Accompaniment MP3)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1469472 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festiv...
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1469472 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Accompaniment. Duration 148. Paul Barker Music #1047505. Published by Paul Barker Music (A0.1469472). Piano Accompaniment MP3 for Parallel LinesScore and Parts are available here.Performance Recording MP3 is available here.
$5.95
Parallel Lines (Electric Guitar Piano Accompaniment MP3)
Parallel Lines (Electric Guitar Piano Accompaniment MP3)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1469466 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festiv...
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1469466 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Accompaniment. Duration 148. Paul Barker Music #1047495. Published by Paul Barker Music (A0.1469466). Piano Accompaniment MP3 for Parallel LinesScore and Parts are available here.Performance Recording MP3 is available here.
$5.95
Parallel Lines (Acoustic Guitar Performance Recording)
Parallel Lines (Acoustic Guitar Performance Recording)
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Paul Barker Music
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Parallel Lines
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Paul Barker Music
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SheetMusicPlus
Electric Guitar,Piano - Level 3 - Digital Download SKU: A0.1469471 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Fest...
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Electric Guitar,Piano - Level 3 - Digital Download SKU: A0.1469471 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival. Full Performance. Duration 148. Paul Barker Music #1047503. Published by Paul Barker Music (A0.1469471). Performance Recording MP3 of Parallel Lines.Score and Parts are available here.Piano Accompaniment MP3 is available here.
$5.95
Parallel Lines
Parallel Lines
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Joe Duddell
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Parallel Lines
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Schott Music - Digital
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SheetMusicPlus
Percussion (marimba, vibraphone and Crotales) and piano - Digital Download SKU: S9.Q5918 For tuned percussion and piano. Composed by Joe Duddell. ...
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Percussion (marimba, vibraphone and Crotales) and piano - Digital Download SKU: S9.Q5918 For tuned percussion and piano. Composed by Joe Duddell. This edition: score and part. Downloadable, Score and part. Duration 10 minutes. Schott Music - Digital #Q5918. Published by Schott Music - Digital (S9.Q5918). Parallel Lines was written for the acclaimed marimba player Colin Currie and brilliantly exploits his energy and panache. 10 minutes of fast, accessible music - an ideal showcase for any hungry marimba player!
$22.99
Parallel Lines
Parallel Lines
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Pop music
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Tunescribers
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Parallel Lines
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Tunescribers LLC
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SheetMusicPlus
Bass Voice,Drums,Guitar,Piano - Digital Download SKU: A0.1409834 Arranged by Tunescribers. Pop. 17 pages. Tunescribers LLC #64278. Published by Tunescrib...
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Bass Voice,Drums,Guitar,Piano - Digital Download SKU: A0.1409834 Arranged by Tunescribers. Pop. 17 pages. Tunescribers LLC #64278. Published by Tunescribers LLC (A0.1409834).
$15.95
Piano Trio in C minor, Op. 143
Piano Trio in C minor, Op. 143
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Morgen kommt der Weihnachtsmann
Morgen kommt der Weihnachtsmann
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Marianne Magolt and Willi Drat
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Morgen kommt der Weihnachtsman
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Schott Music - Digital
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SheetMusicPlus
1-2 flutes, guitar ad libitum - very easy - Digital Download SKU: S9.Q25961 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This...
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1-2 flutes, guitar ad libitum - very easy - Digital Download SKU: S9.Q25961 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This edition: Sheet music. Advent - flute - Christmas. Morgen kommt der Weihnachtsmann. Für 1-2 Flöten. Downloadable. Schott Music - Digital #Q25961. Published by Schott Music - Digital (S9.Q25961). German.Die bekanntesten Weihnachtslieder in leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Zusätzliche Harmonie-Symbole ermöglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungen sind möglich: 1. Stimme (Melodie): Querflöte I, Violine I, Viola I, Violoncello I, (Gesang) - 2. Stimme: Querflöte II, Violine II, Viola II, Violoncello II dazu: Klavier, Gitarre ad lib.Die bekanntesten Weihnachtslieder in leichten Sätzen für 1-2 Flöten für Unterricht und Hausmusik. In Kombination mit schon erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Begleitung mit Gitarre (ad lib.) möglich.
$11.99
Morgen kommt der Weihnachtsmann
Morgen kommt der Weihnachtsmann
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Marianne Magolt and Willi Drat
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Morgen kommt der Weihnachtsman
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Schott Music - Digital
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SheetMusicPlus
1-2 violas, guitar ad libitum - very easy - Digital Download SKU: S9.Q25960 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This...
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1-2 violas, guitar ad libitum - very easy - Digital Download SKU: S9.Q25960 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This edition: Sheet music. Weihnachten - Advent - Christmas - Viola. Morgen kommt der Weihnachtsmann. Für 1-2 Violen. Downloadable. Schott Music - Digital #Q25960. Published by Schott Music - Digital (S9.Q25960). German.Die bekanntesten Weihnachtslieder in leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Zusätzliche Harmonie-Symbole ermöglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungen sind möglich: 1. Stimme (Melodie): Querflöte I, Violine I, Viola I, Violoncello I, (Gesang) - 2. Stimme: Querflöte II, Violine II,Viola II, Violoncello II, dazu: Klavier, Gitarre ad lib.
$11.99
Morgen kommt der Weihnachtsmann
Morgen kommt der Weihnachtsmann
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Marianne Magolt
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Morgen kommt der Weihnachtsman
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Schott Music - Digital
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SheetMusicPlus
2 descant recorders, guitar ad libitum - very easy - Digital Download SKU: S9.Q25959 33 Christmas Songs. Arranged by Marianne Magolt. This edition...
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2 descant recorders, guitar ad libitum - very easy - Digital Download SKU: S9.Q25959 33 Christmas Songs. Arranged by Marianne Magolt. This edition: Sheet music. Advent - soprano recorder - Christmas. Morgen kommt der Weihnachtsmann. Für 2 Sopran-Blockflöten. Downloadable. Schott Music - Digital #Q25959. Published by Schott Music - Digital (S9.Q25959). Die bekanntesten Weihnachtslieder in leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Zusätzliche Harmonie-Symbole ermöglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungen sind möglich: 1. Stimme (Melodie): Querflöte I, Violine I, Viola I, Violoncello I, (Gesang) - 2. Stimme: Querflöte II, Violine II,Viola II, Violoncello II, dazu: Klavier, Gitarre ad lib.
$11.99
Morgen kommt der Weihnachtsmann
Morgen kommt der Weihnachtsmann
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Marianne Magolt and Willi Drat
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Morgen kommt der Weihnachtsman
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Schott Music - Digital
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SheetMusicPlus
2 cellos, guitar ad libitum - very easy - Digital Download SKU: S9.Q15638 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This e...
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2 cellos, guitar ad libitum - very easy - Digital Download SKU: S9.Q15638 33 Christmas Songs. Arranged by Marianne Magolt and Willi Draths. This edition: performance score. Advent - Cello - Christmas. Morgen kommt der Weihnachtsmann. Dieses Weihnachtsheft eignet sich besonders gut zum flexiblen Zusammenspiel durch Kombinierbarkeit der Ausgaben. Downloadable, Performance score. Schott Music - Digital #Q15638. Published by Schott Music - Digital (S9.Q15638). German.Die bekanntesten Weihnachtslieder in leichten Sätzen für Unterricht und Hausmusik, mit Illustrationen von Wilfried Blecher. In der Kombination mit parallel erschienenen Heften ergeben sich vielfältige Besetzungs- und Aufführungsmöglichkeiten. Zusätzliche Harmonie-Symbole ermöglichen auch eine Begleitung mit Gitarre (ad lib.). Folgende Besetzungsmöglichkeiten sind möglich: 1. Stimme (Melodie): Querflöte I, Sopranblockflöte I, Violine I, Viola I, Violoncello I, Gesang - 2. Stimme: Querflöte II, Sopranblockflöte II, Violine II, Viola II, Violoncello II - dazu: Klavier, Gitarre ad lib.
$11.99
Step In Time
Step In Time
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Walt Disney
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Richard M
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Keith McCauley
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Step In Time
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Cello,Choir,Double Bass,Drum Set,Electric Bass Guitar,Medium Voice,Synthesizer,Viola,Violin - Level 1 - Digital Download SKU: A0.1333789 Composed by Rich...
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Cello,Choir,Double Bass,Drum Set,Electric Bass Guitar,Medium Voice,Synthesizer,Viola,Violin - Level 1 - Digital Download SKU: A0.1333789 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Keith McCauley. Broadway,Film/TV,Musical/Show. 34 pages. Cantus Youth Choirs Publishing #920055. Published by Cantus Youth Choirs Publishing (A0.1333789). Cantus Youth Choirs presents Step in Time from Walt Disney's MARY POPPINS. This arrangement is for Bert and unison ensemble with heavy percussion and orchestral hits (sythensizer). All percussive choreo hits are paralleled in the drum set line. For Bert, unison ensemble, violin 1, violin 2, viola, cello, double bass, synthesizer (orchestra hits), electric bass, and drum set.
$24.99
Sahaf
Sahaf
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Chaya Czernowin
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Sahaf
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Schott Music - Digital
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SheetMusicPlus
Percussion (P. · Marimba · Mil. Tr. · Bamboo Chimes · Ocean Drum · 2 Triangle liners [Plastik] · Ratsche) (1 Spieler) saxophone (or clarinet),...
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Percussion (P. · Marimba · Mil. Tr. · Bamboo Chimes · Ocean Drum · 2 Triangle liners [Plastik] · Ratsche) (1 Spieler) saxophone (or clarinet), electric guitar, piano and percussion - difficult - Digital Download SKU: S9.Q6952 Drift. Composed by Chaya Czernowin. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6952. Published by Schott Music - Digital (S9.Q6952). 'Sahaf' is part of the cycle 'Shifting Gravity' in which the Israeli composer, known worldwide for her Mozart adaptation Zaïde/Adama, explores the laws of physics and their physical realization in a playful manner. In 'Sahaf' with its unusual instrumentation, a 'flurry' of selective incidents is increasingly parallelized until all instruments jointly imagine the powerful twirling of an oversized ratchet rattle.
$45.99
What Was I Made For?
What Was I Made For?
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Billie Eilish
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Adrian Horn
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What Was I Made For?
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1399110 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Adrian Horn. Film/TV,Pop. Brass Band. 40 pages. AJH Brass #982406. Published by AJH Brass (A0.1399110). Barbie (2023) is a hit comedy film based on the eponymous fashion dolls Barbie and Ken. Starring Margot Robbie as the title character and Ryan Gosling as Ken, it follows the duo on a journey of self-discovery through both Barbieland and the real world. Receiving the Oscar for Best Original Song in 2024, ‘What Was I Made For?’ was written by Billie Eilish and her brother Finneas for the film and it received universal acclaim, with many critics regarding it as one of the best songs of 2023, noting that the metaphors in the lyrics parallel Barbie’s plot beautifully. This arrangement allows your solo cornet or flugelhorn player to become Barbie themselves with its beautiful melody line subtely accompanied by the rest of the brass band.Parts included: Full ScoreBb SoloistEb Soprano CornetSolo Bb CornetsRepiano Bb Cornet / Flugel Horn2nd Bb Cornets3rd Bb CornetsSolo Eb Tenor Horn1st Eb Tenor Horn2nd Eb Tenor Horn1st Bb Baritone2nd Bb Baritone1st Bb Trombone2nd Bb TromboneBass Trombone (C)Bb EuphoniumsEb BassesBBb BassesDrum KitPercussion
$24.99
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David Warin Solomons: Five Poe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David W. Solomons: Five Poems
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contempor...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
Berceuse
Berceuse
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Contemporary
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Stephanie K
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Berceuse
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Stephanie K Andrews
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.990679 Composed by Stephanie K. Andrews. Contemporary. Score and parts. ...
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Small Ensemble B-Flat Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.990679 Composed by Stephanie K. Andrews. Contemporary. Score and parts. 15 pages. Stephanie K Andrews #5988991. Published by Stephanie K Andrews (A0.990679). Berceuse was written for the Dream Keeper concert performed by Inversion Ensemble, a new music collaborative in Austin, Texas, in March of 2019. It is, as the title suggests, composed as a soothing lullaby, with a gentle rocking motion in the piano throughout. The clarinet and violin take turns playing lush melodic lines, often in parallel sixths, the sixth being an interval associated with consonance and pleasure. In a world wracked with discord, it is hoped that this lullaby for listeners and performers of all ages may bring comfort and solace.
$2.00
Prayers from the Ark
Prayers from the Ark
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Alfred Koerppen
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Prayers from the Ark
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Möseler Verlag
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SheetMusicPlus
Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449-01 Composed by Alfred Koerppen. Choral score. Möseler Verlag #MOS 69449-01. Published ...
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Female choir (SSAA) and instruments - level 4 SKU: M2.MOS-69449-01 Composed by Alfred Koerppen. Choral score. Möseler Verlag #MOS 69449-01. Published by Möseler Verlag (M2.MOS-69449-01). ISBN 9790203755685.1955 erschien aus der Hand der franzosischen Nonne Carmen Bernos de Gaszold ein Gedichtband unter dem Titel Prieres dans l'Arche - Gebete aus der Arche. Diese Gebete werden den Tieren in den Mund gelegt, die mit Noah, in der drangvollen Enge der Arche vereint, das Ende der Sintflut erwarten. Die Dichterin folgt einer Tradition - man denkt an Asop, La Fontaine und Goethe - wenn sie im Wesen der Kreaturen Spiegelungen menschlicher Schwachen, Fehler und Tugenden erkennt. Denn die in der Wasserwuste gefangenen Tiere reden so fromm, furchtsam, selbstgerecht und banal, wie es menschlich ware. Und auch das Allzumenschliche - Hoffart, Leichtsinn, Neid - kommt zu Wort. Nur dass die Ichbefangenheit der betenden Tiere ihrer Unschuld keinen Abbruch tut. Ihre bedingte und bedrangte Natur findet Gedanken, die uns ein sympathisierendes Lacheln abgewinnt. Der Zyklus schien mir zur Vertonung geeignet, weil er ein religioses Thema unpratentios und originell vortragt und ein Stuck ermoglicht, das die ubliche Trennung zwischen weltlich und geistlich uberschreitet und Konzertsaal und Kirche in Anspruch nehmen kann. Zur Besetzung: Der Frauenchor muss aus den vier ublichen Stimmlagen 1. und 2. Sopran, 1. und 2. Alt bestehen, wobei auch noch Stimmteilungen vorkommen. In Nr. 9 Gebet der Taube wird noch ein (aus dem Chor zu bildendes) Soloquartett gebraucht. Der Instrumentalpart besteht aus einer Oboe und einem Streicherquintett (1. und 2. Violine, Viola, Violoncello und Kontrabass). Die Besetzung soll solistisch sein, kann aber bei den Streichern (und wenn die Klangbalance zum Chor dies wunschenswert macht) zu einem kleinen Kammerorchester erweitert werden. Der Charakter der Instrumente, ihre Techniken und Farben, erlauben mir realistische Klangmetaphern und physiognomische Parallelen - so, wenn das Cello im Duett mit dem Alt die hochmutige Giraffe in grossintervalligen Sprungen deutet, die rasende Geschaftigkeit der Ameise sich in schnellen Violinbariolagen ausdruckt oder die Oboe ein naturalistisches Rabengekrachz horen lasst. Der Zyklus beginnt mit dem Gebet des Noah. Man stelle sich das Gedrange und Geschrei vor, dass die Arche erfullt, die hochgehenden Wogen, den prasselnden Regen, und mitten darin den Urvater Noah, dem sich der Ausruf entringt: Herr, was fur ein Zirkus! Seine Ausbruche korrespondieren mit dem auf- und niederwogenden Streichersatz, bis der Sturm sich legt, die Wogen sich glatten und Noah in der mehrmals gedehnten Phrase Es dauert lange seine Ergebung und Hoffnung ausdruckt. Nach dem pharisaischen Gebet der Giraffe ergreift die Schildkrote das Wort. Ihr Instrument ist die Bratsche. Ihre schnaufende Kurzatmigkeit hindert sie, ihr Gebet zusammenhangend zu sprechen. Der fleissigen Ameise - sie erbost sich sehr uber die Grille, deren Wirtshausmusik sie unterbricht - folgt der Hahn mit hellen und scharfen Tonen. Er ist es, der die Sonne aufgehen lasst; man kann es in dem sich auffaltenden Klang der Coda horen. Der vergessliche Schmetterling taumelt in immer neu variierten Oboenfiguren durch die glasernen Sommerklange von Streicherflageoletts, bis es ihm einfallt, was er sagen wollte: Amen. Das Schwein bekennt sich zu seiner schnuffelnden und grunzenden Natur, die, von den Streichern mit rauhem Bogendruck gezeichnet, in der Coda durch eine stille F-Dur-Kantilene eine sonderbare Verklarung erfahrt. Vor uns die Sintflut ruft der Rabe, und sein durchdringender Oboenschrei ubertont das Wogen und Schwanken der Streicher, die hier Motive aus dem Gebet des Noah wieder aufnehmen. In der darauf eintretenden Stille bieten die Instrumente verschiedene Themen an, die folgenlos verschwinden - um nach dem Altsolo Die Arche wartet sich in einem ruhig-feierlichen a-cappella-Satz mit alternierendem Soloquartett wieder zusammenzufinden und das Werk in reinem Es-Dur beschliessen. Alfred Koerppen.
$11.95
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